Posts Tagged teachers

STEM Tuesday– Entomology– Author Interview

Welcome to STEM Tuesday: Author Interview & Book Giveaway, a repeating feature for the last Tuesday of every month. Go Science-Tech-Engineering-Math!

Today we’re interviewing Brenna Maloney, author of Buzzkill: A Wild Wander Through the Weird and Threatened World of Bugs. This book is for anyone who’s ever watched an ant crawl across the kitchen counter and wondered, huh, where is that little creature going. And why? Brenna follows her own curiosity and relates her own up-close-and-personal moments with insects in a book that heavy on humor and fun facts.

Andi Diehn: I love the tone of this book! How did you come to choose an informal, conversational voice for this book?

Brenna Maloney: I actually had to fight for this. I had a very specific tone in mind for this book—I wanted it to feel like the reader and I were having a conversation. A lot of nonfiction is written in a way that keeps the writer out of it. Largely because the writer doesn’t want to become part of the story; the writer wants to present facts and sound like a voice of authority. But, I’m no authority. I’m not a scientist. I’m not an entomologist. I didn’t want to appear as if I was claiming any specialized knowledge that the reader can only have access to through me. I’m just a regular person who was curious about how insects are vital to our world. So,  I asked a lot of experts questions and I had a lot of interesting first-hand experiences with insects, and I wanted to share those with readers and let them know that they can try these things, too.

When I wrote the book proposal, I wrote it using that voice—very conversational, a little conspiratorial with the reader, playful and fun and excitable. Because those really were the things I was feeling, and I didn’t want to cover that up.

I had a handful of rejections. A lot of publishers thought I was too weird or that the book wouldn’t sell because readers didn’t want to have a conversation. But there were two publishers who expressed interest. I spoke to each at length about the voice. I said: This is how I want it to sound. And of the two, only one said: Yes, we know. We like it. Be you.

It’s a wonderful and rare blessing when a publisher says that and means it. Luckily, mine did.

AD: I’m fascinated by the discussion of African killer bees – what a story! Why is it important to learn about different species that were created through human intervention?

Brenna: Terrifying, isn’t it? That poor fellow. He was trying so hard to build a better bee. His intentions were good. But Mother Nature has a way of doing her own thing. So, when those bees escaped….

This story is important, though, because it reminds us of how interconnected everything on our planet is with everything else. Nothing happens in a vacuum, and nothing happens without consequences. If you don’t understand these things, you can do more harm than good.

AD: It’s so interesting to read about your personal connections to different insects. Are these stories where you got the idea to create a whole book? 

Brenna: No, actually! Most of these things happened as a result of me wanting to directly experience things I was learning about the insect world for the book. The more research I did, the more I wanted to interact directly with the natural world. To read about something gives you one experience. To connect directly with that thing gives you a different perspective. A personal connection.  And this is something that I hope I passed along to readers. I know insects aren’t everyone’s cup of tea. That’s okay. But readers are probably interested in something. And you can learn a lot about your something if you just seek out information, which is what I did. I wanted to know. So, I made an effort to find out.

AD: A very predictable question: what’s your favorite insect and why?

Brenna: Impossible to pick! There are so many insects that I still don’t know about.

AD: Love your story about making cricket cookies because it shows us that eating insects doesn’t have to be crunchy. Can you talk a bit about this and why you framed it that way?

Brenna: More than anything, I wanted to make what I was learning accessible to other people. Eating bugs sounds gross. And, well, it certainly can be. Or, it can be tasty and even a little thrilling to try something new. I think we grow as people when we step out of our comfort zones and try to expand what we know.

Many people are quick to reject ideas or experiences because they seem too different from the things they know and are comfortable with. But, when you open yourself up—even a little—to something new, you gain so much. If you eat a cricket cookie and you hate it, that’s okay. But you’ve now tasted something that people in other parts of the world rely on as a food source. And because you were “brave” and tried it, you won’t judge it in the same way as you might have before you tasted it. That builds your understanding and your empathy.

AD: OMG – boiling the deer head! How important are insects as decomposers?

Brenna: Well, if you read Chapter Four, you know that insect decomposers are absolutely essential to life on Earth running smoothly.

Things die. All the time. Animals, yes, but plants, too. And what happens to those things when they die? Nature needs to clean up after itself. A good number of insects play the role of decomposer. By breaking things down, valuable substances—like water, carbon dioxide, nitrogen, phosphorus, and calcium—can be used again. You can start to see why decomposers are critical in the flow of energy through an ecosystem. Without insects, all this dead stuff would pile up and keep piling.

AD: The section on climate change, extinction, and the dangers to various insect species was hard to read, but important. Why include this kind of topic in a kid’s book?

Brenna: Ah. Well. I’m going to let you in on a little secret: I didn’t write this book for kids. Not really. A lot of kids already understand the perils our planet is facing and already acknowledge and value the importance of balanced ecosystems. I really wanted to reach adults because adults are the ones whose behaviors need to change the most. One industry expert I talked to said: “No adult will ever buy this book.” He said that adults don’t like to be told what to do, and they would never listen to my advice. I think that fella is wrong. I think most people—adults and young people—want to do good things. They want to help solve problems. But they may not always know how. So, I thought if I could get them to understand how important (but at-risk) insects are and then if I could offer some ideas of how we can change our behaviors to help insects, it would be a winning combination. But I couldn’t get anyone to believe in the project for adults. Everyone said a book like that would only sell to children. I still don’t really understand that. But book publishing is kind of a weird industry.

There’s some hard stuff in this book. You can’t shy away from talking about things because they are hard. Or because they aren’t as entertaining. I believe that people are smart, and they can handle difficult, complex information. My hope was that readers would either finish this book knowing more than when they started OR that they’d have enough of an interest in insects and our planet to pursue more knowledge from other resources.

AD: I’m so glad you included citizen science opportunities in the back matter! How does citizen science benefit both the world at large AND the people doing the science?

Brenna: We all live here, right? It’s our only planet. So, we have to take care of it. I think people do care, and most people would like to help, if only they knew what to do. I tried to write as many examples of engagement that I could think of—really simple things and more involved things—so that everyone who reads the book, if they are so inclined, could try to do something. We have some amazing scientists and researchers who are studying our planet in as many ways as they can. But it’s a big job. Having data really helps. Our observations as regular citizens can contribute to their data-driven work.

I also tend to believe that little things matter. If each of us does one small thing, then together those small things add up to a bigger thing. You only need to look at bees to see that this is true. A bee is a tiny thing. During her time on this mortal coil, a worker bee will produce about one-twelfth of a teaspoon of honey—barely enough for you to taste. The smallest of things. She’s one bee. Yet she and her sister bees work together. To produce one pound of honey, those bees will visit two million flowers. One trip at a time.

That’s our path too. You, me, and anyone else we can get to help us. Each of us has to Be the Bee. We have to work steady and work hard and contribute in whatever ways we can to help Mother Earth until she feels more in balance. If we do enough small things, it starts to add up. I know small things matter—just ask the bee.

STEM Tuesday– Entomology– Writing Tips & Resources

 

 

 

Little and Literary

When most people see a book about Onthophagus acumiantus, they might give it a pass. A book about a cheetah, a chipmunk, a chimpanzee, sure, but a beetle? And, written by a scientist? Dry, dense, info dump. No thanks.

But that bias was is old-fashioned. Come on people, this is 2023. The fact-filled books of today offer so much more.

Beetle Battles: One Scientists Journey of Adventure and Discovery by entomologist Doug Emlen could change a few minds. Let’s take a look at how this 170-page about a beetle the size of a pencil eraser could change minds about what a science book can be.

There’s nothing at all wrong about an insect book that sticks to the data—one that presents quantitative data for those who are looking—but what about those readers who aren’t quite so into numbers and charts? How can they enjoy science?

Let’s have story! Literary language! And a “So what?” that has implications about the next world war!

A Look at Language

Emlen starts his story:

Prologue: A Horrible, Hot Night

The South American country of Ecuador straddles the Andes mountain chain like a Band-Aid stretched over a knuckle. The capital city of Quito sits high on the knuckle (9,300 feet elevation), and a braided chain of bus routes threads north-south along the rugged mountain backbone, weaving in between towering volcanic peaks and a string of little cities connecting Quito with Columbian to the north and Peru to the south. The country plunges downward on either side of this backbone, steep mountainsides covered with cloud forest dropping to the scorching Pacific coast to the west, and into the sweltering Amazon basin to the east.

Can you picture it? We are not yet even in a scene—this is just the prologue—but already, I know that this writer is going to paint this story in such a way that I can feel it. I re-read the paragraph, seeking out how he did that. To me, the things that drew me in were:

  • Verbs: straddles, stretched, sits, threads, weaving, connecting, plunges, covered, dropping. I thought I’d just pick out the vivid ones, but discovered every single one was.
  • Descriptors: horrible, high, braided, rugged, towering, steep, scorching, sweltering. Not a weak one in the bunch. Bonus: all that alliteration! Someone was having fun with their writing.
  • Nouns: chain, Band-Aid, knuckle, backbone, peaks, string, cloud forest, basin. Writing it out this way, I noticed how many of those nouns create layered analogies. Not a simple one-and-done simile, but a Band-Aid (analogy anyone can relate to) over a knuckle and the city Emlen wants us to focus on is high on that knuckle. What other layered analogies can you find?

A Look at Structure

Emlen gives us 24 short chapters organized into 6 parts. The narrative, in the main text, is supported by lengthy, expository insets. These insets are not ancillary, they significant enough to each have a place in the table of contents. In addition, Emlen give us 4 journal entries—what a cool way to experience research right alongside the expert!

A Look at Approach

Emlen turns “science book” stereotype on its head by writing in first person. Sure, there are middle grade books on science topics that follow the story of a scientist (see the brilliant works of Sy Montgomery, Mary Kay Carson, Patricia Newman and many more), but this is first person. This is “I was going to solve a mystery.” “I had that one lingering problem . . . “ “I realized with a thrill. . .  This is scientific process where we are inside the mind of the scientist.

And this first person approach also gave the opportunity to turn the “scientist” stereotype on its head. Emlen intentional shows us his emotions throughout. Yes this book is about a beetle, about weapons and evolution and the human arms race, but the story is how one person followed a creature, stumbled through a long line of questions, and then tumbled onto a stage in front of the big wigs of the FBI, DOD and CIA.  His message: if we want to overcome the number one threat to our country’s security we better start looking at the horns of itty bitty beetles.

Dry, dense info dump? Nope. Today, there’s nonfiction to lure in every kind of reader out there!

Heather L. Montgomery writes about itty bitty bugs too. She’s had a ton of fun writing first person narrative middle grade books about poop and roadkill among other unsettling topics. Be on the look out for Sick! The Twists and Turns Behind Animal Germs due out February 2024! www.HeatherLMontgomery.com 


The O.O.L.F Files

Curious about inset/sidebar/call out terminology? Check out https://thebookcouple.com/2018/01/01/additional-typographical-features-of-a-book/ .

WNDMG Wednesday -Interview with Kaela Rivera

We Need Diverse MG Logo hands holding reading globe with stars and spirals floating around

We Need Diverse MG Logo hands holding reading globe with stars and spirals floating around

Interview with Kaela Rivera

I absolutely fangirled when Kaela Rivera agreed to let me interview her for the MUFMGA.

Cece Rios and the Desert of Souls and Cece Rios and the King of Fears

When you read this introduction to Cece Rios and the Desert of Souls and Cece Rios and the King of Fears, I bet you’ll see why I am such a huge fan.

Cece Rios and the Desert of Souls
When a powerful desert spirit kidnaps her sister, Cece Rios must learn
forbidden magic to get her back, in this own voices middle grade fantasy perfect for fans of The Storm Runner and Aru Shah and the End of Time.

Cece Rios and the King of Fears

In its thrilling sequel, Cece and her sister Juana must journey into the stronghold of Devil’s alley to challenge the criatura king El Cucuy if they, and their criatura friends, have any hopes of staying alive. 

Can’t you just feel the excitement and tension? Plus, I love a good story that touches on a type of mythology we don’t read about often—or should I say often enough?

 

Tzitzimitl

Your story places a lot of emphasis on Tzitzimitl. What is it about this Aztec God that captured your attention?

Tzitzimitl

One of my favorite things about Mesoamerican mythology is this emphasis on exploring and understanding duality. It reminds me that our ancestors were wrestling with our own duality as people, just as we do now. How we can be both beautiful and dangerous, healing and painful, loving and wrathful. That theme is perfectly captured in the legend of Tzitzimitl, a creature who’s almost demon, almost goddess.

In myth, Tzitzimitl is both the protector of children and pregnant women and also a wrathful warrior who attacks the earth whenever there’s an eclipse. She devours and destroys when her loyalties call upon it, but she also protects and uses her power to have mercy on humans. Her character is of great importance throughout the series because I wanted Cece, my main character, to learn that both good and evil wars inside people. It’s our job as we wrestle with them to choose which one wins.

That is such interesting insight. It’s not always a black and white world, and your readers can learn to appreciate that right along with Cece.

381_01_2.jpg (608×600)

Los Cinco Soles (The Five Suns)

Aztec Mythology

Did you spend much time studying Aztec mythology and/or culture before you wrote your books?

I’d studied all kinds of folklore and mythology before writing Cece Rios and the Desert of Souls, but very little of it had been from Latin America, despite my heritage. That changed when I went to visit my abuelo when I was in college, and he told me stories about curanderas and brujas and La Llorona. I came home with a desire to learn more, and after researching all kinds of folktales and myths, inspiration struck, and I started writing Cece.

prepara-la-escoba-llega-el-primer-desfile-de-brujas-a-la-cdmx

Las Brujas (The witches)

In fact, one of the reasons I love to write is because it’s one of the best ways to learn. Want to know more about folklore? Write an article or story about it, and you’ll find yourself encountering all kinds of questions that send you hunting excitedly for answers. That process also connected me more and more with my culture, something I’ll forever be grateful to my abuelo for inspiring.

Abuelitos and abuelitas are truly wonderful!

 

Monsters/Monstruos

Chupacabra

What do you think are the scariest Aztec monsters?

Honestly, so many Aztec monsters are terrifying! Most Latin American monsters are; in fact, most monsters from mythology across the world is—a testament to the kinds of fears our ancestors wrestled with in even harsher times. But like the horror genre itself, there’s a distinct morality about the terror in Latin American mythology and folklore. There’s usually a reason why something became terrifying, or why terror was inflicted.

In Cece Rios and the King of Fears, I got to include a few of my favorites, including Alux. In the story, he’s a dark criatura, but in actual tradition aluxes were small, magical beings similar to how those of European descent might think of dwarves or fairies or elves. But they had a ferocious side, and they could curse or harm people if they trespassed on their homes, good will, or even nature itself. I took that inspiration into my series because I think the exploration of nature itself being both benign and dangerous is fascinating.

 

Huichol

Another one of my other favorite legendary beings comes from Huichol tradition (the Huichol are direct descendant of the Aztecs): Tukákame

Tukákame

He’s something between a demon and a zombie—an animated corpse that burns at the touch of water and has skeleton birds for minions. He eats human flesh, and he seemed like an appropriate way of exploring destruction in the second book, though I did that more symbolically than outright.

Buñelos

I see that you know how to make buñelos which are amazing. What other Mexican foods do you like to make (or eat!)?

Yes, I adore buñelos! I’m quite happy to say I’ve gotten pretty great at timing exactly how long they need to fry for, too.

I also like making enchilada sauce from scratch. Well, “like” might be a strong word—it takes a few hours, so I’m sometimes reluctant to start, but chile sauce really does taste better when it’s fresh, not from a can.

Spanish rice and refried beans are also a classic, so I can’t not mention them (or I won’t, at least, hah!). Spanish rice with garlic smashed with the side of a knife? Mmm. The smell fills up your whole kitchen, and I love that. Refried beans that taste fresh, not canned? All half-smashed by hand in a pan? An absolute must.

 

This is one I don’t make myself, but I also really like gansitos. My friend introduced them to me a bit later in life, and now I can’t quite get over the perfect blend of cinnamon, vanilla cake, chocolate, and raspberry filling. It might be junk food, but it’s my junk food. I even had them at Cece Rios and the King of Fears’ launch party!

I see from your website that you’re part British, part Mexican-American. Any plans of focusing on your British roots for upcoming stories?

I do, actually! Well, I suppose I should say I have plans to combine my heritages together in my stories, to embrace the mix I was born with. I have a YA fantasy that will combine the Victorian language of flowers, and certain aspects of British culture, with an Aztec kingdom steeped in old magic. Plus, a playful middle-grade written with a narrator that nods toward old British fairytales, but focused on latine main characters and setting.

This has been so fascinating. I hope you’ll come back when Cece Rios and the Queen of Brujas comes out, and if any readers are interested in learning more about Kaela Rivera, you can find her and her recipe for buñelos at:

https://www.instagram.com/kaelacub/

https://twitter.com/Kaela_Rivera_

https://www.kaelarivera.com/

Interested in learning more about mythology. Check out

Check out this interview with author Karla Arenas Valenti and learn about her book which is named after the fun game Lotería