Posts Tagged “writing for children”

Finding Writing Inspiration through the Five Senses

I’m starting to think about a new book. It’s hazy now, like shapes in the fog, but it’s getting closer. I am not an outliner, so I have to feel my way through that fog, stumbling in a direction that I hope is right. I find that the more I can immerse myself in the world of the story, the quicker it comes. Here are some of the tricks I’ve used; I would love to hear yours.

tree trunk

  1. Sight

Like many writers, I gather images to inspire me. I’ve got a framed photo of a giant tree on my writing desk, a remnant of my first book. I have pictures of people who look like the people in my books saved in my Scrivener files, as well as pictures of the settings, animals, even particular pieces of furniture. Pinterest is great for this. For those on Twitter, the hashtag #novelaesthetics is really fun.

rufus wainwright

  1. Sound

I know that a book is coming closer when I start gathering songs for a new playlist. Rufus Wainwright’s Hallelujah instantly transports me to the world of my first book. I don’t listen to the playlist when I’m actually writing (too distracting), but when I’m thinking about the book, on a run or on a drive, it helps me get in the zone.

big red

  1. Smell

Much of my first book takes place in the woods, so when I was hiking, I would try to note and hold onto the smells—the pine, the earth, the dew. I also, though, am an inveterate gum chewer, and I have assigned a different type of gum to my different works in progress. I’m chewing a lot of Big Red these days. If I open a pack anywhere in the world, I immediately think about my work in progress.

biscuit dough

  1. Taste

The taste of the gum also helps me. The fiery, cinnamon taste of Big Red puts me in the right frame of mind for the quick and snappy soccer players I’m writing. The inspiration goes the other way, too. I remember writing one biscuit-baking scene and getting so hungry that I had to go bake some myself. The kids were thrilled to wake up to fresh biscuits on a school day.

oysters

  1. Touch

Going to the woods also helped me get into the tactile nature of the woods. I would feel the bumpy bark, shuffle through the pine needles, note the hot sun on the back of my neck. For the book that is coming, I recently brought an oyster shell home from a canoeing trip. Something about the sleek, iridescent ridges spoke to me. It feels right in my hands, though I don’t know yet how it fits in with my forming story. I can’t wait to find out.

Katharine Manning is a middle grade writer. Her books are fueled by cherry blow pops, as well as Big Red. She had six cavities the first time she went to the dentist, but has since learned much better dental hygiene. You can find her online at www.katharinemanning.com or through her book blog, www.kidbooklist.com. On Twitter, she’s @SuperKate.

 

 

Jabberwocky Time Warp Tour

Today we welcome not one, not two, but three talented middle grade writers to From the Mixed-Up Files… . Authors Eric PierpointJ.B. Cheaney, and Stephanie Bearce are helping us turn back the clock by answering the question: How does writing and researching historical fiction or non-fiction for middle-grade readers differ from writing for adults and how do these writers strive to  bring history to life for young readers? 

Time Warp Tour

 

 

 

 

Eric Pierpoint (The Secret Mission of William Tuck)

The Secret Mission of William TuckTo me, writing historical fiction for younger readers means creating more action and adventure around the facts. What appeals to adults may be boring to middle-graders, so whatever goes into the book must be done in a balanced way that keeps the level of excitement going. There are times where I like to really press on the gas, and then slow it down to make certain points in a different rhythm. I was once told that reading my books was sort of like watching a movie, that they are cinematic. They’re right! I never want to preach history and give too much of a lesson. I’d rather make that history come alive through the eyes of a young person who is caught up in the action of the story. For example, my main character could be in the middle of a scene where our founding fathers are discussing an important topic like prisoner exchange during the Revolutionary War. Rather than explain in long passages to the adult reader the history of prison ships, for a younger audience, my young character would be captured and taken aboard the infamous HMS Jersey and have to figure out a way off. I think it is better to increase excitement while using historical fact rather than spend too much time writing long explanations.

J.B. Cheaney (I Don’t Know How the Story Ends)

I Don't Know How the Story EndsIt doesn’t, much; you just leave out the more lurid details. Researching historical fiction is not just about getting the background facts right; it’s also getting a sense of the people who lived and though in ways we can’t fathom. What was important to them? What did they do for fun? What do we dismiss that they considered of first importance? I think it’s just as important to get those things right for children as it is for adults, because traveling to another time is as mind-expanding as traveling to another country. Kids need to have their minds expanded!

On a more practical level, research is vital for plot development. When the idea for a historical novel is conceived in the author’s fertile brain, she already has a basic idea of the history arc and can match it to her story arc. In 1918, where I set I Don’t Know How the Story Ends, Isobel’s father is serving in France during WWI. I already knew that America officially entered that war in 1917, but didn’t know about the Hollywood war bond rallies (where Isobel impersonates a boy scout), or Charlie Chaplin’s wandering eye (which makes Isobel so nervous about her mother), or D. W. Griffith’s decision to leave Hollywood (which will shift the purpose of Ranger’s film project). Those bits of information added texture and distinctiveness, not to mention important plot developments.

Stephanie Bearce (Top Secret Files)

The Cold WarI love this question because as a teacher it is something I have really worked hard to understand. Teaching or writing about history for children is very different than it is for adults. While an adult may be able to remember different decades, and the styles or fads of each one, a child has a much shorter time perspective. A decade may be longer than their entire life.

Dates and numbers don’t give children any clue as to what was happening at that time period. As adults we read the date 1776 and we can immediately picture men wearing knee breeches and white wigs. Mention Rome in 100B.C. and a grownup knows it’s the time of togas and Roman baths. But those numbers all have to be given context for children.

It’s important to describe what technology was and was not available during the time period. Writers and teachers need to help them understand that during World War One the radio was a brand new invention and airplanes had only been invented a few years earlier. Details about how people lived and how it is different from other time periods are important to give children a sense of the changes that have happened over time. It means telling every story with the idea of how it is different from the modern world of the child.

It’s a challenge, but it’s a fun one!

Want to win a #TimeWarpReads Prize Pack featuring titles from Eric Pierpoint, J.B. Cheaney, and Stephanie Bearce? Enter now!

In Praise of L–O–N–G Books

QWERTY_keyboardWriters conferences, writing magazines, and literary blogs are long on advice for the aspiring writer, and one the things I hear fairly frequently is the admonition to remember that kids don’t have the attention span they used to what with the giddy spin of the internet forever at their finger tips. Kids want fast-paced, gobble them up reads! Or so we hear.

And yet, time and time again the market has proved them wrong. Some of the most popular books in recent memory have been long, including the last four tomes in the Harry Potter series, all the books in the Eragon series, the Wildwood series, the Game of Thrones juggernaut, and many of the Percy Jackson titles. Classics like The Lord of the Rings and the works of Jane Austin have held up rather well in spite of their length.

What’s up with that!? Here are five things that I think make long books particularly appealing to middle grade kids.

1. Middle grade readers have time. Too young to have a job and notBook Ends Beach allowed to roam the neighborhood alone while their folks are at work, the MG reader has hours of time, especially in the summer to dive into a book that really rewards a long stretch of attention.

2. Most long books are long because they carry a reader off into a richly detailed and lavishly described world whether it’s Harry Potter’s Hogwarts or the Hispanola of Treasure Island. Kids who can’t drive, didn’t pick their hometown, their house, or even the sibling they share a room with, love to be swept away.

3. Many long books are fantasy, science fiction, or magical realism, perennial favorites among MG readers.

4. There’s plenty of praise from grownups to be gained from reading a book of weight and substance and there’s plenty of pride in the accomplishment of reading a long story all the way through to the end.

WB Golden Compass5. Among traditionally published books there is pressure from editors to tighten up the story and tell it as economically and gracefully as possible. I tend to have confidence that a traditionally published book that goes on at some length has something worthwhile to say, something that could not be said in a more compact tale. There are masters of the short form who have made a career of writing lean and lovely tales like a long string of pearls, each one a tiny perfection. But many authors at the height of their powers, even if they have written other short books, write a marvelous long story and if they are lucky it stands the test of time.

IMG_1610-3-225x300[1]I am very much hoping Pam Muñoz Ryan’s new book Echo is one of these. I reviewed it on my website.

Here are a few other books kids have liked that approach Moby Dick in length.

Harry Potter and the Cauldron of Fire by JK Rowling

Brisigner by Christopher Paolini

The Golden Compass by Phillip Pullman

Wildwood by Colin Meloy

and The Lord of the Rings by JRR Tolkein

How about you? Do you have a favorite tome? Can you remember the feeling of accomplishment from the first long book you read? Please share in the comments.