Posts Tagged #middlegrade #kidlit #newrelease

Monsters, Marvels, and Middle Grade with Alysa Wishingrad

graphic showing The Verdigris Pawn and Between Monsters and Marvels book covers

 

 

 

 

 

 

 

 

I first met Alysa Wishingrad on Clubhouse. If you’re not familiar with the app, just know at one point it had become a haven for writers seeking community with like-minded scribes—however short-lived. Alysa and I would meet up with a few others and have writing sprints and I recall being so excited to one day read Between Monsters and Marvels. This middle-grade fantasy comes out on September 12, but dear friends, NetGalley has finally started to show me some love, and amongst the ARCs (advanced readers copies) that I basked in this summer, was Alysa’s lovely, second middle-grade novel. Between Monsters and Marvels blew me away.

I had the true pleasure of interviewing Alysa about this treasure of a story, her writing process, and all things Dare—the gritty main character that readers will fall in love with. Read on below.

Let’s start with some questions for the writers out there researching MG books!

Ines:

“The coarseness of our weave scratches their more refined sensibilities, but our thicker fibers make us more durable.”  When you write delicious lines like these, are they the result of revisions or do they pour out of your head during your drafting process? So much of the writing in Between Monsters and Marvels is lyrical and visual. I guess what I’m really asking is, how do you do it? What does your writing process look like?

Alysa:

Ines, thank you so much for having me, I’m so happy to be chatting with you!

I tend to say that my process is kind of sloppy because I’m not a traditional outliner, I don’t use notecards or have a big whiteboard. But there is a logic and system at work, it’s just very slow. I have to let ideas stew in the back of my head for a good long time until I can begin to see the world in my mind’s eye — I need to be able to see it like a movie. I am an acolyte of paper and pencil so as soon as I begin to get the first whiffs of an idea I start a notebook and get to jotting down ideas and questions. Lots of questions. Who are they? What do they want? Why do they want it? Why are they where they are, and what forces had to coalesce to get them there? I push myself to try to look around corners and really search for the hidden truths hiding out of sight so I can learn as much about my characters, their world, and the problems they’re facing as I can.

Then eventually the writing begins, and I start playing around to try and find the voice. That’s the key for me- once I find the voice then I can begin in earnest. On those days when I’m in the voice, words flow. But by flow, I do not mean they rush out of me. I am a pretty slow, line-level drafter, and will work out a moment until it’s just the right set piece. BUT, and this is the important part, just because a line or beat sets me up to find the rest of the scene or chapter, that doesn’t mean it ultimately stays in. I used to think being able to string together a pretty line was the key to good writing. Silly me, pretty lines are all fine and well, but they have to hit at the heart of the tale you’re weaving.

Finally, my process on both THE VERDIGRIS PAWN and BETWEEN MONSTERS AND MARVELS involved chucking either a completed (and sold) draft, or large swaths and beginning again from the blank page. I’ve done all the hard work at this point, I know the arc, the world, and my MC, so now I have the knowledge and the freedom to roll the story out the right way.

Ines:

It’s so easy to lose oneself in Between Monsters and Marvels and feel like you’re running right alongside Dare in the Must or on the shores of Barrow’s Bay. What is your favorite piece of advice for middle-grade fans who want to write stories like yours, with such deep world-building and character development?

Alysa:

That’s very nice of you, Ines! I’d say take your time! Ask lots of questions. Interrogate your choices, ask yourself why you’ve made the choices you’ve made. Don’t settle for, “that works.” Push yourself beyond your first, second, or even your third idea.

Just as it takes time to get to know a new person in your life, getting to know a character or your world, is about seeing through all the layers. I try to look at my characters from many different angles and put them through a kind of stress test. How would they respond in any given set of circumstances? And is how they respond how they’d want to? Do they understand how others perceive them? Do they like it? Do they even care? How do they want to be seen, and why is that so important to them?

It’s one thing for me to understand a character by their outward persona— how they present themselves to the world. But they truly begin to come to life when I dig to find out what lies behind the mask. What stories are they telling themselves about themselves?

As far as world-building, I say consider everything – how does the society function, what’s its history, how did it come to look the way it does now. While so much of this work might never wind up on the page, having a full and complete understanding of your world’s geography, history, belief system, etc., helps bring a place to life. And do your research, but unless you’re writing straight historical, I’d say don’t do too much so that you feel hemmed in by it.

Ines:

For the writers wishing to write in the third person, how did you manage to make us feel so very much in the head of Dare? The narrator’s voice, though third, allows us to feel Dare’s humor, her curious mind, and her perspective.

Alysa:

Third is tricky, but it’s my favorite POV to both write and read. John Gardner’s writings on psychic distance were incredibly helpful to me. The way he talks about the lens zooming in and out just made it click— there’s that visual, movie brain again.

But it was mentor texts— reading and studying how other authors have drawn us in through close third— that were my best teachers. My copies of Laurie Halse Anderson’s middle grades are marked up in a sea of yellow highlighters! The power of her observations just always makes me feel like I am living in the skin of her characters.

Fundamentally though, I think the key goes back to truly understanding your character, knowing not only what they like or don’t like, what they want or don’t want, but how they see the world. It’s really like positioning yourself behind their eyes and experiencing life as they do. I often think of that alien that controls Vince D’Onofrio’s character in the first Men In Black!

On making connections with young MG readers.

Ines:

Dare is described as wild, tough, and gritty. But she’s also very sweet and thoughtful, and I get the impression that as much as she seems to not want to belong in Barrow’s Bay, deep down she yearns for that belonging or acceptance. For example, when she vows to be more like her father, invisible, rather than be herself.

How were you hoping children would connect with Dare, how she sees herself, and her place in her world?

Alysa:

We all feel like outsiders at some point, whether we admit it or not, and we all have different coping mechanisms. Some of us do everything we can to try to fit in, squeeze ourselves into a mold that winds up stifling us. Others rebel and dare people to try and get close. But deep inside we all just want to be seen for who we are.

Dare refers to all her points and angles (her opinions, intelligence, and her innate ability to see past the illusions people weave) as her awful. And when we meet her, she fairly revels in getting a rise out of people. Then, as she begins to worry about her father, she tries to make a deal with the stars at night to save him –she promises to try to fit in, to hide her awful. But through the course of her story, she begins to understand it’s those very points and angles that made her stick out like a rose among the lilies that are her greatest strengths.

That’s what I hope readers of all ages take away from my Dare— those things we think of as our faults and foibles are our superpowers, it’s up to us to learn how to use them.

Book reccos à la Alysa!

Ines:

Can you give us a list of your favorite middle-grade books? From when you were in middle school and from today, what books have inspired you?

Alysa:

Oh yes, this is my favorite part!

Growing up some of my most favorites were: Charlotte’s Web [still can’t think of that story without wanting to cry], A Wrinkle in Time, The Phantom Tollbooth, The Borrowers, so many of the Roald Dahl stories, and The Chronicles of Prydain. But I also read a whole lot of books that I’d pull off my parent’s shelves. I’m sure 97% that what I read at the time went right over my head, but they pushed me to consider views of the world I would not otherwise have. John Updike’s Rabbit series was a favorite when I was 12. It makes little sense. What does a 12 year-old girl have in common with a man having a midlife crisis? Well, a lot it turns out. We all face a kind of existential angst at different ages.

Some of my recent faves include:

  • The Troubled Girls of Dragomire Academy by Anne Ursu
  • Freewater by Amina Luqman-Dawson
  • Hana Hsu and the Ghost Crab Nation by Sylvia Liu
  • The Skull by Jon Klassen
  • The Plentiful Darkness by Heather Kassner
  • Adia Kelbara and The Circle of Shamans by Isi Hendrix, coming out Sept 19th!

Speaking of Inspiration…

Ines:

The setting is so clearly detailed that it’s easy for any reader to dive into the pages and travel through them to get to Dare’s world. Is there a real place that inspired the fictional island of Barrow’s Bay or the mainland (The Must/City on the Pike)?

Alysa:

Barrow’s Bay was directly inspired by Jekyll and Cumberland Islands— both off the coast of Georgia. At the turn of the 20th century, they were exclusively inhabited by the very wealthiest industrialists in the country. Mackinac Island in Michigan, was also a playground for the very wealthy. But the sense of isolation and mystery was inspired by Put-in-Bay in Ohio. I have a friend who grew up there, and her stories of being iced in over the winter and that sense of wilderness absolutely fed my imagination.

City on the Pike was inspired by the countless cities in both the US and the UK that were absolutely overrun and transformed by the rapid growth of factories during the Industrial Revolution. Sadly, the Must is any one of all too many neighborhoods in the cities that were once thriving communities that were ruined by pollution and the nearly inescapable poverty borne of the inequity of the system.

 

Thank you so much for having me, Ines, it’s been such a pleasure to chat with you!

You can pre-order BETWEEN MONSTERS AND MARVELS from your favorite indie, or from mine, Oblong Books, for signed copies and some MARVELous swag  (https://www.oblongbooks.com/between-monsters-and-marvels-hardcover-signed-alysa-wishingrad)

 

About Alysa Wishingrad

Author Alysa Wishingrad

‌‌Alysa Wishingrad writes fantastical stories for young readers, tales that ask; is the truth really true? Her favorite stories are those that meld the historical with the fantastic, and that find ways to shine a light on both the things that divide and unite us all.

She is the author of Between Monsters and Marvels and The Verdigris Pawn, which was a Junior Library Guild Gold Standard Selection.

Alysa lives in the Hudson Valley with her family, two demanding rescue dogs, and a cat-shaped dog, who is either a monster or a marvel, depending on the day.

You can find her at: www.AlysaWishingrad.com

Instagram & Threads @alysawishingradwrites

BlueSky @alysawishingrad.bsky.social

Twitter @agwishingrad

((If you enjoyed this post, check out this one.))

Author Spotlight: Carol Weston

If the name Carol Weston sounds familiar, it’s no surprise. Carol published her first article in Seventeen magazine at the age of 19, and she was later dubbed “Teen Dear Abby” by Newsweek, thanks to her popular “Dear Carol” column—which is still going strong—in Girls’ Life magazine. Her critically acclaimed teen-advice book, GIRLTALK: All the Stuff Your Sister Never Told You, has been translated into a dozen languages and is now in its fourth edition.

Currently, Carol has been enjoying an illustrious career as a middle-grade author. In addition to the beloved Ava and Pip series, as well as the fun and voice-y Melanie Martin books, Carol’s MG novel, Speed of Life was lauded by the New York Times as “perceptive, funny and moving.” The late Newbery medalist Richard Peck concurred, calling Speed of Life “A wonderful book that takes us from loss to laughter.” (I cosign Richard Peck’s praise, having read—and loved—Speed of Life when it first came out in 2017.)

In addition to Carol’s impressive contribution to children’s literature, she has had essays, articles, and interviews appear in such publications as Publishers Weekly, School Library Journal, Chicago Tribune, Huffington Post, Redbook, Glamour, and Parents. On television, Carol has appeared on Today, Oprah, 48 Hours, and The View. She is also a writing instructor at the New York Society Library, where her monthly writing “Prompt!” class, which I’m lucky enough to attend, is hugely popular. Married to playwright Rob Ackerman, Carol is a mother, grandmother, and splits her time between Armonk, New York, and Manhattan. Learn more about Carol on her website and follow her on Twitter, Facebook, and TikTok.

And now, without further ado…

Heeeeeere’s Carol!

MR: Welcome to the Mixed-Up Files, Carol. I’m so excited to have you here!

CW: Thank you for that fabulous introduction! You’ve got me blushing!

MR: I know you’ve always loved to write, and that both your parents were writers. What is it about writing that appealed to you as a child? What about it appeals to you now? Also, what advice would you give to aspiring writers?

CW: Big questions! I think of writing as sharing. I like that if you hear something funny or think something deep, and you’re working on a manuscript, you can usually find a place to put it. As for advice, there’s no getting around it. If you want to be a writer, you have to write! Don’t wring your hands. Just put words on paper. Honor your talent. Leave a pencil and paper by your bed. Keep a journal or writer’s notebook. Don’t fret about the end result. Good writing takes a zillion drafts but if you don’t get your words down, how can you have the fun of editing and revising? (P.S. Keep reading and listening to books too.)

Take My Advice

MR: Speaking of advice, like you, I was an advice columnist for teens. (My weekly column, “Life Sucks,” appeared in the U.K. teen magazine, J17, in the 1990s, and I was a teen-relationships adviser online as well.) How did you get your start as an advice columnist?

CW: Way back in 1993, I was in the waiting room of Cosmopolitan magazine and a man walked in wearing a nice coat. “Nice coat!” I said. We got to chatting and I told him about my book Girltalk, and he told me his girlfriend was starting a magazine, Girls’ Life. The next day she called and offered me the gig. I said a fast yes. Who knew I’d still be “Dear Carol” 28 years later? One lesson here: Do talk to strangers.

MR: Another advice-related question (I can’t help myself). What are some of the most common questions teens ask in your “Dear Carol” column? What about the strangest…? (Be honest. 🙂)

CW: I’ve answered “Should I tell him I like him?” and “How can I tell if he likes me?” and “When will I get my period?” over a thousand times! And Covid was so hard on so many. I really felt for girls who were stuck indoors, sometimes with difficult families or an uncle who was quarantining with them. Much of my tried-and-true advice like “Give a compliment” or “Talk to someone new” or “Join an extra-curricular” or “Talk to your school counselor” went out the window. Actually, I don’t think of any of my Girls’ Life mail as strange, though many letters are over-the-top personal. For instance, girls tell me that their brothers (or dads) are looking at porn, or in some cases that they are. Still, more human than strange. I do my best to help girls navigate the complicated adult world.

Speed of Life: The Backstory

MR: Turning to kidlit, rumor has it that Speed of Life took you ten years to write. Would you mind sharing the backstory with us?

CW: Early one January morning while un-decorating our Christmas tree in Manhattan, I got the idea for a novel that could start on January 1 with a bittersweet scene of a father and daughter putting away holiday ornaments though Christmas had “sucked.” I wanted the book to have 12 chapters, one per month. It would be a year in a life of Sofia, who would go from a grief-stricken 14-year-old kid (her mother has died eight months earlier) to a 15-year-old young woman who is finding her footing. Sofia has supportive friends, but when the novel begins, they’re ready for her to be “okay” again, and of course, she can’t recharge like a cellphone. Desperate, Sofia reaches out to a teen advice columnist (!) – but what she doesn’t know (spoiler alert) is that the advice columnist, Dear Kate, has started dating her widower father. Complications ensue!

Ten years between idea to pub party is not at all speedy. But Speed of Life began with four third-person POVs and ended up first person and just in Sofia’s voice. I sure did get to know my characters! In some ways, the novel began even earlier because it was based on my own grief over losing my father when I was 25. It’s set in New York’s Upper West Side, Spain, and Westchester, New York, three places I’ve called home. And it came straight from the heart.

Dear Diary

MR: Unlike Speed of Life, the Ava and Pip series, and the Melanie Martin series, are written in diary form. What made you choose this particular format for these books? Did you keep a diary as a child?

CW:  Oh God, yes. I kept diaries before I could really write or spell and before I had anything of note to say. Keeping diaries was a way for me to process my day and become more observant. As a kid, while others read, I scribbled. As a thirtysomething mom, I’d written eight nonfiction books and was desperate to write fiction for adults but just couldn’t make the jump. Finally, the fictional Melanie Martin, 10, sort of showed up and said: Enough with your precious attempts at the Great American Novel. How about a diary for kids? The Diary of Melanie Martin poured out.

It begins: “Dear Diary, You will never in a million years guess where we’re going. Nope. Guess again. Never mind, I’ll tell you. Italy! We’re going to Italy! In Europe!! Across the ocean!!!” I was glad that Melanie got to go to Italy, Spain, and Holland. New York too—and glad that, although several publishers passed, Knopf said yes. So, my first novel came out when I was 43. Don’t give up out there!

Turning a Child into a Reader

MR: Ava and Pip skews younger than Speed of Life (Sofia, the protagonist, is 14). The Melanie Martin books skew younger, too. What is the biggest challenge when writing for kids of different age groups on the MG continuum?

CW: Publishers want us to think about younger kids versus older kids, but I wish they didn’t. Girltalk: All the Stuff Your Sister Never Told You was billed as a guidebook for girls 11 to 18, and I loved that! Some kids read it for tips on babysitting and bra-buying; others for tips on safer sex or job interviews. I love writing for young people because sometimes yours really is the book that turns a reluctant reader into a reader, and because when a kid loves your books, she love-love-loves them. And kids don’t just read, they reread.

Palindrome Party

MR: I know you’re a sucker for palindromes. In Ava and Pip, Ava realizes that the names of her family members—Mom, Dad, Ava Elle, and Pip Hannah—are palindromic. What is it about word play that knocks your socks off?

CW: Great question. I was a French / Spanish literature major at Yale and sure, I love books / livres / libros. But I love thinking about individual words too. When The New York Times called Ava and Pip “a love letter to language,” I basically wept. Because that’s what it is. Words themselves are fun, and if you combine them well, you can make people laugh or cry or think or become more compassionate toward others and themselves. I remember being in kindergarten when I learned the word “I.” One measly letter (one long stick, two short ones) and it was so powerful! I also remember learning to spell “here” and “there” and being baffled that they didn’t rhyme. Yes, I’m a full-fledged word nerd! And proud of it!

Persistence Is Key

MR: You are a prolific writer, Carol. Where do you get your ideas and inspiration? Is there a secret sauce you can share with Mixed-Up Files readers?

CW: No secret sauce and I still get rejection letters—most authors do. So, persistence is key. I don’t force myself to write for a certain number of pages or hours. But when I let myself stay (play?) at the keyboard long enough to find the flow, it can be fun. Okay, here’s an odd tip: I sometimes print out a work on different colored pages so that I feel I’m making progress. Like, I’ll have a yellow draft and much later, a sky-blue draft. Books take so many drafts! Another tip: I have smart friends and family members weigh in too. And smart kids when possible.

Carol’s Writing Routine

MR: What does your writing routine look like? Do you have any particular rituals?

CW: Some days I don’t get to my work at all. Other days, I’m at my desk from dawn ’til dusk.

MR: What are you working on now, Carol? Enquiring minds want to know!

CW: I’ve been writing a novel about the girl in the painting Las Meninas by Velázquez, though I’m setting it aside for a few months. (It’s always helpful when you can let a work-in-progress marinate and then come back to it with fresh eyes.) I’m mostly focusing on a novel, Zoe and Lucas, about two city kids who get stranded in a small town and start to discover the truth about their parents and themselves. That’s all I can tell you for now!

Let’s be Prompt!

MR: Before I let you go, I need to tell you that your “Prompt!” class at the New York Society Library is the highlight of my month. It’s so joyful, and so freeing. How did you come up with the concept? Also, what can writers gain from prompts in their day-to-day writing practice?

CW: Oh, thank you, it is pretty magical, isn’t it? It’s really all about giving yourself permission to be creative. Instead of saying (as I too sometimes do), “Why should I write this, no one will care, and how will I be able to sell it?” it’s better to just w-r-i-t-e. When I’m teaching that class and I say, “The prompt is ‘my grandmother’s hands,’ you have ten minutes,” it’s amazing, as you know, that everyone just starts writing up a storm. Sometimes at home, when I’m having trouble getting going, I’ll set my cellphone for ten minutes and say, “Just start!” and on a good day, ten minutes later, I often don’t want to stop.

Lightning Round!

MR: And finally, no MUF interview is complete without a lightning round, so…

Preferred writing snack?

Gum helps me focus.

Coffee or tea?

My husband makes cappuccino every morning. Heaven.

Favorite palindrome?

EMME is our daughter’s name. Though I’m big on WOW and YAY and XOX!

Zombie apocalypse: Yea or nay?

Nay.

Superpower?

I can be charming in four languages! And I’m a Rocky Mountain skier. (But oh dear, I can’t cook or garden and I’m a reluctant driver and I get lost really easily.)

Best piece of advice?

You’re asking an advice giver for her best piece of advice? Oh man…. How about: Be kind to yourself and others.

Favorite place on earth?

Home.

If you were stranded on a desert island with only three things, what would they be?

Too hard! How about if I have just one thing—a phone that’s endlessly charged so that I can talk with loved ones and listen to audiobooks? Or else maybe one private jet so I can get off that island?

MR: Thank you for chatting with us, Carol. It was my extreme pleasure, and I’m sure MUF readers will agree! 

Thank you, Melissa!! See you in class!

For more info on the fabulous Carol Weston, check out her School Library Journal interview here. And her Mixed-Up Files interview with Andrea Pyros here.

April Showers bring New Releases!

Happy Spring! Check out all these new titles showering middle-grade readers this month. Adventure, friendship, mystery and an inspiring true story of survival are featured in these titles for every younger reader on your list!

Wild Ride Author: Keith Calabrese, Scholastic Press, April 5

Swindle meets Ferris Bueller’s Day Off in this action-filled comedy!

No parents. No rules. No curfew.

Things are about to get dangerous…

The grownups are out-of-town, and for Charley Decker that means one thing: a last epic weekend with her older brother Greg before he leaves for college. Bring on the burgers, milkshakes, and movie marathons!

So when Greg ditches Charley for a date night downtown, she’s kind of crushed. Worse, he gets their mom’s boyfriend’s super-expensive, super-rare Mustang towed and needs Charley’s help to get it back. What’s an unsupervised seventh grader to do? Grab her best friends, sneak into the city, pull off the ultimate car heist, and then make Greg pay, of course!

Only now the Mustang has a new feature in the trunk: a stowaway named Mitch who’s guarding a world-changing secret. And a pair of seriously big, seriously scary dudes are after him.

What follows is an all-night race around the clock as Charley and her friends try to dodge the twin terrors, save Mitch, fix a sibling squabble…and get the Mustang home before morning!

I Will Protect You Author: Eva Mozes Kor with Danica Davidson, Little, Brown Books for Young Readers, April 5

The illuminating and deeply moving true story of twin sisters who survived Nazi experimentation, against all odds, during the Holocaust.

Eva and her identical twin sister, Miriam, had a mostly happy childhood. Theirs was the only Jewish family in their small village in the Transylvanian mountains, but they didn’t think much of it until anti-Semitism reared its ugly head in their school. Then, in 1944, ten-year-old Eva and her family were deported to Auschwitz. At its gates, Eva and Miriam were separated from their parents and other siblings, selected as subjects for Dr. Mengele’s infamous medical experiments.

During the course of the war, Mengele would experiment on 3,000 twins. Only 160 would survive–including Eva and Miriam.

Writing with her friend Danica Davidson, Eva reveals how two young girls were able to survive the unimaginable cruelty of the Nazi regime, while also eventually finding healing and the capacity to forgive. Spare and poignant, I Will Protect You is a vital memoir of survival, loss, and forgiveness.

Consider the Octopus Authors: Gae Polisner and Nora Raleigh Baskin, Henry Holt and Co., April 5

When chance, or fate, throws two twelve-year-olds together on board a scientific research ship at the edge of the Great Pacific Garbage Patch, it’s not all smooth sailing!

Jeremy “JB” Barnes is looking forward to spending the summer before seventh grade hanging on the beach. But his mother, a scientist, has called for him to join her aboard a research ship where, instead, he’ll spend his summer seasick and bored as he stares out at the endless plastic, microbeads, and other floating debris, both visible and not, that make up the Great Pacific Garbage Patch.

Miles and miles away, twelve-year-old Sidney Miller is trying to come up with an alternate activity worthy of convincing her overprotective parents that she can skip summer camp.

When Jeremy is asked to find the contact information for a list of important international scientists and invite them to attend a last-minute Emergency Global Summit, he’s excited to have a chance to actually do something that matters to the mission. How could he know that the Sidney Miller he messages is not the famous marine biologist he has been tasked with contacting, but rather a girl making podcasts from her bedroom–let alone that she would want to sneak aboard the ship?

Consider the Octopus is a comedy of errors, mistaken identity, and synchronicity. Above all, it is a heartfelt story about friendship and an empowering call to environmental protection, especially to our young people who are already stepping up to help save our oceans and our Earth.

Karthik Delivers Author: Sheela Chari, Amulet Books, April 5

Award-winning author Linda Williams Jackson pulls from her own childhood in the Mississippi Delta to tell the story of Ellis Earl, who dreams of a real house, food enough for the whole family–and to be someone.

It’s 1967, and eleven-year-old Ellis Earl Brown has big dreams. He’s going to grow up to be a teacher or a lawyer–or maybe both–and live in a big brick house in town. There’ll always be enough food in the icebox, and his mama won’t have to run herself ragged looking for work as a maid in order to support Ellis Earl and his eight siblings and niece, Vera. So Ellis Earl applies himself at school, soaking up the lessons that Mr. Foster teaches his class–particularly those about famous colored people like Mr. Thurgood Marshall and Miss Marian Wright–and borrowing books from his teacher’s bookshelf. When Mr. Foster presents him with a copy of Charlie and the Chocolate Factory, Ellis Earl is amazed to encounter a family that’s even worse off than his own–and is delighted by the Buckets’ very happy ending. But when Mama tells Ellis Earl that he might need to quit school to help support the family, he wonders if happy endings are only possible in storybooks. Around the historical touchstone of Robert Kennedy’s southern “poverty tour,” Linda Williams Jackson pulls from her own childhood in the Mississippi Delta to tell a detail-rich and poignant story with memorable characters, sure to resonate with readers who have ever felt constricted by their circumstances.

Winnie Zeng Unleashes a Legend, Author Katie Zhao, Random House for Young Readers, April 26

An epic new fantasy series inspired by Chinese mythology that #1 New York Times bestselling author Kwame Mbalia calls a hilarious tussle between homework, family, and heroism. When a girl awakens the stuff of legends from an old family recipe, she must embrace her extraordinary heritage to save the world.

Winnie Zeng has two goals: survive her first year of middle school and outdo her stuck-up archnemesis, David Zuo. It won’t be easy, since, according to her older sister, middle school is the pits. Luckily, Winnie studied middle school survival tactics in comic books and anime, and nothing will stop her from being the very best student.

But none of Winnie’s research has prepared her to face the mother of all hurdles: evil spirits. When she makes mooncakes for a class bake sale, she awakens the stuff of legends from her grandmother’s old cookbook, spilling otherworldly chaos into her sleepy town.

Suddenly Winnie finds herself in a race against time, vanquishing demons instead of group projects. Armed with a magic cookbook and a talking white rabbit, she must embrace her new powers and legacy of her ancestors. Because if she doesn’t, her town–and rest of the world–may fall to chaos forever.

The Pear Affair Author: Judith Eagle Illustrator: Jo Rioux Walker Books US, April 26

Nell is determined to find her beloved missing au pair in this vibrant adventure set in, and underneath, Paris.

Penelope Magnificent spends as little time as possible with her awful parents–a grocery-mogul father and a fashion-obsessed mother who loves expensive purses more than she does her daughter. But when they mention an important trip to Paris, Nell begs to come along. Paris holds something very dear to her: her old au pair Perrine–Pear–who lives there. Pear used to write to Nell every week, promising to come to her rescue, but recently the letters stopped. With the help of a savvy bellboy named Xavier, Nell sets out from her parents’ ultra-fancy Parisian hotel to find her beloved Pear. But Pear’s old neighbors and coworkers are strangely tight-lipped. And as Nell’s search for the truth takes her and Xavier to some of the darkest, most mysterious parts of the city, a sinister plot comes to light involving the destruction of a cherished–and delicious–part of Parisian life. Food, fashion, and intrigue abound in this delightful caper from the author of The Secret Starling.

Coming of Age: 13 B’nai Mitzvah Stories

edited by Jonathan Rosen and Henry Herz Albert Whitman & Co., April 19

What does it mean to become an adult in your faith? Join thirteen diverse characters as they experience anxiety, doubt, and self-discovery while preparing for their b’nai mitzvah. And whether celebrating with a lavish party or in reception room A with an accordion player, the Jewish rite of passage remains the same. Filled with humor, hope, and history, there’s something in this anthology for every reader, regardless of their faith.