For Kids

August New Releases!

By on August 1, 2018   /   Book Lists, Diversity, Fiction, For Kids, For Librarians, For Parents, For Teachers, For Writers, MUF Contributor Books, New Releases, Nonfiction  

In some parts of the country, school is almost starting. In others, there’s a whole month left of relaxation. No matter where you live or what August has in store for you, here are some great reads that are sure to make it a fun month!

We at The Mixed-Up Files are particularly proud to feature several August releases written by our members: Jonathan Rosen, Jennifer Swanson, and Karen Latchana Kenney. (Mouse over the book covers for purchase information.)

 

From Sunset Till Sunrise by Jonathan Rosen

Jonathan Rosen’s newest is a follow-up to the hilarious Night of the Living Cuddle Bunnies, the first of his Dexter books. The novel continues the story of Devin Dexter and his cousin Tommy after they’ve saved the city of Gravesend from the menace of magical, malicious Cuddle Bunnies brought to life by the warlock, Herb. But there’s no rest for the wicked, as a new mysterious neighbor moves in across the street. At night. With a coffin. Tommy immediately jumps to conclusions as he thinks this can only mean one thing: Vampires.

Devin isn’t so quick to believe, as he is struck by the neighbor’s daughter, a girl his age. Even though Tommy points out that they have never seen her during the day. Yet when she invites him to a dance at her school–the Nosfer Academy of Talented Understudies–how can Devin say no? Tommy, though, realizes that this is an opportunity. After tackling a wizard last winter, surely they can protect Gravesend from some measly vampires, right?

 

Bridges! With 25 Science Projects for Kids by Jennifer Swanson, illus. by Bryan Stone

From the Golden Gate Bridge in San Francisco to the Tower Bridge in London, bridges are a huge part of our life. But how are these amazing structures built? What forces keep it standing? What might cause it to fall down? And who decides which type of bridge to use?

In Bridges!, readers discover how these extraordinary feats of engineering are created, and apply what they have learned to hands-on, critical-thinking activities that include building different types of bridges, such as truss, cantilever, and suspension bridges, out of different materials and modeling different types of supports. They examine the natural forces that affect structure selection and appearance, and also learn about the types of support required for each. Trivia, cartoon illustrations, links to online videos and other sources, and clear diagrams round out this book and make it fun and interesting for class discussions. Following the guidelines set forth in the NGSS/NSTA engineering and design standards, teachers can feel comfortable using this book as a guide for targeted learning in their classrooms.

 

TV Brings Battle into the Home with the Vietnam War: 4D An Augmented Reading Experience by Karen Latchana Kenney

On-point historical photographs combined with strong narration bring the battles and controversies surrounding the Vietnam War to life. People saw the battles in real time, on the nightly news, changing forever how people viewed war.

Readers will see it as well, both in the text and in the accompanying video clips via the free Capstone 4D app, creating an augmented reality experience that brings the printed page to life.

 

Extreme Longevity: Discovering Earth’s Oldest Organisms by Karen Latchana Kenney

Meet the science experts who study specimens of extreme longevity in both the plant and animal kingdoms, such as the 80,000-year-old root system of Pando (a colony of male quaking aspens), 11,000-year-old deep-sea sponges, and 400-year-old sharks. Learn about technologies used to determine age and longevity, including DNA sampling, growth rings, and radiocarbon dating. See how scientists located these long-lived species were and why and how they resist disease and aging. And delve into how scientists are using what they know about aged plants and animals to research how we can promote longevity in humans.

 

 

City of Ghosts by Victoria Schwab

Ever since Cass almost drowned (okay, she did drown, but she doesn’t like to think about it), she can pull back the Veil that separates the living from the dead . . . and enter the world of spirits. Her best friend is even a ghost.

So things are already pretty strange. But they’re about to get much stranger. When Cass’s parents start hosting a TV show about the world’s most haunted places, the family heads off to Edinburgh, Scotland. Here, graveyards, castles, and secret passageways teem with restless phantoms. And when Cass meets a girl who shares her “gift,” she realizes how much she still has to learn about the Veil — and herself. But she’ll have to learn fast. The city of ghosts is more dangerous than she ever imagined.

 

Harbor Me by Jacqueline Woodson

Jacqueline Woodson’s first middle-grade novel since the National Book Award winner Brown Girl Dreaming celebrates the healing that can occur when a group of students share their stories.

It all starts when six kids have to meet for a weekly chat–by themselves, with no adults to listen in. There, in the room they soon dub the ARTT Room (short for “A Room to Talk”), they discover it’s safe to talk about what’s bothering them–everything from Esteban’s father’s deportation and Haley’s father’s incarceration to Amari’s fears of racial profiling and Ashton’s adjustment to his changing family fortunes. When the six are together, they can express the feelings and fears they have to hide from the rest of the world. And together, they can grow braver and more ready for the rest of their lives.

 

Resistance by Jennifer A. Nielsen

Chaya Lindner is a teenager living in Nazi-occupied Poland. Simply being Jewish places her in danger of being killed or sent to the camps. After her little sister is taken away, her younger brother disappears, and her parents all but give up hope, Chaya is determined to make a difference. Using forged papers and her fair features, Chaya becomes a courier and travels between the Jewish ghettos of Poland, smuggling food, papers, and even people.

Soon Chaya joins a resistance cell that runs raids on the Nazis’ supplies. But after a mission goes terribly wrong, Chaya’s network shatters. She is alone and unsure of where to go, until Esther, a member of her cell, finds her and delivers a message that chills Chaya to her core, and sends her on a journey toward an even larger uprising in the works — in the Warsaw Ghetto. Though the Jewish resistance never had much of a chance against the Nazis, they were determined to save as many lives as possible, and to live — or die — with honor.

 

Darius the Great is Not Okay by Adib Khorram

Darius Kellner speaks better Klingon than Farsi, and he knows more about Hobbit social cues than Persian ones. He’s a Fractional Persian—half, his mom’s side—and his first-ever trip to Iran is about to change his life.

Darius has never really fit in at home, and he’s sure things are going to be the same in Iran. His clinical depression doesn’t exactly help matters, and trying to explain his medication to his grandparents only makes things harder. Then Darius meets Sohrab, the boy next door, and everything changes. Soon, they’re spending their days together, playing soccer, eating faludeh, and talking for hours on a secret rooftop overlooking the city’s skyline. Sohrab calls him Darioush—the original Persian version of his name—and Darius has never felt more like himself than he does now that he’s Darioush to Sohrab.

 

Royal Crown by Meg Cabot

It’s the first coronation of a female monarch of Genovia in 200 years, and Her Royal Highness, Princess Olivia Grace Clarisse Mignonette Harrison, is giving you the inside scoop in this newest (illustrated!) diary from New York Times―bestselling author and illustrator Meg Cabot!

Olivia Grace Clarisse Mignonette Harrison should be having fun. Her best friend is visiting from America, her sister’s royal coronation is only three days away (the first coronation of a female ruler in two centuries), and she’s even got a new boyfriend who is actually a very smart and charming prince!

But it’s hard to celebrate when her royal cousins are scheming to take over the throne. And with everyone running around, Olivia and her friends have been saddled with royal babysitting duties. Then, to make matters worse, Olivia’s snobby cousin Luisa insists on gossiping about her, especially about things that should be personal . . . it’s none of her business whether Prince Khalil and Olivia have kissed or not!

 

Wonderland by Barbara O’Connor

Mavis Jeeter is fearless and bold, but she has never lived in one place long enough to have a real best friend. Her flighty mother has uprooted them again to another new home and taken a job as a housekeeper for the Tully family. Mavis wants this home to be permanent―which means finding herself a best friend.

Rose Tully is a worrier who feels like she doesn’t quite fit in with the other girls in her neighborhood. Her closest friend is Mr. Duffy, but he hasn’t been himself since his dog died. Rose may have to break a few of her mother’s many rules to help Mr. Duffy―and find someone who really understands her.

Henry has run away from home, but he craves kindness and comfort―and doesn’t know where to look for them. When Mavis and Rose hatch a scheme to find Mr. Duffy a new dog, their lives and Henry’s intersect―and they all come to find friendship in places they never expected.

 

Illegal by Eoin Colfer and Andrew Donkin, illus. by Giovanni Rigano

A powerfully moving graphic novel by New York Times bestselling author Eoin Colfer and the team behind the Artemis Fowl graphic novels that explores the current plight of undocumented immigrants.

Ebo is alone.His brother, Kwame, has disappeared, and Ebo knows it can only be to attempt the hazardous journey to Europe, and a better life―the same journey their sister set out on months ago.

But Ebo refuses to be left behind in Ghana. He sets out after Kwame and joins him on the quest to reach Europe. Ebo’s epic journey takes him across the Sahara Desert to the dangerous streets of Tripoli, and finally out to the merciless sea. But with every step he holds on to his hope for a new life, and a reunion with his family.

 

Echo’s Sister by Paul Mosier

Twelve-year-old El has planned on making her first week at a new school fantastic. She won’t go by her given name, Laughter. She’ll sit in the back of the classroom where she can make new friends. She won’t even have time to think about all the fun her old friends are having without her. Everything will be great.

But when her dad picks her up after school and tells her that her younger sister, Echo, has a life-threatening illness, her world is suddenly turned upside down. And with her parents now pressed for time and money, El feels lost and powerless.

Then she befriends Octavius, the only other kid in school who gets what she’s going through. As El begins to adjust to her new life, she soon finds that maybe a little hope and a lot of love can overcome any obstacle.

 

Just Breath by Mallika Chopra, illus. by Brenna Vaughan

Just Breathe is a fully illustrated go-to meditation guide written by Mallika Chopra, wellness expert and daughter of Deepak Chopra. For kids ages 8 to 12, this book is full of specific exercises to help deal with day-to-day challenges and tips to lead a healthier, happier, and more connected life. The book includes practical advice on breathing techniques and guided meditations for a number of topics and scenarios, including:

Dealing with stress; getting to sleep; building self-confidence; focusing on school/tests/other work; and ridding oneself of anxiety.

Beginners will learn the basics of meditation and how to get started, and those more experienced will learn how to improve their practice. This book will also teach kids how to prepare their own meditation spaces.

 

Finding Langston by Lesa Cline-Ransome

In a debut historical novel about the Great Migration a boy discovers Chicago’s postwar South Side and the poetry of Langston Hughes.

When 11-year-old Langston’s mother dies in 1946, he and his father leave rural Alabama for Chicago’s brown belt as a part of what came to be known as the Great Migration. It’s lonely in the small apartment with just the two of them, and at school Langston is bullied. But his new home has one fantastic thing. Unlike the whites-only library in Alabama, the local public library welcomes everyone. There, hiding out after school, Langston discovers another Langston, a poet whom he learns inspired his mother enough to name her only son after him.

 

Totally Middle School: Tales of Friends, Family, and Fitting In ed. by Betsy Groban

From literary masterminds Lois Lowry, Gary D. Schmidt, Linda Sue Park, Katherine Paterson, Karen Cushman, Gregory Maguire, and more comes a timeless and inspirational anthology about the sometimes-challenging, always-rewarding coming-of-age years: middle school.

With eleven short stories told in text messages, emails, formal letters, stories in verse, and even a mini graphic novel, Totally Middle School tackles a range of important subjects, from peer pressure, family issues, and cultural barriers to the unexpected saving grace of music, art, friendship, and reading.

Brimming with heart and humor, these poignant stories from bestselling and award-winning authors shine a light on the moments when everything is thrilling and terrifying at the same time–in a way it will never be again.

 

If This Were a Story by Beth Turley

Tenacious. That means strong-willed. My mother calls me that. I wish I felt the same way.

If this were a story, I would discover I was a direct descendent of a famous soldier who won countless battles and protected hundreds of people. This resilience running through my veins wouldn’t be damaged by the notes; it would fight off bullies and prevent my parents from yelling at each other.

But this is not a story. This is real life. My life as ten-year-old Hannah Geller, who is the only girl in fifth grade to have little red bumps on her face, is unable to let the sad thoughts escape her mind, and leaves heads-up pennies wherever she can to spread good luck. And who also finds magic in the most unlikely of places.

 

So Done by Paula Chase

When best friends Tai and Mila are reunited after a summer apart, their friendship threatens to combust from the pressure of secrets, middle school, and the looming dance auditions for a new talented-and-gifted program.

Jamila Phillips and Tai Johnson have been inseparable since they were toddlers, having grown up across the street from each other in Pirates Cove, a low-income housing project. As summer comes to an end, Tai can’t wait for Mila to return from spending a month with her aunt in the suburbs. But both girls are grappling with secrets, and when Mila returns she’s more focused on her upcoming dance auditions than hanging out with Tai.

Paula Chase explores complex issues that affect many young teens, and So Done offers a powerful message about speaking up. Full of ballet, basketball, family, and daily life in Pirates Cove, this memorable novel is for fans of Ali Benjamin’s The Thing About Jellyfish and Jason Reynolds’s Ghost.

 

Toaff’s Way by Cynthia Voight

Toaff is a small squirrel full of big questions. Why must I stay away from the human’s house? Why shouldn’t I go beyond the pine trees? Why do we fight with the red squirrels across the drive? His sister shrugs–that’s just the way things are. His brother bullies–because I said so. And the older squirrels scold–too many questions! Can Toaff really be the only one to wonder why?
When a winter storm separates him from his family, Toaff must make his own way in the world. It’s a world filled with danger–from foxes and hawks and cats to cars and chainsaws. But also filled with delight–the dizzying scent of apple blossoms, the silvery sound of singing, the joy of leaping so far you’re practically flying. Over the course of a year, Toaff will move into (and out of) many different dreys and dens, make some very surprising friends (and a few enemies), and begin to answer his biggest questions–what do I believe and where do I belong?

 

Finding Esme by Suzanne Crowley

After her grandfather died from a heart attack while driving his tractor on Solace Hill, twelve-year-old Esme’s been inextricably drawn to that spot, although her grandmother warns her to stay away. But when she follows her little brother, Bo, and her dog, Old Jack, up the hill while chasing fireflies, she makes an incredible discovery—dinosaur bones peeking out from underneath the abandoned tractor.

The bones must be a message from her grandfather, a connection from beyond the grave. But when word gets out that the farm is hiding something valuable, reporters, researchers, and neighbors arrive in droves. Esme struggles to understand who has her best interests at heart, especially as the memory of her grandfather begins to slip away.

Full of friendship and adventure, and featuring a palpable Texas setting, Finding Esme is a heartfelt story about family, friendship, and learning to deal with loss.

 

Monster Mayhem by Christopher Eliopoulos

In this funny, action-packed graphic novel adventure, a science-obsessed girl finds herself in the middle of one of her favorite monster movies. Can she invent her way out of disaster while also saving the monster who has become her friend?

Zoe’s favorite thing to do–besides invent and build robots–is watch classic monster movies. She has never been comfortable with kids her own age, and so she pretends she doesn’t need friends while inside she’s longing for connection. And then one day, Zoe finds a mysterious ring on her way home from school. She puts it on, gives it a twist, and–FRZAAKK There’s a massive burst of light The next morning, a familiar monster appears at Zoe’s window. He’s from one of her favorite kaiju movies, and he likes Zoe–he wants to be her friend. Has her secret wish been fulfilled? But it turns out that Zoe’s ring has brought more than just this friendly monster to life. More monsters have arrived, and they are hungry Now she’ll need to reach out to other people to help her save her town from destruction. Good thing she’s a robotics genius.

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South Asian Awards for Children and Young Adult Literature : Author Interview with Uma Krishnaswami

By on July 11, 2018   /   Articles, Author Interviews, Book Lists, Cross-Curricular, Fiction, For Kids, For Librarians, For Parents, For Teachers, For Writers  

APALA is a professional library organization dedicated to cultivating Asian Pacific American leadership through mentorship and professional engagement, advancing social justice, and providing opportunities for dialogue and networking to promote the needs of Asian/Pacific American professionals and those who serve Asian/Pacific American communities.

Every year, the association (APALA) honors and recognizes individual work about Asian/Pacific Americans and their heritage, based on literature and artistic merit. This year, author Uma Krishnaswami won the award in the children’s literature category for her book, “Step Up To The Plate, Maria Singh”.

 

Today at MUF, Uma talks about her award, her writing life over the years,  and some of the key diversity issues in children’s and young adult literature.

 

Congratulations on the APALA award, Uma! What was it like winning the award for Step Up To the Plate, Maria Singh?

Uma: It’s a tremendous honor. Writing is such a solitary occupation. Even after all the work that goes into writing a book and nurturing it through successive revisions, through the editorial process and all the way to publication, you never know whether anyone’s going to pay attention to it. A book isn’t complete until readers have read it, and children can’t choose a book until some adult has first placed that book on a personal or library shelf. So the APALA award was a tremendous vote of confidence for my book. I’m deeply grateful.

 

In your interview at Cynthia Leitich Smith’s Cynsations Blog, you mention that there is a groundswell movement with organizations like We Need Diverse Books and independent publishers like Lee & Low Books, Cinco Puntos Press, and Enchanted Lion to draw attention to diverse books as well as international and translated books. What are some initiatives that make these organizations and publishing houses effective?

Uma: Lee & Low was founded with a mission of diversifying children’s books, long before diversity became trendy. Their blog called early attention to the diversity gap in children’s publishing. Cinco Puntos is more specialized with its roots on the border of the US and Mexico, and they too have beautiful books like All Around Us by Xelena González and Rudolfo Anaya’s Elegy on the Death of Cesar Chavez.

To me, WNDB represents the next generation of writers and activists pushing for change. They are doing terrific work. They offer grants and awards for writers, retreats, internships in publishing, mentorships, book giveaways and they have been a powerful force in the movement to diversify not only books for young readers but the range of voices engaged in the creation and publication of those books. They are fierce and committed and they remind us that we can’t get complacent.

 

To what extent does incorrect representation of culture in diverse children’s books harbor the danger of inauthenticity and marginalize people of color?

Uma: I think it’s about complexity—being aware of how easy it is to resort to a stereotypical depiction of characters or a simplistic view of history. We have to be willing to do the work as writers to go beyond that, whoever we are. And we have to be respectful of the people we’re writing about, and aware of what our relationship is to those people. We have to know where our own boundaries and limitations lie. That is the best way to get around issues of inauthentic work. I’ll give you an example. There was a time when it was considered fine for a white writer to write an array of books, each set in a different country, each using a particular “foreign” culture as the driving plot element. So you’d have books getting rave reviews (we’re talking back in the 1990s) with, say, spunky girl characters, and all the settings would feel like tourist videos. The reviewers never got that, so who would even know, right? Well, young readers from those places, or from immigrant communities with roots in those places, would know. Of course they’d know. And they’d want to duck their heads under their desks when those books were being praised in classrooms. This certainly happened with books set in South Asian countries, written by well-meaning writers who’d never set foot in the region.

It’s changing. Publishers are more aware of the pitfalls of writing culturally specific books. But we can’t take our eyes off that target of diversity because it will keep moving and there will always be pushback.

 

From your experience of writing and teaching at Vermont College Of Fine Arts for many years, do you think the lack of adequate diverse representation in children’s and young adult literature is part of a broader set of issues relating to inclusivity?

Uma: Absolutely. Until diverse voices get included at every level—in student bodies and faculty at writing programs and retreats and conferences, and at every level of publishing—publishing and marketing and distribution choices will continue to be made with a narrow view.

 

What are some common misunderstandings and incorrect assumptions about South Asian characters in North America? How do you see South Asian literature developing in the US in the foreseeable future?

Uma: I wrote about that years ago, but to tell you the truth, I haven’t studied a bunch of books lately to see if those trends persist. Do Americans still think Indian kids go to school on elephants? I have no idea.

But as to your second question, relative to literature for young readers, I see some very exciting new work coming out from talented writers. I’ll mention just a few: Sayantani DasGupta’s middle grade novel, The Serpent’s Secret. Book 2 in that series is out next year. It’s a wonderful mashup of mythic fantasy drawn from Bengali traditions, rollicking adventure, and utterly contemporary kid sensibility. Ahimsa by Supriya Kelkar is historical fiction set against the backdrop of India’s independence movement. Nidhi Chanani’s graphic novel, Pashmina, takes on immigrant identity and the silence between a mother and a daughter with a fresh and genuine energy. I think what makes these books ring so true is that they come from deep, personal roots. In each, the author cares deeply about context and worldview, culture and connections. And so each is complicated, as all cultures are, but they’re not explained by the text. In each, the story comes first.

Not so much what I see but what I’d like to see: more YA, more humor—oh please, more humor! More stories for younger readers. Chapter books. Fantasy. Fewer oppression tales about girls fighting unjust societies.

 

What do you wish someone had told you when you were starting out as a writer?

Uma: What a good question. I had to think about this.

At first, I often felt misunderstood. Early on, someone once asked me why I didn’t just write about “regular” kids instead of always focusing on kids with Indian connections—as if that was somehow “irregular!” And the opposite as well—a few in the Indian community were affronted that I’d put a divorce into my first novel, Naming Maya, as if that reflected badly on us as an immigrant group or something. So I sometimes wonder if it would have easier if those criticisms hadn’t cropped up. But I don’t think so. They gave me something to push against, and in all they strengthened my resolve to keep going.

If anything, I wish no one had given me any advice at all. Much of the advice I did get about conflict, character development, story structure, and so on never fit any of the stories I was writing, which led to a lot of wasted time while I tried unsuccessfully to make my stories fit into boxes that weren’t built for them. In the end I did best when I dumped a lot of it and paid more attention to my own instincts.

To learn more about Uma and her books, visit her website at https://umakrishnaswami.org/.

 

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Interview with MG author Mary Winn Heider

By on July 9, 2018   /   Author Interviews, For Kids, For Librarians, For Parents, New Releases  

I had the privilege of meeting and working with Mary Winn Heider at a Highlights Foundation workshop this spring. Mary Winn’s debut MG novel, The Mortification of Fovea Munson was released last month. This delightful story features talking heads in a cadaver lab, a Grandma who will leave you in stitches, losing friends and making new ones. Mary Winn took time from her busy book tour to offer insight into her writing and her work with the Barrel of Monkeys theater program in Chicago.

The setting of The Mortification of Fovea Munson is a cadaver lab. I know you worked briefly at a medical university lab. Can you tell us about that experience and how it played into your story? Did you meet any talking heads?  ?

Ha! I didn’t meet any talking heads, thankfully! I did meet the non-talking kind, despite the fact that my job was ostensibly just to be the receptionist. My responsibilities (like Fovea’s) definitely became a little more involved during my time there!

The lab itself was both very inspiring and very weird, which is sort of a sweet spot for me. On one hand, the stakes were super high: every day that I went to work, I found myself considering my own mortality. And my grandparents donated their bodies to science, so it felt somehow extra personal. On the other hand, the whole thing was really absurd—I was making signs to remind people not to wear flip-flops while they practiced surgeries. I was ordering body parts online. Minor spoiler: in the book, Fovea accidentally orders 600 legs. I totally did that. So there I was, at this intersection of super high stakes and total absurdity—and it felt so perfectly like my experience of middle school. Deadly serious. Completely bananas. Totally right.

And then aside from the ordering…er…snafu, I drew on the details of the real lab a lot, especially the day-to-day logistics. We’d order the parts, keep them frozen until they were needed, and plan ahead so they could thaw for however long they needed to thaw. There was a bit of a scandal with one of our suppliers at one point, and watching that play out helped me think through the ramifications of the (very different) trouble in the fictional lab.

I loved all the humor throughout especially the anatomical references, and the Grandma, oh my goodness, what a hoot! Tell us a little bit about your inspiration for the humor in your characters.

Well, broadly speaking, I wanted to have the most fun possible in this world that was (in theory, anyway) all about death and dying. Also, I’ll admit that once you start with the anatomy puns, it’s like you actually can’t stop—I don’t understand what force of nature that is, but it’s so real. So real.

Fovea initially struggles with her parents’ occupations, and yet, the plot involves Fovea trying to save them from ruin. I think it’s a perfect reflection of that awkward time in child/parent relationships. One minute a child doesn’t want anything to do with you, and the next they are defending you as a parent. You credit your parents as “being the coolest” in the acknowledgements. Did you ever experience the tug and pull in your relationship with yours?

For sure—I think maybe it’s impossible to avoid completely? And that that’s a really good thing. We test the waters of independence and maybe they’re a little intense or not intense enough, and then there are all sorts of feelings on both sides. But inch by inch, we grow up that way. My parents and I were lucky and didn’t have a lot of straight-up conflict—more like the occasional growing pains.

Fovea’s friendships are at the core of the story. Did you have an Em or Howe in your life?

The summer before sixth grade, I had a friendship that ended before I was ready. Every part of it was more nuanced (and less gross!)—but at heart, I’d say it was the same dance. I lost a friendship, found myself and found other friendships. Just…sans heads.

Your imagination is incredible! I found myself marveling at the solutions you provided for Fovea for the many challenges she came up against in helping Andy, Lake and McMullen. Especially the scene in making their way to the recording studio, which brought forth one of my fondest stories from my childhood. Care to offer any insights as to where you came up with such creative scenes?

Oh, I love that the trip to the studio managed to do that! That makes me so happy!

One of the things that I really dig about writing for this age is the constant negotiation between what middle schoolers can do on their own and what they can’t. So in some ways, it’s just about necessity being the mother of invention: in that scene, Fovea can’t drive, but she’s got to cover some serious ground to the studio.

And actually, early on, there was a very complicated subplot about getting to the studio (involving a kid with seven stepmothers who each had their own food truck—I’m rolling my eyes at myself even as I type this). A writer friend graciously clued me in that it was super distracting. So I cut the whole thing, and in the process, discovered Grandma Van, who adds so much more to the story. So I find when I try to be outrageous, I get in my own way. When I’m just problem-solving within some slightly oddly-shaped given circumstances, the internal logic of the story guides me. So I think I’m saying that I have nothing to do with it? That’s probably right.

I know you are a graduate of the Vermont College of Fine Arts Writing for Children and Young Adults. Did Fovea’s story originate while you were pursuing your master’s degree?

It did! I got the cadaver lab job toward the end of grad school. Then I realized I should be writing about the lab just in time for my last workshop at VCFA, so they got the first twenty pages. They were fantastic, and asked me all the questions I needed at that early generative stage.

I’d love to hear a bit about your writing process. Do you write every day? Where? Home? Coffee Shop? Cadaver lab? Theater?

All of the above! I try to write every day, although I don’t really succeed. But I’m generally doing the artist hustle, so I write wherever I can, which has definitely included at home, in coffee shops, at the cadaver lab, and backstage in theaters all over Chicago. Sometimes even in costume between shows. I have a harder time writing when I’m memorizing lines—my brain isn’t great at learning other people’s words and building my own sentences at the same time, but once a show is up and running, it gets a little easier.

Please tell us about your experiences with the Barrel of Monkeys theater program!

Yay! Barrel of Monkeys is the best. It’s a Chicago-based theater company. We go into Chicago Public Schools, teach six-week writing residencies, and then adapt what the kids have written and perform it for them in their own schools. The program gives the kids space to be expressive right at a time when they’re getting slammed hardest with state testing. And then we reflect back to them what creative rock stars they are by treating their work the way we’d treat professional writers’ work.

I’ve been in the company for about ten years—it’s made up of professional actors and educators all over the city. And the kids are endlessly inventive and inspiring. A month ago, I was in a show and got to play a reckless, heart-broken volcano, a metal-singing devotee of a potato chip god, a monster drawing come to life, and, as part of a reinterpretation of A Wrinkle in Time, played Mrs. Mild Sauce alongside Mrs. Ketchup and Mrs. Honey Mustard. The kids are where it’s at.

Finally, I know you’ve been involved in some interesting work situations in addition to your work at a cadaver lab. Are any of these roles playing a part in your next work?

I’ve had a pretty strange run of jobs, but at the moment, no! Well— none of my work as an adult, anyway—I’m currently drawing on my very influential time as second chair French horn at Hand Middle School.

Thank you so much for your time!

Thank YOU!

 

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