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Are Multi-Cultural Books Dead? Maybe . . . maybe not.

Wonderful author and writing teacher, Uma Krishnaswami (of many terrific Middle-Grade novels and picture books), is in the camp that believes the term “multicultural” is dead – to which I agree. “Multicultural” books seemed to take a nose dive between 2002-2005, but that doesn’t mean wonderful and marvelous books are not being published. They are, and often to great acclaim and winning big literature awards – see below for some of the titles!

Uma blogs on this subject frequently as well as teaching at the Vermont College of Fine Arts in their MFA program for children’s literature. She calls them *Books With Cultural Contexts* – I like that! Books With Cultural Contexts describes books about other cultures and people around the world much better. (Click here to read Uma’s intriguing bio).

UmaKrishnaswami-225x295More from Uma: “I have given up using the term “multicultural.” I think its overuse has reduced it to a cliché. Also, in my opinion, it’s imprecise. You can describe a collection of books as “multicultural” if it contains titles from many cultures but how on earth can the term describe a single book grounded in a single culture, or even a book with elements of cultural fusion or blending?

Here are several books with specific cultural contexts—they are only a small selection of the many, many fine books out there.”

(This is a list that Uma graciously put together for us, books from the last several years). LOOK at how many great titles there!!! How many have you read? (And scroll down for the giveaway of Uma’s new MG books!)

Picture Books
Jingle Dancer by Cynthia Leitich Smith, illustrated by Cornelius Van Wright and Ying Hwa-Hu
The Kamishibai Man by Allen Say
From the Bellybutton of the Moon by Francisco Alarcon illustrated by Maya Cristina Gonzales
The Princess of Borscht by Leda Schubert, illustrated by Bonnie Christensen
Tiger on a Tree by Anushka Ravishankar, illustrated by Pulak Biswas

fromthebellybuttonofthemoon

Chapter Books
Anna Hibiscus (and sequels) by Atinuke
The Year of the Dog (and sequels) by Grace Lin
The No-Dogs-Allowed Rule by Kashmira Sheth
Indian Shoes by Cynthia Leitich Smith

Middle Grade
A Suitcase of Seaweed and Other Poems by Janet Wong
Chronal Engine by Greg Leitich Smith chronal engine
A Single Shard by Linda Sue Park
Looking for Bapu by Anjali Banerjee
Moccasin Thunder: American Indian Stories for Today edited by Lori Marie Carlson
Bamboo People by Mitali Perkins
The Wild Book by Margarita Engle0-545-26125-2
The Grand Plan to Fix Everything by Uma Krishnaswami
The Problem with Being Slightly Heroic by Uma Krishnaswami
Words in the Dust by Trent Reedy
Ghetto Cowboy by G. Neri
The Great Wall of Lucy Wu by Wendy Shang
The Unforgotten Coat
by Frank Cottrell Boyce
Breakaway, Enchanted Runner, and The Last Snake Runner by Kimberley Griffiths Little (soon to be re-released in print and Kindle/Nook versions in a week or two so keep an eye out!)

the last snake runner

Young Adult
Shadow Spinner by Susan Fletcher Shadow spinner
Habibi by Naomi Shihab Nye
A Step From Heaven by An Na
Code Talker by Joseph Bruchac
Cynthia Leitich Smith’s Tantalize series
American Born Chinese by Gene Luen Yang
The Absolutely True Diary of a Part-Time Indian by Sherman Alexie
No Crystal Stair: A Documentary Novel of the Life and Work of Lewis Michaux, Harlem Bookseller by Vaunda Micheaux Nelson
Ask Me No Questions by Marina Budhos
Tyrell (and sequels) by Coe Booth
A Girl Called Problem by Katie Quirk
Purple Hibiscus by Chimamanda Adichie
Haroun and the Sea of Stories by Salman Rushdie

And now for your chance to win both of Uma’s new MG novels – set in India about Bollywood! Funny and poignant family stories about friendship and magic and dreams and movie stars! Just leave a comment to win BOTH. Our random generator (or a hat!) will pick the winner this Sunday afternoon – after I get back from YALL Fest in Charleston, SC. 🙂

Problem with being slightly heroic Gran Plan

 

Kimberley Griffiths Little is the author of three magical realism novels with Scholastic, THE HEALING SPELL, CIRCLE OF SECRETS, and WHEN THE BUTTERFLIES CAME (2013). Forthcoming: THE TIME OF THE FIREFLIES (Scholastic, 2014) and her Young Adult debut, FORBIDDEN with Harpercollins (Fall 2014). When she’s not writing you can find her reading/daydreaming in her Victorian cottage and eating chocolate chip cookies with a hit of Dr. Pepper.

A Stitch in Time Giveaway

sew zoeyAuthor Chloe Taylor has been making clothes since she was a child. Her new series celebrates the creativity of sewing, along with the ups and downs of the middle grades.

From Amazon: Over the summer, fashion-loving Zoey Webber gets the best news ever: Her middle school is getting rid of uniforms! There’s just one problem. Zoey has sketchbooks full of fashion designs, but nothing to wear! So with a little help from her best friends Kate and Priti, she learns to make her own clothes. She even begins to post her fashion design sketches online in a blog. That’s how the Sew Zoey blog begins, and soon it becomes much more.

Zoey’s quirky style makes her a bit of a misfit at middle school, but her Sew Zoey blog quickly gains a dedicated following. Real fashion designers start to read it! Yet even as her blog takes off, Zoey still has to deal with homework, crushes, and P.E. class. And when the principal asks her to design a dress for the school’s fashion-show fund-raiser, Zoey can’t wait to start sewing! But what will happen when her two worlds collide?

sew zoey 2Chloe is giving away copies of the first four books in her series. Enter a comment below to be eligible–then wait on pins and needles to see who wins.

 

Out of print? It doesn’t have to stay that way!

no more out of printDear Book Lovers,

Please meet Anny Rusk, who along with John Campbell and Greg Luther are working to make out-of-print books a thing of the past. I found out about Anny at an SCBWI-Illinois event, and then later saw an interview with her on Cynthia Leitich Smith’s blog, Cynsations. Both Anny and I thought the interview would be particularly interesting to both writers and readers of middle grade fiction!

Sarah: So Anny, tell me a little about yourself!

Anny: I’ve always written.  When I was little it was soap operas a friend and I recorded, or diary entries like Nancy Drew.  When I was older it was lyrics, marketing copy, or an advice blog. Before I became an Acquisitions Editor at IntoPrint, I was a singer/songwriter and co-founded a music licensing company.  When not talking to authors about IntoPrint, I’m writing a Middle Grade Fantasy/Mother-daughter novel.

Sarah: Could you share with us the history of IntoPrint Publishing?
intoprint_publishing

Anny: John Campbell and Greg Luther realized that in the tech age there’s no such thing as an out-of-print book, just books that haven’t been read yet.

In addition, as readers, both Greg and John were frustrated by their inability to find certain out-of-print books. Upon further investigation, they realized that many out-of-print books still had readers who wanted to buy them, and that the authors of these books were losing out on untapped revenue.  IntoPrint was created to help author and reader reconnect.

Sarah: That is fantastic. Seems win-win!

Anny: IntoPrint’s mission is to serve authors by republishing their out-of-print works to the reading public, and in doing so, help them to make a living from their craft.

We think that serving authors’ needs helps readers, too.  For readers, we represent an opportunity to discover, purchase, and read excellent works that have disappeared simply because their sales may not have met the financial requirements of a large publishing company.

Sarah: Here at The Mixed Up Files, we like middle grade books. 

We’ve found that there’s a real need in the kidlit world for a publisher like us because children’s books seem to go out of print quickly these days.  We plan to start a children’s imprint to further expand the reach of the many children’s titles we are republishing.

Sarah: Why is the time right? Has the technology made it easier?

Anny: As readers, we’re being deprived of a treasure trove of works because traditional publisher’s business models require them to dump books that fall below a certain sales number, often within months of the book’s release.  Digital technology allows us to keep these books available by keeping our costs low; thus, we don’t have sales minimums for our books.

We think it’s time that the 99% of authors who want to keep their books out in the market, but who haven’t been well served by the traditional publishing industry, have a publisher who will allow their work to continue to be read.

Sarah: So…..how does it work? 

Anny: It’s a two-way selective process.  The author has to feel that IntoPrint is the right place for their work, and so do we.  Once an author submits their book we review it.  If we think that our business model will serve the author and the book, we’ll move on to the next step.  At any point before a contract is signed the author can walk away if she/he decides that we’re not a good fit.

First we scan our physical book(s), or we convert the author’s Word doc, PDF file, or InDesign files into print-ready digital files. Then we convert them into e-book formats. Once we have these finished digital files, we use Ingram’s global distribution network to make our print books available to over 30,000 retailers in 100 countries, and our e-books available to 160 online distributors including Amazon for the Kindle, Barnes and Noble for the Nook, and Apple’s iBookstore for the iPad. (See our Web site for a more detailed list.)

Sarah: Sounds great! Why should authors choose IntoPrint? Is there a catch?

Anny: We do all the work required to get our authors’ books back into the marketplace.  They don’t have to master new software, technology, or complicated business arrangements.  And they don’t have to pay for a series of service “packages.”  Because we are a publisher and not an author services company, we only make money if authors’ books do, and we do that in partnership with our authors.

Our print quality is excellent and we have a lot of options. Print on demand technology now uses the highest quality inkjet printers in addition to the toner- based solutions that marked the early years of print on demand publishing.

Our authors receive a sliding-scale royalty based on net sales that starts at 50% and goes up depending upon units sold.  There are no upfront charges for digital conversion or distribution, and we pay for marketing.  Our contract has a five-year term, but if book sales fall below a lower limit, the author has the option to terminate the agreement before then.

In addition, we support our books with what we call Discoverability Marketing.  We’ll create a profile for your book, including a description, author information, available reviews etc., and send it to online bookstores like Amazon and Barnes and Noble, as well as to reader sites such as Goodreads.  Using continuous search-engine- optimization and search-engine-marketing techniques, we’ll also increase the likelihood that your book will pop up when readers search for you, your title, or keywords related to your title—making it easy to purchase.

We understand that authors have a great deal at stake in terms of their personal brand. Our intention is to go forward as partners and provide visibility to our process and methods so that the author is comfortable with IntoPrint.  Publishing is harder than it looks, and we aren’t perfect, but we want to do everything we can all the time to foster a trusting and effective relationship between us and our authors – and the same between authors and their readers.

Sarah: How should authors contact you? What are key do’s and don’t’s?

Anny: We welcome anyone with a previously published book to go to http://intoprintpublishing.com/submit-your-book-to-intoprint/ and submit your book to us for review.

At this time we are not a good fit for unpublished authors.  Our aim is to get previously published, out-of-print books back into the marketplace within 90 days or less.  We’re not set up to edit, copyedit, and do all of the other steps that come with bringing an unpublished book to market for the first time. (However, if an author is dissatisfied with their original cover, we will work to obtain a new cover for the IntoPrint version.)

As a note, for those of you who want to submit picture books and/or graphic novels, we need both your consent and the illustrator’s consent before we can move forward.

Sarah: So what are your personal writing goals, Anny?

Anny: My current author goal is to get my MG work in progress finished and published.  Once published, I hope that my book will spur discussions on topics such as being true to one’s self, accepting one’s self and others, and girl power, by this I mean embracing gifts/traits that are uniquely female and using them to change the world!
As for middle grade books, I adored Charlie and the Chocolate Factory and James and the Giant Peach, A Tree Grows In Brooklyn, Charlotte’s Web, Trumpet of the Swan, and Anne of Green Gables, though they’re all still available, I just checked.
I also loved short stories by Poe, and Catcher in the Rye, though not sure they’d be considered middle grade even though I read them when I was 11.
I am thrilled that IntoPrint is republishing Valerie Hobb’s books, though they weren’t around when I was a middle grade student, and also some of Greg Leitich Smith’s MG books too.

 Sarah: Thanks, Anny, for visiting The Mixed Up Files! Good luck with Into Print! Writers, let’s here your questions…and your suggestions. Is there a book YOU wish would come back into print?????

 

 

Sarah Aronson writes books for middle grade and YA readers. If you like writing tips, check out her website: www.saraharonson.com and sign up for MONDAY MOTIVATION.