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Love for the Kidlit Community

Writing can be a lonely sort of business. It’s just you, a computer (or pen and paper, ink and quill, hammer and rock… ), and the vast array of imaginary people who have taken up residence in your head. No co-workers to meet around the water cooler to discuss last night’s episode of The Bachlorette. No one in the next cubicle to commiserate with over coffee. It’s just…

You. And the story you’re trying to tell.

Which is why I’m so grateful for the kidlit community. It can be easy to forget sometimes (when you’re struggling through revision #1,567,321… or another rejection… or a tough critique) that you are not alone. I really loved this recent Facebook post that perfectly illustrates this point by Newbery Award-winning author Kate DiCamillo:

I usually rewrite a book a total of eight or nine times. Sometimes more. When I’m done, I take all of those drafts…

Posted by The Official Kate DiCamillo Page on Tuesday, July 14, 2015

Kate’s post was also a reminder of the other thing I love about the kidlit community–the incredible camaraderie and generosity found here. A simple Google search turns up countless sites where authors/agents/editors gladly share their expertise and advice. (I shudder to think how many rookie errors I would have made back in my querying days–besides requerying Mr. Awesome Agent with Awesome Book #2 immediately after he politely declined Awesome Book #1, oops… and sorry!–had it not been for the Blue Boards, SCBWI, Absolute Write, etc.) Not to mention, I’ve made some really amazing friends both on and offline, via this blog, on Twitter and through my agency. Incredible people who inspire and motivate me every day–even if we’re not working cubicle-to-cubicle. Even if we rarely see each other face to face.

Of course, there’s still nothing quite like meeting up with your peeps in real life–like a bunch of us did the other night outside DC (thanks to Mixed-Up Filer Amie Borst for organizing!). Much laughter was had, some delicious Italian food was consumed, stories were swapped… and I was reminded yet again: writing may be a solitary occupation, but none of us are really in it alone.

Author Headshot, from L to R: Wendy Shang, Natalie Dias Lorenzi, yours truly, Rose Cooper, Leah Henderson, Sue Douglass Fliess and Amie Borst.

Author Headshot, from L to R: Wendy Shang, Natalie Dias Lorenzi, yours truly, Rose Cooper, Leah Henderson, Sue Douglass Fliess and Amie Borst.

Jan Gangsei is the author of several Middle Grade series for Working Partners Ltd., publishing in the US, UK and Germany. Her YA debut, ZERO DAY, publishes with Disney-Hyperion on January 12, 2016.

Prepare to Shiver!

serafina

“Never go into the deep parts of the forest, for there are many dangers there, and they will ensnare your soul.”
Serafina has never had a reason to disobey her pa and venture beyond the grounds of the Biltmore estate.There’s plenty to explore in her grand home, although she must take care to never be seen. None of the rich folk upstairs know that Serafina exists; she and her pa, the estate’s maintenance man, have secretly lived in the basement for as long as Serafina can remember.
But when children at the estate start disappearing, only Serafina knows who the culprit is: a terrifying man in a black cloak who stalks Biltmore’s corridors at night. Following her own harrowing escape, Serafina risks everything by joining forces with Braeden Vanderbilt, the young nephew of the Biltmore’s owners. Braeden and Serafina venture into  the very forest that she has been taught to fear. There she discovers a forgotten legacy of magic, one that is bound to her own identity. In order to save the children of Biltmore, Serafina must seek the answers that will unlock the puzzle of her past.

SERAFINA’s author, Robert Beatty, lives in the Blue Ridge Mountains of Asheville, North Carolina with his wife and three daughters, who help create and refine his stories. He loves to explore the grand Biltmore Estate and the darkened forest trails where his novels take place.   Answering a question about the inspiration for his book, Robert said, “Serafina’s journey grew out of my desire to write a story about an unusual and heroic young girl for my three daughters.”

You  can win a copy, as well as some creepily delicious swag

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OLYMPUS DIGITAL CAMERA

by leaving a comment below. Only readers from North America are eligible.

In Praise of L–O–N–G Books

QWERTY_keyboardWriters conferences, writing magazines, and literary blogs are long on advice for the aspiring writer, and one the things I hear fairly frequently is the admonition to remember that kids don’t have the attention span they used to what with the giddy spin of the internet forever at their finger tips. Kids want fast-paced, gobble them up reads! Or so we hear.

And yet, time and time again the market has proved them wrong. Some of the most popular books in recent memory have been long, including the last four tomes in the Harry Potter series, all the books in the Eragon series, the Wildwood series, the Game of Thrones juggernaut, and many of the Percy Jackson titles. Classics like The Lord of the Rings and the works of Jane Austin have held up rather well in spite of their length.

What’s up with that!? Here are five things that I think make long books particularly appealing to middle grade kids.

1. Middle grade readers have time. Too young to have a job and notBook Ends Beach allowed to roam the neighborhood alone while their folks are at work, the MG reader has hours of time, especially in the summer to dive into a book that really rewards a long stretch of attention.

2. Most long books are long because they carry a reader off into a richly detailed and lavishly described world whether it’s Harry Potter’s Hogwarts or the Hispanola of Treasure Island. Kids who can’t drive, didn’t pick their hometown, their house, or even the sibling they share a room with, love to be swept away.

3. Many long books are fantasy, science fiction, or magical realism, perennial favorites among MG readers.

4. There’s plenty of praise from grownups to be gained from reading a book of weight and substance and there’s plenty of pride in the accomplishment of reading a long story all the way through to the end.

WB Golden Compass5. Among traditionally published books there is pressure from editors to tighten up the story and tell it as economically and gracefully as possible. I tend to have confidence that a traditionally published book that goes on at some length has something worthwhile to say, something that could not be said in a more compact tale. There are masters of the short form who have made a career of writing lean and lovely tales like a long string of pearls, each one a tiny perfection. But many authors at the height of their powers, even if they have written other short books, write a marvelous long story and if they are lucky it stands the test of time.

IMG_1610-3-225x300[1]I am very much hoping Pam Muñoz Ryan’s new book Echo is one of these. I reviewed it on my website.

Here are a few other books kids have liked that approach Moby Dick in length.

Harry Potter and the Cauldron of Fire by JK Rowling

Brisigner by Christopher Paolini

The Golden Compass by Phillip Pullman

Wildwood by Colin Meloy

and The Lord of the Rings by JRR Tolkein

How about you? Do you have a favorite tome? Can you remember the feeling of accomplishment from the first long book you read? Please share in the comments.