Posts Tagged writing tips

STEM Tuesday– Getting Your Comic-on with Great Science Graphic Novels– Interview with Author Illustrator Don Brown

Welcome to STEM Tuesday: Author Interview & Book Giveaway, a repeating feature for the fourth Tuesday of every month. Go Science-Tech-Engineering-Math!

Today we’re interviewing Don Brown, the author and illustrator of OLDER THAN DIRT: A Wild but True History of Earth. This fun, graphics illustrated whirlwind tour of the origin and workings of our home planet is guided by a geology-savvy groundhog. School Library Journal has called Brown “a current pacesetter who has put the finishing touches on the standards for storyographies.”

 

Mary Kay Carson: Do the words or illustrated characters come first in a book like this? 

Don Brown: The words always come first…otherwise it’s like the tail wagging the dog!

We wanted the book to accessible and funny while still offering solid information. I can’t remember exactly how we hit upon the ground hog and earthworm dynamic…perhaps it’s an exaggerated reflection of my and Perf’s relationship in which I ask (clueless) questions and he (patiently) answers them. (Also: the Groundhog was originally an Aardvark until we realized Ground-hog had the more appropriate name.)

We had a lot of fun with the characters and came to see them as Abbot and Costello meets the Socratic Method.

MKC: How did you end up collaborating with Dr. Mike Perfit?

Don: Dr. Perfit – “Perf” – and I have been friends since the world was young. We met in college where he dragged me over the finish line in freshman calculus. (Of which, I remember nearly nothing.) His passion for geology is infectious and I had for a long time noodled around with collaborative ideas. Finally, we struck on Older Than Dirt and went to work. Partnering with Perf is a joy; he is generous, smart, and funny. I’m trying to figure out how we might collaborate again.

Don Brown is the award-winning author and illustrator of many picture book biographies. He has been widely praised for his resonant storytelling and his delicate watercolor paintings that evoke the excitement, humor, pain, and joy of lives lived with passion. He lives in New York with his family. www.booksbybrown.com Instagram: @donsart

MKC: Do you have a STEM background? Are STEM subjects difficult to illustrate?

Don: Illustrating a book about geology was not difficult. Many geologic processes are wildly dramatic: Earthquakes, volcanoes, tsunamis, cosmic collisions, lava floods…they’re great fun to illustrate!

Older Than Dirt is my only STEM book to date. I had a brief connection to STEM in college when I studied engineering. After one semester of physics and calculus, I discovered I had no aptitude for math or science and became a history major.

A scientist I am not, yet I’m still drawn to science history, especially the human stories connected to it. And I’ve learned that if I bear down, I can understand the STEM details within science history. For example, I have finished making a book about the 1918 Spanish Influenza and along the way explored the ins and out of infectious disease, RNA, and microbiology…it was fascinating!

MKC: What’s next for you?

Don: My Spanish Flu book – Fever Year – will be published next Fall. Also publishing next year is my Rocket to the Moon, a history of rockets and the first manned moon-landing in 1969. Both books touch on STEM subjects.

Win a FREE copy of Older Than Dirt!

Enter the giveaway by leaving a comment below. The randomly-chosen winner will be contacted via email and asked to provide a mailing address (within the U.S. only) to receive the book.

Good luck!

Your host this week is woodchuck fan Mary Kay Carson, author of Mission to Pluto and other nonfiction books for kids. @marykaycarson

Do’s and (one) Don’t for Emotionally Deeper MG Writing

How do master storytellers develop empathy, resilience, and emotional maturity in their middle grade readers? Sometimes it’s by being tough. These authors aren’t afraid to go emotionally deep in their writing.  They tell stories outside what’s considered age-appropriate, write against type, or make readers laugh in the darkest of times. The five Do’s and one Don’t below represent the wisdom of writers who have touched the hearts of young readers. Each is paired with a book that is a both a great story and a master class in how to go deeper into your writing. Dare to be profound!

  1. Don’t Limit Subject Matter Orbiting Jupiter by Gary Schmidt

A thirteen-year-old boy becomes a father, showing us that subject matter, if handled with honesty and sensitivity, shouldn’t have borders. This gorgeously written story of love and loss leaves readers wiser and more compassionate.

 

  1. Do Break Hearts! Louisiana’s Way Home by Kate DiCamillo            

Part angel, part grifter-in-training, twelve-year-old Louisiana is forced by her inscrutable ‘granny’ to move away from the town she’s come to love and the only friends she’s ever had. They quickly run out of gas, food, and shelter. Readers share Louisiana’s heartbreak, but they also share her resilience, goodness, and ability to love and forgive.  We could all learn something from Louisiana.

 

 

  1. Do Let Humor Lighten Up the Dark One Crazy Summer by Rita Williams Garcia                           

Three girls, ages eleven, nine, and seven, who’ve never been out of Brooklyn, fly to Oakland, California to meet the mother who abandoned them. It’s 1968 and instead of seeing Disneyland, they end up in a day camp run by the Blank Panthers. The novel is moving, eye-opening—and funny. Williams’s masterful use of humor makes the sadness bearable while showing readers the girls’ growing awareness of injustice.

 

  1. Do Create an Unexpected Hero The Truth as Told by Mason Buttle by Leslie Connor

Mason Buttle is an oversized boy who has difficulty reading or writing. In other words, he’s a perfect target for bullying. Yet he’s the kind of guy who’d make a perfect friend, if only kids could look past his disabilities and see his kind heart and brave spirit. As author Leslie Connor says, “I aim to present academic underdogs as multifaceted humans,” and in this book, she lights the way for us all.

 

       5.   Do Dare to Face the Worst! Bridge to Terabithia by Katherine Paterson; See You at Harry’s by Jo Knowles; Mrs. Bixby’s Last Day by John David Anderson; The Thing About Jellyfish by Ali Benjamin; The Land of Forgotten Girls by Erin Entrada Kelly; Charlotte’s Web by E.B. White

Sometimes the ones we love die.  These books handle death with love, sensitivity, and great respect for young readers. Enough said.

If you’d like to add a Do or Don’t to this list, I’d love to read it! Please write it in the comment section below, along with the title and author of a book that illustrates how it’s done.

The Limitless Middle Grade Imagination: Ideas for Encouraging Students’ Fiction

Intro with thesis, three main points, conclusion with cap.

The traditional five-paragraph essay format is one of those topics I’ve been teaching for… let’s just say a lot of years. Valuable and necessary, it’s a handy tool in the toolbox for middle grade students. It helps to structure and organize weighty and mature thoughts into real and powerful language on the page. Students learn to let this formula work for them, the way you let the weight of a hammer do the work of driving the nail. I love the five-paragraph structure for its simplicity and efficiency, and for the way it prompts students to write without worry.

And sometimes, I cheerfully throw it out the window.

Middle grade students — whether in a traditional classroom, a non-traditional environment, homeschool, or virtual learning setting — have vast potential as writers…all sorts of writers. At times, the taming of their wild ideas with that five-paragraph structure is appropriate, but kids in this age group can also bring fierce creativity to writing jobs as seemingly limiting as vocab sentences, and that talent should be given room to grow. And then there’s the untapped storyteller inside many a middle grade student, who needs only a bit of encouragement, a cool assignment idea, and permission from the teacher, librarian, or homeschooling parent to Go ahead…make it up. Forget the 6- to 8-sentence paragraphs that must support your thesis. Don’t dare tame ideas into any kind of structure. Let the tale-spinning begin—and set it free to roam the dark woods and swamps, the castle hallways strewn with trapdoors, the hidden monster-lairs on distant planets.

The freedom of fiction writing in the classroom has just as many (and in some cases, more) educational benefits as learning proper, formal sentence and paragraph structure. This is true at any grade level, but middle grade fiction freedom is especially important. Fiction writing projects

  • Work the imagination–not the handy gadgets and devices.
  • Bring out new talents and skills at a crucial identity-building age.
  • Allow independent, personalized work and countless project options for a variety of types of learners.
  • Can be shared in whole or in part, or in nutshell summations of premises — tasks which offer practice at additional skills.
  • Inspire many middle grade students to read more, inside and outside of the classroom.

Fiction writing projects don’t have to be limited to the classroom. Teachers and librarians might consider the following suggestions for school hours, but parents and after-school group leaders seeking enrichment projects for their middle graders might find them helpful as well.

The Historical Premise: Middle grade writers create a plot scenario with conflict and characters based on a historical setting, time period, and event.

The Character Blueprint: Writers “map” out characteristics for a character unlike any they’ve read, detailing physical and personality traits, likes, dislikes, goals, dreams, family, home, daily life.

The Conflict-driven Plot Scenario: Writers compose short situations that “up” the conflict with each new line: But the next day…suddenly…just then…unfortunately…

The Look-Alike: Writers use already-created characters — perhaps from a shared class read — and send them down unfamiliar roads of conflict, or place them in a conflict from a different novel they’ve studied.

The Choose Your Tale-teller: Writers select a format that suits their story idea best: illustrated picture book, graphic novel, comic book, story in verse.

Remember that in order to truly encourage the creativity that comes with fiction writing, teachers, parents, and librarians might have to rethink traditional lesson planning and writing “rules.” Here are some ideas for inspiring your middle graders as they create fiction.

  • Don’t go with your first idea…dig deeper. Reject that which comes too easily.
  • Don’t worry about a beginning or an end. Start in medias res and stop when you want.
  • Try creating only the premise of a story – without the overwhelming work of writing the actual story.
  • Write a detailed beginning full of mystery and sense imagery, then stop. Write another full of opposite choices to the first (night instead of day, freezing instead of sunny), then choose one to continue.
  • Write a whole scene of dialogue, without narration. Use dialect, jargon, fragments, idioms.
  • Write only a one-page real-time scene (or half a page, or two pages, etc.), without worrying about descriptions and set-up.
  • Write from the point of view of an animal or a plant, or a rock or a wall.
  • Design a character, and write unrelated scenes featuring him or her in different genres.

With fiction writing, the options for learning by doing about literature and storytelling are endless: Plot. Character. Imagery. Genre. Dialogue. Theme. Excellent practice opportunities for mechanics, vocabulary, syntax, and a host of other communication skills come into play in the revision stages, as well.

But best of all, a student has made a piece of something that was not there before, and with these new creations almost certainly come sparks of continued inspiration.

Thanks for reading and good luck to your middle grade-aged writers!