Posts Tagged teachers

STEM TUESDAY: Zoology – In the Classroom

 

Welcome to the Second STEM Tuesday of the Month!
This inaugural post offers some really wild ideas for connecting zoology books, activities, and kids. With this month’s selections and ideas, your students can spy on animals, find connections to scientists (and each other), and spread enthusiasm for zoology as they model a disease outbreak.

Cover of Beastly Brains: Exploring How Animals Think, Talk, and FeelHelp kids channel their inner Jane Goodall. Budding zoologists will soon be organizing and interpreting their observations like the pros when they read Nancy Castaldo’s Beastly Brains: Exploring How Animals Think, Talk, and Feel and hit the schoolyard to conduct scientific observations of animal behavior.

This book provides a comprehensive synopsis of science’s attempt to answer some fascinating questions, such as: What types of feelings, if any, do non-human animals have? Do they plan, anticipate, and think about themselves? How can we know? With the help of the Beastly Brains teacher guide (pages 16-19), segue into some serious fun: watching animals, the zoological way, and try to answer some of those questions. The guide includes instructions and a downloadable template for an observation record (ethogram).

After you cover the basics, practice with your students in the schoolyard or classroom animal center. Then set them loose on self-selected observations (AKA homework)—at a local park, home-based bird-feeder, or even the grocery store. (After all, humans are animals, too!).

Ask critical questions about the experience, such as:

  • Is there anything about this situation that might interfere with the animals’ typical behavior? (For example, captivity or the presence of an observer can influence animals’ behavior.)
  • What do students think might be going on inside the observed animals’ heads?
  • How sure can students be about their inferences?

Drawing from the book’s content, consider the challenges zoologists face as they try to make sure their own interpretations are correct. For another perspective and a simplified version of an ethogram activity, check out Pages 93-94 of the next book in this week’s feature…

IMage of cover of Zoology for Kids: Understanding and Working with Animals, with 21 ActivitiesPlay out a musical chairs-style model of habitat loss. A simplified ethogram activity is one of 21 experiences in Zoology for Kids: Understanding and Working with Animals by Josh and Bethany Hestermann. Providing a broader introduction to zoology than Beastly Brains, this book also offers a wide range of activities, including ecology-based crafts and games.

The Resource Game (p. 106) is worth a special look. Like many of the books on this month’s STEM Tuesday list, Zoology for Kids tackles habitat loss and the need for conservation to support the diversity of animal life on our planet. The Resource Game brings this issue to a concrete level for readers and helps students focus on animals’ needs for water, food, and space. The game may remind you of musical chairs—with a twist—as “animal” players seek out new resources when their own habitats are disrupted.

 

Image of cover of Zoology: Cool Women Who Work with AnimalsBreak the ice before kids “meet” zoologists. While several of this STEM Tuesday’s books introduce readers to animal scientists, Zoology: Cool Women Who Work With Animals, written by STEM Tuesday founder Jennifer Swanson, focuses on several female zoologists. Readers follow these scientists’ varied journeys to this field. With targeted questions, the book also encourages readers to identify with each scientist.

A fun activity called  That’s Me!  is a social ice-breaker often used to foster an inclusive classroom environment. With a tweak or two, it can support Cool Women’s connection-building between readers and featured scientists.
During the game, a leader makes a statement. Listeners decide if the statement describes themselves. Everyone who thinks so pops out of his or her chair and calls, “That’s me!”

Tweak the game for this book with statements that are true of the featured scientists. Aim to select facts that will be true of many of your students. You might start with the following ideas: “If I could, I’d have tons of pets.” “I’m not really sure what I want as my future career.” “I’ve taken care of a particular animal for most of my life.” “I sometimes have a lot of questions.” You can also turn some of the book’s highlighted Essential Questions into That’s Me statements.

Image of cover of Gorilla Doctors: Saving Endangered Great ApesCatch the zoology bug! Model a disease outbreak. Author Pamela S. Turner’s vivid storytelling about a mountain gorilla veterinarian who pays “nest” calls is sure to make Gorilla Doctors a hit with students. Among other topics, readers will learn about threats to gorillas’ survival, including the fact that well-meaning humans–who might not be ill–can pass potentially fatal germs on to our genetic cousins. This is a perfect opportunity to try an infectious disease modeling activity, described by a teacher in a 7-minute Teaching Channel video.

Carrying cups of a white liquid (milk), students “harmlessly” interact—only to find out later that  “germs” have spread from one individual to many. (You have spiked one of the cups with an additive that will change colors with the addition of a readily available solution.)

Want to take this further? Challenge students to consider this experience specifically as a model for the spread of disease between humans and gorillas. What is well represented and not so well represented in this activity? What specific changes could we make in order to improve the model of what is described in the book?

Wolf HowlingPlease join the pack! (It’s your turn to howl.)
Humans are social animals, right? We need each other and we share resources. So, please: Contribute to this blog community! We hope this will be a dynamic space for all of us as adult learners exploring this exciting territory–connecting middle grade readers with STEM books and their important themes.

  • Which ideas seem most intriguing to you?
  • What follow-up suggestions do you have?
  • What works really well with your readers and STEM learners?
  • What else is on your mind?

Carolyn Cinami DeCristofano is often spotted in her semi-wild habitat of Southeastern Massachusettts writing science/STEM books for kids, arranging her author visits, and working as a STEM curriculum and professional development consultant for authors, schools, museums, and anyone else who gives a hoot about science ed. Follow her on Facebook or contact her through her website http://carolyndecristofano.com.

 

 

 

 

STEM TUESDAY: Zoology – Book List

Welcome to the STEM Tuesday launch! In this first week of November, we’re happy to be here to share some terrific books for your STEM bookshelf . This month our books focus on ZOOLOGY.

Zoo Scientists to the Rescue by Patricia Newman and Annie Crawley – Readers are taken behind the scenes at three zoos to see how they, not only care for their animals, but also provide valuable research and work to save endangered species. Junior Library Guild  (Check back on week 4 for an interview with the authors!)

Support Independent Bookstores - Visit IndieBound.org Kakapo Rescue by Sy Montgomery – In this Scientists in the Field title, readers will travel to a remote New Zealand island to learn about how scientists are struggling to restore the population of these flightless parrots.  **** Four starred reviews! (Activities to download)

Support Independent Bookstores - Visit IndieBound.orgEmi and the Rhino Scientist by Mary Kay Carson –  Mary Kay Carson deftly describes the work scientist Terri Roth is doing to save Sumatran rhinos from extinction in this Scientists in the Field title. *Kirkus

 

Support Independent Bookstores - Visit IndieBound.org The Great Monkey Rescue: Saving the Golden Lion Tamarins by Sandra Markle –  Sandra Markle uncovers the ways scientists and conservationists are working to save golden lion tamarins in zoos and in the wild.  Junior Library Guild

 

Support Independent Bookstores - Visit IndieBound.org

Beastly Brains: Exploring How Animals Think, Talk, and Feel by Nancy F. Castaldo – Humans are not alone in our ability to think about ourselves, make plans,  or even participate in deception. You’ll think differently about the animals on this planet after reading this book. * Booklist  (Download the curriculum guide)

 

Support Independent Bookstores - Visit IndieBound.org

Zoology: Cool Women Who Work With Animals by Jennifer Swanson – Meet three women in the field of zoology who are making an impact and inspiring the next generation of zoologists.

 

Support Independent Bookstores - Visit IndieBound.org Bridge to the Wild: Behind the Scenes at the Zoo by Caitlin O’Connell and Timothy Rodwell – Spend five days behind-the-scenes at Zoo Atlanta and meet a menagerie of magnificent animals—pandas, elephants, gorillas, meerkats, flamingos and more.

 

Support Independent Bookstores - Visit IndieBound.org Learn to Draw Zoo Animals by Robbin Cuddy – Add a bit of art to your STEM instruction with this book that offers a comprehensive  step-by-step drawing experience, as well as full-color photographs, fun facts, trivia, quizzes, and much more.

 

Support Independent Bookstores - Visit IndieBound.org Zoology for Kids: Understanding and Working with Animals, with 21 Activities by Josh Hestermann, Bethanie Hestermann – The next generation of zoologists will discover the animal kingdom through clear, entertaining information and anecdotes, lush color photos, hands-on activities, and peer-reviewed research.

STEM Tuesday book lists prepared by:

Nancy Castaldo has written books about our planet for over 20 years including her 2016 title, THE STORY OF SEEDS: From Mendel’s Garden to Your Plate, and How There’s More of Less To Eat Around The World, which earned the 2017 Green Earth Book Award and other honors. Nancy’s research has taken her all over the world from the Galapagos to Russia. She enjoys sharing her adventures, research, and writing tips with readers. Nancy also serves as the Regional Advisor of the Eastern NY SCBWI region. Her 2018 title is BACK FROM THE BRINK: Saving Animals from Extinction. www.nancycastaldo.com

Patricia Newman writes middle-grade nonfiction that inspires kids to seek connections between science, literacy, and the environment. The recipient of the Green Earth Book Award and a finalist for the AAAS/Subaru Science Books and Films Award, her books have received starred reviews, been honored as Junior Library Guild Selections, and included on Bank Street College’s Best Books lists. During author visits, she demonstrates how her writing skills give a voice to our beleaguered environment. Visit her at www.patriciamnewman.com.

Check back every Tuesday of every month:

  • Week 1:  STEM Tuesday Themed Book Lists
  • Week 2:  STEM Tuesday in the Classroom
  • Week 3:  STEM Tuesday Craft and Resources
  • Week 4:  STEM Tuesday Author Interviews and Giveaways

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If I Taught Writing: What I Learned About Teaching Writing from Becoming a Writer…and a Mother

The other day, my six-year-old son and I serendipitously ended up at a classic-car show in our downtown. I didn’t really know he was even that interested in cars. But he was and asked me to take a couple of pictures of him with cars and even a picture of an engine (I think it was an engine).

That night he had me take one more picture of him “working” and then asked me to print the pictures. I was sure they would end up somewhere random, such as crumpled in his pocket or stuck between couch cushions. Instead, that same night he showed me a book he had made all on his own.

If you’re familiar with Chris Van Dusen’s If I Built a Car, you will notice my son follows a similar structure to Van Dusen’s book, even to the end (“If I built a car, that’s just what I’d do.”) The ideas, though, were all my son’s. This is not a child who normally sits down to write for pleasure. But there’s a lot I learned from this experience.

I am a former elementary and middle school teacher. I actually left teaching to pursue a career in writing as well as to start a family. What I’ve learned is that when I return to teaching (it’s inevitable I will), I will definitely teach writing differently.

Here are some tips I have for teaching writing to elementary and middle school students. In other words: If I taught again I would do the following:

  1. As a writer, if I’m not inspired, I’m not inspired. I put my work-in-progress to the side and come back to it when I’m ready.
    Takeaway: If I taught again, I wouldn’t expect students to pump out a product when they’re just uninspired. I’d have students do something different for a bit (even something not writing related) and try again later.
  2. Whenever I get inspired by something I see, I try to write it down before I forget it.
    Takeaway: If I taught again, I’d have students keep a running list of topics. They’d have access to their list to add to it throughout the day. It wouldn’t have to include only topics, either. It could be a funny sentence or the name of a character, etc.
  3. When I’m stuck for an idea, I look at picture books to see if they inspire me. Sometimes I even attempt to write in a similar style to one.
    Takeaway: If I taught again, I’d allow students to write “fan fiction.” If they liked a book, I’d have them do a spin-off of it (for instance, my son’s spin-off of If I Built a Car). Then they wouldn’t have to worry about inventing characters or inventing a plot. They could focus on other aspects of writing.
  4. I find that when I’m running, I get all sorts of ideas (such as the idea for this post!). It clears my mind and allows ideas to flow.
    Takeaway: If I taught again, I’d have students work on discovering how they can clear their mind. How can they become inspired? Does drawing help? Running? Bouncing ideas off peers?
  5. Unless I’m typing, I am not working at my desk. I edit on my couch in front of the fireplace, and I work through plot issues by spreading my manuscript out on my floor.
    Takeaway: If I taught again, I’d remember that writing at a desk doesn’t work for everybody. I’d allow students to test out different ways of working.

    My second office.

  6. I find a lot of value from reading mentor texts. I learn about different formats, styles of writing, etc. I see what good writing looks like.
    Takeaway: If I taught again, I’d have kids use books as much as they could as inspiration for their own writing. If they are writing nonfiction, I’d let them tear apart the nonfiction section of the library. Which book formats do they like? What writing styles do they like? I’d have them do the same with narratives. They would look at humorous books and sweet books and scary books.
  7. Most of my time as a writer isn’t spent writing new material; it’s doing revisions.
    Takeaway: If I taught again, I would change the focus of editing away from the grammar. Instead, I’d spend time on how to both add and cut text. I’d do an exercise in trimming a longer piece to figure out what’s really crucial to what they are writing. I’d have them make every word count.

    How I edit a novel. Assistant pictured in background.

  8. Writing fiction requires lots of research. With my latest novel on sled dog racing, I interviewed many mushers, attended sled dog races, and looked up the correct wording on websites.
    Takeaway: If I taught again, I’d have students do research even when writing fiction. There must be something they need to look up or verify.
  9. Experts are the best source for fact checking. No matter how much book and online research I’ve done on a topic, when I show an expert my work, they find a better way to word something or find a part that should be tweaked.
    Takeaway: If I taught again, I’d remember that kids are even experts on something. A lesson I’d love to try out: have students write down topics they’re experts on (skateboarding, sewing, etc.) Then give one of their topics to a student who’s not an expert in it. Have that student write about it as best they can without any resources. Then have the expert read and edit it for accuracy and word choice.
  10. So going back to my son. I think the biggest lesson I learned about teaching writing is from being a mother. My children watch me write day and night. They see that when I have some spare time, I write—even on vacation. That’s because I really love writing. I did not ask my son to write about his experience at the car show. I think he chose to make a book because he saw me making books.
    Takeaway: If I taught again, I’d be sure to write when my students are writing. I’d share my work-in-progress with them. I’d show them that writing isn’t just something you do in school. It’s a way to express yourself: your likes, your dislikes, your beliefs.

So if I taught again, that’s just what I’d do!

I also asked my fellow middle grade authors, What tips do you have on teaching writing as a writer yourself? Here’s what they said:

Ditch the “trade and grade” style of peer editing and form mini-critique groups in teams of 4. One child reads while the other three follow along, writing down suggestions and then discussing before moving on to the next student’s turn.
– Kym Brunner, author of Flip the Bird

I wish we had done more fun writing exercises in 5th grade. My main advice is, let them have some fun by creative writing. Schools are so focused on structure and preparing for the tests, that writing for fun, is often overlooked.
– Jonathan Rosen, author of Night of the Living Cuddle Bunnies

Sit down. Then, no matter how much you want to, don’t stand up until you’ve written something.
– Darcy Miller, author of ROLL

Every first draft is bad. The magic is in rewriting.
– Kristin L. Gray, author of Vilonia Beebe Takes Charge

The hero and the villain in a story either both want the same thing for different reasons, or different things for the same reason. Either way, they’re reflections of each other.
– Katie Slivensky, author of The Countdown Conspiracy

Your writing will never be perfect. But you can always make it better.
– Beth McMullen, author of Mrs. Smith’s Spy School for Girls

Writer’s block could mean that you’re focusing too hard on the wrong things. Back up and try looking at the writing from a different angle.
– Allison K. Hymas, author of Under Locker and Key

Sometimes it’s helpful to plan a story out before you write, but it’s also a-ok to start writing the story and figure it out as you go. The important part is to revise carefully once the first draft is finished.
– Lindsey Becker, author of The Star Thief

It’s okay to feel like you don’t know what you’re doing.
– Gareth Wronski, author of Holly Farb and the Princess of the Galaxy

If you confront three of your characters with an identical problem, each should solve it in their own way. What they do tells us so much about who they are!
– Sarah Cannon, author of Oddity

You don’t have to write every single day to be a writer. Thinking and reading counts too.
– Carter Higgins, author of A Rambler Steals Home

No matter how challenging or scary it may seem, it’s important to write a story from the heart—it will make the writing stronger!
– R. M. Romero, author of The Dollmaker of Kraków

Be kind to your curiosity. Embrace the moments when you think, “I wonder…” – especially when the “I wonder” seems silly and strange and like no one else will care.
-Patricia Bailey, author of The Tragically True Adventures of Kit Donovan

Go for a walk, go to the park or the grocery store or anyplace new and soak up the sensory details. Take notes on the sights, sounds, and smells–they will make your writing come alive!
-Christine Hayes, author of Mothman’s Curse

When teaching setting, I like to use the “5 Senses Rule.” Does your story have details the character can see, hear, touch, feel, smell, and taste? If not, you may want to work more on the setting.
– Hannah Kates, author of Patel Patterson and the Apocalypse Key

So here’s a tip I give to all aspiring writers, young and old: the most important question a writer can ask themselves as they’re developing their story idea or even just when they have that “spark” of an idea is “What If?” That question is the engine that drives the plot. What if there were a young boy who’s parents were dead? And what if he lived with these really terrible relatives? And what if he discovered on his birthday that he was, in fact, a wizard? Oh! And what if there was a wizarding school? I like giving that example of how JK Rowling asked and explored “what if” when she wrote Harry Potter.
– Bobbie Pyron author of many middle grade novels, including the upcoming A PUP CALLED TROUBLE.

What tips do you have for teaching writing?

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