Author Interviews

Interview and 3 book + swag bag giveaway with Sarah Floyd

 

I’d like to welcome Sarah Floyd to the Mixed-Up Files blog.

Thanks so much, Mindy! This is a dream come true for me. I’m a huge fan of this blog!

 

Huge congrats on the launch of your debut middle grade novel! How did you come up with the idea for Butterfly Girl?  

Butterfly Girl, or at least the idea of flying, has percolated in my mind for as long as I can remember. As a child I often dreamed of flying (sleeping dreams as well as daydreams), and on one particularly windy day in kindergarten, I ran across the playground with my umbrella open and lifted two feet off the ground. If my umbrella hadn’t flipped inside-out, breaking its spines, I might have flown right over the rooftop! As a fourth grader, my friends and I tried to levitate. During lunch period, we sat cross-legged on our school’s tall lab tables, eyes closed in meditation, whispering “light as a feather” and waiting to float toward the ceiling, mind over matter. And in sixth grade we created wings out of cardboard and duct tape and ran down the hills of San Francisco (where I grew up), flapping our arms and trying to fly. None of our attempts were successful, but there was a delicious sense of almost flying, that the secret was ever so slightly out of reach. That secret, that mysterious missing ingredient, is magic—and that’s why the book’s main character Meghan can fly, and I still can’t!

 

What was the hardest part about writing Butterfly Girl?

Butterfly Girl literally woke me up at 5:00 every morning, demanding to be written. I navigated daily life distracted by thoughts of magic spells, wings, farming, paparazzi, frenemies, and first crushes. I became a master list-maker and relied on timers to pry myself away from the manuscript to take care of my family and other responsibilities. Some days my head was so full of characters chatting with each other and plot points twisting and turning that I could hardly fall asleep at night!

 

I love when a manuscript begs for attention like that!

What type of research did you have to do so we could experience circus and farm settings and what inspired you to include them in Butterfly Girl?

Most of the settings in my writing have a personal connection to my own life, although I often do additional research to support my understanding and add details. So, farm life and the circus both have a basis in my own history.

I spent my early childhood on the Big Sur coast of California, near the Salinas Valley, the most productive agricultural region in California. Farm life was all around me, part of the landscape. My best friend’s mom had a wonderful organic garden (smaller in scale but similar to Meghan and her grandfather’s garden), where I learned about composting, organic fertilizer, and the challenges and rewards of working the land. For accuracy in the book, I researched crops that would thrive in Oregon, where Butterfly Girl takes place, as well as bird species and geographical details that are specific to that state. The idea of terraced farmland came from the year I spent in Malaysia as a ten-year-old, where fields are often cut into the hillsides like terraces, which helps maximize irrigation and land use (it’s a method that some savvy organic farmers have also adopted here in the United States).

The circus element in the book comes from my current life in Florida—the Ringling Circus Museum is located in Sarasota, Florida, about an hour from where I live. It is the former winter home for that circus, and over time, many performers have settled in Florida year-round. There’s a strong sense of family within the circus community, which was a perfect fit for Meghan’s mom. The notion of her running off to join the circus came from a childhood memory of my teenage brother taking me to the circus . . . everything about it seemed magical and exciting, so different from anything I had ever experienced, and I remember him talking about how the circus moves from town to town, and often attracts runaways. He wondered who in the crowd might run away and join the circus that very night! That idea stuck with me—the circus was the perfect place for Meghan’s mom to disappear for a while, and it suited her spotlight-loving personality.  

 

Wow! I love seeing your connection to the settings in Butterfly Girl.

You weave in lots of senses and find unique ways to describe things that really make us feel like we’re there–things like baseball sized tomatoes, shiny red strawberries the size of a baby’s fist, and Greta’s eyes glinted like shards of green glass.

Can you share a writing exercise that will help students (as well as writers) dig deeper to find creative ways to make their prose pop?

This is a fun and easy exercise that taps into emotions to create vivid imagery. Later, students might label their sentences as similes or metaphors, or categorize parts of each sentence, but ideally this starts as a brainstorming session to unlock creativity and show students how to come up with fresh, vibrant imagery. Students can work individually, or if groups are preferred, they can collaborate by using a shared list or index cards to come up with their group’s sentences.  

 

Sensory writing exercise:

Combining sensory details with mood words is a great way to create more depth and emotion in your writing. A deeper emotional connection helps readers immerse themselves in the story by experiencing whatever your characters are feeling. Here’s how to get started:

  1. Make a list on the board or a sheet of paper, or use index cards to write one or two Sensory Details for each sense: sight, sound, smell, touch, and taste. Here are some examples:

Sight: sun beaming, the sky

Sound: my dog barking, birds chirping

Smell: bread baking, fragrance of wildflowers wafting on the breeze

Touch: velvet texture of moss, rain dripping onto skin

Taste: sour lemon, cotton candy

(“Taste” is tricky—along with taste words like sour, sweet, or salty, I sometimes use an actual food item to create the emotion I’m trying to convey, such as “cotton candy clouds,” a cheerful and pleasant image.)

  1. Make a list of Mood Words (things, not feelings) that match whatever emotion or mood you would like to create. So, for “happy,” my list might include:

a gold medal

a life raft

a heart

a cake

the summer sky (sky is on both lists—some words can be both sensory and mood words!)

  1. Now, mix it up! Combine a Sensory Detail with a Mood Word to express each of the five senses and create more emotional depth. Here are some examples:

Sight:

The sun beamed like a gold medal above the finish line as I rounded the final bend.

Sound:

Marley’s familiar bark echoed across the distance, a life raft in the storm.

Taste:

 Cotton candy clouds floated across the summer sky.

 

Sensory details combined with mood words will make your writing more vivid, emotional, and memorable. Try different combinations and see what happens! 

Thank you so much for that fantastic writing exercise!

If Meghan wanted to be anything besides a butterfly, what would it be…and why? What would you want to be?

Meghan wishes she could fly like a butterfly, but the wings she grows aren’t actually butterfly wings, although there’s a connection to butterflies—which I can’t talk about without spoiling. : ) The shape of her wings is reminiscent of a butterfly’s wings, but they are sturdy and flexible, with a leathery consistency, not delicate and fragile. If given a choice, she might have liked to grow bird wings, if it was only about flying . . . but from the author’s point of view, Meghan’s longing for wings and her connection to butterflies is also about her longing for independence, and about the transition from childhood to becoming a young woman—coming of age. So, even though bird wings would have worked, the idea of a butterfly’s metamorphosis from a crawling caterpillar to a joyful winged-creature seemed like a perfect fit on a meta-level, and was more emotionally resonant.

As far as what I would want to be, I would want to be myself, but with the ability to “think” myself airborne. When I fly in dreams, I just think myself into the air and suddenly there I am, flying. I love when that happens!

 

What’s something unique people don’t know about you?

I know how to ride a unicycle! I learned when I was eleven and my cool older sister received a unicycle for Christmas, which she promptly hid in the garage. The boys on my block laughed at my clumsy attempts to ride it, so of course I had to learn how! That stubbornness (let’s call it tenacity) helped me stick it out through many clumsy manuscripts and queries—thank you, trusty old unicycle! I passed the unicycle along to my young nephew—he was so excited to try it, and over time I realized I wasn’t riding it very often (my husband and son both have two-wheeled bikes, which are faster and more stable for the longer distances we travel together). It’s great to see someone else enjoying my old unicycle, and keeping it in the family means I still get to ride it once in a while. I will never completely turn away from that determined little girl who worked so hard to learn how to balance on one wheel.

 

I love how a unique activity when you were a child shows the determination that helped you become a published author!

Is there anything else you’d like our readers to know?

I have wanted to write for children since I was in elementary school, and finally decided to go for it when my now sixteen-year-old son was in kindergarten. I started with picture books and then branched out to include writing for tweens and teens. I’m happy to share that my first picture book will be released soon, Ten Clever Ninjas. It’s an incredible feeling to finally see some of my work making its way into the world!

 

Congratulations, Sarah! It’s great to see your childhood dream of being a children’s author come true. Thank you for stopping by the Mixed-Up Files and letting us celebrate with you.

Thank you so much for having me, Mindy! It has been an honor and a pleasure to chat with you! : )

 

To learn more about Sarah, stop by her website and follow her on Twitter.

 

Sarah has generously donated 3 signed copies of Butterfly Girl along with awesome butterfly swag bags which include bookmarks, stickers, tattoos, and other surprises!

 

Twelve-year-old Meghan is abandoned on her grandfather’s Oregon farm, stumbles on an ancestor’s magic spell book . . . and sprouts wings. When her absentee-mother shows up with superstar plans for her Winged Wonder Girl, Meghan must decide if a Hollywood life with the mother she longed for is worth leaving the friends who stood by her, and Grandpa, who loved her before the whole world knew her name.

 

 

 

2 signed books plus a cool butterfly swag bag for a teacher or media specialist

*1 book for a teacher or media specialist

*1 for their classroom, media center, or library

 
a Rafflecopter giveaway

A signed book plus a cool butterfly swag bag

a Rafflecopter giveaway

*These giveaways are good in the U.S. and Canada

Winners will be announced on Sunday, March 31. Good luck!

Author Spotlight: Sandy Stark-McGinnis

Full disclosure: Author Sandy Stark-McGinnis, author of the grippingly beautiful MG debut, EXTRAORDINARY BIRDS, and I share four things in common: 1. an agent (the incredible Patricia Nelson, of the Marsal Lyon Literary Agency); 2. an all-encompassing love for the iconic TV sitcom, The Golden Girls; 3. a penchant for cowboy boots (don’t judge); and, above all, 4. genuine friendship. Sandy and I “met” on Twitter last year and have been enjoying a back-and-forth flurry of messages—of support, encouragement, or just to vent—ever since. Today, I have the honor of interviewing Sandy, whose novel flies free from Bloomsbury on April 30. Enjoy!

MR: First off, Sandy, I need you to know how much I loved EXTRAORDINARY BIRDS. It gripped me from page one, and never let me go. I was also deeply moved by your main character, December—a truly remarkable heroine. Can you tell me a little about her, and what led you to tell her story?

SSM: December is a bundle of contradictions—that’s why I love her. She’s strong and knows how to survive, but is vulnerable and carries a lot of sorrow in her heart.

I had two inspirations that led me to write her story. One was students I’ve had through the years, and the other was a newspaper article that reported an incident where a mother, in a methamphetamine rage, physically attacked her young daughter. With December I wanted to explore how a child could endure an event like that. Where would she find the strength to keep going and find a better place, a place of healing?

MR: Obviously, birds are a major theme in your novel. December is obsessed with birds and flying, is fostered by a caring taxidermist named Eleanor, and keeps a journal/biography called Bird Girl: An Extraordinary Tale. What is it about the subject of birds that captures your heart and imagination?

SSM: Well, I thought birds and flight were perfect metaphors to use to explore how  December deals with her past.  And, I’ve always wanted to try and write a realistic story about a child who believes she/he can fly.

MR: Along these lines, December has an encyclopedic knowledge of birds, with facts and figures flying off every page. What kind of research did you have to do to make December’s interest in the subject authentic?

SSM: My researched focused on specific birds. December uses her knowledge of them to navigate her way through the world. So, the hard/fun part was exploring specific birds and their behaviors,  and using them to parallel December’s own interactions with people and/or situations in which she found herself.

MR: December is a foster child who has suffered extensive trauma and physical abuse in her young life. You handle this topic with great sensitivity and care. What was your approach to understanding the subject of abuse, as well as December’s mindset as a foster child? Was extensive research involved?

SSM: To get inside December’s head and heart, I focused on how she dealt with her own tragedy. I started from there and then spent a lot of time trying to find her voice and cadence, her perspective of the world based on her past experiences. Once I knew what motivated her, it was easier to capture her inner-life and how she responded to events that happened to her. When I had specific questions about foster care, I found someone who worked in the California system who generously took the time to answer any questions I had. Most of the inquiries had to do with making sure December’s experience was authentic.

MR: At school, December develops a strong friendship with Cheryllynn, a spunky transgender girl who stands up for December when she is bullied. December has never had a real friend before, and she has a hard time letting Cheryllynn into her heart. Can you tell us a bit about Cheryllynn, and her role in December’s story?

SSM: Cheryllynn is a heroine too. She, like December, is vulnerable and strong, but she’s more grounded than December. I think because she has roots—a home, a mom who is there for her—she’s able to navigate who she is and her own conflicts with honesty and a trust that December has to learn is possible.

MR: I know you’re a fifth grade teacher, as well as a mom to two young children. How do you balance work, parenting, and writing? What does your writing routine look like?

SSM: The only quiet time in my house is in the morning. I wake up at four o’clock—five o’clock on weekends—and write. I’m a morning person so it works well for me. Thirteen years as a competitive swimmer—getting up for practice before school every day of my high school years—trained me to have the discipline I needed to keep a consistent schedule.

MR: Can you tell us about your path to publication? Was it a straight shot or a long and winding road?

SSM: It was definitely long and winding. From the time I started writing Extraordinary Birds to when Patricia Nelson made an offer of representation was about five years (And in those five years, I sent out around fifty queries and revised many  times.) Then, Patricia and I took another year and a half for revision before Allison Moore at Bloomsbury made an offer.

MR: And finally, I know you’re a huge Golden Girls fan.  Who’s your favorite character, and why? Do you have a favorite episode?

SSM: Ugh. This is hard, but I think my favorite is Rose. She’s the character who always surprised me, and made me laugh the most.  And, she was a storyteller!  I don’t have a favorite episode, but anytime Rose started to tell a story about living in St. Olaf…Well, just hilarious!

MR: Thanks for chatting today, Sandy. It was a pleasure to have you on Mixed-Up Files!

SANDY STARK-McGINNIS is a debut author and award-winning poet whose work has appeared in Quercus ReviewIn the Grove, and Penumbra. She holds an MA in creative writing from San Francisco State University. Sandy lives with her husband and children in California, where she teaches fifth grade. You can find Sandy at her website and follow her on Twitter and Instagram

Children’s Authors Travel to Israel and Inspiration Blooms

Leslie Kimmelman in Israel

 

 

 

 

 

 

                                         Author Leslie Kimmelman has just returned from a tour of Israel, as one of eighteen  picture book and middle grade authors sponsored by the  PJ Library Organization. I wondered what a trip with so many creative and zany minds would be like. How would Israel look through their eyes? What details did they see that might go into a book? Did they come up with story ideas? Leslie is one of the most creative people I know and I couldn’t wait to ask when she returned.

Annabelle: Was there a single experience that you would like to share with young readers?

Leslie:Every single experience was a revelation–I think one of the most important things in life is to let go of preconceived notions as much as possible and be open to new adventures. The trip was everything I expected, only in the sense that it was an incredible trip. But it opened my eyes and enriched me in ways I never could have anticipated. You can see how meaningful the trip was to me by counting my (over)use of adjectives in answering your questions!         

Annabelle: What surprised you the most? How would you explain or dramatize it in a book?

Leslie: I’m not up to that yet–still processing everything that happened, and waiting to see what rises to the top. I will say that two things stood out to me. The first was how moving it was to be in a place with thousands and thousands of years of history. I am a huge history enthusiast, but I don’t think I’ve ever felt so strongly that feeling of walking in the steps of civilization after civilization–civilizations that thrived, then were gone, then replaced by another, and so on. Particularly in Jerusalem. We had an underground tour that gave me goose bumps. Being connected to the generations that came before us is one of the most compelling traditions of Judaism, I believe, but in Israel I felt that in a visceral way. I’m trying to get over the feeling that I may not have the words adequate to describe what I experienced. (Not something a writer wants to feel!) 

The second thing that struck me quite strongly and unexpectedly is how many disparate communities make up the country. Standing in Jerusalem and seeing and hearing so many different cultures, all at the same time–a bar mitzvah at the Kotel, the call to prayer from the minaret, the holy places of Christianity. I am not diminishing the very considerable problems of these groups living together in close proximity, but it was amazing to see. We also toured an extremely impressive school where Jewish and Arab children learn together in both languages. The person who showed us around and does outreach for the school is from, improbably, New Jersey. Either of these two themes would be a good underpinning for a children’s book.

Annabelle: Wow, agreed! So was traveling as a group of writers like being in an idea laboratory? Did you and your colleagues bounce ideas off each other?

Leslie: It wasn’t so much that we bounced ideas of each other, though there was some of that. It was more that we were experiencing all of these new and fantastic adventures in the company of a group of incredibly talented and thoughtful people, who just happened to also be children’s book authors and artists. (And did I mention funny? There were definitely a lot of really funny people on the trip.) It was exciting to be able to see each new experience through the eyes of so many interesting colleagues. Everyone had a different take, something to add.  As far as specific ideas go, I think we were all too busy taking it in to formulate specific ideas. At least, I was…. I can’t wait to see what kind of books this trip inspires from everyone.

Annabelle:Neither can I! Now tell me –did anything unexpected happen?

Leslie:  Everything was unexpected, especially for me, as I’d never been to Israel before. The trip was planned so beautifully. It approached Israel from every possible perspective: historical, archaeological, political, cultural, aesthetic. Each experience added to the mosaic. We got to do things that even Israelis don’t get to do–like a behind-the-scenes, close-up look at the Dead Sea Scrolls. That was very emotional. Kayaking on the Dead Sea was magical: The Israelis I spoke with didn’t even know that was a possibility! Celebrating Shabbat in an Israeli home (we divided into groups of three authors per home) was inspiring. From a purely practical standpoint, nothing unexpected happened, which was kind of unexpected! No one got lost or sick–oh, except that one person’s luggage didn’t arrive with the rest. (He was a really good sport about it.) Mostly everything went like clockwork. Everyone got along as if we’d known each other for years. Pretty awesome.

Annabelle: What stood out about the culture? In writing about it, would you focus on history, food, music, art, or something else?

Leslie: Again, I think the history and the multicultural aspect resonated most with me. I definitely want to find out more about some of the people who loom large in Israel’s history. We saw the kibbutz home of David Ben Gurion, the first president of Israel, and it was remarkably modest. But check back in a few months. And I have to add: The food was excellent, too!

Annabelle: Thanks, Leslie. I can’t wait to see how this experience blossoms into one of your books!

Leslie Kimmelman’s latest books are BELLY BREATHE, A VALENTINE FOR FRANKENSTEIN, and WRITE ON, IRVING BERLIN, a Sydney Taylor Notable Book.