Posts Tagged #middlegrade #kidlit #newrelease

Interview with Helen Rutter, author of the MG debut, THE BOY WHO MADE EVERYONE LAUGH + a giveaway!

Let’s give a hearty Mixed-Up Files welcome to Helen Rutter, author the MG debut, The Boy Who Made Everyone Laugh. Praised by children’s author Jacqueline Wilson as “Very funny, very touching, and very truthful”—and featured as a Waterstones Book of the Month—the novel was released in the U.K. by Scholastic on February 4, 2021. It will be available in the U.S. on August 3.

Here’s a summary:

Billy Plimpton has a big dream: to become a famous comedian when he grows up. He already knows a lot of jokes, but thinks he has one big problem standing in his way: his stutter.

At first, Billy thinks the best way to deal with this is to . . . never say a word. That way, the kids in his new school won’t hear him stammer. But soon he finds out this is not the best way to deal with things. (For one thing, it’s very hard to tell a joke without getting a word out.)

As Billy makes his way toward the spotlight, a lot of funny things (and some less funny things) happen to him. In the end, the whole school will know—

If you think you can hold Billy Plimpton back, be warned: The joke will soon be on you!

Q&A with Helen Rutter

MR: So glad to have you with us, Helen. Welcome to the Mixed-Up Files! Huge congratulations on having published your first novel.

HR: Thanks so much for having me! It’s so exciting that the book is coming out in the U.S. The whole publication process has been a wonderful series of lovely moments, and this really is a big one!

Struggling with Stuttering

MR: Billy Plimpton, the protagonist of the book, struggles with stuttering. I can relate, because I too have a speech disorder—spasmodic dysphonia. Although my voice problem is different from Billy’s, I connected deeply to the character’s challenges and frustrations. As a non-stutterer, how were you able to capture Billy’s story with such authenticity? Was there research involved?

HR: The research came through raising my son, who is a stutterer. Over the years, we have been to speech therapy together, and I’ve witnessed all the ups and downs that come with growing up with a stutter. As most parents would attest, watching your child struggle and then learn how to deal with challenges is a pretty powerful thing. It’s no wonder he inspired me to write my first novel!

Inspiration for Billy

MR: As above, the idea for The Boy Who Made Everyone Laugh came from your son, Lenny, who has a stutter. I’m guessing that Lenny was instrumental in the formulation of Billy’s character. Did he have any specific thoughts and suggestions? Any objections? What did Lenny think of the final product? 

HR: He was a HUGE part of the process. I read him each chapter when I’d finished it, and he would let me know when I had really hit the mark. It was such a lovely experience, and offered opportunities for us to talk about things that had happened to him. Also, he told me when things did not work, usually when I used words that “kids just don’t say anymore, Mum!” He really enjoyed hearing the drafts of the story as they developed, and he was an excellent proofreader as his grasp of punctuation and grammar is far better than mine!

When we found out that it was actually going to be published, Lenny was thrilled. He has been involved in TV interviews here in the U.K. and has loved every second of it! He’s much older now, and his stammer has changed a lot. He no longer struggles with it in the same way, and it doesn’t define him like it once did. Because of that, his stutter is not as apparent as it used to be, which gives him more confidence. When it does come back, he realizes that it’s just a tiny part of who his is. I think the story is a great reminder of that.

Creating a Nuanced Antagonist

MR: At school, Billy is bullied mercilessly by a classmate, William Blakemore. I’ve never experienced deliberate cruelty because of my speech disorder, but I could empathize with Billy’s pain and humiliation. As a writer, how do you humanize a bully? What advice would you give to other writers who want to create a nuanced antagonist?

HR: Blakemore’s character grew a lot over the editing process. It took time to get enough of his backstory into the book, in order to give his character depth, without apologizing for his behavior. I didn’t want to hold back on the bullying, to show how brutal and heartbreaking it can be, but I also had to show glimpses of where Blakemore’s bullying behavior came from. For every character, you need to show that their life and personality are complicated, contradictory and nuanced, and to do that they have to do things that are not always expected.

The Joke’s on You

MR: Despite his stutter, Billy dreams about being a comedian when he grows up. His biggest fan is his beloved grandmother, Granny Bread. What is it about comedy—and about the act of telling jokes—that appeals to Billy? For someone who is reluctant to speak in class, telling jokes onstage seems like a herculean task.

HR: The size of the task is what made it so appealing to write. I love an against-all-odds story! Sometimes we are drawn to something that seems beyond our reach for that very reason. I also wanted to show that just because Billy stammers, he still has a lot to say. It’s easy to assume that people who stammer are nervous or shy, and that certainly is not the case with Lenny. He is incredibly confident. He never stopped talking, raising his hand in class, or making his voice heard, however hard it seemed.

Many kids who stammer do withdraw, so I wanted to show in Billy that even though he was tempted to retreat and stay silent, the need to tell jokes and make people respond to him in a positive way had more power. Lenny definitely doesn’t want to be a comedian in real life (he would prefer to be a drummer), but I do know a comedian with a very strong stammer, so when I had the idea of using comedy, I knew it was rooted in reality.

How to Respond to a Stutterer

MR: As a stutterer, Billy is hyperaware of how people react to him when he speaks. He’s even created four categories of listeners: The Encouragers; The Mind Readers; The Jokers; and The Waiters. How did you come up with these categories? Can you tell us a bit about each? Also, what advice would you give to people who interact with a stutterer? What should—and shouldn’t—they do?

HR: This section of the book was Lenny’s favorite. It came from how I had witnessed people responding to him, and he said that it felt like I had climbed inside his head!

The Encouragers do just that; they try and help by telling him to “keep going” or “slow down.” Generally, very kind people, but  encouraging is not that far from interrupting and, as it says in the book, “Telling someone to relax when they are clearly struggling is like shouting, ‘Run faster!’ at someone being chased by a tiger.” They would if they could.

Mind Readers finish the sentence, trying to guess what a stammerer is going to say (and often getting it wrong, as far as Billy is concerned).

Jokers mimic the stammerer. I’ve seen this done to Lenny so many times. You may think that it’s just kids who would do this, but  I’ve seen more adults do it. I think it’s an attempt to be playful, and I think it happens when a person doesn’t know that it’s a stutter they’re hearing. This is definitely the most shocking response I have witnessed.

Waiters are the best category as far as Billy (and Lenny) are concerned. This is what I would always try to do. It’s harder than you may think. People aren’t the most patient, but it’s a useful skill to practice and I’m grateful to Lenny’s stammer for reminding me to be more patient!

An Actor’s Life Is (not) for Me

MR: Before writing your first novel, you were an actor and stand-up comic. What prompted you to make the switch from acting to writing? Also, can you tell Mixed-Up Files readers about your path to publication?

HR: I loved acting, but after having kids the reality of auditioning and touring lost its appeal. In fact, I started to dread the calls from my agent instead of hoping for them, so I knew it was time for a change. After I had Lenny, I began to write and perform comedy as well as write plays and theater shows. I completely fell in love with writing–more so than any performing I was doing, so when I had the idea for this story, I knew that it was not a theatre show, but a book. It was an exciting moment!

A very quick draft followed, and I realized it was all character and no plot–and so the editing began! I found my wonderful agent and then things went super fast when she sent it out to publishers. After an auction, I was pleased to sign a two-book deal with Scholastic. It felt like I had just the right amount of luck and serendipity, as well as a pretty thick skin!

Writing Rituals

MR: What your writing process like, Helen? Do you have a specific routine or word-count goals? Any writing rituals?

HR: No word count goals; I think that would stress me out! I go and sit in my writing shed in the garden most days after school drop-off, and when the procrastination is out of the way, some writing usually happens.

MR: Finally, what’s next on your writing agenda? 

HR: I’m working on book two, which is about a boy called Archie Crumb. He and his mum are really struggling, and just when he thinks things can’t get any worse, he bangs his head and his wishes start coming true! He has no idea if it’s all for real or just a huge set of strange coincidences. I guess, ultimately, the book is about hope, and how we can put positivity out into the universe.

Lightning Round!

MR: Oh! One last thing. No MUF interview is complete without a lightning round, so…

Preferred writing snack? Chocolate, of course!

Coffee or tea? Decaf tea for me. I don’t need to make my brain any busier!

Favorite joke? What did the drummer name his two daughters? Anna One Anna Two.

Zombie apocalypse: Yea or nay? Nay.

Superpower? Flight. No, invisibility. No, flight. No… How about decisiveness?!

Favorite place on earth? My home.

You’re stranded on a desert island, with only three items in your possession. What are they? I am assuming I’m not allowed to say my family or dogs? I’m also assuming that sensible items such as a lighter, water and a boat are not what you’re after either. In which case, I will say suncream, a snorkel/mask, one of those notepads with an attached pencil.

MR: Thank you for chatting with me, Helen—and congratulations on the upcoming publication of The Boy Who Made Everyone Laugh. I thoroughly enjoyed it, and I know MUF readers will too.

HR: Thanks so much. I am thrilled that you enjoyed the book. Fingers crossed at some point that I can come over to the US and see it in the shops!

And now…

A GIVEAWAY!!!

For a chance to win a copy of The Boy Who Made Everyone Laugh, comment on the blog–and, if you’re on Twitter, on the Mixed-Up Files’ Twitter account–for a chance to win! 

All About Helen

Helen Rutter lives in the English countryside, just outside Sheffield, with her comedian husband, two children, and two lovely dogs, Ronnie and Billy Whizz. When she is not tapping away in her writing room, she loves walking the dogs, playing board games, and reading. Before writing her first novel, Helen wrote and performed her work on the stage. She has even done some stand-up comedy, and before that she was a jobbing actress. She now much prefers to write the stories than be in them. Learn more about Helen on her website and follow her on Twitter and Instagram.

Interview with Jess Rinker and Giveaway

Our guest today is Jess Rinker, author of the middle-grade novels Out of Time: Lost on the Titanic, The Dare Sisters, and The Dare Sisters: Shipwrecked (coming this September). Jess has also written picture book biographies on feminist Gloria Steinem and Brenda Berkman, one of the first female firefighters for the New York City Fire Department.

Thanks so much, Jess for joining us at From the Mixed-Up Files of Middle-Grade Authors! It has been fun witnessing your publishing success since meeting at the Highlights Foundation workshop several years ago. Can you offer a bit about your journey?

Thank YOU for having me! It’s funny, I always think about our time at Highlights as if it was “last summer”, when in fact it was four years ago! Wow. A lot has happened since then for sure—it’s amazing how connected we’ve all remained and hopefully, we’ll begin to cross actual paths again soon.

My journey started way before then, probably more around 2005 when I went from one of those people who said “someday I’ll write a book” to someone who actually sat down and wrote a book. It would be the first of many shelved manuscripts, but learning I could write a novel changed my life trajectory. Fast forward through years of practice, attending conferences, and taking classes, by 2014 I graduated with an MFA, signed with an agent the following year, and sold my first book Gloria Takes a Stand in 2016. I definitely put in my “10,000 hours” as Malcolm Gladwell says. 2018 was a bit of an explosion for me regarding book sales, and so now I just turned in my third middle-grade novel, which brings me to a total of six books by next summer. Whew.

I know you love the outdoors and rural settings, which shines through in your middle-grade works of fiction. Would you share your inspiration for these settings?

So far, yes, all of my middle grade takes place in rural/small town settings. (Even the super secret one we’re just about to pitch to my editor) I grew up in rural NJ and PA in the ’70s-’80s and my parents were pretty hands-off so I was free to explore all of the woods and creeks and rivers around me. Other than a library card, it was probably the biggest gift they gave me. I had few friends as a young child and the woods and wildlife became my entire world—the perfect place for an imagination to blossom. My mom gave me countless nature books as well, and so learning the names of flowers, trees, bugs, animals, even fish, and frogs, became a way for me to “know” the wildlife around me, as well as order my otherwise chaotic world. I think my mom always had an innate understanding that when you give something a name (or learn its name), you gain an appreciation for it. In my upcoming book The Hike to Home, I give my mom and my young self a little nod in that the main character has a similar proclivity to know all the names of the natural things around her. It’s something I still do and now living in a brand-new place—West Virginia—there are so many new creatures to get to know! West Virginia is an incredibly biologically diverse state with New River Gorge (The nation’s most recent National Park!) being the highest, I believe.

Your picture book biographies feature strong, independent women. Your middle-grade fictional work shares the adventures of strong and independent girls. Tell us a little bit about the background behind these stories.

To be completely honest, I never intended to “brand” myself and when I first started, I was writing angsty YA that didn’t sell. I’ve always approached the writing life—and publishing as much as possible—as someone who just truly loves writing stories. I don’t have a very altruistic sense until the book is on the shelf. Once it’s out there, it’s on its own, but before that it’s all mine and I treasure that creative stage. So ideas come and go and whatever grabs a hold of me the most, I write it. I have plenty of stories and ideas that are not strong-girl stories per se.

That being said, back in 2015 I was reading Gloria Steinem’s canon of literature and that, paired with the sale of the biography, fueled me in a new way as a woman and as a writer. I absolutely became conscious of wanting to write characters who had agency in their lives. I had next-to-none as a child, and many children are powerless because of their circumstances. I chose not to write about those circumstances (yet) and instead write stories that showed children the power they CAN have. Somehow, that turned into strong girls, strong women. I’m not complaining! But it was a natural evolution, driven by my own education and internal revolution, the love of storytelling, and a desire to empower children in whatever little way I can.

I know that you and your family experienced a tragic fire, which engulfed and destroyed your home, including all of your childhood journals. How has writing helped you move forward through that loss?

That was a huge blow, for sure. Sometimes I don’t even remember it happened until someone mentions it and other times I look in my closet and mourn the loss of my favorite summer dress or those precious journals. I mentioned earlier that 2018 was a bit of an explosion for me book-wise, and I think that’s what really helped me quickly recover from that trauma—which was also caused by a literal explosion! I don’t know that we will ever be “over it”, only through the worst of it, but we have found a secure new normal since then. The book sales kept me focused. I’d lost everything I owned, but I still had my family and my job, and it completely kept me going. I’d also been married only a week before the fire, so while it slightly marred our anniversary month, which is August, we had a lot of love and joy.

Exactly a week after the fire, even though we were technically homeless, we still had our wedding party that had been planned for months. Sometimes I wish we could do it over again since my husband and I were in a bit of a fog, but I’m grateful we were able to celebrate. In another wonderful, but long story my wedding dress had been somewhat spared from flame and smoke because of the way it was stored, so a dear friend of mine stole it away, had it cleaned and repaired, and I got to wear it again at the party. We made the news for the fire and the dress. Kind of a beautiful juxtaposing, I think. Everything is writing material, right?!

Whenever I do school visits, both students and teachers are interested in my writing process. Tell us about yours.

Gosh, it changes so much all the time—especially with writing under a few different categories. This question is always tough to answer, but I suppose my main process is to first let myself be entirely swept away with an idea. Whether nonfiction or fiction, I dive into research, notetaking, scene ideas, dialogue, and especially character development before I really write anything. When I’m drafting, I’m in my PJ’s on the couch. Sometimes I try to get away to a place like Highlights where I don’t have to think about normal day-to-day stuff, but that’s not possible as much anymore since I’m also teaching now. I don’t have any fun rituals or anything—it’s just me, silence (when possible), the notebook or computer, and a comfy place to sit.

What stories did you enjoy reading as a child?

Everything. I was never once told I wasn’t allowed to read something so I read everything from the nature books to kids’ books to my mom’s collection of Stephen King and Dean Koontz. My favorite stories often involved survival aspects, like Island of the Blue Dolphin, or My Side of the Mountain, but I also loved classics like Little Women and The Secret Garden.  (Which, come to think of it, have survival aspects in other ways) All of EB White and Judy Blume, Beverly Cleary, and Katherine Paterson. But I quickly graduated to adult books and loved horror and dystopian. I weirdly enjoyed reading about grown-ups. I also really loved my grandparents’ shelves of encyclopedias and would page through them quite a bit. It wasn’t until having my own kids, and especially while working on my MFA, that I really got a good dose of the huge variety of children’s books.

I know you teach writers at the collegiate level. What have you learned through this process?

My husband and I were just talking about this! Teaching writing forces you to be a better writer and that’s one of the reasons we both really enjoy it. (Although don’t ask me that when I have 25 essays to grade in two days) Teaching stretches you, keeps you on your toes. Not only for the college but with freelance clients as well. We team up as a couple to coach writers through their projects and we bring different skills and insights to the table, so it becomes a pretty well-rounded process. When you have to help someone craft and revise an essay or plot a novel, it reminds you of all the things you do on a more subconscious level. It’s very eye-opening. My favorite part of teaching, however, is encouraging young writers who want to be better, assuring them that it is a lifetime of practice and devotion, and none of us masters it. We just get better. Hopefully.

As you are married to children’s book author Joe McGee, what is it like working and living with a fellow creative soul?

It’s pretty wonderful. I won’t say there haven’t been some tough spots, because when we first partnered, he was a bit “ahead” of me in the business. I was struggling to sell anything, as well as unable to find a decent job. I had a couple of years of a lot of disheartening “No’s” seemingly coming from everyone and we struggled financially. Those couple years were hard on me. I wasn’t competing with him, but I remember thinking if nothing ever happened for me, and I had to settle for retail jobs for the rest of my life, I didn’t know if I could survive the relationship. This came from my own personal baggage of always feeling like the cheerleader in my previous marriage, and I was very aware of that, and so was Joe. With patience and continued determination, it obviously all panned out. And Joe is probably my biggest cheerleader. 

I’m often asked which is my favorite book that I’ve written…do you have a favorite?

I get that question a lot too—especially from kids. I always tell them my favorite is the one I’m writing right now because it’s true! It’s that special creative time where the story is all mine and I can be lost in it before handing it over to the world. So right now, my favorite book is the one we’re about to pitch to my editor…hopefully more on that very soon!

What is your absolute favorite thing about writing for children?

I do not know. How’s that for an answer! But I really am not sure how to choose one thing. Writing is what I love and it just happens to be for children. I’ve been writing for myself since I was a kid, and then when my kids were little, and I read to them all the time, I thought, “I could totally do this”. So, I did and I never looked back. I’ve never tried writing an adult book, I never have ideas for adult books, and I’m fine with that. I could get super psychological and really pull it apart on a deeper level that has to do with suffering a lot of trauma as a child, and the fact I was treated like a peer to my parents from day one, and so never had a true, care-free childhood….but nah. It doesn’t really matter. Because those very things also made me the writer I am. The fact is, the ideas and voices in my head are always kids and teens, and I just love writing their stories. When a young reader tells me they loved the book, or a parent tells me that it’s the first book their kid ever finished, that is a major heart-warming bonus, for sure. But I’d keep writing regardless.

 

Thank you, Jess! To learn more about Jess, visit her website, www.jessrinker.com. Jess has graciously offered to give a copy of both The Dare Sisters and the upcoming Dare Sisters: Shipwrecked to one lucky winner. Enter here by July 15 for your chance to win. Note: Only residents of the contiguous United States, please.

 

 

Author Interview and Giveaway: Kirk Scroggs – WE FOUND A MONSTER

Today, I am lucky enough to interview the multi-talented writer and artist Kirk Scroggs about his newest graphic novel,
WE FOUND A MONSTER.


Please tell us about your just-released book WE FOUND A MONSTER.

We Found a Monster is the story of a kid named Casey who has a few skeletons in his closet . . . and a She-Bat, and a zombie, some gremlins, a squid monster, and, oh yeah, Frankenstein’s in there too! Casey’s a loner who loves to draw monsters. About a year ago, shortly after his mom passed away, real monsters started showing up on his doorstep. Now he’s got a house full of them that he somehow has to keep hidden from his dad and the neighbors. He’s at his breaking point. He can’t possibly harbor one more critter. But there’s a new girl in town. Her name is Zandra and she needs Casey’s help. She’s found a monster too. A giant, furry, loveable behemoth named Spot. Spot needs a home but there are dangerous secrets lurking beneath his rainbow-colored fur. A dark past that has followed him to Casey’s sleepy little town. Someone, or some Thing, is after Spot. Casey will need Zandra’s help to protect Spot, but she is a bit of a mystery herself. Can she be trusted?

 

 

Casey’s Creature Exhibit showcases his monsters. Do you have a favorite?

It was a lot of fun mixing in some characters from DC’s vaults into this monster mash-up. She-Bat is a cool character. Half human half bat, she used to be a bat researcher before her body-altering accident. I think, for me, the favorite is an old classic- Frankenstein. Franky lives in Casey’s basement near the water heater and he’s got a few quirks. Since he was stitched together out of other classic monsters, he sports some interesting features, like an invisible arm and, when the moon is full, werewolf legs!

 

 

 

 

Casey is a bit of a monster purist – no Adorables and no Fantasticals. What about you? Do you think there’s a place for the fluffy and the fantastic?

Casey is definitely me when I was his age. I was strictly old school when it came to monsters. Dracula, Godzilla, the Wolfman. But, like Zandra in the story, I now appreciate fantasy creatures too and I’m willing to give them full monster status. I think watching the old Sinbad movies and embracing Lord of the Rings and Harry Potter has gradually opened my eyes. All monsters are cool! Even the adorables.

 

 

 

There’s so much happening on every page of WE FOUND A MONSTER. Could you tell our readers a little bit about how you go about creating a project like this? And, do you have any tips for budding graphic novelists?

With We Found A Monster, and The Secret Spiral of Swamp Kid, I definitely mashed a few art forms together—the graphic novel and the journal. It’s such a fun and freeform way to create a story. I like to sit with some plain white paper and just start scribbling and doodling, kind of like Casey does in the book. This journal format lets me experiment with different drawing tools and styles. If Casey is in a hurry, he just doodles out a quick black and white sketch. If he has the time, he pulls out the whole set of markers and draws a full-scale graphic novel sequence.

My advice to aspiring graphic novelists is to play to your strengths. If you’re better at drawing than writing, team up with your buddy who can’t draw so well but writes good stories. And vice versa. And remember to let the art do most of the hard work. No need to be overly descriptive when the art can convey the same information. And keep the dialogue short so it doesn’t block the cool pictures!

 

 

It’s pretty clear that you have a special affinity for monsters. Did you have a favorite when you were a kid? Do any of your childhood monster experiences come through in your stories?

I’ve always had a thing for the tragic monsters. Frankenstein, King Kong, Swamp Thing, Creature From the Black Lagoon—you kinda feel for these critters. They just want to be loved. I think everything I’ve ever written from Wiley and Grampa’s Creature Features to Swamp Kid, even the Muppet books, has woven in classic monster movie elements. I just can’t help it!


 

What can readers expect to see from you next?

There are certainly some follow-up ideas lurking in my head that I’d love to explore. Right now, I’m playing around with some animation proposals and I’m whipping up a top-secret graphic novel manuscript. I can’t say too much about it except robots, middle school, wolfpigs!

 

 

 

Thanks so much for chatting with us, Kirk. Readers, you can find WE FOUND A MONSTER at your favorite bookstores now. Be sure to follow Kirk at his website and on Twitter and Instagram.

 

If you love monsters as much as Kirk does, let us know your favorites in the comments below. And be sure to enter our Rafflecopter giveaway for a chance to win a copy of WE FOUND A MONSTER!