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Please leave a comment if there is anything you’ve been hoping we’d tackle on this site, or send us an email at msfishby at fromthemixedupfiles dot com.  We value your feedback, so feel free to share suggestions about this site as well. Let us know what we’re doing right, so we’ll be encouraged to continue those projects. If you’d like to see us improve areas or add sections to this site, we’d love to hear those ideas, too.

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Filling the Well: on growing as a writer

About eight months ago I finished the author note and copy edits for Written in Stone which will be out in June of this year. I had worked on that book off and on for 15 years. In many ways it’s the book that made me a writer. So it was a real career milestone to put the final touches on it for publication. Once it was gone and I faced the prospect of starting something new I felt like I needed to grow as a writer and push my work to a higher level and explore things I hadn’t tried yet. The authors I admire the most are the ones that are always trying something new. Ursula LeGuin, for example, decided that if anyone was going to tell the story of Lavinia from The Aeneid, it was probably going to be her, and since she was already in her eighties she might as well begin at once. She began by re-reading The Aeneid. In Latin. Her award winning novel Lavinia resulted. Wow! This is the woman I want to be when I’m in my 80s!

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So how do I get there? I’ve spent a lot of afternoons and evenings in bookstores listening to authors over the years and here are a few things I’ve learned about, not just enjoying longevity in a fickle profession, but continuing to grow and thrive as a writer and a person.

1. Everybody says read, and everybody is right about that. But I’ve come to see that it’s not volume of text swallowed that matters. Real growth comes from reading thoughtfully. For example, this year’s Newbery winner got quite a lot of buzz online before the announcement in January. I was curious, particularly since The One and Only Ivan’s biggest fans seemed to be teachers. So I read it slowly and reflected on why it was working so well for many people. I am going to confess here that it was not my favorite book of the year. But I could see from a slow and careful examination of Applegate’s craft that she’d created a genuinely appealing voice in the gorilla Ivan. It was spare and wry and consistent. Three things that are very hard to do. Also the layout of each page was roomy and inviting, and Casteleo’s illustrations were lovely in their simplicity. I could have read this quickly, decided it’s not my thing, and dismissed it, but I’m glad I took a closer look. It’s still not my favorite, but I’ve learned something about creating an appealing voice, and I’m certainly going to give page layout some thought in future projects.
If you are looking for good commentary on reading I highly recommend the Heavy Medal Blog over at the School Library Journal which is moderated by the very thoughtful and articulate duo Nina Lindsey and Jonathan Hunt. I seldom comment but I’m always learning from the discussions there.

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2. I have always found the company of my fellow writers both a comfort and an inspiration. I recently got together for lunch with five women who have inspired me for decades. We talked about ordinary things–the care of aging parents, our dreams for a perfect garden. We talked about decidedly writerly things–the difficulty in finding reliable research about the Danish resistance in WWII, how corporate fundraising is it’s own kind of storytelling. We toasted Deborah Hopkinson’s recent Sibert Honor and commiserated over the bumpy spot someone else was going through. It was great to know I’m not alone in the vicissitudes of the business, and even greater to hear from writers I really respect that they never regretted pushing their work to a higher level.

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So if you’ve got a writer or two in your town or an upcoming SCBWI schmooze or an author event at a local bookstore, reach out! Make some connections for yourself. It’s a long lonely road without companions and a grand adventure with friends.

3. I think its also important to do things outside of strictly literary pursuits. One of the great pleasures of working on my book Second Fiddle was playing the violin again after many years away from my instrument and discovering how many people in the book world are also musicians. Don’t neglect other hobbies. Paint. Hike. Dance. Travel. Meet people. Engage your own family as deeply as you can. Your writing will be richer for it.

I will be responding to comments sporadically on this post because I’m out of town with my family is doing stuff that may some day work its way into books. My son is competing in the World Championships of Irish Dance in Boston on Saturday. I’m sure I’ll never write about competitive contemporary Irish dance but I’d love to write about an immigrant Irish kid who loves to dance. I’ll be taking mental notes all week and meeting musicians and talking to dancers from all over the world. I might not write that book for a decade but I’m storing up ideas now.

4. Much of what I’ve learned about the craft of writing has come from listening to authors in bookstores. If you are fortunate enough to live near a bookstore with a visiting author program, take advantage of it. You’ll meet fellow book lovers, make a connection with local book sellers and get excellent mentoring all for the price of a signed book. The woman at the microphone below is the amazing Ursula LeGuin from whom I’ve learned volumes. Her Steering the Craft is one of the most practical and useful writing books I’ve ever worked with. I never  quite understood the subtle distinction between close third person narration and first person narration until I listened to her discuss it in a Q & A at Powells.
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There are many great writing conferences around the country. SCBWI hosts many. The ABLA Big Sur Conference has an outstanding reputation. In Portland the Willamette Writers hold a very good conference every August. I’d love to have people recommend a favorite conference or writing class in the comments. Don’t overlook your local community college. Some of the best teaching is done at community colleges. Sometimes when you are ready to take your work to the next level the investment in a regular class with good instructor feedback is what it takes to get you there.

5. And I’ve found one of the best ways to really master an aspect of the craft of writing is to teach a class on that topic. Teaching forces you to think through problems in a way you tend to resist when you are just having a conversation with yourself in your own writing space. When I was really stuck on differentiating the three characters in Second Fiddle who are all the same age, same gender, and play classical music, I decided to teach a class on deeper character development and came up with a workshop I call Character and the Seven Deadly Sins. I don’t think I could have finished that book without developing the workshop. Whether or not you actually teach the workshop, thinking through a story problem in terms of teaching it to others is often helpful. Local SCBWI conferences are always in need of new presenters with fresh material, so don’t be shy about applying to be a presenter . If the exercise helped you finish a book, odds are it will help other people too.

And speaking of teaching, we’ve come to the shameless self-promotion portion of this blog post.

I’ll be teaching a course for beginning writers of MG and YA fiction called Vampire Free Fiction: writing real world novels for young readers. It is an online class sponsored by The Loft Literary Center and it’s running from June 17th to August 11th. I chose this time slot specifically so that it will be easier for a full time teacher or librarian to take the class over summer break and there is a scholarship available to one lucky teacher who applies, so if you are looking for a way to get started on the novel of your dreams or finally finish a project you’ve been nibbling at for years, I hope you’ll give this class or another like it a try. More information about that at the Loft Literary Center

How about you? What do you do to fill the well of your creative life? Do you have a favorite class, workshop or conference to recommend? How about a good book about the craft of writing? Shout outs in the comments please!

Grow a Garden in a Book

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Wintertime is all about curling up with a book. Wait, all seasons are meant for books! But let’s put a marker between the pages for a moment to save our spot, and let’s think about impatiens and petunias, tomatoes and zucchinis. In some parts of the country it may be hard to believe, but today is the first day of spring! Here in Colorado, we’ve already experienced some record breaking heat, but that doesn’t mean we won’t get a foot of snow in the next few days. Still, no matter what’s going on outside at this moment, it’s time to start thinking about your garden and planting some seeds. Actually, I have a better idea. We can focus our attention on both: reading and gardening!

Gardens are the subject of so many great children’s books. The first that comes to mind, of course, is Frances Hodgson Burnett’s The Secret Garden. As a kid, I was, in fact, not a good reader. I loved stories, but my attention span was short and I rarely read past the first few chapters of a book. So, to be honest, it was the cover of the book, the illustration by the fabulous Tasha Tudor that kept me reading. I was dying to see Mary find the garden hidden beyond the wall and when she does, I was in awe of how she transforms death into life.



Gardens are places where magic happens. It’s not just the colors, the fragrance, the buzzing of bees and chirping of birds that make it amazing, but it’s the delightful mystery of “how did this incredible beauty happen?” Even if you spend time learning the science of seed growth, photosynthesis and all that, you still can’t help but wonder if there’s some kind of magical force too. Like fairies. I remember believing in fairies as a child and looking for them among the flowers. My own children used to build houses, complete with furniture, for the fairies that they believed lived in our garden. They loved the flower fairy books by Cicely Mary Barker and I think it was because of her books that we often thought we actually saw fairies among the sunflowers. But the biggest favorite of ours was the lovely little book called The Night Fairy by Newbery Medal winner, Laura Amy Schlitz. Tiny Flory, who loses her wings when a bat tries to eat her, has to learn how to survive without the ability to fly. She  is so real and perfectly imperfect which was what made us love her so.


Of course, fairies aren’t the only creatures who lurk in gardens. Every year I wonder why our family bothers to plant corn in the backyard when the raccoons are the ones who sneak in at night and munch until there’s nothing left for us. Then they run away without so much as a thank you. It seems pretty rude, but then I remember the garden in the classic Rabbit Hill, written by Robert Lawson. The “Folks” who live in the “Big House” in this story actually grow extra vegetables in their garden just so there will be enough for the critters. Wow, now don’t I feel greedy for trying (unsuccessfully) to chase away the raccoons from our yard. But, hey, our space is about the size of a dinner table. We don’t have a kernel to spare.

But, you know, for city dwellers like us, there are options. We could find a community garden and share vegetables with new friends. And speaking of community gardens, have you ever read the book Seedfolks by Paul Fleischman? For me, this gem was like discovering a bean sprout growing under a pumpkin leaf. I recently went to our Denver Public Library in search of books just for this blog post. I plucked it from the shelf and fell in love with the seedfolks’ short, but powerful, upper middle-grade story. The book jacket describes it best:

“A vacant lot, rat-infested and filled with garbage, looked like no place for a garden. Especially to a neighborhood of strangers where no one seems to care. Until one day, a young girl clears a small space and digs into the hard-packed soil to plant her precious bean seeds. Suddenly, the soil holds promise: To Curtis, who believes he can win back Lateesha’s heart with a harvest of tomatoes; to Virgil’s dad, who seems a fortune to be made from growing lettuce; and even to Mariclea, sixteen and pregnant, wishing she were dead. Thirteen very different voices–old, young, Haitian, Hispanic, tough, haunted, and hopeful tell one amazing story about a garden that transforms a neighborhood.”

 


And, last, I have to tell you about one of my favorites, Me and the Pumpkin Queen by Marlane Kennedy. I try to put Mildred’s story in the hands of every middle-grade girl I know because this is exactly the kind of story I would have devoured as a kid. In honor of her mother who passed away when she was six, eleven-year-old Mildred wants to grow the biggest pumpkin at the pumpkin show. I won’t tell you if she does or not, you’ll have to read it and find out. But I will share some of Mildred’s secrets to growing a giant pumpkin. And when I say giant, I mean bigger than a beanbag chair!

Mildred’s Guide to Growing a Giant Pumpkin:


1. Get the right seeds. These days, no one grows a Pumpkin Show winner without Howard Dill’s Atlantic Giant seeds.

2. Convince your dad that having a pumpkin patch in your backyard is a good idea.

3. Make sure that your dogs stay far, far away from your seedlings.

4. Don’t let your busybody aunt interfere with your “pumpkin obsession,” no matter how much she wishes you were interested in boys or clothes or anything other than pumpkins.

5. Find a best friend who can help out in a pinch.

6. Never, ever, ever give up.

 

If you know of any other gardens in middle-grade literature, leave the title in the comments. Happy First Day of Spring, everyone!

 

Jennifer Duddy Gill used to teach organic gardening while volunteering with the Peace Corps in the West Indies and now that she lives in the city, she grows tomatoes on her balcony and corn in her backyard. She is the author of the forthcoming novel, The Secret of Ferrell Savage. (Atheneum/Simon & Schuster, February, 2014)