Posts Tagged writing books

Writing Books Takes a Crowd: Here’s How


We can write alone but we can’t get published alone.

I have found that while writing is a solitary job, to truly succeed you need to be in a room alone—and surrounded by a crowd.

The author John Green wrote, “Writing is something you do alone. It’s a profession for introverts who want to tell you a story but don’t want to make eye contact while doing it.”

This is true in your creative space, but today authors are called on to live uncomfortable public lives which can be hard for introverts. We must get out of our comfort zone. It IS hard to put yourself out there as a writer when mostly we just want to hideaway in our fiction dream worlds.

But we are also SO lucky to be writers in an age where the writing community is wonderfully accessible. We can meet authors in person and online and get to know them as mentors. We can engage with our peers and share resources. Yes, it takes away from writing time, but it also opens up so many more doors for opportunities to improve our writing and get published.


I’ve found no other job like writing that involves constant change…and constant rejection. You need a positive support buoy to keep swimming in this career or you will sink. Wherever you are in the writing journey, look to elevate yourself now with people that can help you finish that first book (or second or third…) and get it to market.

Where to start? Here’s the crowd that filled my space when I was working toward getting published (and still fills my space)–and could fill yours.

Hundreds of people
I was surrounded by writers of all levels at multiple writer’s conferences. Scared stiff, I went to my first writer’s conference eleven years ago and met other writers for the first time. From this one event my entire life changed, and my network of peers expanded into an amazing circle today. Spring forward, and I was back at that conference—as a presenter. I grew into my role as an author, and putting myself ‘out there’ enabled me to do this.

Dozens of people
I surrounded myself with dozens of people as an attendee of local writer coffeehouses, author readings, and book signings. As writers we need to do this! Get out there on a regular basis in small groups and mingle with writers and readers. Online or in person. It’s the human contact we need to keep our spirits up. Sometimes I didn’t always want to leave the house, but I never regretted it. Every time I did, I met a new person or learned something new. I still am.

The same goes for connecting with dozens of folks by joining writer organizations like SCBWI, Science Fiction & Fantasy Writers of America, or International Thriller Writers (ITW). Volunteering with these organizations can play a significant role in meeting influencing people who can help your career path. In past years, I’ve volunteered for ITW doing social media for debut authors and as a contributing editor to their magazine the Big Thrill. I’ve also been an author member for the middle grade blog, Project Middle Grade Mayhem and grateful now to be part of From the Mixed-Up Files. Having mentors and peers to boost you up within your genre is gold. Many authors I’ve met this way have endorsed my books. Authors like to pay-it-forward, and someday you will too. I’ve been honored to have given three book endorsements over the years.

A Dozen People
I fell in love with writing for children with a challenge to myself. I heard of a class called How To Write A Children’s Novel in 9 Months and thought, “Wouldn’t that be different from my writing thrillers for adults?” I signed up right away. It was hard. I knew nothing about writing for kids. I hadn’t read children’s books in years. So I read and I wrote, and I learned from my teachers and my peers. And along the way I fell in love with writing for kids. You never know what road you will go down in thinking outside the box, and taking a risk. I’m glad I did.

A Handful of People
For nearly a decade (until the pandemic!) I met weekly at Wegmans Café with a wonderful group of women writers. We are slowly meeting up again. We call ourselves the Weggie Writers (sounds like Peggy not wedgie!). This informal group grew over time to be eight of us. Writing across diverse audiences and genres. We didn’t all come each week, but when we did we sat and wrote side-by-side. We gave advice, shared resources, and offered shoulders to cry on. We were a giant brain collective that elevated each other! Since getting together, we’ve celebrated getting agents and book deals and MFA graduations. We are awesome. I hope you have your awesome handful.

One-on-One
I’m so lucky to have a critique partner, Erica George, who also writes for kids. We get together for a writing day once a month, go on retreats several times a year, and critique each other’s work. Our friendship and feedback have been critical in getting our books published—and keeping each other going through rejection. I’ve learned in this publishing industry that no matter how many books you’ve published, you will continue to experience rejections and may need to move on to new projects if one doesn’t sell. OR revise the manuscript that isn’t selling OR wait to go on submission again when the market is hot once more for that particular story. My critique partner and I now even share the same literary agent (my second agent—for if one doesn’t work out, don’t be afraid to seek a new champion for your work). Finding that one special person you connect with on the same level can be key to elevating your success.

Once you get a book deal, it’s more people in your room of course! An agent, a publisher, a publicist, and more editors—and editing. Check out my article on the 8 steps to an agent, a publisher, and a two-book deal.

And once your book comes out, you can chuckle over the multiple ways folks butcher the title. Because they will—and it can be funny!

Here are the funniest Blooper Titles of my first middle grade book, Joshua and the Lightning Road:

Joshua and the Lightning Tree
Joshua and the Lightning Rod
Joshua and the Lightening Road
Joshua and the Lightening Rod
The Joshua Tree (one of my fave U2 albums!)

I’d like to see the cover design for these. Wouldn’t you?

Getting published is not all challenging work, of course. There are fun rewards like the week your book releases, doing school visits, talking with readers, getting great reviews, and book trailers. Check out my new one for Secret Beneath the Sand. The crowd in my room helped this book come to life 😊.

 

Do you surround yourself with people as a writer? Do you recommend any other ways to surround yourself with a strong writer network? How have you benefited from a writer network? 

EPIC GARDENING FAILS (And what they’ve taught me about making art)

Growing Food and Writing Fiction

This spring my wife and I decided to stop talking about growing vegetables and actually grow some vegetables. We made this decision without doing much research about the actual business of growing vegetables, and that was mostly thanks to me. Any time my wife opened up a blog or website about growing techniques or climate zones, I’d launch into a lengthy monologue about how vegetables don’t need coddling and if it were really that hard there wouldn’t be gazillions of weeds in our yard. 

It turns out growing an eggplant is not the same thing as growing a weed. I suppose this explains why our front yard is not overrun with perfectly formed eggplants. 

So I’ve learned a few things about vegetable gardening. And as is often the case, the things I learn in one pursuit inevitably influence the way I think about others. In this case, I’ve noticed a few parallels between my questionable attempts at growing food and my questionable attempts at writing fiction for children. I’m sharing them here because whether you’re writing, teaching, parenting, or growing eggplants, it never hurts to glean a little extra information as you go (which I now humbly acknowledge).

Not everything develops as planned.

Radishes are deceptive little devils. They sprout fast and grow bright, promising leaves. You fawn over them and marvel at how they’ve been so easy to grow and why don’t more people grow radishes? Then you pull them out of the ground after the prescribed 28-day period and realize you’ve been duped. At least that was my experience. We harvested those little liars and I couldn’t believe that after 4 weeks I had nothing to show for all my efforts (and yes, all my bragging), but a few marble-sized nuggets of crunchy vermillion failure. 

The radish project looked promising. It all had the signs of a successful enterprise, but under the surface things weren’t developing the way they were supposed to. I have no idea why. Maybe it was the soil. Maybe I watered them too much. Or too little. I may never know. Just like I may never know why the first hundred thousand words I put into middle grade books didn’t develop into huge publishing contracts. But in both cases – my radishes and my writing – I have an opportunity to examine the finished project, no matter how disappointing, and try to figure out what went wrong. I think with the radishes it was the soil. I’m not sure what the writerly equivalent to that would be (stronger coffee during my drafting sessions?). But I’m going to keep exploring, keep dissecting those underdeveloped projects and trade the frustration of an unrealized goal for the promise of a new, and hopefully better crop next season.

 

Things get bitter when they drag on for too long.

A few people warned us that we’d eventually lose control of our zucchini plants. I shrugged at this, because how could you lose track of a zucchini? They’re bright green and quite large, and those people who lose track of them are probably not as committed to the art of home gardening as I am. But then summer happened – days of busy children and travel and sometimes way too much rain. One day I went out to make sure there wasn’t anything to harvest and found a zucchini the size of my arm snugged up against the wall of the garden. Without giving it much thought (I was still shunning research at this point) I paraded it around the house and then chopped it up for the grill. As I’m sure you’ve already guessed, it was terrible. The skin was tough, the flesh was mealy and bitter, and the seeds were gigantic and totally inedible. That zucchini had been growing for way too long.

I don’t know about you, but I have a few ongoing personal projects that have also reached “zucchini monstrosity” status. They’re the sort of things that never seem finished, and rather than harvesting what I have or simply moving on, I’ve let these projects remain connected to the vine of my creative brain and sap resources from other, more promising ideas.

After chewing my way through that thoroughly unappetizing zucchini, I resolved to never let anything grow that long again, and so far I’m doing better. I hope I can say the same for my creative pursuits – nothing is meant in to go on forever, and as many creatives have noted throughout history, art is never finished, but only abandoned.

 

Sometimes the most useful part of a project is the seed of something new.

Before I tossed that colossal zucchini in the compost pile, I finally broke down and looked up an online article about harvesting seeds. It turns out that in most cases you can only harvest the seeds of overripe, inedible fruit. So I left some uncooked seeds out to dry, then bagged them in an envelope and now have what I hope will be the beginnings of my zucchini crop next year. 

Something similar happened with the second book I ever wrote. It was quite a dud – full of tropes and predictable plot twists. It was long, too.  Much too wordy for the middle grade market. And that of course means I spent way too much time writing, editing, and rewriting what would ultimately be a book not even my mom would read (although she did ask several times). 

But out of that project came a system of developing characters that I still use now, three books and many short stories later. It was a seed born out of an overripe project that itself would never see the light of day. Most failed endeavors have something like that if you look for it – a seed of something new, pure potential packed into a tiny morsel of nearly overlooked insight. 

I think next year our garden will run a little more smoothly. Maybe the corn won’t fall over and the squash won’t vine its way to the top of our evergreen tree. Or maybe next season will be just as chaotic and I’ll have more lessons to learn. Either way, I’ll do my best to be thankful for the parallels and cultivate the garden of my writing with a bit more efficiency and skill. 

And I suppose reading a few extra articles wouldn’t hurt, either. 

Writing Books: A Revision Resource Round-Up

I’ve been deep in my revision cave these last few weeks. Which for me means a printed copy of my most recent draft, a pile of sticky notes, a jar full of colored pens, and lots of notes and thoughts scattered across legal pads and journals. It also means revisiting a number of writing books for help while I’m tackling everything from character motivation to the big scary thing that is plot.

Since my brain is a hot mess of new and old ideas right now, I thought I’d keep this blog post simple and share some of the writing books I’ve found most helpful when tackling a revision.

 

Support Independent Bookstores - Visit IndieBound.orgStory Genius by Lisa Cron
How to Use Brain Science to Go Beyond Outlining and Write a Riveting Novel (Before You Waste Three Years Writing 327 Pages That Go Nowhere)

I really wish I had worked through this book when I was starting this novel. But it’s proven to be a really useful tool for see where I’ve got some key components of a strong story down and where I need to dig deeper.

 

Support Independent Bookstores - Visit IndieBound.orgSave the Cat Writes a Novel by Jessica Brody
The Last Book On Novel Writing You’ll Ever Need

I discovered Blake Snyder’s Save the Cat books on screenwriting years ago and they made a huge difference in my storytelling. Jessica Brody’s take on using his approach for novels is a good one, and I found a couple of key pieces that have really made a difference as I revise my book.

 

Support Independent Bookstores - Visit IndieBound.orgStory Engineering by Larry Brooks
Mastering the 6 Core Competencies of Successful Writing

I’ve heard Larry speak a number of times and this book is a pretty nice overview of his take on story. I haven’t read it in a while, but the pieces are always rattling around in my brain, and I will be certain to use his checklists later in my revision process.

 

Support Independent Bookstores - Visit IndieBound.orgWriting the Breakout Novel By Donald Maass
Insider advice for taking your fiction to the next level

I haven’t found a craft book by Donald Maass that I didn’t like. His questions are great tools for getting deeper into character, motivation, and most importantly stakes. Whenever I feel like something’s not quite right or I’m simply in the mood to run things a different way, I do an exercise in one of his books and see what happens. It’s great for clearing the cobwebs and seeing new possibilities.


Support Independent Bookstores - Visit IndieBound.orgThe Plot Whisperer by Martha Alderson
Secrets of Story Structure Any Writer Can Master

Can you tell I have a little lack of confidence when it comes to plotting? 🙂
This book was instrumental in getting my last novel to a final, publishable draft. I’m not sure what exactly it did to make the pieces fall into place – but I appreciate it. And, I have it handy in case I need it this time around, too.

 

Support Independent Bookstores - Visit IndieBound.orgManuscript Makeover by Elizabeth Lion
Revision Techniques No Fiction Writer Can Afford to Ignore

My copy is well worn and filled with sticky tabs. This guide covers pretty much every part of the revision process clearly. And the checklists at the end of each chapter are detailed and incredibly useful.

 

I’d love to hear what writing books help you through both the drafting and revision process. Please share below. I’ll be sure to duck out of my cave to respond.