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Strengths and Weaknesses

I’ve loved writing ever since I can remember—I wrote poems and stories at home, and it was my favorite part of school (and not just because I usually received A+ on my writing assignments). When I started writing middle grade novels, I was surprised that my talents weren’t enough. I think I do a great job of coming up with ideas, and creating fun, vivid characters, but I didn’t realize that most writers have at least one area they have to work on way harder than the rest. For me, that was plot. I kind of masked my problem, because I was able to add tension to my manuscripts by always considering the worst thing that could happen to my characters…but that wasn’t enough to create a full, exciting arc that could propel readers through an entire novel. I’m always working on finding ways to improve my writing, and am thrilled to see how much stronger my plotting is now.

I’ve never been a fan of outlines, but I realized that just knowing the beginning, ending and some possibilities for the middle, plus character sketches, wasn’t enough. After studying plotting, I found a method that works great for me. It’s a Plot Clock, created by writing coach and mentor, Joyce Sweeney, and breaks the novel up into four acts, starting in the normal world, which prevents me from jumping into the middle of a situation before readers care about my characters.

Joyce Sweeney Plot Clock

When I first started writing children’s books, I had no idea how deeply I’d have to dive into revisions. I love seeing characters come alive and watching all the wonderful layers evolve through revision after revision. I don’t remember having to revise my stories when I was in school. We’d get an assignment, hand it in, get a grade…end of story. I’ve really been impressed with the way I see writing taught now—with children as young as elementary school receiving feedback and being asked to revise their writing. I can’t even imagine writing children’s books without receiving critiques—feedback from peers and professionals really can help your writing grow!

Here are some things I’ve learned that I hope will help you, too:

  • Take a good look at your strengths and weaknesses. It’s important to know what they are, so you can really focus on them! If you’ve had writing critiqued, what types of comments are there? I used to hear that some of my earlier manuscripts seemed episodic…it took me a while to realize it was because my plotting wasn’t strong enough to propel readers through the entire story.
  • Try to swap critiques with people whose strengths are your weaknesses.
  • Critique often—it helps the person who wrote the manuscript or story, but it also helps you a lot, too. It’s easier to spot areas that can be strengthened when you critique the work of others…and in time, you become better at finding those areas in your own manuscripts.
  • Read as many books as you can, and stretch past your favorite genre to explore other types of books, too. Once you know your weaknesses, you can search for books that master those aspects.
  • Read your story out loud. It’s easier to find places that need streamlining, dialogue that doesn’t feel natural, and where you can improve the pacing. Reading out loud often feels different with an audience, so even if you’re alone, you can record yourself, or read to your pets.

Teachers and parents—I’d love to know what you’ve noticed about the strengths and weaknesses of your students or children, and what you do to help them become stronger writers. And to all the writers out there—what are your strengths and weaknesses, and how have you overcome your weaknesses?

Mindy Alyse Weiss writes humorous middle-grade novels and quirky picture books. She’s constantly inspired by her twelve and fifteen year-old daughters, an adventurous Bullmasador adopted from The Humane Society, and an adorable Beagle/Pointer pup who was rescued from the Everglades. Visit Mindy’s blog or Twitter to read more about her writing life, conference experiences, and writing tips.

Get to the funny faster: Stand-up comedy and middle grade writing

Debra Garfinkle is one of the funniest writers I’ve ever known or read. So, why would she be taking a stand-up comedy class? Debra — author the Zeke Meeks series (writing as D.L. Green), the Supernatural Rubber Chicken books and five YA novels — shares a bit about the intersection of stand-up comedy and reaching middle grade readers.

zeke meeks TV turnoff weekYou’ve written about trying comedy for your “3/4 life crisis.”  What was the writer in you thinking about this venture?

Creative writing had always been my hobby, since I was a little kid writing poems and through my years as a lawyer when I wrote short stories to de-stress after work. After I sold my first novel, writing became more of a job than a hobby. I still enjoyed it and loved getting paid for my former hobby, but got stressed out about publishers, deadlines, promotion, etc. I wanted a hobby to do just for fun, so I turned to stand-up comedy.

I thought doing stand-up would suit me for several reasons: I’ve always loved going to stand-up comedy shows; most of my books are humorous and I write a humorous newspaper column, so I was used to writing humor; I had experience acting in high school and college plays and doing moot court in law school.

Stand-up comedy turned out a lot harder than I’d thought. I learned that good stand-up comics should make the audience laugh every 10 to 15 seconds. So in a six-minute set, that’s 24-36 jokes to write and perform. Also, what may seem funny in writing often fails in performance, so I’d have to write maybe ten jokes for every one that really worked. And it’s scary being on the stage by oneself, with no other actors, directors, or writers to blame when the set bombed. But when the set went well, it was wonderful to hear people laughing at jokes I wrote and performed.

How does comic timing on stage translate to on the page?

I think on the page, there’s more time to set up a joke. Readers can skim if they want. Stand-up audience are less patient. They don’t want to sit through a long set-up in order to hear the punchline.

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Debra Garfinkle (D.L. Green) with a Zeke Meeks’ fan.

Bill Word, my stand-up comedy teacher, used to say, “Get to the funny faster.” I try to keep that in mind when I’m writing children’s books. I think child readers are similar to a stand-up comic’s audience in that they mostly want to laugh and have a good time. Sure, I can slip in some meaningful messages, but my main purpose is to entertain. With that in mind, I try hard to delete extraneous things in the set-ups to my jokes.

Stand-up also helped me value callbacks (a joke that references something that happened earlier in the set) and tags (a second punchline added to the first punchline, so that one set-up makes the audience laugh twice as long).

Bill Word constantly said, “There’s something there.” We used to make fun of him for saying it so much, but it was very helpful. Even if we told the worst joke ever, we were encouraged to work with and play with it to make it better. Sometimes the worst joke ever eventually led to funny stuff. So I try to keep an open mind when I’m conceptualizing or drafting books, telling myself that there may indeed by “something there.”

Debra is published under the names D.L. Garfinkle and D.L. Green. You can read more about her books, writing, and treadmill desk at her website. Check out her book reviews written in haiku on her blog, too. They’re fantastic.

 

 

 

 

 

Don’t Let Summer Reading Kill You!

The end of the school year is right around the corner!

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For parents that’s no more carpools, no more packed lunches, no more homework battles! Right?

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Before you get ready sink into that hammock on the beach… what about summer reading?

Fun and relaxation are important. All work and no play really does make Jack a dull boy. But nobody wants to encourage the “summer slump”. Studies indicate that children lose two months of math and reading achievement when their learning stalls over the summer. Elementary school librarian and children’s lit expert Louise Simone says “Of course, keeping students engaged and using some part of their brains over the summer is a good thing. Reading does that.”

Some kids look forward to plenty of free time reading in the summer. But for others summer reading is like a death curse… hence John Scieszka and Lane Smith’s very funny middle grade novel-

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How can you minimize summer reading bloodshed? Consider these ideas-

1. Keep it real. Several years ago New York Times columnist Nicholas Kristof proposed a summer reading list that’s a perfect template for how to make your own life miserable and squelch every last ounce of summer reading enthusiasm in your skeptical reader. Sprinkled among Kristof’s ridiculously predictable Harry Potter-ish recommendations were some good old classics like Little Lord Fauntelroy. Really?? Really???  Was he kidding? No. Then he proposed Lad, A Dog, written by Albert Payson Terhune almost one hundred years ago.

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Kristof praised the book, saying “this is a book so full of SAT words it could put Stanley Kaplan out of business.”

Indeed! Here’s a paragraph from the first page of Lad-

“The Master had fished the month-old puppy out of the cavern of his pocket and set her down, asprawl and shivering and squealing, on the veranda floor. Lad had walked cautiously across the veranda, sniffed inquiry at the blinking pigmy who gallantly essayed to growl defiance up at the huge welcomer—and from that first moment he had taken her under his protection.”

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I’m a big dog book lover (not to mention an admirer of high SAT scores). I’m TOTALLY in favor of smart books for kids! But forcing this book on your children guarantees growls of defiance.

Books you remembered from your own childhood? Or your great grandparent’s childhood? Skip them this summer. During the sizzling summer months kids are much more likely to read… and love… modern middle-grade novels, written with today’s pacing and relevant vocabulary. Check out Bobby Pyron’s A Dog’s Way Home

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or any of the other fantastic modern middle-grade novels we’ve compiled in reading lists here at From The Mixed-Up Files.

2. Participate!  Some schools have mandatory summer reading lists. Nearly every local library has a summer reading program. Whether you and your child are selecting summer reading books on your own or participating in an established (or required) program fun summer reading should involve parents as much as kids.

Consider reading along with your child. Discuss the book at meal time. Read aloud together, alternating pages. How about a neighborhood summer reading book club? For most people, and that includes kids, going it alone isn’t a lot of fun. Turning summer reading into family reading will pay dividends in ways you’ve never imagined. Read more about parents’ role in creating a rich summer reading experience in this thoughtful article written for the National Summer Learning Association by Harvard professor James Kim.

3. Take advantage of resources–  There’s so much available on the internet these days. Scholastic has wonderful summer reading resources. And check out WETA/PBS’s Reading Rocket’s summer reading tips and activities. Even ordinary moms have posted tried and true summer reading strategies on the net.  When in doubt go with experts like teachers at your own school, the educators at Scholastic, or your neighborhood librarians, and most of all your own good sense. Tune out the dictates of  random newspaper guys who thinks kids want to read Little Lord Fauntelroy for fun… unless your child is that one in a thousand who really gets into Victorian didacticism.

Which is the point of summer reading, actually. Perfect summer reading is tailored to the child. Explore new genres. Delve into great series. Stretch skills but sometimes fall back on old favorites. Let your child pick some books on his or her own. Select others based on your child’s own taste and ability. Summer reading shouldn’t be an unpleasant job for your child–or for you. Have fun reading books! Those lazy hazy days of summer will be a lot less crazy when you and your children settle down together with a stack of great books.

What will your middle-graders read this summer?

Nobody ever had to force Tami Lewis Brown to read in the summer… but she never had to read Lad, A Dog!