Posts Tagged fantasy

Storytelling Meets Science: Fantastical Middle Grade Novels That Teach Complex Ideas

By Landra Jennings on January 29, 2026 / Book Lists, Fiction

Why Science Feels Easier When it Lives Inside a Story

Children are natural storytellers. They remember the hero’s journey, the twist at the climax, and the friendships forged along the way. Embedding scientific concepts inside a compelling narrative taps into that innate love of story and offers several learning advantages:

Contextualizes abstract ideas —> Instead of a dry definition of “orbital mechanics,” a protagonist who pilots a spacecraft experiences gravity wells firsthand.

Creates emotional hooks —> When a character’s survival depends on understanding a biological process, readers feel a personal stake in mastering that concept.

Encourages curiosity —> Plot‑driven mysteries (“What’s causing the strange lights?”) motivate kids to ask “why?” and seek answers beyond the page.

Promotes memory retention —> Information linked to vivid scenes, characters, and conflicts is far easier to recall than isolated facts.

Models problem‑solving —> Characters confront challenges, experiment, fail, and iterate—mirroring the scientific method in an accessible way.

Fantasy doesn’t have to be pure escapism. When the magic follows—or at least references—real scientific principles, it can spark curiosity, reinforce classroom learning, and inspire the next generation of scientists and engineers.

The following seven middle grade novels incorporate scientific principles into their fantastical narratives

The Unwanteds by Lisa McMann

Physics of Light & Sound — using lenses, prisms, resonance, and wave interference to create protective barriers and weapons

Every year in Quill, thirteen-year-olds are sorted into categories: the strong, intelligent Wanteds go to university, and the artistic Unwanteds are sent to their deaths.

Thirteen-year-old Alex tries his hardest to be stoic when his fate is announced as Unwanted, even while leaving behind his twin, Aaron, a Wanted. Upon arrival at the destination where he expected to be eliminated, however, Alex discovers a stunning secret–behind the mirage of the “death farm” there is instead a place called Artime.

In Artime, each child is taught to cultivate their creative abilities and learn how to use them magically, weaving spells through paintbrushes and musical instruments. Everything Alex has ever known changes before his eyes, and it’s a wondrous transformation.

But it’s a rare, unique occurence for twins to be separated between Wanted and Unwanted, and as Alex and Aaron’s bond stretches across their separation, a threat arises for the survival of Artime that will pit brother against brother in an ultimate, magical battle.

A Wrinkle in Time by Madeleine L’Engle

General Relativity & Higher‑Dimensional Geometry – concepts of spacetime curvature and extra dimensions

Late one night, three otherworldly creatures appear and sweep Meg Murry, her brother Charles Wallace, and their friend Calvin O’Keefe away on a mission to save Mr. Murray, who has gone missing while doing top-secret work for the government. They travel via tesseract–a wrinkle that transports one across space and time–to the planet Camazotz, where Mr. Murray is being held captive. There they discover a dark force that threatens not only Mr. Murray but the safety of the whole universe.

The Last Kids on Earth by Max Brallier

Engineering & Physics – building traps, catapults, and improvised weapons using principles of leverage, energy transfer, and material strength

Ever since the monster apocalypse hit town, average thirteen year old Jack Sullivan has been living in his tree house, which he’s armed to the teeth with catapults and a moat, not to mention video games and an endless supply of Oreos and Mountain Dew scavenged from abandoned stores. But Jack alone is no match for the hordes of Zombies and Winged Wretches and Vine Thingies, and especially not for the eerily intelligent monster known only as Blarg. So Jack builds a team: his dorky best friend, Quint; the reformed middle school bully, Dirk; Jack’s loyal pet monster, Rover; and the fiercest girl Jack knows, June. With their help, Jack is going to slay Blarg, achieve the ultimate Feat of Apocalyptic Success, and be average no longer! Can he do it?

Told in a mixture of text and black-and-white illustration, this is the perfect series for any kid who’s ever dreamed of starring in their own comic book or video game.

The Last Firehawk by Katrina Charman

Evolutionary Biology & Genetics – concepts of DNA, selective breeding, and adaptation

A terrible darkness is spreading across Perodia. Thorn, a powerful vulture, is using dark magic (and his dark army of spies!) to destroy the magical land. A young owl named Tag may be the only one who can save it! Tag dreams of one day becoming a brave warrior, but he is small . . . In this first book, Tag and his best friend — a squirrel named Skyla — meet the last firehawk. Together, the three friends learn about a magical stone. Could this stone be powerful enough to defeat Thorn? This action-packed series makes a great introduction to fantasy and quest stories for newly independent readers. Realistic black-and-white artwork appears on every page!

The Secrets of Droon by Tony Abbott Basic

Chemistry & Physics – many “spells” are really chemical reactions or physical effects (light, levitation via magnets)

When Neal and Julie agree to help Eric straighten up his basement, they never imagine that they’re in for more than getting a little dusty. But as the three kids follow a soccer ball into the small room under the basement stairs, the floor suddenly evaporates to reveal a rainbow staircase to another world!

Before they have a chance to look around, they are caught in the midst of a battle. Shiny red men riding giant lizards are shooting arrows straight at them. They are saved by Princess Keeah of Droon who tells them the red men are warriors for the evil Lord Sparr. She promises to help them get home if they will carry a message for her. The message is delivered successfully but the brave Keeah has been captured by Lord Sparr. Equipped with a cape of invisibility, a six legged camel/horse, and a talkative spider-troll named Max, the three children manage to sneak in and rescue Keeah. Astride a magic carpet, Julie, Eric, Neal, and Keeah fly to the stairs that will take the three “Upper World” children back home. The kids are astonished to discover that no time has passed back in their own world.

But even as they marvel at their adventure, they realize that Princess Keeah has left them a secret message: Your dreams will tell you to return!

The Wild Robot by Peter Brown

Robotics, engineering, and ecology

Can a robot survive in the wilderness?

When robot Roz opens her eyes for the first time, she discovers that she is all alone on a remote, wild island. She has no idea how she got there or what her purpose is–but she knows she needs to survive. After battling a violent storm and escaping a vicious bear attack, she realizes that her only hope for survival is to adapt to her surroundings and learn from the island’s unwelcoming animal inhabitants.

As Roz slowly befriends the animals, the island starts to feel like home–until, one day, the robot’s mysterious past comes back to haunt her.

Dragonback Series by Timothy Zahn

Symbiosis & Mutualism – the rider and Drake exchange nutrients, oxygen, and behavioral cues

Jack Morgan has been framed for theft. He’s hiding on a distant planet with the virtual presence of his deceased Uncle Virge, a con man who has been his only family since Jack’s parents died. Jack knows he must clear his name before the cops catch up with him. A firefight among ships in the skies above leaves a downed ship near Jack’s hiding place, with a single unlikely survivor. It looks like a dragon, and it must join with a human host within six hours or die. The only available host is Jack.

Draycos, Jack’s new “companion,” is a K’da, a dragon-like species that lives symbiotically with the humanoid Shontine. The attackers, determined to exterminate Draycos’s people, will find them if they don’t flee; so the pair works together to escape the planet and begin a search for the truth behind Jack’s frame-up and the identity of the attackers.

With Jack’s future hanging in the balance, as well as the future of billions of Draycos’s people, the pair must track down the people who framed Jack, and prevent the destruction of the remaining K’da and Shontine. They’ll also discover whether their union was mere coincidence, or a friendship written in the stars.

Mutualism and symbiosis–I love this concept. It also features heavily in the relationship between the two main characters in my own book The Whispering Fog!

How to Use Fictional Novels that Include Scientific Concepts in the Classroom or at Home

Classroom tie‑ins: Pair a reading assignment with a short experiment or demonstration that mirrors the scientific concept (e.g., build a simple lens to explore optics after The Unwanteds).
Reading circles: Have students discuss how the “magic” would work if it followed real physics, encouraging critical thinking.
Project ideas: Let kids design their own “scientific fantasy” short story, choosing a real scientific principle to embed in the plot.

By weaving real science into the fabric of imagination, we give young readers a compass that points toward curiosity, discovery, and the next great adventure. Happy Reading!

WNDMG Author Interview: Leslie Vedder on her Novel THE NOWHERE BEAST

By Shifa Safadi on January 14, 2026 / Articles, Author Interviews, books, New Releases

Author Interview – Leslie Vedder

I’m so excited to be able to introduce you to author Leslie Vedder today. Leslie is a YA author who has written a beautiful Middle grade fantasy duo, and today we will be discussing the second book, THE NOWHERE BEAST, coming out February 10^th, 2026 from G. Putnam Sons/Penguin Kids.

I adore fantasy, and this one intrigues me because it seems to have horror elements too. I actually only very recently started reading MG horror, so I am so excited to talk with Leslie and hear all about her wonderful book.

Librarians and educators- you don’t want to miss this!

About THE NOWHERE BEAST:

In the sequel to darkly inventive The Labyrinth of Souls, a girl must face a mysterious monster made of nothing but darkness and shadows that no one else can see.

For fans of Tim Burton, V.E. Schwab, and stories with a dash of the strange and macabre.

Ix Tatterfall is no stranger to the odd and the eerie. Her unusual lineage provides unique abilities, such as a strong Darklight power and unencumbered travel into the deadly Labyrinth of Souls. But even Ix is unprepared for the Nowhere Beast, a creature that threatens to consume everything she holds dear.

When the ghosts of Candle Corps past begin to rise from the catacombs, Ix and her friends are called to partake in an ancient magical tradition called the Reckoning, meant to reinforce the seals of protection at their magical school that hold the most dangerous Nightmare creatures from the Labyrinth at bay.

But the Reckoning quickly transforms into more than a test of their courage and skill; it is a race against time to save their world from the monstrous shadow beast created from the hopeless depths of Nothing from a land called Nowhere.

With the help of a mischievous Sorrow, a shadowy Scavenger Prince, and her loyal friends, Ix must navigate the pits of loneliness and confront her deepest fears. But does she know that the darkness inside her heart can be just as treacherous as the monster lurking in the shadows?

Interview with Leslie:

I loved getting to talk to Leslie about her new book and I know you will enjoy meeting her and Ix as well.

SSS: What a wonderful premise. I am so intrigued! What inspired you to write Ix’s story?

LV: This book really began with the world of Spinar and the mysterious Labyrinth of Souls. It’s a place that exists outside of our world—a mysterious place that’s ruled by our emotions. There are the Seven Sorrows, like Wrath and Misery and Despair, which are personification of feelings. As well as Nightmare Creatures, like Fright Bats that cause a sudden thrill of fear when they fly overhead, or the adorable but troublesome Weighty Sloth that sits like the weight of the world hanging off your shoulders until you can get rid of it.

This is very much a book about how we deal with our big and often complicated feelings.

The main character, Ix Tatterfall, is a bit of an outcast and a weirdo. She often finds it easier to connect to Nightmare creatures than to her classmates. (She and Wednesday Addams would have some things to talk about.) But she’s the perfect person to explore the forbidden Labyrinth and learn to understand the creatures within!

SSS: Tell us about this Nowhere Beast (the actual creature, and not just the whole book!) What makes it terrifying to the MC?

LV: I love this question, because this was actually one of my favorite parts of this book to write! The Nowhere Beast is a shadowy creature that comes from the mysterious land of Nowhere. It’s the place where missing things go: pens and buttons and single socks. But it’s also the place where other things abandoned and forgotten by humans end up—like sad, hopeless wishes whispered alone in the dark, which become Whisperwinks.

The Nowhere Beast first appears as a shadow, stalking Ix through the darkness and even into her dreams. I think it’s inherently frightening to know something’s there, just outside of the circle of our lamp or nightlight, but not know what it is. The monster in the dark is as much about what we imagine it might be as what it really is.

No spoilers, but I also loved the chance to hopefully surprise the reader at the end of the book, when we find out the true origin of the beast!

SSS: Tell us about MG horror- I know a lot of kids (like my own) are really into getting scared with books! Why do you think horror is so intriguing for younger readers?

LV: I think there’s something really fun about being scared—especially when you can do it from the safety of your bed. I will never forget the first book that really terrified me. It was Scary Stories to Tell in the Dark by Alvin Schwartz, with the absolutely horrifying art by Stephen Gammell. Those stories definitely kept me up! Wherever that book is, in my family’s old Halloween box, I’m pretty sure it’d scare me just as much now.

Often when we read scary stories, we’re not just watching characters be scared; we’re watching them learn to be brave and to overcome their fears. I think reading horror makes us a little bit braver, too.

SSS: I absolutely adore reading fantasy novels and love discovering worlds that are magical and fun adventurous stories where it seems like ALL the stakes are high! What drew you to writing fantasy?

LV: Fantasy books were definitely my first love! When I was little, a wonderful librarian at my local library took me by the hand and led me to the Alanna books by Tamora Pierce. I was hooked. I’d never been swept away into an adventure like that before; I’d never realized reading could be that fun.

Fantasy set my imagination on fire like no other genre. It utterly transports us out of our lives in the most magical way, so the obstacles and challenges we’re so familiar with become fighting dragons and riding giant cats and sneaking into the enchanted forest without the wizards finding out. And since fantasy can be so full of action and danger, it quite naturally lends itself to stories where the stakes are ratcheted up to eleven. I love the freedom fantasy gives me to let my imagination run wild.

SSS: I know you are an author of YA as well! How was pivoting to MG? Was it more difficult or easier to nail down the MG voice? Was it more fun!

LV: I had a lot of fun pivoting to MG, but there were also I lot of challenges I wasn’t expecting. Like word count! I wanted to create a rich and full fantasy world, but I had to figure out how to do that in a much shorter amount of time.

I also spent a lot of time working to capture the MG voice for the main character, Ix Tatterfall. I wanted her to be a little weird and a little lonely, but with a lot of heart. I had to remind myself over and over that I didn’t always need to take myself so seriously. That being said, I absolutely adored being able to put in so much silliness and humor. These books are chock-full of made-up Nightmare creatures of all shapes and sizes. (I totally went overboard and had to cut extra Nightmares from every draft.)

Link to order here.

Writing Process

SSS: When did you start writing the story and was the process a long one?

LV: For me, there’s a lot of brainstorming that takes place before I start writing—on walks, and at coffee shops, and even in the shower. I feel like I start by socking away ideas for projects like a squirrel saving up nuts for the winter. Then at some point, I’ll suddenly hit on something that brings the project to life. For Ix Tatterfall, it was 100% the Labyrinth, with all its fun and fearsome nightmares. Once I hit on that, I felt like I was ready to write a book, and not just a random collection of ideas swimming around in my brain.

From there, I always try to get my first draft down as quickly as possible—usually just a couple of months. But it is a very rough first draft, and there’s always a lot of editing to be done afterward!

SSS: Are you a pantser or a plotter? And what helps you with finishing stories when you first start writing your drafts?

LV: I am very much a plotter. I need to know how a book is going to end to understand how to get there. But I think of my outlines more like road maps for an epic road trip, rather than step-by-step instructions. I chart out the basic path I’d like to take, the destination, and a few can’t-miss stops along the way—but I also leave myself a lot of space to discover new ideas, subplots, and roadside attractions along the journey.

Outlines are also my secret weapon for staying on track and actually getting to the end of a book. I often make myself a calendar with several goals marked—a really ambitious one, a more moderate one, and one that has a lot of wiggle room for unexpected road blocks. I print out a sheet with chapters listed on it, so I can mark them off with colored pens as I finish each one. I find crossing things out on paper to be really satisfying.

SSS: Do you think writing a sequel is harder or easier than writing the first book in a series?

LV: Personally, I find sequels a little easier because the characters are already established and so much of the worldbuilding is done. Without as much background information to convey, you get to jump right into the exciting part of the story.

That being said, one of the things that is harder about sequel writing is expectations—both from yourself and from readers. You want the book be as good as the first one, but still new and exciting—and you definitely don’t want to let fans down. So sometimes the pressure of book two is a lot more intense!

SSS: Any advice for fellow middle-grade authors looking to write MG horror or fantasy?

LV: Remember to have fun! Kids love to laugh, especially when they’ve just had a big scare, so don’t be afraid to embrace some humor. Trying to be funny on purpose can be daunting, but think about the things that made you laugh when you were a kid—slime fights, and bunny slippers, and talking animals in silly hats. Go back and reread your favorite middle grade books and watch your favorite kids’ movies. It took some practice to remember how to have that kind of fun. Finding the right spark of humor (which, for me, was very much wordplay and puns) brought the whole story to life.

Bonus!

SSS: Bonus question! Tell me about this gorgeous cover!

LV: Abigail Larson is the amazing artist for both covers—she also does the black and white illustrations throughout the books! She is so good at bringing out the spooky-creepy side of the Labyrinth, but also the fun, heartwarming moments between Ix and her found family.

The cover has Ix with the shadow of the mysterious horned Nowhere Beast behind her, along with some hissing Mistcats at her feet. The back shows Ix’s best friends, Morrigan and Ollie, with one of my very favorite characters in the whole book, Smiles the Grinning Cat! I feel like there can never be enough cats on the cover of a book—or inside it, for that matter—so this cover was a dream come true. Or, to make a Labyrinth pun, a Nightmare come true!

Thank you Leslie for joining us and I hope readers and librarians enjoy your book! I know I am so excited to dive in!!!

About Leslie Vedder:

Leslie Vedder is a YA author who loves girl heroes and adventurers. She grew up on fantasy books, anime, fanfiction, and the Lord of the Rings movies, and met her true love in high school choir. She graduated from San Francisco State University with a B.A. in creative writing. She lives in Boulder with her wife and her spoiled house cat, Fox Mulder, who’s just as curious and adventurous as his namesake.

Website: https://www.leslievedder.com/

INSTAGRAM: @leslie.vedder

DOUBLE DOSE of WNDMG!!! Author Interviews with Raidah Shah Idil and Yxavel Magna Dino!

By Patchree Jones on November 12, 2025 / Author Interviews, WNDMG

WNDMG Reads

November’s typically filled with so much to do! Some households just finished celebrating Dia de Los Muertos, while others are saluting the veterans in their lives. Others are already planning Thanksgiving, Friendsgiving, or any other -Givings Day dinners!

Yet those in the bookish community simply wait for all the incredible new releases that embrace the family spirit. And what better way to celebrate family this month than with a double dose of WNDMG book releases!

We recognize that publishing is an incredibly difficult pursuit and that journey can be even harder for international authors. Yet, despite all odds, I have had the pleasure of sharing the virtual stage with not one, but two amazing MG authors who both have US/CANADA releases this month!

Without further ado, I present Raidah Shah Idil and Yxavel Magna Diño! Welcome ot the Mixed Up Files – We Need Diverse MG feature!

How to Free a Jinn by Raidah Shah Idil

Raidah Shah Idil is the author of HOW TO FREE A JINN which released in the US and Canada on November 4! Here’s a summary of her Malaysian fantasy novel!

Insyirah’s calm, orderly world falls into chaos when her proud nenek (grandmother) has a bad fall, and Insyirah and her mother must move back to Malaysia to take care of her.

Her new home holds wild and dangerous mysteries, and while finding her feet, Insyirah discovers a shocking secret: the women in her family can control jinn—powerful, ancient jungle spirits—and, one day, she will inherit one of her own. What’s more, her new school is haunted by an evil spirit determined to force her out of Malaysia.

As Insyirah discovers the fascinating ways of the seen and unseen worlds, she finds danger around every corner. And when her family situation grows perilous, she must gather all her resilience to overcome unexpected obstacles and make a life-changing decision.

The Firefly Crown by Yxavel Magna Dino

Yxavel Magna Diño is the author of two amazing Filipino fantasy novels THE SERPENT RIDER (2024) and THE FIREFLY CROWN released in the states yesterday, November 11! Focusing on her sophomore novel for this interview, here’s the blurb for THE FIREFLY CROWN:

An unlucky sorcerer must learn to wield her insect magic in this charming middle grade fantasy that’s perfect for fans of Impossible Creatures and Witchlings.

In the empire, magic determines your fate. But Yumi is tired of being a failed Cricket. Their magic is lousy and boring. She dreams instead of the sparkling magic of Fireflies, whose powers rival the sun. If only she could harness her talents like other magicians . . . For now, Yumi is ignored by even the crickets who are supposed to follow her spells.

Then, Yumi gets a chance to prove herself sooner than expected when all sorcerers are summoned for the princess’s coronation. But everything falls apart when the Firefly Crown is stolen, leaving the empire defenseless against the Ghost Swarm, a horde of undead bugs. Worse, Yumi is blamed. Suddenly this lowly Cricket is the empire’s most wanted. To clear her name and protect her loved ones, Yumi must find the real thief. But can a Cricket really save the day?

Now enough with the pleasantries, let’s jump into this interview!

CHILDHOOD DREAMS

My first question for both of you: did you always want to become an author?

RAIDAH: Yes! I was always that kid who found socialization far too tricky, so I sought refuge in reading and writing books. I’ve lost track of the number of stories I’ve written, and all my unfinished manuscripts. I wrote fanfiction for years, too, which really helped me improve my writing craft.

YXAVEL: Yes! Ever since I was really young, “author” was always my answer whenever people asked me what I wanted to be when I grew up. I was the kid who would rather read books in the library at lunchtime rather than hang out with the other students (thank you to everyone who still talked to me even though I was super shy and quiet, haha!) I once told someone that if I could only publish one book, and have even just one person read and love it, I would be a very happy writer. So, I feel extremely blessed and lucky to be able to live out my dream of being a published author right now, and very grateful to all the family, friends, and industry professionals who made it possible.

So determined! This of course has me asking you to tell us a bit about your publication journey.

YXAVEL: Since fantasy novels were the books that first sparked my obsession with reading and writing, I knew I wanted to be a fantasy author first and foremost. However, when I started writing my own ideas, I struggled with discipline and sticking to a single idea. Back then it was super difficult for me to write a thousand words, let alone the tens of thousands that were needed for a full-length novel.

After high school, I decided to write a story that was truer to my identity than any of the Western fantasy-inspired novels I’d ever tried writing before: a story inspired by my Filipino heritage, its myths, and its folklore. In my first year of university, I started writing what would become my debut middle-grade fantasy novel, THE SERPENT RIDER. I finished the manuscript and started querying by the start of the following year and got an offer of representation, and my wonderful agent sold the book the year after that. After several rounds of edits, THE SERPENT RIDER released in September 2024 and my sophomore novel, THE FIREFLY CROWN, just landed this month!

RAIDAH: Buckle up, because it took YEARS! I had attended Hanna Alkaf’s author event, and her advice to me was to finish my first draft. I completed the first draft of HOW TO FREE A JINN while I was pregnant with my son. I knew I needed a solid draft before he was born, before I got swallowed up by the newborn haze all over again. My two daughters were both under 4 at the time, so while my oldest was in preschool and my middle daughter was with her grandmother, I’d go from restaurant to restaurant and write. It was such a fun process, especially because I’m a panster and had no idea where my story was going until I wrote THE END. I polished it as best I could, hired an editor to help me polish it even further, then started the arduous process of querying….two months after I gave birth to my son! I gave myself a deadline of a year – if I didn’t secure representation by then, I would shelve my book and write another. I had about 100 rejections by the time I secured a single agent offer. In October 2020, when my son was one year old, I signed with my agent, Alli Hellegers of Stimola Literary. After some edits with her, in 2021, she sent the then-YA version of my book to US editors, and we had a lot of complimentary rejections. I spent 2022 revising my book down from YA to MG. We finally landed my Australian book deal in late 2023, and then got published in Sept 2024!

I’m not worthy to be in the presence of two agented international PHENOMES! Now, do you both strictly write fantasy? Or do you dabble across genres? Is there one genre you would (probably) NEVER try?

This image is a promotional poster for the 2018 Malaysian supernatural horror film, Munafik 2

RAIDAH: Not at all! I read very widely and reflect that in my own writing practice e.g. I also write non-fiction, poems, romance, mysteries, adventures….One genre I would probably never try is straight up horror. Suspense and psychological thrillers are something I’d love to experiment with, but I’m far too squeamish for gore and horror.

Fluffy cupid

YXAVEL: I’m a fantasy writer at heart, but I love consuming media in all different genres including sci-fi, horror, psychological thrillers, and literary! I’d love to be a multi-genre author one day. Although I don’t think I could ever write a purely romance-oriented book, as that requires a skillset which I doubt I currently have (for now at least … but hey maybe one day!)

REPRESENTATION GOALS

As a Thai-American MG author, I personally love discovering the commonalities between different Southeast Asian cultures. What are some key cultural elements or traditions from Malaysia and the Philippines you knew you had to include in your stories?

RAIDAH: I wanted to include tasty Malaysian food and our obsession with jinn stories. I also wanted to include spiritual practices like reading Ayatul Kursi for protection. My intention was to always weave these seamlessly into my narrative, as a way to invite the reader into Insyirah’s lived experience.

YXAVEL: It’s super fascinating how Southeast Asia is so diverse yet there are so many values our cultures share! THE SERPENT RIDER features several mythical creatures from Filipino folklore, while THE FIREFLY CROWN’s magic system is inspired by the mambabarang, or traditional Filipino insect magicians. Aside from these aspects, one element of Philippine culture I knew I had to include in my stories is the concept of bayanihan: the deep bonds of family, friends, community, and the sense of “we’re all in this together” that permeates Filipino society even today. The importance of community and connection across Southeast Asian cultures is something you also explore very well in your own books, Patchree!

Thanks for kind words, Yxavel! Borrowing the sentiment from our colleague, Annie McCann, do you feel like a trailblazer for your culture when it comes to representation?

Southeast Asian MG Cover Banner

YXAVEL: In writing my novels, my goal was to spread the word about Filipino myths and hopefully encourage young readers to want to learn more about them! I’m so glad to be a fellow author alongside Annie, whose book MY HARIMAU KING does this with Indonesian legends; with Raidah Shah Idil whose novel HOW TO FREE A JINN explores Malaysian culture; and with you, who absolutely blew me away with your Thai-inspired SKYLIGHT! Since there’s an underrepresentation of Filipino-inspired books in the kidlit space, writing about our culture does make me feel like a trailblazer in that sense—although I’m definitely not the first person to do it!

An amazing writer-sister of mine, Caris Avendaño Cruz, wrote MARIKIT AND THE OCEAN OF STARS, as well as her second novel released earlier this year, THE BOY, THE MOUNTAIN, AND THE SERPENT WHO ATE THE MOON (which features the Filipino moon-eating sea serpent that also appears in my book THE SERPENT RIDER). Caris is a brilliant author who writes our myths with a poetry and charm I can only dream of. I’ll always recommend those books!

RAIDAH: I think so. I’d like to think that I’m building on the foundation set by Southeast Asian authors who have been published before me, like Hanna Alkaf and Jesse Sutanto. I admire Hanna Alkaf’s books, which reflect a deep love for Malaysian families, food and culture. My experience is different because of my returnee diaspora experience. I’m Malay, but not Malaysian. I’m Australian, but I’m definitely not white. I still occupy this liminal space of being between worlds. I wanted to emphasize the healing power of coming back to my ancestral home after struggling with a lot of anti-Islam, anti-Asian sentiment growing up as a minority in the West.

Representation matters so much and ALL children need to see themselves in the stories they read. We’ve still got a long way toward balancing our libraries, but at least we’re taking up the challenge to make our cultures present and accounted for!

Now, I’ve got a question just for Raidah! While most writers feel like we can revise forever (some begrudgingly!), what did the revision process look like for you between the original version of HOW TO FREE A JINN and the upcoming US/Canadian release?

RAIDAH: Where do I even start? The original version of HOW TO FREE A JINN was actually a YA novel! Insyirah started off as being 16. One of my American beta readers said that she sounded closer to 12, and that was the winning tweak that I suggested to my agent, who enthusiastically agreed. I had to brutally cut out many subplots and characters (including Insyirah’s dad, stepmother and stepsister haha) to get to the heart of my story. That was the version that landed my first book deal with Allen and Unwin.

Once my book got acquired by my Australian publisher, I had a little bit more polishing to do with my Australian editor, Kate Whitcher. Once I got my American book deal with Salaam Reads (an imprint of Simon & Schuster), I fleshed out my story even more with my American editor, Deeba Zargapur. I hope to get a UK book deal too, and I’m looking forward to strengthening my book with my UK editor.

Who knew the process was so complicated! Now, Yxavel, here’s a question just for you! Since all writers dream of getting every story published, how did the publishing journey of THE FIREFLY CROWN differ from THE SERPENT RIDER? Did you experience any sophomore release nerves?

Mambabarang

YXAVEL: With THE SERPENT RIDER, I had all the time in the world to come up with the initial draft, but THE FIREFLY CROWN was the first book I’ve ever had to write on deadline and I really felt the challenge! It helped that I decided to write a main character who shares a lot of traits with me—Yumi is a quiet Cricket magician who comes from humble beginnings, but is forced to prove her innocence when the empire’s most treasured possession, the magical Firefly Crown, goes missing and the blame lands on her. My initial attempt at a manuscript was pretty messy, so I’m thankful to my editor for being very forgiving with the first draft, and for writing a brilliant edit letter that helped me improve the story so much!

A lot of people who enjoyed THE SERPENT RIDER are Filipino readers who know our myths exceptionally well, so I’m a little (read: EXTREMELY) nervous about what they will think of THE FIREFLY CROWN. Here’s hoping you all will enjoy it too!

My goodness! I am blown away but both of your journeys! Last question, what’s one key takeaway you want readers to take away from your work?

RAIDAH: I hope that Insyirah’s story, and all of my future stories, will show the complexity and humanity of Muslim families, and how we deserve to go on fun adventures too. The dehumanization and demonisation of Muslims in mainstream media has real-life harmful and often fatal consequences. Writing joyful Muslim stories is my resistance.

YXAVEL: A recurrent theme across both my novels is having the courage to forge your own path, no matter who or what may stand in your way. I sincerely hope that anyone who reads my work will feel inspired to do just that.

Here, here! I love these messages and agree with both of you wholeheartedly. Publishing takes courage and joy is resistance! Thank you both so much for sharing with us today! Be sure to support these amazing authors and grab their books today! Check out their socials and book links below!

Raidah Shah Idil

Author Bio:Raidah Shah Idil was born in Singapore; grew up in Sydney, Australia; worked in Amman, Jordan; and now lives in Petaling Jaya, Malaysia, with her husband, three children, and mother-in-law. Raidah earned her BA in English and BSc in Psychology from the University of New South Wales and her Diploma of Counselling from the Australian Institute of Professional Counsellors. Raidah loves ginger tea and noodle soup and dreams of uninterrupted sleep. HOW TO FREE A JINN is her first book.

Yxavel Magna Dino

Author Bio: Yxavel Magno Diño is the author of The Serpent Rider and The Firefly Crown. She was born in the Philippines before moving to Australia at a young age, where she soon discovered that almost nobody there knew how to say her name. To make up for it, she spent her time daydreaming about fantasy worlds filled with characters who had more unusual names than she did. Now, she writes stories about her Filipino heritage and its fantastical folklore. When she’s not writing, you can find her drinking copious amounts of black tea or getting lost in the pages of a book.

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