Author Interviews

Spooky, Scary Stitchers

For those of you who love spooky, scary middle grade, I have a treat for you. The Stitchers (ABRAMS/Amulet 2020), by debut author Lorien Lawrence, releases this week, and alongside that spooky scary goodness, it’s SO. MUCH. FUN.

The Stitchers Cover

About The Stitchers:

Thirteen-year-old Quinn Parker knows there’s something off about her neighbors. She calls them “the Oldies” because they’ve lived on Goodie Lane for as long as anyone can remember, but they never seem to age. Are they vampires? Or aliens? Or getting secret experimental surgeries? Or is Quinn’s imagination just running wild again?

If her dad were still around, he’d believe her. When he was alive, they’d come up with all sorts of theories about the Oldies. Now, Quinn’s determined to keep the investigation going with the help of Mike, her neighbor and maybe-crush. They’ll have to search for clues and follow the mystery wherever it leads–even if it’s to the series pond at the end of the street that’s said to have its own sinister secrets. But the Oldies are on to them. And the closer Quinn and Mike get to uncovering the answers, the more they realize just how terrifying the truth may be.

Interview with Debut Author Lorien Lawrence

Welcome, Lorien Lawrence, to the Mixed-Up Files! As I often do, I shared your book with my son, who’s a middle grade and young adult reader.  He loved the Stitchers–which meant he and I got to collaborate on these interview questions.  NOTE: This interview has been edited slightly in order to group topics and transitions.

HMC: I am always curious about origin stories – where did you get the idea for the Stitchers?

LL I think I say this in another!er interview, but there’s nothing scarier than losing someone you love. I wrote this story after my dad suddenly died. I had just moved back to my hometown with my husband, and we would go for these really long walks and try to make sense of what happened. Eventually, my childhood streets brought back happy memories and feelings of nostalgia instead of sadness. And we started to play a “what if” sort of game, where we took turns wondering “what if that house was haunted?” or “what if that pond was magical?” Eventually, one of these “what ifs” turned into THE STITCHERS. So I guess writing Quinn’s story helped me come to terms with my own grief.

Writing About Loss for MG

HMC: (As you just mentioned,) your main character, Quinn, is coping with the loss of her father … and picking up where he left off, investigating the same mystery. Loss and fear are pretty scary subjects no matter how old you are … how did you balance respecting your middle-grade readers’ maturity with knowing when the subject matter needed to be age-appropriate?

Finding this balance was probably the most difficult part of the writing experience for me. I knew I needed to show Quinn coming through the other side, so to speak. She doesn’t miss her dad any less, but she learns how to live a new kind of normal. Her dreams continue, her friendships continue, even though she herself has changed. But the change isn’t all bad: she’s stronger. She’s braver. She’s more determined and more vulnerable. And she realizes that she’s still surrounded by people who love her.

Questions from HMC’s Son

HMC’s Son: What was your favorite part of this book to write? 

LL: Great question! My favorite part to write was the scene in the basement of the funeral home. I won’t give it away, but it was delightfully gruesome and fun to imagine!

HMC’s Son: What did you like most about Quinn? 

LL: Another great question! I like that Quinn is flawed. She lies. She hides the truth. She hides her true feelings. But these are things that normal 12 year olds do. And by the end of the book, she makes things right.

HMC’s Son: This book is the beginning of a series. Can you give us any hints about what is coming up next for Quinn and Mike?

LL: The next book in the series is called THE COLLECTORS, and it comes out next fall. It follows Quinn once again as she and Mike launch into a new supernatural investigation – but I don’t want to give too much away! 😊 I can say that it picks up directly where THE STITCHERS leaves off.

Stitchers Fan Art

                                                                                Stitchers Fan Art, by Elle Jauffret

Eternal Youth, Monsters, and Witches

HMC: Another interesting theme in your book is about the eternal quest for youth … and how it can make people do strange things. (!!) What takeaways do you think this element in your plot has for the middle-grade reader?

I think I was inspired by the day-old conundrum of kids wanting to be older, and adults wanting to be younger. In reality, we need to just learn to appreciate where we are in the moment.

HMC: In this book, I found lots of literary and theater connections, from Frankenstein to the Crucible. Did any of those influence your writing?

LL: Oh my gosh, I’m thrilled that you noticed! YES! I’ve always been taken with Frankenstein and The Crucible – really the whole idea that society creates the monsters, not the other way around.

Open Mic Question

HMC: What do you want us to know about The Stitchers that we haven’t asked?

LL: A quick fun fact: I have tiny clues hidden in THE STITCHERS and THE COLLETORS that hint towards future books in the series!

THE PANDEMIC QUESTIONS

HMC: I’ve begun a new line of pandemic questions in all my interviews because I’m curious about how we as kidlit authors are going to handle the pandemic in our writing going forward. You’re a middle school teacher in New England – will you be going back into the classroom to teach this fall, or will you be teaching virtually?

LL: As of right now, I still don’t know where or how I will be teaching. I am assuming that I’ll be teaching virtually as I did in the spring. I’m from Connecticut, and our state got hit with the virus early, so my school closed in early March and remained closed for the year. Whatever I end up doing, I’ll try to make the best of it!

HMC: How has the coronavirus pandemic affected your writing life?

LL: I grew up with (and still struggle) with anxiety, and writing has always been a coping mechanism for me. So I’ve actually been writing a lot! I wrote two new manuscripts during quarantine. I don’t know if these books will ever see the light of day, but it helps me to throw myself in a made-up world when times are scary.

HMC: Will Quinn and Mike have pandemic related conversations in your new book?

LL: This is a great question! I honestly don’t know the answer! They won’t be talking about it in the first two books in the series, but if I’m able to publish more adventures of Quinn and Mike, I’ll have to have a serious think about what to do with that. Maybe I’ll ask my students if they would be interested in reading about something so scary and recent. I’m sure they’ll have strong opinions either way!

((More about pandemic writing in this archived post on Writing Prompts for a Pandemic))

HMC: Thanks so much, Lorien. Congratulations on your debut and best of luck to you!

Debut Author Lorien Lawrence

Lorien Lawrence

Lorien Lawrence is a writer and middle school English teacher from Connecticut. When she’s not reading or writing, she can be found hunting ghosts with her family. The Stitchers is her debut novel.

Where to find the Stitchers:

  1. Bookshop.org
    1. Click on this link, then search for THE STITCHERS — or any other book.
  2. Amazon

Interview with Aliza Layne, Author of Beetle & the Hollowbones!

Hello Mixed-Up Filers!

Today, I am pleased to welcome to our site, Aliza Layne, author of the Graphic Novel, Beetle & the Hollowbones, from Simon & Schuster which came out on August 4th.

JR: Hi, Aliza and thanks for joining us today!

AL: Thanks so much for chatting with me!

JR: First off, for those who don’t know about the book, can you tell us a little bit about Beetle & the Hollowbones and where the idea for this story came from?

AL: Beetle is a story about a young witch whose routine of bumming around at the mall with her best friend is shaken up when she realizes that Blob Ghost not only is a kid living by themselves in a mall, but is actually trapped there by a wall of necro-energy. So when the mall is about to be torn down, the only thing to do is get B.G. out of there. Beetle has a lot on her plate with this and it doesn’t help that her crush might be evil! It’s a story about unforgivable birds, rowdy grandmothers and trying not to be awful at magic. The idea started with the characters, I made up some Halloween kids who had great chemistry and just figured everything else out from there!

JR: The crush is always evil! I learned that in high school. This started as a web comics, which you do a lot of as well, such as the popular Demon Street. What are the pros and cons of doing a web comic as opposed to a more traditional format?

AL: Webcomics are really incredible! Almost anybody can do one if they have an internet connection, a camera or a scanner, and a pen and paper. You find a place to put it up and you put it up! The problem with webcomics is, not to get too down to brass tax, that you don’t make very much money at it, usually. You also don’t have as much access to collaboration and editors so it’s difficult to put something out that’s super slick. And because people are generally not being paid enough for their time, most of them are passion projects that take a really long time to finish, because you have to focus on other stuff! But when it comes to showing everybody your raw talent, they can’t be beat. I see things being done in webcomics that are raw and weird and brilliant all the time and I wouldn’t trade my time in webcomics for anything!

JR: Much of the action takes place at a mall, which right there had me hooked. Malls were a huge part of my childhood. So much so, that I made it an important in one of my books, as well. What is it about a mall that appealed to you and also made you think it made for a good story?

AL: There’s this thing that’s happening to malls around the country that is SO spooky, where they are becoming the kind of gothic that’s really funny, because we DID used to have mall goths. For the benefit of your readers who might not know, in the late 1700s the genre of romanticism in literature gave way to the genre of gothic; that is to say, there was (I’m kind of paraphrasing here) a loosely-defined era where art dominated that had this focus on beauty and prosperity, followed by an era where a genre showed up in response to that. Beautiful castles and manors became spooky, crumbing ruins. Poetic heroes got twisted became wicked, bizarre creeps, and sometimes people who were the wicked, bizarre creeps of the story became poetic heroes! It was really cool! For people who grew up hanging out in malls, they used to have these pretty palace-like facades where you were supposed to spend money and forget what time it is, but in a lot of rural areas (and other places) they’re just kind of being abandoned and left to rot. So I think there’s so much room for a weird new kind of gothic there! What’s left to get all crumbling and nasty after the mall isn’t cool anymore? I also find the idea of treating this so seriously to be super funny.

 

JR: You used to work in a mall. What store, and did any of your experiences influence anything in this story?

AL: I used to work at a bookstore! The pumpkinhead person in chapter one is just me. At some point while I was working there, some teens upended a puck of yellow dinosaur slime onto the carpet in the back and it hardened into amber, I tried to chip it off the floor with a sticker scraper but I couldn’t even get the dinosaur out of it, let alone the whole dried puck. It’s STILL back there. I go back and visit the store sometimes if one of my friends is working there. They tried to hide the dinosaur slime puck, but I know where it is.

 

JR: Now I need to go search for dinosaur slime puck! I also read on your website, https://beetlebones.net/  that you’re known for your Halloween costumes. What are some of your better costumes, and what goes into making a great Halloween costume?

AL: The main thing about Halloween costumes is passion and it also helps to go with the classics. Last year I was a wizard, I made a big yellow and orange and pink beard out of needlefelt fiber and wore a pink wig and kids got a kick out of it! But a couple of years I have been a pumpkinhead, and THAT always gets em. I made the pumpkinhead costume myself out of half a carvable fake craft pumpkin carved into a jack-o-lantern face and full of those little electric tealights so it’d look like it was lit up, and I put some plastic netting inside so you couldn’t see in.

 

JR: That’s an awesome costume! Can you tell us a little bit about your writing journey getting to this point? 

AL: I cold-emailed for agents to represent my pitch for Beetle for about a year before I connected with Susan Graham, who I instantly bonded with over our shared love for illustrated novels. Susan was representing some of my friends, so I was happy to get to know them too! At that point it was a very traditional search for the right editor and the right publisher. We were lucky to connect with some really lovely people along the way! But before Beetle was ever a book, it was actually a cartoon pitch! You can still read my storyboards for it on my website.

JR: What’s your writing process like?

AL: I always start with the seed of an idea (or a character) and then go from there, keeping in mind a couple of things: the themes I want to touch on with the story (which make themselves known as I’m writing it) and how I can make it as satisfying as possible. I like to create stories that feel like they’re coming from the heart, so a good compass is whether the story I’m writing can evoke the same emotions in me as I mean for it to do in the reader. I pay attention to what makes me cry or pine or laugh or feel joy, and if I’m writing a scene that is meant to make me feel a strong emotion and it doesn’t, I need to find out why!

JR: What’s your favorite book from childhood?

AL: That’s such a difficult question! I think I’d be lying, though, if I said it wasn’t the first two Abarat books, by Clive Barker. They were exactly the books I needed the most when I was 12 years old, and the lush oil paintings that came in the illustrated edition of the book are still an artistic influence for me.

 

JR: What’s your favorite childhood movie?

Another super tough one! The first thing that comes to mind is Mirrormask, which is a movie I still love a lot, and another really big visual influence for me. I really respect the purity of the feelings in that movie, it was another one that felt like it had been made for me when I was 12/13. I love weird art about earnest feelings and I really respect the intense way that kids feel things, even when people don’t think they do, or aren’t paying attention to the fact that they do.

JR: I think that’s the first time we’ve got either of those answers, so it’s nice to be exposed to new things to check out. Something people would be surprised to learn about you?

AL: I’m a self-taught cartoonist! I got to learn a lot of disciplines going to college locally, but I learned all the cartooning I know from seeing things I liked and figuring out what worked about them. I’m really glad I got to learn watercolor and collage and sculpting and pottery, on top of being useful when I apply what I learned to the art I do for work, they’re all fun and fulfilling!

JR: That’s amazing that you’ve taught yourself! What’s the best piece of writing advice you’ve received and is there any advice you can give to writers looking to break in?

AL: Telling a story and writing for your job is only hard because life around it makes it hard. The pressure of trying to survive while you’re writing make a lot of people have to give up, and they don’t deserve to have to compromise that to stay alive. So if anyone reading is looking for advice: if you have to give up on writing for a while to survive, just understand that that’s because of the pressures of the world, not because you weren’t good enough. I’m lucky to be where I am, even when I’m struggling. Everything else about it is just working and making it happen.

JR: That’s great advice! What are you working on next?

AL: That’s a secret for now, but I’m excited and I hope readers will stick around!

JR: Can’t wait to find out! How can people follow you on social media?            

AL: I have a website for kids at beetlebones.net and twitter at @alizabees!

 

JR: Thanks again to Aliza Layne and make sure you go out and get Beetle & the Hollowbones!

A PLACE AT THE TABLE: FOOD AND FRIENDSHIP

A PLACE AT THE TABLE

I am so excited to talk about A PLACE AT THE TABLE (Clarion Books) today! I mean, who am I kidding, I always love to talk books … however, A PLACE AT THE TABLE is close to my heart. I’ve been friends with and admired authors Laura Shovan and Saadia Faruqi for years now, and Saadia is actually a former contributing author here at Mixed-Up Files, so getting to be a small part of their celebration for this work is exciting to me.

A PLACE AT THE TABLE

This collaboration between Saadia and Laura is simply lovely. A PLACE AT THE TABLE is a story of friendship, food, and fitting in, of family, connections, and trust. 6th graders Sara and Elizabeth are struggling to fit in at their middle school. Sara just transferred from the Islamic school she’d always gone to, and Elizabeth is facing a changing landscape of friends she’s always known. They wind up in the same cooking class together, one taught by Sara’s mother, and after a shaky start, wind up as cooking partners. The story of their growing friendship, the things they have in common and the things they learn about each other,  is peppered with recipes from Sara’s Pakistani culture and Elizabeth’s Jewish culture.

And guess what? Saadia and Laura shared one of those recipes with us! Woohoo! You’ll get a chance to make your own Sufganiyot as well as appreciate the lovely artwork by Anoosha Syed on the recipe card.

And now that you’re salivating, let’s meet Saadia Faruqi (L) and Laura Shovan (R):

Saadia Faruqi and Laura Shovan

Interview: A Place at the Table

Origin Story and Writing Process

Laura: I had a loose idea for a novel based on my own childhood: a girl helps her immigrant mother through the citizenship process. But when my agent suggested working on a co-authored middle-grade story, something clicked. If this mother/daughter story were told by two girls from two culturally different families, the book could give a broader picture of what it means to be first-generation American. I admired Saadia’s writing and she’d shared with me that she’d recently gotten her U.S. citizenship. It was so exciting when she said yes to this project.

Saadia: It really was this moment of serendipity! Laura and I knew each other through the kidlit world, and she’d kindly helped me with a previous novel critique, but that was the extent of our relationship. Then she had the idea of a novel about immigration, and I jumped at the chance to discuss my very strong feelings on the subject in book form!

HMC: What was your writing process?

Laura: We are very grateful for Google Docs! Since this is a collaborative novel, we had to create an outline first. We planned which scenes and chapters would be told in Sara’s point of view, and which ones belonged to Elizabeth. From there, Saadia and I alternated writing the chapters. We always read each other’s work and shared comments and questions before moving on to the next chapter.

Saadia: It was very interesting to write a book with someone else, that’s for sure! For myself, I can tell you it was a struggle initially to be patient and learn, rather than lead all the time, which are two of my biggest faults. Once I understood that this experience was not only going to be different but also wholly worthwhile to me as a writer, I relaxed a little bit. The process has been great thanks to the internet, and conference calls and so much brainstorming. I remember sometimes even writing together while on the phone with Laura, one person dictating and the other typing. It really made for a wonderful experience!

Friendship and Food

HMC: Cooking is what brings your main characters, Sara and Elizabeth, together—it’s also how they bond. Since the two of you don’t live near each other, did you do any virtual cooking together?

Saadia: We didn’t do any cooking together, only because I’m never a willing cook for anybody! While food is definitely a major part of this story, it’s not a major part of my life. But since we’d chosen Pakistani food as the backdrop of this book, it fell on my shoulders to at least participate in the cooking aspects as much as I could. So I’d find YouTube videos of each dish we wanted Sara and Elizabeth to prepare, and then Laura would cook it on her own to test it out. Often she’d share pictures on social media, and I’d wonder – like Sara – how anyone outside my community could enjoy the dishes of my ancestors. It’s been an eye-opening experience for sure, and I know Laura’s family has enjoyed being introduced to Pakistani food!

Fitting In

 HMC: Mrs. Hameed’s cooking class centered on South Asian food is also a part of how you explored some of your themes of bias and racism. Food is such an important part of culture and religion—and sometimes people can be mean about food unfamiliar to them. What do you hope your readers will think about as they read the cooking scenes?  

Laura: My hope is that readers will become more adventurous eaters after spending time with our book. I loved learning from South Asian YouTube chefs and trying out their recipes while researching A Place at the Table. As our editor said, food is often our first experience when we learn about a new culture.

Saadia: Which first-generation kid hasn’t been laughed at for bringing their stinky or weird lunch to school? It’s a heartbreaking part of immigrant life, and really the first step into disassociating with your culture in a new environment, especially for kids who just want to fit in. My hope with this book is that readers will learn to appreciate the food of other cultures, and understand that it’s something that can bring people together rather than make them stand out. 

HMC: NOTE TO OUR READERS  … don’t forget … at the end of this post, we’ve got a treat for you … Elizabeth’s Bubbe’s Sufganiyot recipe. It’s a jelly-filled donut. YUM.  

What Sara and Elizabeth Express

HMC: What was the most important thing for your character to express?

Laura: The most important thing Elizabeth expresses in A Place at the Table is speaking up when you know someone is hurting. She learns this from Sara, who makes it clear that being a friend means standing up for each other. Elizabeth is able to take that lesson and apply it to her home life, by advocating for her mother.

Saadia: I wrote this book to showcase my own children’s struggles with being first-generation kids, especially my son’s, who was in middle school when we started writing. So I wanted to express all the hurt and confusion that comes from that, but also give readers some insight into how to move past these challenges and have a positive middle school experience. 

HMC: What is the most personally meaningful part of each character’s journey?

Laura: Elizabeth’s story overlaps with my own childhood experience in many ways. Unfortunately, my mother didn’t have a close female friend to share the joys and challenges of being an immigrant with. It was especially meaningful to me to give Elizabeth’s mom a special friend in Mrs. Hameed.

Saadia: Personally, Sara’s journey towards more kindness and understanding of her own culture, and of her parents, is the most meaningful. We see her start out as a person who emotionally shuts herself away so she doesn’t have to deal with the drama at school, but she’s also hurting because there’s such a huge gap between herself and her parents culturally. It’s a common thing for first-generation kids to go through. To have Sara work through these conflicts was very important to me, because I hope my own children can do the same as they grow older. 

Coping with Stress

HMC: Elizabeth and Sara are coping with some pretty scary issues for children, including depression and financial worries, not to mention whether their mothers will pass the citizenship test. What do you hope readers will take from the way the girls coped with these stresses?

Laura: Saadia and I were part of a panel at NCTE 2019 focused on first-generation stories. One of the resources we shared was an education article that outlined several specific stressors that children in immigrant families cope with. These included mental health, finances, and loss of culture. Though A Place at the Table is a work of fiction, our aim was to accurately portray the challenges that first-generation kids experience. My hope is that readers, whether they are adults or children, will have a deeper understanding of those challenges and how they affect their students and peers.

Personal Connections

HMC: Laura, what about Elizabeth is most like you? And least like you?

I was tall and awkward (and into Doctor Who) as a sixth grader, but Elizabeth is much more brash and outgoing than I am.

((Like reading this interview with Laura Shovan? Click HERE to read another interview — from the Mixed-up Files archives.))

HMC: Saadia, what about Sara is most like you? And least like you?

I was very grumpy and prickly in middle school, just like Sara! But her artistic talents are something I could never emulate. 

((Like reading this interview with Saadia Faruqi? Click HERE to read another interview — from the Mixed-Up Files archives.))

HMC: Maddy is a challenging character. Was it difficult/painful to write her voice?

Laura: It was easy to tap into the shifting friendship story, because it’s one I experienced in middle school. The hardest part was showing why Elizabeth remained so attached to Maddy. Her view of Maddy had to change gradually through the book as Elizabeth developed a more mature view of what friendship means. 

Saadia: Maddy is, on the surface, every POC child’s nightmare! Someone who is popular and outgoing, but has loud, negative opinions about people who are different. However, we never wanted any of our characters to be cookie cutter ones, so it was important for us to explore Maddy’s motivations and give her some redemption. 

Open Mic

HMC: Open Mic Question – what else would you like us to know about Sara and Elizabeth or about A Place at the Table?

Laura: I would like you to know that I actually own Elizabeth’s TARDIS (from Doctor Who) high tops.

Saadia: I’d like you to know that Mrs. Hameed is a lot like me, except the cooking thing!

HMC: I absolutely love that you have those high tops, Laura. Coolest thing ever! And Saadia, I loved Mrs. Hameed’s calm, loving energy so much. Thank you both so much for doing this interview with me, and best of luck to you!

Laura Shovan

Author Laura Shovan

Laura Shovan – Author

 Laura Shovan’s debut middle grade novel, The Last Fifth Grade of Emerson Elementary, won several awards, including NCTE 2017 Notable Verse. Her novel Takedown was selected by Junior Library Guild and PJ Our Way, and was on the ALA’s Amelia Bloomer list of feminist books. A Place at the Table, co-written with author/activist Saadia Faruqi, publishes on August 11 (Clarion/HMH). Laura is a longtime poet-in-the-schools in Maryland. She likes to knit, bake bread, and doodle robots. 

Saadia Faruqi

Author Saadia Faruqi

Saadia Faruqi is a Pakistani American author, essayist and interfaith activist. She writes the children’s early reader series “Yasmin” published by Capstone and other books for children, including middle grade novels “A Place At The Table” (HMH/Clarion 2020) co-written with Laura Shovan, and “A Thousand Questions” (Harper Collins 2020). Saadia is editor-in-chief of Blue Minaret, a magazine for Muslim art, poetry and prose, and was featured in Oprah Magazine in 2017 as a woman making a difference in her community. She resides in Houston, TX with her husband and children. 

Launch Events and Finding A PLACE AT THE TABLE

A PLACE AT THE TABLE is available here:

  1. Bookshop.org
  2. Amazon

You can also attend these virtual launch events:

  1. Houston: Brazos Books, 8/8 at 3 pm Central Time
  2. Baltimore: The Ivy Bookshop, 8/11 at 6:30 pm Eastern Time

Anyone doing curbside pickup at the Ivy will receive some book swag.

Bubbe’s Sufganiyot Recipe

And now … at long last … the piece de resistance … the recipe for Elizabeth’s Bubbe’s Sufganiyot, featuring the artwork of Anoosha Syed.

Bubbe's Sufganiyot Anoosha Sayed