Posts Tagged writing

STEM Tuesday — Pets — Writing Tips & Resources

By on August 20, 2019   /   Common Core & NGSS, Pets, STEM Tuesday  

Using Super Senses

Most humans rely on their eyes to learn about the world; sight is our dominant sense. But as you learned last week, life is far different for our furry friends. They don’t see nearly as well as we do.

So how do dogs and cats make up for their less-than-stellar vision? They use other, supersensitive senses like smell. Did you know dogs have 40 times the number of scent cells humans do? And both dogs and cats use whiskers to make sense of their surroundings. I learned these fascinating facts from this month’s books about our beloved pets. And comparing and contrasting our senses led me to think about how authors use our senses — and sensory details — when writing.

Everything Dogs Dog Science Unleashed

 

 

 

 

 

 

 

 

Souping Up Sensory Detail

Writers have a superpower. They can magically teleport readers into a book. A good book sucks the reader into the action. It’s like being in a favorite movie or video game. How do writers perform that trick?  Sensory details.

Since humans rely on vision, our natural inclination as writers is to provide lots of details related to what we see. For example, we might write, “A pink starfish clung to the gray rock.” Pink and gray are both visual details.

Yet to truly capture a setting, we must act more like dogs and cats and employ our other senses too. What does the starfish’s ocean home smell like? If you could touch the starfish, would its skin feel lumpy or smooth or rough? What does the sea smell or taste like? Is it salty?

To help you make the shift to your other four senses when writing, try this exercise.

  1. Highlight sensory details in your work. First, pick a paragraph. Then grab a pack of highlighters or colored pens. Highlight any details you included about sights, sounds, smells, textures, and tastes. Use a different color for each sense. Do you notice a pattern? Is your writing packed with visual description? Are there senses you’ve left out entirely?
  2. Close your eyes. Imagine yourself in your setting or sitting next to your character, and think about what you might hear, smell, taste, and feel. Real writer tip: If you’re writing about a place you’ve never visited, find a video online and listen. Or, take a trip to a local museum, zoo, or aquarium to suss out smells, sounds, and even textures if you can find touch tanks or petting programs.
  3. Revise. Go back to your paragraph and add sensory details that help give your reader a fuller picture of the world you’re writing about.

This is a technique I use each and every time I revise. I hope it helps you too!

 

Kirsten W. Larson used to work with rocket scientists at NASA. Now she writes books for curious kids. She’s the author of WOOD, WIRE, WINGS: EMMA LILIAN TODD INVENTS AN AIRPLANE, illustrated by Tracy Subisak (Calkins Creek, February 2020), CECILIA PAYNE: MAKING OF A STAR (SCIENTIST), illustrated by Katherine Roy (Chronicle, Fall 2021), along with 25 other nonfiction books for kids. Find her at kirsten-w-larson.com or on Twitter/Instagram @KirstenWLarson.

THE O.O.L.F. FILES

This month, the Out Of Left Field (O.O.L.F.) Files provides links to learn more about pet senses and resources for fine-tuning your sense of smell and touch.

  • Learn more about dogs and their senses with the Dogs! A Science Tale app from the California Science Center.
  • Watch this video (and use the accompanying lesson) from Ted Ed to find out how dogs sniff and process smell.
  • Want to see what your dog sees? Check out this Dog Vision app.
  • Ready to work on your sense of smell? I can’t guarantee you’ll be able to pick out the individual scents in a pile of stinky trash (dogs can do this!), but you can train yourself to notice smells in your world. Try this Mystery Smells experiment from KidsHealth to help you tune in to smells all around.
  • What’s it feel like? Did you know your skin is the biggest sensory organ in your whole body? Learn to tune into your sense of touch with these fun activities from the University of Washington.
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STEM Tuesday– Tiny Worlds (Microscopic/Nanotech)- Interview with Author Nicola Davies

By on July 30, 2019   /   Common Core & NGSS, STEM Tuesday, Tiny Worlds/Microscopic/Nanotech  

Welcome to STEM Tuesday: Author Interview & Book Giveaway, a repeating feature for the fourth Tuesday of every month. Go Science-Tech-Engineering-Math!

Today we’re interviewing Nicola Davies about her book TINY CREATURES: The World of Microbes. School Library Journal calls it a “look at these minuscule organisms and the effect they can have on everything from our bodies to the soil to the clouds in the sky.”

Mary Kay Carson: How did you come to write Tiny Creatures?

Nicola: There are so many things in children’s lives that are related to microbes from always being told to ‘cover your mouth when you sneeze,’ ‘wash your hands before dinner,’ and having to be vaccinated, to favourite foods like cheese and yoghourt. Microbes are everywhere, an incredibly important part of all our lives, so it made sense that even the smallest children should know about them. Also, I loved the idea of invisible, magical worlds when I was little and in microbes we have one all around us, all the time!

MKC: You dug up lots of fascinating facts about microbes during your research! What especially surprised you?

Nicola: As a biology student long ago I was fascinated by the forms of microscopic plants, such as diatoms and unicellular animals like euglena and amoeba. Since then the technology of micro photography has advanced and there are even more beautiful photographs of these astounding mini life forms; looking at those was a real delight.

Nicola Davies is an award-winning author and a zoologist whose seemingly boundless enthusiasm for studying animals of all kinds has led her around the world. Fortunately for young readers, she is just as excited about sharing her interests through picture books. When not swimming with whales, sharks, or sea lions, traveling game reserves in Kenya, or off on other scientific expeditions, Nicola Davies gives writing workshops for students, writes books, and once she made a chair. She lives in Wales. www.nicola-davies.com

But I think the most amazing statistic I learned was the contribution to the oxygen in the air we breathe made by marine diatoms. One in every five breaths that you take is essentially provided by these beautiful, microscopic little plants. It was yet another example of how all life on earth is connected in a complex network, a network which supports us all and which we damage at our peril.

MKC: Do you have a STEM background?

Nicola: My life’s passion is zoology, although admittedly usually I am concerned with multicellular organisms. I did a Natural Sciences degree at Cambridge and did post grad study on bats and whales.

MKC: How would you describe the approach you took on this book? 

Nicola: Simple and accessible. I knew it wasn’t necessary or possible to put the whole of microbiology into a picture book, but I wanted to provide readers — both children AND their parents — with a seedbed of knowledge that would let them understand some of the basic things they may encounter in everyday life. I also wanted to inspire a sense of wonder and also of humbleness- we think our sense tell us everything we need to know but there is so much that we don’t see. It’s important to remember that real knowledge and understanding come first from admitting that you don’t know everything! My job as STEM picture book author is to make sure that at the end of the book, my readers understand a little and want to understand a lot more. My books aim to be a gateway into a world of lifelong learning and dialogue with the world.

 

Win a FREE copy of Tiny Creatures!

Enter the giveaway by leaving a comment below. The randomly-chosen winner will be contacted via email and asked to provide a mailing address (within the U.S. only) to receive the book.

Good luck!

Your host is Mary Kay Carson, author of The Tornado Scientist, Alexander Graham Bell for Kids, Mission to Pluto, Weird Animals, and other nonfiction books for kids. @marykaycarson

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For Those Who Write Short: How to Lengthen Your Manuscript

By on July 17, 2019   /   For Writers, Writing  

In online and in-person writing circles, I often hear fellow writers bemoan having to cut down their lengthy manuscripts. “Oh no!,” they wail. “I have to cut 30,000 words!” My problem is a different one. I write short. My first drafts tend to be one-half to two-thirds the suggested word counts. I used to feel insecure about this, but now I think this is my process. I feel a little like a painter—I do the broadbrush outline first, then with each draft add more detail and depth. I’ve come up with a few ways to add, so in case you are my fellow traveler on this narrow road, I share them with you.

Add Physical Descriptions

I’ll can get all the way to the end of my first draft and realize I have never given my main character a physical description. Not a hair color, eye color, even a race. Part of me thinks, it shouldn’t matter! The reader can fill in whoever they want! But it can be distancing for the reader if they can’t picture your character. Not only should you include a physical description, but you probably need to mention that physical description more times than seem appropriate. Do you know how many times JK Rowling told us that Ron has red hair? A lot, my friends. A whole lot. Even in book seven. When reading, I didn’t even notice it, but when I started looking for it, it seemed absurd. All of those reminders, though, make Ron seem like a living, breathing person, whom I might run into at the Leaky Cauldron.

Describe Places

Your main character’s home, school, soccer field, favorite spot in the woods—all of the important places where he or she experiences events–should be described. This is a great opportunity to use the setting to show us more about the character. Does the soccer field feel like freedom or dread? The description should show us that.

Check the Calendar

It is likely that some holiday happens during the timeline of your book. Have you included it? If it’s the start of the school year, you’ve got the major Jewish holidays, and then Halloween. Summer includes Fourth of July. Your character has a birthday, right? Or his or her friends or family members do? Think about writing those up. They might be interesting scenes to play around with.

Give Your Main Character Friends

I heard an editor mention that one of the consistent issues she sees in middle grade and young adult manuscripts is that the main character doesn’t have friends. “You guys, it’s really weird if they don’t have friends,” she said. “If they don’t, there needs to be some explanation for that.” Even if your character is alone on a spaceship, he or she should remember friends from back home, and if you can find a pet or at least a pet rock, that would be good. Side characters in general are a great opportunity to flesh out your character and introduce new conflicts.

Figure Out Where You’re Cheating

Sometimes, the reason my book is short is because I’m gliding over the hard parts. I want to get from A to B, but I’m not entirely sure how it would happen, so I just skip that part. This type of thing drives readers crazy. You have to do the work. But you don’t have to do it alone. This is a great spot to phone a friend. Ask a fellow writer (or anyone, really) to brainstorm with you. “Here’s what’s happening and where I need to go,” you’ll say. “What do you think might get them there?” It’s amazing what people who haven’t been living in the book like you have will come up with. Even if they don’t have the magic bullet solution, their fresh ideas may spark something in you that will get you to the answer you need.

Fix a Problem

There is likely some issue with your manuscript that you’ve identified, or that beta readers point out consistently. Maybe people aren’t connecting with your main character, or the conflict doesn’t seem intense enough, or the pacing is too slow. It may be possible to address that problem through a subplot, or adding another character. Brainstorm solutions; try to come up with at least twenty possibilities. Talk them over with other writers, and get their ideas, too. You’ve got the space! Consider yourself lucky, and use it to your advantage.

 

Finally, maybe writing short isn’t all bad. The book that made me cry most recently (Kate DiCamillo’s Lousiana’s Way Home) comes in at a slim 40k. One of my all-time favorite books, David Almond’s Skellig, is just shy of 34k. You can pack an emotional wallop–and plenty of laughs–without oodles of words. Don’t add text just to lengthen. Say what you need, and trust that it’s enough.

 

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