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Cover Reveal: GOOD DIFFERENT, by Meg Eden Kuyatt

MUF cover reveal logo

MUF cover reveal logo

Cover Reveal: GOOD DIFFERENT

It’s cover reveal day at Mixed-Up Files, and we’re so excited! Today we get to reveal the cover for Meg Eden Kuyatt’s middle-grade debut: GOOD DIFFERENT.

Here it is!

graphic of elements of the cover but they're all mixed up - doesn't show the full cover yet.

Okay, okay, I’m just playing. That’s not exactly it …. and I PROMISE I really will show you in just a moment. t’s AMAZING and I’m chomping at the bit to share …. in just a minute or two.

When we do a cover reveal here at Mixed-Up Files,  before we show you the art, we love the chance to hear from the wonderful creators who turn an author’s themes and characters into covers that will lure readers to pick up the book. For GOOD DIFFERENT, that artist was Luna Valentine.

Meet Illustrator Luna Valentine

head shot of illustrator who is a white woman with pale purple hair, dark lipstick, and bright red and blue eye shadow

 

MUF: How did you decide which story elements to focus on for this cover?

LV: I’ve had a lot of input and help from an incredible design team. We’ve explored a lot of different ideas and in the end had a wide variety of ideas to choose from. I think early on the phrase “be a dragon” stood out to me personally and I tried to incorporate it as a design element in every idea we worked on. It’s really empowering to be a dragon.

MUF: Which elements did you enjoy working with the most?

LV: My absolute favourite part was the character design. I feel like you can connect to a story on a whole new level if you connect with the protagonist, and from the moment I got the character description of Selah I could just picture her so clearly in my head. Now getting her to look exactly like she did in my head was a challenge but it was so much fun.

MUF: What is your artistic process for cover art?

LV: Usually I start with super rough, teeny tiny sketches straight away after reading the brief, just to get my initial ideas down on paper. Then I’ll do an in depth character design, usually with a bunch of different hair styles, clothing choices, maybe even a couple of different expressions. I draw the character in a lot of different poses. The first sketches are always so stiff and lifeless, but when you get into it, and allow yourself the time to experiment with different ideas, different designs and even make some mistakes, your sketches will finally start looking the way you want them to. I think the key is not to spend too much time on artwork at first and then go back and refine it over days, even weeks until it starts looking the way you want it to.

MUF:  What do you enjoy about illustrating cover artwork in general?

LV: Honestly my favourite part is seeing it in print, on a shelf in a book shop or on my doorstep. I love the feeling of a new book. And knowing I helped to create it is so satisfying.

About Luna:

Luna is a Polish children’s book illustrator, living in Nottingham, UK.

She works digitally, finding inspiration in folk tales, video games, cute Japanese food, under her bed and other places nobody thinks to look. Her art has been described as humorous, quirky and colorful. At Nottingham Trent University she studied Graphic Design and went on to receive her Masters in Illustration. Luna has worked with a variety of clients including Paper Rose, Paperchase and Arteza. When Luna is not drawing, you can find her traveling the world to find the perfect cup of coffee.

Stay In Touch:

Wesbite

Instagram: @lunavaltineart

Twitch: 

The Cover Reveal

And now for the moment we’ve all been waiting for … drum roll …. the real thing! Here’s the cover for GOOD DIFFERENT, by Meg Eden Kuyatt.

cover art for GOOD DIFFERENT features a white girl with brown hair and the image of dragon wings sprouting from her shoulders

 

About GOOD DIFFERENT

A extraordinary novel-in-verse for fans of Starfish and A Kind of Spark about a neurodivergent girl who comes to understand and celebrate her difference.

Selah knows her rules for being normal.

She always, always sticks to them. This means keeping her feelings locked tightly inside, despite the way they build up inside her as each school day goes on, so that she has to run to the bathroom and hide in the stall until she can calm down. So that she has to tear off her normal-person mask the second she gets home from school, and listen to her favorite pop song on repeat, trying to recharge. Selah feels like a dragon stuck in a world of humans, but she knows how to hide it.

Until the day she explodes and hits a fellow student.

Selah’s friends pull away from her, her school threatens expulsion, and her comfortable, familiar world starts to crumble.

But as Selah starts to figure out more about who she is, she comes to understand that different doesn’t mean damaged. Can she get her school to understand that, too, before it’s too late?

Meet Author Meg Eden Kuyatt

MUF: Did you get to weigh in on any of these details in this cover art?

MEK: I gave a description of Selah (the protagonist) and some ideas of what I was envisioning, as well as styles I liked. My main comment was that I really wanted a dragon integrated into the cover—and I LOVE how Luna did this!

MUF: Is there one element of this illustration that stands out in particular for you as the author or that resonates with favorite parts of your story?

MEK: My favorite parts are Selah’s dragon wings. I love how they’re built out of all these things Selah learns in the novel, like the sensory tools she discovers (like earplugs and sunglasses), or how she rethinks words she’s grown up hearing, like “weird.” I really love how it shows that the tools Selah learns about empower her, like dragon wings! I can’t imagine a better image that captures the heart of this story!

MUF: Anything else you would like to tell us about your cover and why it is special to you?

MEK: I really didn’t have ideas for the cover, or a specific way I envisioned it, but it was really important to me that it would pull in kids who, like Selah, may also have a special interest in dragons. So I was incredibly happy to see this cover, which captured what I wanted, even though I didn’t know how to express it! It gives a magical touch (because writing is magic!) but still tells us this is a contemporary story, that you can find those little glimmers of magic in the real world. I’m in love with my cover!

MUF: Congratulations, and we’re so excited to read GOOD DIFFERENT!

 

About Meg

photo of author Meg Eden Kuyatt, a white woman with long brown hair standing in front of water with a bridge in the background

Meg Eden Kuyatt is a 2020 Pitch Wars mentee, and teaches creative writing at Anne Arundel Community College. She is the author of the 2021 Towson Prize for Literature winning poetry collection “Drowning in the Floating World” (Press 53, 2020) and children’s novels, most recently “Good Different” (Scholastic, 2023).

Stay In Touch and Preorder

Website

https://linktr.ee/medenauthor

Twitter: @ConfusedNarwhal

Instagram: @meden_author

Facebook: Meg Eden Writes Poems

Newsletter: http://eepurl.com/buwBXX

GOOD DIFFERENT comes out in March 2023. Preorder now from Bookshop.com!

Placeholders in the First Draft

When I was in my early twenties a psychologist told me that I had dysthymia, which is low-grade depression occurring for at least two years. Kind of like a low-grade cold all of the time. Not big enough to really stop me, but never abating either. It was a relief to hear this because before that point I didn’t have a name for how I felt.

Finding the right word to describe something is important when it comes to your health. Ditto with writing.

At the same time you don’t want to get so perfectionistic that you lose your flow, especially during a first draft.  After all, you likely are going to cut your first few chapters anyway. At least if you are me. My plots never really get going until chapter three or four or even five or six. With my current WIP, I just chopped off sixty pages! Ouch and also—so satisfying.

Anyway, if you get too attached to your word-smithing during the first draft, it can be especially daunting to cut your “darlings” later, even when it doesn’t serve your story.

During a first draft, my advice would be to plow on, but if you’d like to mark words or phrases that appear tired or generic as placeholders, you can go back and change them later. Here are some examples of typical placeholders verbs:

Nod—sure sometimes people nod but not all of the time. Sometimes when I read my WIP my characters are acting like those little bobble headed dolls people stick on their dashboards. Try to find other physical actions that are more specific and reveal more about motivation.

Smile—yes, characters need to smile. But usually you’re just trying to show that they’re happy. What are other ways that a character can reveal their happiness? But if you absolutely must have your character smile, just what kind of smile? A smirk? Are they beaming? Grinning? Leering? Try to be specific and add some details. I bet you can!

Frown–this is the flip side to smile. And everything I would say about smile, I would say about frowning.

Laugh–this is obviously related to the smile issue. And my advice is the same. And whatever you do, don’t use laugh as a dialogue tag.  For example, avoid this: “Do you really mean that,” laughed Hillary. Instead: “Yes, I do.” She laughed.

Walk—okay, it’s true. Your characters need to move from one room to another, but how do they walk? Do they shuffle? lollygag? Slink? Lope? Bounce? Clonk? There is so much you can say about a subject via the verb you select.

During the writing process of a first draft, you might feel agitated seeing all those spots that you have circled. But don’t despair. If you put the manuscript down for a few weeks or more, you’ll forget about some of the sweat and toil.

And you’ll also be able to appreciate all of those wonderful sentences.

Meanwhile, keep writing!

Yours,

Hillary

Hillary Homzie is the author of the Ellie May chapter book series (Charlesbridge, 2018), Apple Pie Promises (Sky Pony/Swirl, 2018), Pumpkin Spice Secrets (Sky Pony/Swirl, 2017), Queen of Likes (Simon & Schuster MIX 2016), The Hot List (Simon & Schuster MIX 2011) and Things Are Gonna Be Ugly (Simon & Schuster, 2009) as well as the Alien Clones From Outer Space (Simon & Schuster Aladdin 2002) chapter book series. She’s also a contributor to the Kate the Chemist middle grade series (Philomel Books/Penguin Random House). And her nonfiction picture book, If You Were a Princess: True Stories of Brave Leaders From Around the World is a look at historical and current princesses from many diverse lands who have made their mark (Simon & Schuster, August 2022). During the year, Hillary teaches at Sonoma State University. In the summer, she teaches in the graduate program in children’s literature, writing and illustration at Hollins University. She also is an instructor for the Children’s Book Academy.

She can be found at hillaryhomzie.com and on her Facebook page as well as on Twitter.

 

STEM Tuesday — Fungi — Book List

Fungi are all around us – in the yard, clinging to branches and tree trunks, and sometimes in the back of the fridge. Scientists are discovering new fungi every year … it’s a mushrooming field.

Funky Fungi: 30 Activities for Exploring Molds, Mushrooms, Lichens, and More by Alisha Gabriel and Sue Heavenrich

The engaging narrative, which masterfully incorporates the science of mycology, is brimming with cool facts (like making shoes from fungi) and tons of fun STEAM activities and experiments – beginning with the creation of a “FUNgus” journal. It’s intriguing sidebars, stunning photographs, illustrations, and graphs, and scientist highlights make this a fun read with something for everyone kid and adult alike.

It’s a Fungus Among Us: The Good, the Bad & the Downright Scary by Carla Billups & Dawn Cusick

Fungi come in so many shapes, sizes, and colors. Some are good: they’re a food source for wildlife, they help clean up pollution, and trees depend on them to share water and food with others. We even eat fungi and use some as medicine. Other fungi cause food rot and disease. And some turn animals into zombies!

Forest Talk: How Trees Communicate by Melissa Koch

Trees share more than water and nutrients. They share information through an underground network made up of fungi. It’s called the Wood Wide Web for good reason; it’s as complex as our internet. Aimed at older readers.

The Mushroom Fan Club by Elise Gravel

Light-hearted, with comic illustrations, this book will charm readers into clamoring for a nature walk to find mushrooms. The author introduces two essential rules of mushroom-looking (protect their environment and don’t eat them!) and introduces major mushroom players.

Fungarium: Welcome to the Museum by Ester Gaya, illustrated by Katie Scott

A stunning, oversized book organized like a museum guide with “galleries” on fungal biology (reproduction and spores), diversity, interactions (Mycorrhizas and termites), and their relationship with humans (pathogens, edible, and pharmaceutical). In addition to engaging facts, vividly detailed images, there are three gorgeous ecosystem illustrations featuring the connection and interactions of fungous within mountains, temperate forests, and tropical forests.

Humongous Fungus: The Weird and Wonderful Kingdom of Fungi by Lynne Boddy, illustrated by Wenjia Tang

Like most DK books, this is a feast for visual learners and those who love pages full of factoids. It examines the life cycle of numerous fungus (mushrooms, lichen, mold, moss), their effect and relationship to nature and humans (both beneficial and harmful), and even fungus wars.

Fungi: Colorful Clean-Up Crews (Tell Me More! Science) by Ruth Owen

A quick introduction to fungi for curious kids at a second-grade reading level. From fungus basics to their job cleaning up dead stuff, and how they contribute to the ecosystem

The Book of Fungi: A Life-Size Guide to Six Hundred Species from around the World by Roberts, Peter and Shelley Evans

Perfect for browsing, this book is as advertised: filled with life-sized photos of mushrooms, plus descriptions and range maps. Written for adults, but a treasure for kids who love to peruse field guides – if you can find it at your library.

Every now and then we come across a picture book perfect for the 8-10 crowd. This month we found two.

Mushroom Rain by Laura K. Zimmerman

From what they smell like to who eats them, this is a fun introduction to the diverse and sometimes bizarre world of mushrooms. Older readers will enjoy the information at the back, including how mushrooms can cause rain.

Rotten Pumpkin by David Schwartz

This book shows how fungi help decompose a pumpkin after it’s happy life as a jack-o-lantern. Great photos of fuzzy mold.

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This month’s STEM Tuesday book list was prepared by:

Sue Heavenrich, author

Sue Heavenrich, who writes about science for children and their families on topics ranging from space to backyard ecology. Bees, flies, squirrel behavior—things she observes in her neighborhood and around her home—inspire her writing. Visit her at  www.sueheavenrich.com

Maria Marshall, a children’s author, blogger, and poet who is passionate about making nature and reading fun for children. When not writing, critiquing, or reading, she watches birds, travels the world, bakes, and hikes. Visit her at www.mariacmarshall.com