Fiction

Beyond Shel Silverstein: Silly Poetry for Kids

By on November 7, 2018   /   Book Lists, Fiction, For Librarians, For Parents, For Teachers  

I feel I must clarify. I adore Shel Silverstein. Who doesn’t love “Sarah Cynthia Silvia Stout Would Not Take the Garbage Out”? Or “Ickle Me, Pickle Me, Tickle Me Too”? Great stuff. But I fear that children’s poetry, particularly funny poetry, begins and ends with dear old Shel. There is a whole world out there of funny poetry for kids, and some of it even gives Shel a run for his money. These are poems that evoke giggles and guffaws, that insist on being read aloud, and that are perfect for these evenings as the weather gets colder and we want to snuggle by the fire. Check them out! And if you have other suggestions for me, please add them in the comments. I am eager for a few new titles to grab on the next snowy Sunday.

Polka Bats and Octopus Slacks by Calef Brown

Georgie Spider catches flies but never eats the little guys. Instead he cooks them up in pies. He doesn’t use the legs or eyes or any artificial dyes . . . Not far from a greenish town, the Bathtub Driver is selling cut-rate imported shampoo. Georgie Spider serves up award-winning pies, while overhead on Highwire 66 there’s a small problem causing an acrobat traffic jam. Ed’s funny smell, Eliza’s special jacket – they’re all part of the picture in Polkabats and Octopus Slacks, fourteen stories about pesky snails, sleeping fruit, and one funky snowman. In the tradition of Edward Lear, Calef Brown has fashioned fourteen nonsense poems so zany that both young and old will be unable to suppress their laughter. Brown’s invented words and sounds and their visual counterparts create both an audible and a visual feast. This is the kind of silliness children relish.

I’m Just No Good at Rhyming by Chris Harris, Illustrated by Lane Smith

Meet Chris Harris, the 21st-century Shel Silverstein! Already lauded by critics as a worthy heir to such greats as Silverstein, Seuss, Nash and Lear, Harris’s hilarious debut molds wit and wordplay, nonsense and oxymoron, and visual and verbal sleight-of-hand in masterful ways that make you look at the world in a whole new wonderfully upside-down way. With enthusiastic endorsements from bestselling luminaries such as Lemony Snicket, Judith Viorst, Andrea Beaty, and many others, this entirely unique collection offers a surprise around every corner: from the ongoing rivalry between the author and illustrator, to the mysteriously misnumbered pages that can only be deciphered by a certain code-cracking poem, to the rhyming fact-checker in the footnotes who points out when “poetic license” gets out of hand. Adding to the fun: Lane Smith, bestselling creator of beloved hits like It’s a Bookand The Stinky Cheese Man and Other Fairly Stupid Tales, has spectacularly illustrated this extraordinary collection with nearly one hundred pieces of appropriately absurd art. It’s a mischievous match made in heaven!

What are You Glad About? What are you Mad About? by Judith Viorst

From the beloved and internationally bestselling author of Alexander and the Terrible, Horrible, No Good, Very Bad Day, Judith Viorst comes a collection of wry and witty poems that touch on every aspect of the roller-coaster ride that is childhood.

Did you wake up this morning all smiley inside?
Does life taste like ice cream and cake?
Or does it seem more like your goldfish just died
And your insides are one great big ache?

From school to family to friends, from Grrrr to Hooray!, Judith Viorst takes us on a tour of feelings of all kinds in this thoughtful, funny, and charming collection of poetry that’s perfect for young readers just learning to sort out their own emotions.

Scranimals by Jack Prelutsky, Illustrated by Peter Sis

We’re sailing to Scranimal Island,

It doesn’t appear on most maps….

Scranimal Island is where you will find the fragrant Rhinocerose, the cunning Broccolions, and if you are really, really lucky and very, very quiet, you will spot the gentle, shy Pandaffodil. (You may even hear it yawning if the morning’s just begun, watch its petals slowly open to embrace the rising sun.

So put on your pith helmet and prepare to explore a wilderness of puns and rhymes where birds, beasts, vegetables, and flowers have been mysteriously scrambled together to create creatures you’ve never seen before –– and are unlikely to meet again! Your guides –– Jack Prelutsky, poet laureate of the elementary school set, and two–time Caldecott Honor artist Peter Sis – invite you to join them on an adventure you will never forget!

The Popcorn Astronauts and Other Bite-able Rhymes by Deborah Ruddell, Illustrated by Joan Rankin

Take a bite out of the calendar with this cheerful collection of delicious seasonal poems, each one an ode to a favorite food

The daring popcorn astronauts
are brave beyond compare–
they scramble into puffy suits
and hurtle through the air.And when they land, we say hooray
and crowd around the spot
to salt the little astronauts
and eat them while they’re hot.

Dive into a watermelon lake and sing the praises of mac and cheese in this playful and poetic celebration of food. In spring, bow to the “Strawberry Queen” and eat “Only Guacamole.” In summer you’ll meet Bob the Ogre, who only eats corn on the cob, and in fall, you can learn “21 Things to Do with an Apple.” And then in winter, retreat from the cold at “The Cocoa Cabana ” Stellar team Deborah Ruddell and Joan Rankin deliver a whimsical celebration of the tastiest treats of life in this palatable poetry collection.

Ogden Nash’s Zoo by Ogden Nash, Illustrated by Etienne Delessert

A collection of verses about animals from the barnyard to the aquarium and the haunts of the lion and rhinoceros also includes verses about mythical animals.

Kate Hillyer is a middle grade writer and poetry lover who feeds her addiction by serving as a Cybils judge for poetry. She blogs here and at The Winged Pen. You can also find her at www.katehillyer.com and on Twitter as @SuperKate. 

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Diversity in MG Lit #2 India, Pakistan, & Tibet

By on September 14, 2018   /   Book Lists, Diversity, Fiction, For Kids, For Librarians, For Parents, For Teachers  
Asian literature is such a broad category that I will cluster books by geography. This month I’ll be featuring books set in India, Pakistan, and Tibet. I will focus on the stories of China and southeast Asia in a later post. Throughout this series I will try to focus on new books with a particular emphasis on debut authors and small or regional presses. Please share your favorite books about India, Pakistan, and Tibet in the comments.
  • MEET. YASMIN!by Saadia Faruqi, art by Hatem Aly, published by Picture Window Books and available in August 2018.
    • For the youngest MG readers, Pakistani-American Yasmin is going to be a real treat. She is a spunky, curious second grader with a fairly typical round of family and school-centric adventures. Her mother and grandmother are hijabis. She is not—as is common (but not universal) among Pakistani girls of this age. I appreciated the inclusion of live-in grandparents, including a grandfather in a wheelchair. The text of the story never mentions Yasmin’s ethnicity as an obstacle. The end notes contain some information about Pakistan, a short glossary of words in Urdu, a recipe for lassi and a craft suggestion. Large text, generous leading, and lively illustrations on every page make this a great choice for new readers. Saadia Faruqi has written short stories and essays for adults. This is her debut children’s book. Hatem Aly is the illustrator of the Newbery Honor winning Inquisitor’s Tale
  • RUNNING ON THE ROOF OF THE WORLD by Jess Butterworth, published by Algonquin Young Readers and available May 2018.

     

    • Here is a refugee story, an adventure story, a survival story and a mystery all in one. Most MG readers will have at least heard of the Dalai Lama but they are probably less familiar with the migration of thousands of Tibetan Buddhists over the Himalayas to India. Sam and Tash are two such refugees who flee to India when Tash’s parents are arrested for participating in the resistance to Chinese rule. They bring yaks on their journey. Twelve year old me would have read it just for the yaks. This one is on the easier end of the reading scale and it handles the brutality of the political situation in Tibet with a light touch—neither denying the violence nor giving it undue detail. I wish there was a map but otherwise this is a gem of book. It’s Jess Butterwoth’s debut novel.
  • AMAL UNBOUND by Aisha Saeed published by Nancy Paulson Books and available May 2018
    • Contemporary indentured servitude is far more common world wide than any government is willing to admit. It is hardly ever a topic of fiction even for adults, but Aisha Saeed has done a nice job of taking a topic full of brutality and monstrous injustice and fashioned it into a story that will arouse a readers conscience and compassion on the topic of slavery without crushing their spirit with to much brutal detail. Amal is a book-loving girl with dreams of higher education who is swept up by a local man who has the power of a feudal lord and made to serve as a maid in his home—an arrangement from which typically no-one returns. Amal is clever enough to get away and readers will rejoice in her escape.
  • THE NIGHT DIARY by Veera Hiranandani published by Dial Books for Young Readers and available in March of 2018.
    • Set in 1947 and told in diary entries addressed to her mother who died long ago, Nisha tells the story of how her half-Hindu and half-Muslim family decided to leave their home in response to the partition of India. Nisha is shy and her social circle is quite limited which, along with the diary format, makes this a more cerebral book than the others on this list. It’s an interesting slice of recent history that will likely be new to readers.
  • ARU SHA AND THE END OF TIME,by Roshani Chokshi published by Rick Riorden Presents and available in May of 2018.
    • Here’s a story in the Rick Riorden tradition of mythology come to life. Spunky middle school girl takes a dare she shouldn’t have while touring her friends through a museum of  Indian-American artifacts. Monsters are unleashed, pluck and cultural savvy are employed, the world is saved. It’s a romp any reader of the Percy Jackson books will love.
  • THE SERPANT’S SECRET: KIRANMALA & THE KINGDOM BEYOND  by Sayantani Dasgupta published by Scholastic and available June of 2018
    • This is probably my favorite book cover of the year. Love the colors and the girl with her bow and arrows facing down an army of snakes to save New Jersey. I feel like New Jersey is going to be okay. This is another fantasy based in Indian mythology with a sprinkle of romance and dollop of sass. I have some avid mythology readers at the shop and this was their favorite read of the summer
Lots of great books to choose from. If you’ve got a favorite I didn’t mention, please recommend it in the comments. Next month I’ll be featuring books from the Hispanic American experience.
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Writing and Illustrating Muslim characters in children’s literature: Interview and Giveaway with Author Saadia Faruqi and Illustrator Hatem Aly

By on August 10, 2018   /   Author Interviews, Book Lists, children's bookstores, Common Core & NGSS, Cross-Curricular, Diversity, Fiction, For Kids, For Librarians, For Parents, For Teachers, For Writers, Giveaways, independent bookstores, MUF Contributor Books, New Releases, Publishing & Promotion, STEM, Writing  

I am thrilled to interview Author Saadia Faruqi and Illustrator Hatem Aly and discuss their new book – Meet Yasmin!  Saadia and Hatem talk about their experience developing a story with a Muslim main character and why diversity in children’s books matters.

 

Saadia, Yasmin is a brave girl who has a big imagination and loves adventure. Why is it important for you to write/illustrate the story of an empowering ethnic minority character?

 Saadia: So far we’ve seen brown characters mostly in issues books. They typically face a problem – or issue – that directly relates to their identity. For instance a Muslim main character facing Islamophobia, or an African American main character experiencing racism. Although I do believe that those sorts of books are helpful to our understanding of critical social and political issues, it also means that minority groups are otherized further, they’re seen as different, or only viewed in the context of that issue. Yasmin is the antidote to this problem: a Muslim girl in America, a brown first generation American, who is perfectly normal and average, facing all the issues every child her age faces, and having the same happy disposition we expect to see from all our children. It was really important to me not to make Yasmin or her family “the other” – someone different because of their skin color or their religion or ethnic background. There is a sort of empowerment in that normalization that only minority groups can truly understand.

 

Hatem, was it important for you to take the author’s background into consideration while creating the illustrations in the book?

Hatem: It is important, However, I didn’t have to work so hard on being familiar with Saadia’s background since I can relate to many elements of her background already being brought up in Egypt and Yasmin’s family seems so familiar to me in a broader sense. I did work on bringing up some Pakistani visual elements but illustrating Yasmin went organically harmonized with the author’s experience and my own as well.

 

In the recent times, literary agents and publishing houses for children and young adult books have made an open call for submissions from Muslim authors and illustrators. Can you explain why it matters to include diverse characters in children’s and young adult literature?

 Saadia: It’s really crucial to have as much diversity in all sorts of literature, not just in terms of characters but also stories. I actually come from an adult literary background, and I see the same calls for diversity in that age group as well, and it warms my heart to witness these changes in publishing. The reason this matters so much is two-fold (and something we in kidlit talk about constantly): mirrors and windows. My children need a mirror. They need to see themselves reflected in the pages of the books they read. Growing up in Pakistan I didn’t have that. I read exclusively white stories, by white authors, and my worldview was shaped with an extreme inferiority complex because of that. I don’t want my children to have the same, and I know nobody else does either. Also, other children need windows. They should be able to read and enjoy books that show a different sort of family than theirs, a different culture than theirs. This is the only way we can have a younger generation that’s more empathetic and understanding and aware than our previous generations were.

Hatem: It is critically necessary to show diversity in literature of all ages and to express a wider range of life elements in people’s lives. In my work I sometimes pay attention to some things that bothered me as a child but also that I found intriguing. For example, I remember almost all comics and story books took place in a sort of a suburban –house per family- neighborhood and I felt strange finding nobody living in an apartment like myself and most of the millions of people in Cairo alone or at least everyone I know. So I felt alienated but amused from a distance longing for something I can’t define. It seemed to me there was a generic way of living that needs to be challenged and I couldn’t put my finger on the issue exactly until I was older. It’s important for children to see themselves and to see others as well in books.

 

How can parents, librarians, and readers help support books like Meet Yasmin?

 Saadia: The key is not only to read the book but to discuss it. You could use the back matter which has some really good discussion guides for students, and there is also an educator’s guide for teachers. Finally, and for me most excitingly, Capstone has some very cool downloadable activities based on Yasmin, which kids are going to love. I encourage parents, librarians and teachers to take advantage of those as much as possible.

Hatem: The best thing is to read the book, and share it with others! Personally I feel that the most powerful way is to read it to students or story time at public libraries as well as parents to their younger children. I find that helps building bonds between children and books.  I love libraries, so I ask everyone to walk into their local public library and suggest that they buy a few copies for their shelves. Most libraries have book suggestion tools for their patrons, either online or in person. The same goes for your child’s school library.

 

Who are your personal author/illustrator idols?

 Hatem: It’s more of an emergence of inspiration fueled by a mix of interesting people. Many names come to mind, and many I will forget. Some whose work I enjoy and admire are Bill Watterson, Tove Jansson, Maurice Sendak, Jon Klassen, Luke Pearson, Marc Boutavant, Sempé, Zep, Jillian Tamaki, Lynda Barry, Vera Brosgol, Hayao Miyazaki, Naoki Urasawa, Edward Gorey, Kate Beaton, Carson Ellis, Oliver Jeffers and many more.

Saadia: Some of my favorite writers are my own peers, because I believe writing is best done as part of a community. In early reader and picture books I admire Hena Khan who’s been a trailblazer as far as Muslim representation in kidlit is concerned, and really carved a space not only for herself but for others as well. In terms of illustrators, I’m actually a big fan of Hatem Aly, haha! I feel very blessed that he’s part of Team Yasmin because it’s so important for me to have a person doing the art who really understands what it means to be Muslim, and first generation, and sometimes “the other”. He really gets my stories in a way that I think another illustrator wouldn’t have, and I’m very grateful for that.

 

What can readers take away from Meet Yasmin?

Saadia: Readers will enjoy seeing themselves in Meet Yasmin, even if they are very different in superficial ways to Yasmin and her family. Yasmin is literally the every-girl, and her family is the same as every other family. With everything that’s going on politically in our country at the moment, I hope that Yasmin can help readers understand that Americans come in all colors, and that there’s beauty and worth in diversity, despite what they may hear in the news sometimes.

Hatem: I believe that readers will have fun with Yasmin and recognize similarities despite some superficial differences. They will be inspired to be curious, creative, and believing in themselves all the way even if things go wrong sometimes. There are a lot of lessons a child can learn, but there’s also a lot of entertainment which is so important to develop in this age group of readers.

 

For more about Saadia and her work, visit her website. You can also connect with her on Twitter.

For more about Hatem and his work, visit his website. You can also connect with him on Twitter.

Thanks, Saadia and Hatem!

 

Want to own your very own copy of Meet Yasmin? Enter our giveaway by leaving a comment below! 

You may earn extra entries by blogging/tweeting/facebooking the interview and letting us know. The winner will be announced here on Wednesday, August 15, 2018 and will be contacted via email and asked to provide a mailing address (US/Canada only) to receive the book.

 

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