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STEM Tuesday– Evolution– Writing Tips & Resources

The Gift of New Writing Approaches

It’s the holiday season, and soon we’ll usher in a whole new year. It’s a time filled with family and friends (hopefully), good food, and gift-giving. This year, as my present to you, I want to discuss the gift of trying new approaches with our writing (CCSS ELA Writing Standard 5).

This month’s book list contains an irresistible assortment of approaches to the same topic of Evolution. Skim the list, and you’ll find:

  • A graphic novel – Evolution: The Story of Life on Earth by Jay Hosler, illustrated by Kevin and Zander Cannon
  • A modernized primary source – Charles Darwin’s “On the Origin of Species” adapted by Rebecca Stefoff
  • Evolution told through the lens of a single species (humans) – How to Build a Human by Pamela Turner, illustrated by John Gurche
  • A hands-on book loaded with activities – Evolution: How Life Adapts to a Changing Environment with 25 Projects by Carla Mooney, illustrated by Alexis Cornell
  • A biography – One Beetle Too Many: Candlewick Biographies: The Extraordinary Adventures of Charles Darwinby Kathryn Lasky, illustrated by Matthew Trueman
  • A narrative focused on a relationship (the Darwin’s marriage) – Charles and Emma: The Darwins’ Leap of Faith by Deborah Heiligman
  • A narrative focused on an event – The Monkey Trial: John Scopes and the Battle over Teaching Evolution by Anita Sanchez (to be released in March 2023)

As writers, part of the revision process requires us asking if we’ve accomplished the goals we had for our writing.  Did we make the point we wanted to make? Will our readers understand the story we are telling and the information we share? If not, could a new approach help?

Techniques to try

If you’re feeling stuck, try some of these techniques:

  • Flip the format: If you’ve written an informational or narrative piece could you add images and turn it into a comic?
  • Narrow your focus: If you’ve written a broad overview of a topic, what would happen if you rewrote your piece using a different lens focused on a single person, place, or thing?
  • Rethink your main character: Any person, place, thing, or event could be the center of a narrative. If you’ve focused on a person, could you refocus on an event or a relationship instead?

As writers, a flexible approach to our writing is key, especially when something’s not working. So give yourself a gift this holiday season – the freedom to try something new.

One more parting gift

If you’re looking for another way to reenergize your writing as we approach the New Year, you might try Julie Hedlund’s 12 Days of Christmas for Writers, which begins Dec. 26. Teachers, you can sign up for the daily emails here and share the process with your students after break.

Per Julie’s site, the 12 Days of Christmas gives writers:

  • Exercises to evaluate and integrate their previous writing year so they are ready for the new one.
  • Tools to illuminate successes in order to go even further in their writing.
  • Inspriation for how to write through tough times.

I go through this process each and every year and love what it does for my writing life.

Wishing you and yours a safe and healthy holiday season!

Author Spotlight: Carol Weston

If the name Carol Weston sounds familiar, it’s no surprise. Carol published her first article in Seventeen magazine at the age of 19, and she was later dubbed “Teen Dear Abby” by Newsweek, thanks to her popular “Dear Carol” column—which is still going strong—in Girls’ Life magazine. Her critically acclaimed teen-advice book, GIRLTALK: All the Stuff Your Sister Never Told You, has been translated into a dozen languages and is now in its fourth edition.

Currently, Carol has been enjoying an illustrious career as a middle-grade author. In addition to the beloved Ava and Pip series, as well as the fun and voice-y Melanie Martin books, Carol’s MG novel, Speed of Life was lauded by the New York Times as “perceptive, funny and moving.” The late Newbery medalist Richard Peck concurred, calling Speed of Life “A wonderful book that takes us from loss to laughter.” (I cosign Richard Peck’s praise, having read—and loved—Speed of Life when it first came out in 2017.)

In addition to Carol’s impressive contribution to children’s literature, she has had essays, articles, and interviews appear in such publications as Publishers Weekly, School Library Journal, Chicago Tribune, Huffington Post, Redbook, Glamour, and Parents. On television, Carol has appeared on Today, Oprah, 48 Hours, and The View. She is also a writing instructor at the New York Society Library, where her monthly writing “Prompt!” class, which I’m lucky enough to attend, is hugely popular. Married to playwright Rob Ackerman, Carol is a mother, grandmother, and splits her time between Armonk, New York, and Manhattan. Learn more about Carol on her website and follow her on Twitter, Facebook, and TikTok.

And now, without further ado…

Heeeeeere’s Carol!

MR: Welcome to the Mixed-Up Files, Carol. I’m so excited to have you here!

CW: Thank you for that fabulous introduction! You’ve got me blushing!

MR: I know you’ve always loved to write, and that both your parents were writers. What is it about writing that appealed to you as a child? What about it appeals to you now? Also, what advice would you give to aspiring writers?

CW: Big questions! I think of writing as sharing. I like that if you hear something funny or think something deep, and you’re working on a manuscript, you can usually find a place to put it. As for advice, there’s no getting around it. If you want to be a writer, you have to write! Don’t wring your hands. Just put words on paper. Honor your talent. Leave a pencil and paper by your bed. Keep a journal or writer’s notebook. Don’t fret about the end result. Good writing takes a zillion drafts but if you don’t get your words down, how can you have the fun of editing and revising? (P.S. Keep reading and listening to books too.)

Take My Advice

MR: Speaking of advice, like you, I was an advice columnist for teens. (My weekly column, “Life Sucks,” appeared in the U.K. teen magazine, J17, in the 1990s, and I was a teen-relationships adviser online as well.) How did you get your start as an advice columnist?

CW: Way back in 1993, I was in the waiting room of Cosmopolitan magazine and a man walked in wearing a nice coat. “Nice coat!” I said. We got to chatting and I told him about my book Girltalk, and he told me his girlfriend was starting a magazine, Girls’ Life. The next day she called and offered me the gig. I said a fast yes. Who knew I’d still be “Dear Carol” 28 years later? One lesson here: Do talk to strangers.

MR: Another advice-related question (I can’t help myself). What are some of the most common questions teens ask in your “Dear Carol” column? What about the strangest…? (Be honest. 🙂)

CW: I’ve answered “Should I tell him I like him?” and “How can I tell if he likes me?” and “When will I get my period?” over a thousand times! And Covid was so hard on so many. I really felt for girls who were stuck indoors, sometimes with difficult families or an uncle who was quarantining with them. Much of my tried-and-true advice like “Give a compliment” or “Talk to someone new” or “Join an extra-curricular” or “Talk to your school counselor” went out the window. Actually, I don’t think of any of my Girls’ Life mail as strange, though many letters are over-the-top personal. For instance, girls tell me that their brothers (or dads) are looking at porn, or in some cases that they are. Still, more human than strange. I do my best to help girls navigate the complicated adult world.

Speed of Life: The Backstory

MR: Turning to kidlit, rumor has it that Speed of Life took you ten years to write. Would you mind sharing the backstory with us?

CW: Early one January morning while un-decorating our Christmas tree in Manhattan, I got the idea for a novel that could start on January 1 with a bittersweet scene of a father and daughter putting away holiday ornaments though Christmas had “sucked.” I wanted the book to have 12 chapters, one per month. It would be a year in a life of Sofia, who would go from a grief-stricken 14-year-old kid (her mother has died eight months earlier) to a 15-year-old young woman who is finding her footing. Sofia has supportive friends, but when the novel begins, they’re ready for her to be “okay” again, and of course, she can’t recharge like a cellphone. Desperate, Sofia reaches out to a teen advice columnist (!) – but what she doesn’t know (spoiler alert) is that the advice columnist, Dear Kate, has started dating her widower father. Complications ensue!

Ten years between idea to pub party is not at all speedy. But Speed of Life began with four third-person POVs and ended up first person and just in Sofia’s voice. I sure did get to know my characters! In some ways, the novel began even earlier because it was based on my own grief over losing my father when I was 25. It’s set in New York’s Upper West Side, Spain, and Westchester, New York, three places I’ve called home. And it came straight from the heart.

Dear Diary

MR: Unlike Speed of Life, the Ava and Pip series, and the Melanie Martin series, are written in diary form. What made you choose this particular format for these books? Did you keep a diary as a child?

CW:  Oh God, yes. I kept diaries before I could really write or spell and before I had anything of note to say. Keeping diaries was a way for me to process my day and become more observant. As a kid, while others read, I scribbled. As a thirtysomething mom, I’d written eight nonfiction books and was desperate to write fiction for adults but just couldn’t make the jump. Finally, the fictional Melanie Martin, 10, sort of showed up and said: Enough with your precious attempts at the Great American Novel. How about a diary for kids? The Diary of Melanie Martin poured out.

It begins: “Dear Diary, You will never in a million years guess where we’re going. Nope. Guess again. Never mind, I’ll tell you. Italy! We’re going to Italy! In Europe!! Across the ocean!!!” I was glad that Melanie got to go to Italy, Spain, and Holland. New York too—and glad that, although several publishers passed, Knopf said yes. So, my first novel came out when I was 43. Don’t give up out there!

Turning a Child into a Reader

MR: Ava and Pip skews younger than Speed of Life (Sofia, the protagonist, is 14). The Melanie Martin books skew younger, too. What is the biggest challenge when writing for kids of different age groups on the MG continuum?

CW: Publishers want us to think about younger kids versus older kids, but I wish they didn’t. Girltalk: All the Stuff Your Sister Never Told You was billed as a guidebook for girls 11 to 18, and I loved that! Some kids read it for tips on babysitting and bra-buying; others for tips on safer sex or job interviews. I love writing for young people because sometimes yours really is the book that turns a reluctant reader into a reader, and because when a kid loves your books, she love-love-loves them. And kids don’t just read, they reread.

Palindrome Party

MR: I know you’re a sucker for palindromes. In Ava and Pip, Ava realizes that the names of her family members—Mom, Dad, Ava Elle, and Pip Hannah—are palindromic. What is it about word play that knocks your socks off?

CW: Great question. I was a French / Spanish literature major at Yale and sure, I love books / livres / libros. But I love thinking about individual words too. When The New York Times called Ava and Pip “a love letter to language,” I basically wept. Because that’s what it is. Words themselves are fun, and if you combine them well, you can make people laugh or cry or think or become more compassionate toward others and themselves. I remember being in kindergarten when I learned the word “I.” One measly letter (one long stick, two short ones) and it was so powerful! I also remember learning to spell “here” and “there” and being baffled that they didn’t rhyme. Yes, I’m a full-fledged word nerd! And proud of it!

Persistence Is Key

MR: You are a prolific writer, Carol. Where do you get your ideas and inspiration? Is there a secret sauce you can share with Mixed-Up Files readers?

CW: No secret sauce and I still get rejection letters—most authors do. So, persistence is key. I don’t force myself to write for a certain number of pages or hours. But when I let myself stay (play?) at the keyboard long enough to find the flow, it can be fun. Okay, here’s an odd tip: I sometimes print out a work on different colored pages so that I feel I’m making progress. Like, I’ll have a yellow draft and much later, a sky-blue draft. Books take so many drafts! Another tip: I have smart friends and family members weigh in too. And smart kids when possible.

Carol’s Writing Routine

MR: What does your writing routine look like? Do you have any particular rituals?

CW: Some days I don’t get to my work at all. Other days, I’m at my desk from dawn ’til dusk.

MR: What are you working on now, Carol? Enquiring minds want to know!

CW: I’ve been writing a novel about the girl in the painting Las Meninas by Velázquez, though I’m setting it aside for a few months. (It’s always helpful when you can let a work-in-progress marinate and then come back to it with fresh eyes.) I’m mostly focusing on a novel, Zoe and Lucas, about two city kids who get stranded in a small town and start to discover the truth about their parents and themselves. That’s all I can tell you for now!

Let’s be Prompt!

MR: Before I let you go, I need to tell you that your “Prompt!” class at the New York Society Library is the highlight of my month. It’s so joyful, and so freeing. How did you come up with the concept? Also, what can writers gain from prompts in their day-to-day writing practice?

CW: Oh, thank you, it is pretty magical, isn’t it? It’s really all about giving yourself permission to be creative. Instead of saying (as I too sometimes do), “Why should I write this, no one will care, and how will I be able to sell it?” it’s better to just w-r-i-t-e. When I’m teaching that class and I say, “The prompt is ‘my grandmother’s hands,’ you have ten minutes,” it’s amazing, as you know, that everyone just starts writing up a storm. Sometimes at home, when I’m having trouble getting going, I’ll set my cellphone for ten minutes and say, “Just start!” and on a good day, ten minutes later, I often don’t want to stop.

Lightning Round!

MR: And finally, no MUF interview is complete without a lightning round, so…

Preferred writing snack?

Gum helps me focus.

Coffee or tea?

My husband makes cappuccino every morning. Heaven.

Favorite palindrome?

EMME is our daughter’s name. Though I’m big on WOW and YAY and XOX!

Zombie apocalypse: Yea or nay?

Nay.

Superpower?

I can be charming in four languages! And I’m a Rocky Mountain skier. (But oh dear, I can’t cook or garden and I’m a reluctant driver and I get lost really easily.)

Best piece of advice?

You’re asking an advice giver for her best piece of advice? Oh man…. How about: Be kind to yourself and others.

Favorite place on earth?

Home.

If you were stranded on a desert island with only three things, what would they be?

Too hard! How about if I have just one thing—a phone that’s endlessly charged so that I can talk with loved ones and listen to audiobooks? Or else maybe one private jet so I can get off that island?

MR: Thank you for chatting with us, Carol. It was my extreme pleasure, and I’m sure MUF readers will agree! 

Thank you, Melissa!! See you in class!

For more info on the fabulous Carol Weston, check out her School Library Journal interview here. And her Mixed-Up Files interview with Andrea Pyros here.

WNDMG Wednesday – Holiday Gifts for MG Readers

We Need Diverse MG

 

We Need Diverse MG Logo hands holding reading globe with stars and spirals floating around

Illustration by: Aixa Perez-Prado

Holiday Gifts for MG Readers

Welcome to WNDMG Wednesday – the holiday edition! Looking for holiday gifts for your MG readers?

How about a video game or virtual reality goggles?

Ha.

Not April Fools yet, sorry, I got confused.

But seriously folks, how about books … and not just books, but a subscription book box? I’ve got the perfect idea: the Atlas Book Club, founded by Bunmi Emenanjo. The Atlas Book Club was created specifically with diversity in mind: to provide a way for kids to read in a way that builds global awareness, cultural consciousness, empathy, and understanding.

Lucky for us at WNDMG, we got to talk to Bunmi a little bit about the Atlast Book Club, and we can’t wait to introduce her.

Interview with Bunmi Emenanjo

WNDMG: What made you decide to start Atlas?

BE: In 2016, my husband and I moved with our kids to our current home in a lovely neighborhood with very little diversity. To ensure the kids remain connected to their heritage, I started a children’s book club initially focused on African books. This book club included kids from different backgrounds made up of kids of friends and from our neighborhood. Also, whenever I was a Guest Lucky forReader at the kids’ elementary school, I selected books from our diverse collection. This usually led to interesting conversations with kids who normally would not have exposure to books set in countries such as Uganda or Burkina Faso. I saw how these books set all over the world resonated with my kids and other kids. My observation was that kids need to see themselves in the books that they read! When they do it helps build their confidence and have a sense of belonging. I also observed that kids are yearning to learn about cultures different from their own! What started off as a home book club where we read books set in different parts of Africa eventually grew into an exploration of countries all over the world. Since launching Atlas Book Club as a business in 2019, we have explored over 25 countries through our book selections!

Atlas Book Club Focuses on Global Diversity

WNDMG: In a time when there’s so much choice in subscription book boxes—and some of those choices do include a focus on diversity—how does Atlas set itself apart from the rest?

EB: Atlas Book Club is different because our focus is on global diversity. We believe that cultural competence is an important aspect of a child’s education and development. We also believe that we do our kids a disservice by not introducing them to global culture when they are young because they will enter, as adults, a workforce that will be more globally diverse than ever.

Our focus, with our boxes, is to bring global culture to a child through a fun, engaging, and interesting book. We are also very intentional about the books that make it into our boxes. Every decision we make is towards fulfilling our mission – (1) to help children of color see themselves in the books that they read; (2) to help all children travel the world and experience global culture through the books we select; and (3) to help shatter single story narratives and stereotypes by showcasing diversity within cultures. Every single item in our box is designed to fulfill that mission. For example, our Fun Facts card typically contains facts that are not well known and that celebrate different parts of the culture of the country we are exploring. We also include a local sourced souvenir from the featured country, which in turn supports a local family or community in that country. We are very particular about the book select and they have to fit certain criteria – we feature books with protagonists of color in genres that do not typically have kids of color as the main character such as magical realism or historical fiction; we ensure that we include books that show kids just being regular kids; and we do not shy away from complex societal issues. Lastly, we explore countries that most people are not even thinking about including Turkey, Iran, Haiti, Botswana, Korea, Peru, and Australia with a focus on Aboriginal history and culture, just to name a few.

Diversity Within Race and Culture Too

WNDMG: You’ve committed to selecting a variety of books that showcase diversity “not just in race and culture, but also diversity within race and culture.” Can you talk a little bit about why that’s such an important distinction?

EB: This is one of the main parts of our mission and we take it very seriously. Often countries have a single story or a narrative that most people associate with that country which can end up fostering dangerous stereotypes. We believe that children are intelligent enough to understand that there are different aspects to every culture and country, we just have to teach them. When a child learns that diversity within cultures exist, they grow up with an awareness and sensitivity that will only serve them well as adults. Even more importantly, it helps them develop a level of respect for these cultures, and an understanding that to really know a person, you must seek to know who they are and where they are from and not simply assume certain things about them based on narratives that exist out in the world.

Furthermore, cultures and countries around the world have such rich, interesting histories and traditions that to boil them down to a single narrative is to lose out on so much richness and stories that could really broaden our understanding of people and of the world. A good example of this is the book You Bring the Distant Near which was featured in one of our YA boxes. This book exposed our readers to Indian Bengali culture. This nuance is important because we were able to dive into the diversity that exists within Indian culture and other South Asian countries. We learned, during our conversation with author Mitali Perkins, the difference between Indian Bengalis and Bangladesh Bengalis, and the history of the Bengal region. This is an example of what we mean by showcasing diversity within cultures through our book selections.

((Looking for additional holiday book suggestions? Check out Rosanne Parry’s latest Diverse Book List HERE))

Working with Parents, Schools, and Libraries

WNDMG: Do you have any partnerships with libraries or schools to support diversity and a global perspective in their collections?

EB: We offer a number of consulting packages to schools, libraries and parenting groups to help them build a book collection and curriculum that is diverse and inclusive in an intentional manner. It is extremely important to create an environment where ALL children can see themselves represented and feel like they truly belong.

WNDMG: Even though your books are curated for young readers, we know adults love to read middle-grade and young adult as well. What kind of responses have you had from parents of your readers?

EB: Ha! I love the parents that snatch up the books before their kids can get to it! The YA books and some of the middle grade ones have been a hit with the parents. You will find that YA books set in other parts of the world have stories that are deep, complex and quite satisfying. Atlas YA books are not all fluff! We have the occasional romance novels but these YA books are simply fantastic. My favorite book of 2020 was one of our YA selections called The Things She’s Seen which we featured when we explored the Aboriginal people of Australia, and it is incredible. And my favorite book this year so far is a middle-grade book called Other Words for Home that just hit me square in the gut. It is featured in our Syria Box.

Kids Feel Seen

WNDMG: Do you have a favorite story of an interaction you’ve had with your book subscribers?

EB: My favorite is a story a mom told me about her Nigerian-American son who attended a mostly white school. He read the book Ikenga by Nnedi Okorafor—a fantasy book with a Nigerian boy as the main character—and he loved the book so much he took it to his school librarian and advocated for the book to be added to his school library. He felt like the book represented so much of him and his culture that his classmates should get to read the book too. This really hit home because he validated what we have always believed – when kids see themselves represented in the books that they read, it helps with their sense of identity and belonging. They feel seen. This kid felt seen by reading the book Ikenga and felt his friends should see him, too.

Next for Atlas

WNDMG: What’s next for Atlas?

EB: Gosh! So much we would love to do! We would love to deepen our relationship with the homeschooling community. Our boxes have been such a hit with homeschooling families because they are perfect for social studies, geography and language arts with a focus on global culture. We also would like to grow our consulting clients because we feel that parents and schools do want to ensure that their libraries are diverse and inclusive, and they do want to provide these options to their students, but they do not know where to start! Our goal is to help schools, libraries and parents get there.

About Bunmi Emenanjo:

(Bio excerpted from Work With Me page on Atlas Website)

With over 17 years as an attorney, I have worked in spaces that span the spectrum from the think-tank Woodrow Wilson International Center for Scholars, biotechnology companies, a number of federal agencies to the White House. The diversity of my work experience allows me to be able to communicate with individuals from different professional and personal backgrounds in a manner that resonates such that they feel seen and heard. As a student of vulnerability and authenticity, I bring all that I have learned to the table,

Stay in Touch with Atlas:

Instagram

Facebook

For more on subscriptions, homeschooling, and school visits, check out the Atlast website HERE.