Posts Tagged multicultural children’s books

Ukraine for Middle-Grade Readers

Before Putin’s Russia invaded Ukraine on February 24, 2022, many people elsewhere knew only a little about the country. Recent nonfiction and fiction books on Ukraine for Middle-Grade readers can help them understand what Ukrainians are fighting so fiercely to defend.

Most of these books appeared in 2022, and many of their publishers will contribute sales profits to Ukrainian relief.

NONFICTION:

Ukraine is known for  the beautiful golden-domed architecture of its cities and the richness of its culture and language. It is also called “The Breadbasket of Europe” because other countries in Europe and the world depend on its abundant harvests of grain for food.

Blue Skies and Golden Fields: Celebrating Ukraine, by Ukrainian children’s author Oksana Lushchevska (Capstone Press, 2022), covers Ukraine’s  history of withstanding invasion and domination by other countries, including Russia.  Lusgchevska also aims to immerse young readers in the Ukrainian culture. There is one whole section on sunflowers, the national flower and symbol of Ukraine. She includes instructions on how to plant your own sunflower and a Ukrainian poem to recite while you water it! Ukrainian Easter eggs are world-famous, and she tells how to dye eggs with natural dyes. She’s even included a guide to learning the Ukrainian alphabet and some key phases. Bright photographs illustrate Blue Skies and Golden Fields.

More list-like  is The Great Book of Ukraine: Interesting Stories, Ukranian History & Random Facts About Ukraine, by Anatolly Drahan (Independently published, 2022). Learn here not only about Ukraine’s past, but about pop culture, folklore, food, music, religion, celebrities & symbols, and why Ukranians celebrate two different New Years.

Ukrainian is  one of the most lyrical languages in the world. Enjoy learning some of it from Ukrainian Picture Dictionary Coloring Book: Over 1500 Ukrainian Words and Phrases for Creative and Visual Learners of All Ages (Lingo Mastery 2022).

FICTION:

These four Middle-grade novels take place in other times of great conflict and invasion in Ukraine’s past. The situations the young characters must face are grim and terrifying. But these are stories of resilience, courage, and hope, the qualities most needed in war-torn Ukraine today.

The Memory Keeper of Kyiv, by Erin Litteken (Boldwood Books, 2022), takes place in the 1930s, a time known as The Holodor, The Great Starvation. Russia’s Soviet ruler, Joseph Stalin, occupied Ukraine and tried to erase its culture. The Soviets claimed all grain produced in that fertile country and starved  4 million Ukrainians to death. In The Memory Keeper of Kyiv, 16-year old Katy at first sees village neighbors disappear for resisting the Soviets. Soon she herself is engaged in the struggle for survival. Author Litteken is the granddaughter a Ukrainian refugee from World War II.

Winterkill, by Canadian/Ukrainian author Marsha Forchuck Skrypuch (Scholastic, 2022), also  takes place in the time of the Great Starvation. In this gripping story, young Nyl is struggling to stay alive. Alice, whose father has come from Canada to work for the Soviets, sees that what is happening to the people is terribly wrong. Nyl and Alice come up with a daring plan. Will they survive long enough to carry it out?

In April of 1986, the nuclear reactor in Chernobyl, not far from Kyiv, melted down, poisoning the environment. In Helen Bates’ graphic novel, The Lost Child of Chernobyl (Otter Barry Books, 2021) two stubborn old ladies refuse to evacuate. Nine years later, forest wolves bring a ragged child to their door. The child has been living with the wolves in the forbidden toxic zone. Will the two be able to find his family after all this time?

In the suspenseful novel, The War Below, by Marsha Forchuk Skrypuch (Scholastic, 2020),  a Ukrainian boy smuggles himself out of a Nazi forced labor camp during World War II. He has to leave behind his dear friend Lida, but vows to find her again someday. IF he survives. Racing through the countryside, he struggles to evade both the Nazis and Soviet agents and finds himself in the line of fire.

MORE BOOKS ON UKRAINE FOR MIDDLE-GREAD READERS ARE COMING SOON: A NOVEL AND A WORDLESS BEAUTY

Maya and Her Friends: A Story About Tolerance and Acceptance To Support the Children of Ukraine (Studio Press, 2023) takes place in 2017. In that year, Russia conquered Crimea and annexed it from Ukraine. They also temporarily occupied parts of Donetsk and Luhansk. This is the story of families with children in Crimea, all with different family backgrounds. It shows how living under occupation and the shadow of war has impacted their lives. Ukrainian author Larysa Debysenk wrote this novel in Kyiv, with the roar of Russian gunfire in the background. She says, “I want to shout that the children of my country need international protection. The world needs to understand this.”

Yellow Butterfly: A story from Ukraine  will come out from Red Comet Press in January, 2023. Without words, and using the yellow and blue symbolic colors of Ukraine, children’s book illustrator Oleksandr Shatokhin shows a young girl’s view of the military conflict: her fear, her anger and frustration, and finally her hope.

Let’s hope, too, that by the time these last two books appear, the fighting in Ukraine may be over and rebuilding can begin!  Slava Ukrajini! 

 

 

 

Writing and Illustrating Muslim characters in children’s literature: Interview and Giveaway with Author Saadia Faruqi and Illustrator Hatem Aly

I am thrilled to interview Author Saadia Faruqi and Illustrator Hatem Aly and discuss their new book – Meet Yasmin!  Saadia and Hatem talk about their experience developing a story with a Muslim main character and why diversity in children’s books matters.

 

Saadia, Yasmin is a brave girl who has a big imagination and loves adventure. Why is it important for you to write/illustrate the story of an empowering ethnic minority character?

 Saadia: So far we’ve seen brown characters mostly in issues books. They typically face a problem – or issue – that directly relates to their identity. For instance a Muslim main character facing Islamophobia, or an African American main character experiencing racism. Although I do believe that those sorts of books are helpful to our understanding of critical social and political issues, it also means that minority groups are otherized further, they’re seen as different, or only viewed in the context of that issue. Yasmin is the antidote to this problem: a Muslim girl in America, a brown first generation American, who is perfectly normal and average, facing all the issues every child her age faces, and having the same happy disposition we expect to see from all our children. It was really important to me not to make Yasmin or her family “the other” – someone different because of their skin color or their religion or ethnic background. There is a sort of empowerment in that normalization that only minority groups can truly understand.

 

Hatem, was it important for you to take the author’s background into consideration while creating the illustrations in the book?

Hatem: It is important, However, I didn’t have to work so hard on being familiar with Saadia’s background since I can relate to many elements of her background already being brought up in Egypt and Yasmin’s family seems so familiar to me in a broader sense. I did work on bringing up some Pakistani visual elements but illustrating Yasmin went organically harmonized with the author’s experience and my own as well.

 

In the recent times, literary agents and publishing houses for children and young adult books have made an open call for submissions from Muslim authors and illustrators. Can you explain why it matters to include diverse characters in children’s and young adult literature?

 Saadia: It’s really crucial to have as much diversity in all sorts of literature, not just in terms of characters but also stories. I actually come from an adult literary background, and I see the same calls for diversity in that age group as well, and it warms my heart to witness these changes in publishing. The reason this matters so much is two-fold (and something we in kidlit talk about constantly): mirrors and windows. My children need a mirror. They need to see themselves reflected in the pages of the books they read. Growing up in Pakistan I didn’t have that. I read exclusively white stories, by white authors, and my worldview was shaped with an extreme inferiority complex because of that. I don’t want my children to have the same, and I know nobody else does either. Also, other children need windows. They should be able to read and enjoy books that show a different sort of family than theirs, a different culture than theirs. This is the only way we can have a younger generation that’s more empathetic and understanding and aware than our previous generations were.

Hatem: It is critically necessary to show diversity in literature of all ages and to express a wider range of life elements in people’s lives. In my work I sometimes pay attention to some things that bothered me as a child but also that I found intriguing. For example, I remember almost all comics and story books took place in a sort of a suburban –house per family- neighborhood and I felt strange finding nobody living in an apartment like myself and most of the millions of people in Cairo alone or at least everyone I know. So I felt alienated but amused from a distance longing for something I can’t define. It seemed to me there was a generic way of living that needs to be challenged and I couldn’t put my finger on the issue exactly until I was older. It’s important for children to see themselves and to see others as well in books.

 

How can parents, librarians, and readers help support books like Meet Yasmin?

 Saadia: The key is not only to read the book but to discuss it. You could use the back matter which has some really good discussion guides for students, and there is also an educator’s guide for teachers. Finally, and for me most excitingly, Capstone has some very cool downloadable activities based on Yasmin, which kids are going to love. I encourage parents, librarians and teachers to take advantage of those as much as possible.

Hatem: The best thing is to read the book, and share it with others! Personally I feel that the most powerful way is to read it to students or story time at public libraries as well as parents to their younger children. I find that helps building bonds between children and books.  I love libraries, so I ask everyone to walk into their local public library and suggest that they buy a few copies for their shelves. Most libraries have book suggestion tools for their patrons, either online or in person. The same goes for your child’s school library.

 

Who are your personal author/illustrator idols?

 Hatem: It’s more of an emergence of inspiration fueled by a mix of interesting people. Many names come to mind, and many I will forget. Some whose work I enjoy and admire are Bill Watterson, Tove Jansson, Maurice Sendak, Jon Klassen, Luke Pearson, Marc Boutavant, Sempé, Zep, Jillian Tamaki, Lynda Barry, Vera Brosgol, Hayao Miyazaki, Naoki Urasawa, Edward Gorey, Kate Beaton, Carson Ellis, Oliver Jeffers and many more.

Saadia: Some of my favorite writers are my own peers, because I believe writing is best done as part of a community. In early reader and picture books I admire Hena Khan who’s been a trailblazer as far as Muslim representation in kidlit is concerned, and really carved a space not only for herself but for others as well. In terms of illustrators, I’m actually a big fan of Hatem Aly, haha! I feel very blessed that he’s part of Team Yasmin because it’s so important for me to have a person doing the art who really understands what it means to be Muslim, and first generation, and sometimes “the other”. He really gets my stories in a way that I think another illustrator wouldn’t have, and I’m very grateful for that.

 

What can readers take away from Meet Yasmin?

Saadia: Readers will enjoy seeing themselves in Meet Yasmin, even if they are very different in superficial ways to Yasmin and her family. Yasmin is literally the every-girl, and her family is the same as every other family. With everything that’s going on politically in our country at the moment, I hope that Yasmin can help readers understand that Americans come in all colors, and that there’s beauty and worth in diversity, despite what they may hear in the news sometimes.

Hatem: I believe that readers will have fun with Yasmin and recognize similarities despite some superficial differences. They will be inspired to be curious, creative, and believing in themselves all the way even if things go wrong sometimes. There are a lot of lessons a child can learn, but there’s also a lot of entertainment which is so important to develop in this age group of readers.

 

For more about Saadia and her work, visit her website. You can also connect with her on Twitter.

For more about Hatem and his work, visit his website. You can also connect with him on Twitter.

Thanks, Saadia and Hatem!

 

Want to own your very own copy of Meet Yasmin? Enter our giveaway by leaving a comment below! 

You may earn extra entries by blogging/tweeting/facebooking the interview and letting us know. The winner will be announced here on Wednesday, August 15, 2018 and will be contacted via email and asked to provide a mailing address (US/Canada only) to receive the book.