Posts Tagged writing tips

STEM Tuesday — Deep Space and Beyond — In the Classroom

By on July 17, 2018   /   Common Core & NGSS, Cross-Curricular, Curriculum Tie-in, For Librarians, For Parents, Space, STEM Tuesday  

Let’s launch into nonfiction literacy with this month’s theme, Deep Space and Beyond!

Space is the star of the show this month. From asteroids to zero gravity, there are human interest and general STEM themes interwoven with this theme.  Have a blast as you explore the Solar System and beyond!

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Try a Trio.

Emphasize the human heart of science as you compare and contrast the stories in a trio of books: Team Moon (Catherine Thimmesh), Mission to Pluto (Mary Kay Carson), and Voyager’s Greatest Hits (Alexandra Siy).  Focus on the motivations, challenges, worries, and risks involved in reaching for big, ambitious goals that advance scientific and technological frontiers.  Students can consider which missions they find most interesting; which one they think they would most like to have been involved in; and where else they think humanity should explore. They might also write about what they see as the advantages and disadvantages of  human explorations compared to robotic ones.

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Elizabeth Rusch’s IMPACT! Asteroids and the Science of Saving the World focuses on professional scientists’ efforts to understand asteroids and their, er, impacts, both past and potential, on Earth. Then Rusch invites readers to get involved in citizen, or amateur, asteroid science. (After reading this book, who wouldn’t want to join the fun?) Page 64 offers resources to help engage your group, or just one motivated kid, in efforts to track asteroids, discover one, or even save the world from an asteroid! Rusch provides tips for meteorite collecting, but it might be easier to collect tiny micrometeorites. Their incredibly long adventures through space can end on rooftops and in downspout debris. They’re ready for pick-up by the well-informed, slightly lucky, prepared amateur with a magnet. Check out Popular Science’s DIY article for details. (Be sure to get all the appropriate permissions and scout only in safe areas when collecting!)

 

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Readers zipping through Dr. E’s Super Stellar Solar System  (Bethany Ehlmann with STEM Tuesday’s Jennifer Swanson) might appreciate the mind-boggling size of the solar system after they make and revise solar system models to various scales. Get started with a scale and relevant data for a football field-sized model, found on page 18. Before heading out to the gridiron, however, help students map out the model.

Begin by sketching the football field on cm-grid graph paper and locating the planets’ orbits on it. (Each cm represents one foot on the field and 5 million miles in real space.) At this scale, students will find the field is too small for all orbits; students will need to adjust the scale so all planets can fit. New map in hand, head outside. Students can position themselves at the scaled planetary distances from the Sun.

Reading on, as students find that the solar system extends farther than the planetary orbits, they can track distance data for all Solar System features mentioned in the book. At the scale students used before, where in the community beyond the field would these features have to be placed?

For more depth, consider the scale of the objects and other models.

  • Is the model of the Sun (an orange) the right size for this scale?
  • If not, what would be?
  • What are the strengths and limitations of various 3D and illustrated visual models of the solar system that students have encountered?

 

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Metaphors and imagery help scientists flesh out ideas for themselves. Piggy-backing new ideas onto ones we already grasp is also important in science communication, especially when it comes to fascinating but abstract, challenging concepts related to black holes.

Keep a class log of the metaphors, analogies, and other comparisons used by scientists and the authors—including Sara Latta, author of Black Holes: the Weird Science of the Most Mysterious Objects in the Universe and me, author of A Black Hole is NOT a Hole. You’ll find some, for example, on page 35 of Black Holes, where Latta quotes Neil deGrasse Tyson describing galactic (and black hole) cannibalism : “…the big galaxies get bigger; the little ones get eaten”. By contrast my book begins by challenging  such anthropomorphism (“monstermorphism”?); soon, starting on page 8, the text compares a black hole to a whirlpool.

  • What other examples can readers find of scientists or writers using metaphorical language to describe black holes and related ideas?
  • In what ways does each metaphor work as a model and in what ways does it break down? What metaphors do students come across in other science contexts?
  • Based on their own world experience, what metaphors can students develop for the science concepts they are learning?

 

Make It Your Mission. Just as it took 400,000 people—Team Moon–to launch humanity to the moon, it takes a big Team STEM Tuesday to launch kids into getting the most of their STEM and STEM reading experiences. We would love to hear from you.

  • What books on this month’s list do you want to bring to your young readers?
  • Which of this month’s suggestions intrigue you most?
  • What other ideas, thoughts, and questions around using space books with your young learners do you have?

 

portrait of author Carolyn Cinami DeCristofanoSTEM author Carolyn Cinami DeCristofano writes books for kids about space and other topics. Her lively author programs bring engaging science and writing experiences to readers.  As co-founder of Blue Heron STEM Education, she provides teacher professional development and creates curriculum resources for classrooms and other contexts.

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STEM Tuesday Inventors- Those Awesome People of Science – Writing Craft & Resources

By on May 15, 2018   /   Diversity, Inventors / Inventions, New Releases, STEM Tuesday  

 

Reading Between the Facts

Don’t you just love it when a story comes to life? When you are reading something and you can smell the sooty aromas, hear the grinding gears of a new invention, taste the tang of tart pie? And when, long after you’ve put a book down, you find yourself wondering about the characters? But that’s fiction, right? A story that wraps you up and carries you away.

Wait, what about fact-filled books that transport you like that? When I looked at this month’s book list, packed with techy inventions and their nerdy inventors, a story that transported me was the last thing I expected. Physical science isn’t my thing, so I gritted my teeth anticipating some dull, dry reading.

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Boy was I wrong. Flying Machines: How the Write Brothers Soared had me so hooked I convinced my aerospace engineer husband he had to read it (sidenote: he was impressed with the accuracy of the content).  Eureka! Poems About Inventors drew me through periods of history I had never cared about. And then there’s Isaac The Alchemist: Secrets of Isaac Newton, Reveal’d which made me pondering how light works, I mean really think about the physics of it. A week later I found myself Googling “Newton’s Laws of Motion because I wanted to actually understand them – not just memorize them. How did this book do this to me?

I had to know.

So I did what every good writer does, I studied the words on the page. I looked at how Mary Losure cast stories, how she used sentences, how she arranged paragraphs, and how she constructed chapters that draw me in. And then I noticed something.

Writing Between the Facts

Mary Losure had written a lot between the facts. When you research a historical figure, you only have so much information.  From the level of detail included (like the child’s drawings found in the house where Isaac grew up) it is obvious that this author dug and dug and dug until she found gold. But even a gold nugget won’t reflect light unless it is polished and placed in just the right position – in this case it shone a spotlight on Isaac’s childhood attributes. Losure had to bridge the gaps between the facts.

I’m not saying she falsified facts. No, through clearly-stated, careful conjecture, she brilliantly brought her readers into the world of inquiry.

“Far in the future, a child’s drawings would be found scratched in the farmhouse’s soft stone walls: a windmill, a church, a figure with a spurred boot. It was clear the child who drew them was bright and imaginative. The pictures had been hidden by layers of plaster for many years. The people who found them wondered if the drawings had been made by Isaac. It was easy to imagine him scratching away, unnoticed by anybody in the busy household.” Page 5, The Alchemist: Secrets of Isaac Newton, Reveal’d

Once I noticed that, I turned my mental search engine on, pulled out my wet-erase markers and transparency paper. I got to work. I wanted to ferret out all of the hard facts on a page, find the gaps between them, and see how Losure bridged them. Laying the transparency paper over a page allowed me to mark up the page without leaving a mark in the book.

I highlighted the obvious facts in green, qualifying words in red, and passages I wasn’t sure about in yellow.

Page 5, Isaac The Alchemist: Secrets of Isaac Newton, Reveal’d 

Cool! Working my way through the book, I found lots of examples:

  • She presented us with quotes from texts he read: “In his book The Mysteries of Nature and Art, there were instructions for making: A Water Clock …” page 31
  • She admitted we don’t know but presented evidence: “No one today can know exactly how Isaac and his friends spent their time, but the list Isaac made …” page 55
  • She referenced oral history: “To this day, people tell an old familiar story …” page 122

I learned lots of writing moves from Mary Losure that day. And as a bonus, the next time I read a fact-filled text, you can be sure my mind will read right between the facts – that’s an skill for every reader needs to hone.

—–

By Heather L. Montgomery

Heather L. Montgomery writes for kids who are WILD about animals. She reads and writes while high in a tree, standing in a stream, or perched on a mountaintop boulder. www.HeatherLMontgomery.com

The O.O.L.F Files

For the Out of Left Field (O.O.L.F) post, let’s look at inventions gone wrong.

Some inventions are completely pointless, like shoe umbrellas and the car exhaust grill : http://www.complex.com/style/2013/05/25-inventions-that-are-completely-pointless/air-conditioned-shoes

Inventions aren’t always used the way they were intended. Read how a soybean fertilizer became Agent Orange and why the Wright brothers regretted creating airplanes:

http://bigthink.com/laurie-vazquez/6-scientists-who-regret-their-greatest-inventions

Time shares 50 of the worst inventions, including pay toilets, DDT and hair in a can:

http://content.time.com/time/specials/packages/completelist/0,29569,1991915,00.html

And then there are always human errors… To read true tales of technological disasters, check out Steven Casey’s Set Phasers on Stun.

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Dogs, Skunks & Writing

By on April 25, 2018   /   For Writers, Writing  

My wife takes our two dogs running almost every morning. I stay in bed because her version of running is the “all pain, no gain” variety—it involves neither a court nor a basketball. This routine didn’t affect my life until The-Morning-Which-Will-Not-Be-Named.

Skunk: 1. Dogs: 0.

Skunked dog

Fortunately, there are writing-based insights to be gained from a pair of odoriferous mutts. Here are three lessons I’ve learned about dogs, skunks, and writing:

1)      Finding writing time is like bathing a skunked dog. You can always come up with something to do that seems more pressing. There are bills to pay, emails to answer, papers to grade. You can dart and dodge and distract. But the dog still stinks. And the story still needs written. Eventually, you have to push aside your excuses and just write. You also have to bathe the stinking dog.

2)      A single approach is rarely enough to solve the problem. Tomato juice. Dish soap. Baking soda. There are multiple methods for cutting the odor of a skunk-sprayed pooch. But to really deal with the problem, you’ll probably have to put more than just one of those methods to use. Similarly, when you run into a problem with your writing—a scene that drags, a middle that droops—don’t lock onto a single solution. Read your work aloud. Take a walk. Seek a critique. Step away from your computer and put pencil to paper. Take as many different approaches as needed to get your writing humming again. And maybe give the dog one more scrubbing, too.

3)      Rainy days bring reminders. The odor fades. You find yourself forgetting your dog ever had a run-in with a skunk’s backside. Then it rains. Wet dog fur releases latent skunk scent in an exceptionally memorable way. And just like the rainy setting affects the potency of skunky dog fur, a story’s setting should affect the plot. The Harry Potter series wouldn’t be the same without the quirks of Hogwarts. The Hunger Games wouldn’t be the same without the districts. Setting should be more than a simple, silent backdrop. Make it matter.

And there you have it—the three writing lessons I learned from two dogs and one skunk. If you have another insight or writing tip to share, feel free to post it in the comments below. And even if you didn’t learn anything new about writing from today’s post . . . well . . . I hope you at least learned to stay away from skunks.

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