Posts Tagged debut author

WNDMG Wednesday – Debut Author Noa Nimrodi

By Heather Murphy Capps on February 8, 2023 / Articles, WNDMG

Illustration by: Aixa Perez-Prado

WNDMG Wednesday – Debut Author Interview

Hello everyone, and happy WNDMG Wednesday to you. I’m so excited to be able to introduce you to debut author Noa Nimrodi today. Noa’s new book is NOT SO SHY (Kar-Ben/Lerner) and it launches on April 4, 2023. NOT SO SHY was a great read – I truly loved her well-realized characters and her gentle exploration of tough topics.

Full disclosure–Noa and I are in the same debut author cohort, and we also share a launch date for our books AND an editor, the fabulous Amy Fitzgerald!

About Not So Shy

Twelve-year-old Shai hates everything about moving to America from Israel. She’s determined to come up with a plan that will get her back home. Maybe she can go back with her grandparents when they come to visit. Or maybe she can win the drawing competition that’s offering a plane ticket to any destination in the world as a grand prize. Meanwhile, though, she’s stuck in seventh grade at an American school, where she has to communicate in English and get used to American ways of doing things. Worst of all, she faces antisemitism up close for the first time.

But she also finds support and friendship where she least expected it and starts to see her new life with different eyes. Maybe home doesn’t have to be the place she’s always lived. Maybe home is a place in the heart.

Interview with Noa Nimrodi

I loved getting to talk to Noa about her book, Not So Shy, and I think you will enjoy meeting her and Shai as well.

HMC: What is the origin story for Not So Shy?

NN: Not So Shy originated from personal experience (as you probably guessed…). The fictional Shai is loosely based on my middle child ,who was twelve-years old when we moved from Israel to the US. I also shamelessly stole her name for my main character (with her permission of course).

Although the story is fictional, it carries many emotional truths and a few based-on-a-true-story bits.Although the story is fictional, it carries many emotional truths and a few ‘based-on-a-true-story’ bits.

Drawing Courage

HMC: So many important and wonderful themes in your book – being Jewish in the United States, music, learning to live in a foreign country, making new friends, and an exploration of the issue of genetically modified food. Can you talk more about what it was like to write Shai’s experiences dealing with antisemitism?

NN: The main incident of blunt antisemitism that is described in the book is based on a true event that happened to my daughter. Shaping and incorporating that experience into a work of fiction helped me gain insight and in a way, like with other issues I tackled in the book, it was a cathartic process. In real life, Shai kept this incident from me and my husband for years. I hope young readers will draw courage to speak up when caught in similar unfortunate situations.

Tackling Misconceptions and Skewed Opinions

HMC: The subject of food and science is important to Shai—can you talk more about how you became inspired to write about food science?

NN: As writers, what we’re concerned/intrigued/passionate about, finds its way into our writing, and such was the case with GMOs in this book. I’ve always been intrigued with science, my husband has been in the biotech industry for many years and my dad is a scientist.

I worry when important issues, which are too nuanced to be summed into infographics, are shared and reposted carelessly on social media. The ease in which information (and misinformation) is spread these days allows for misconceptions and skewed opinions to be regarded as facts. This goes for how we view new inventions in science as much as it goes for how some perceive the state Israel, so it made sense to me to tie in the controversies of GMOs into the book.

Bridging the Gap Between People

HMC: One of my favorite lines in the book is, “Music is my favorite language now.” Do you play trumpet like your main character, Shai? Do you love the language of music as much as she?

NN: I do love the language of music! I believe it can bridge the gaps between people of all backgrounds. When we listen to music we tap into universal emotions. Music has the power to connect people in a magical way.

(and it’s pretty cool that music notes are the same all over the world).

I myself never played an instrument (I wish I did…), but my daughter Shai played the saxophone in the school band, and she still remembers how in her first tough months when English didn’t come easy, she eagerly waited for seventh period Band, where she felt less of an outsider when immersed in the language of music.

The fictional Shai plays the trumpet since (research has taught me) it’s the easiest instrument to play with a broken arm. (For those who haven’t read the book yet, Shai breaks her arm before the beginning of the school year).

HMC: Each of your chapters has three words. Is there a thematic or symbolic reason for that choice?

NN: Hmmmm. Thematic or symbolic reasoning would have been clever of me… but admittedly, it was a happy accident. I first used the words for myself, just to sum up what happens in each chapter as I wrote it, later deciding (with the support of my critique group) that it does a good job at hooking the reader and hinting what’s to come in each chapter. I suspected this might be cut out at the editing stages, but it remained as an integral part of the book.

Including Easter Eggs

HMC: Authors often include so-called “Easter eggs” in their books—do you have any in Not So Shy?

NN: I love this question! There are some “Easter eggs” in the book. Very few are consciously intentional (the name of the middle school Shai attends, for example, is a nod to the middle school my kids attended, I deliberately slightly distorted the name). Other surprise eggs (which my kids claim to have found) were woven in unintentionally, and so far I have yet to admit otherwise… 😉

((Enjoying this interview on WNDMG? Read this one from our vault, with contributors Jonathan Rosen and Melissa Roske))

Finding Personal Resonance

HMC: What part of writing this book was for you personally, for Noa Nimrodi?

NN: A pretty big part… When I began writing this book from the perspective of my daughter Shai, I believed I was drawing from the experiences of my three kids (we moved from Israel to the US when they were seven, twelve and fourteen). But as I tapped deeper into the emotions of my main character, It dawned on me that I was also writing about myself (by the age of twelve I’ve moved from Israel to the US and back, twice). I realized in hindsight that subconsciously I was uncovering layers of feelings and emotions that were tucked away for decades. (Maybe I was writing for twelve-year-old-me…)

Writing the Next Book

HMC: Can you tell us anything about your next project?

NN: I’m working on a middle grade novel which is pretty different than Not So Shy, but in a way also reflects my concern with misconceptions. I’ll vaguely say it has elements of mystery, bits of magic, a pet pig, a sassy parrot, twin sisters who’s older sister mysteriously disappears and a misunderstood elderly Holocaust-survivor neighbor facing Holocaust denial in the gossip-driven town they live in.

I’m a slow writer, and my agent hasn’t even seen any part of this one yet, so you probably won’t see it on shelves anytime soon.

Bonus!

HMC: Bonus question! Is there anything I haven’t asked that you’d like to share with us?

NN: I’d love to share how much it means to me to belong to the 2023Debut group. There is such a great sense of comradery in this group, and such heartwarming interactions of likeminded people all rooting for each other. I’m so glad I got to meet you through this group, Heather, and I want to take this opportunity to recommend your fantastic debut Indigo and Ida to everyone reading this interview— I loved it. I’m thrilled that our books are coming out on the same day! (along with another excellent debut— Good Different, by the talented Meg Eden Kuyatt! Looking forward to the triple book-birthday on 4/4/23 !!)

Visiting Israel

HMC: For those of us who plan to visit Israel one day (HMC raises hand) what is one thing you (or Shai) would tell us we MUST do?

NN: Oooo! This is a tough one! Just one thing? Ok, besides the obvious touristy musts (you don’t need me for those), I’d say take a walk on the beach in Tel Aviv and have an Israeli breakfast in one of the restaurants located on the waterline with your bare feet in the sand. Continue to Shuk Ha’Carmel and take in the sounds, the colors, and the flavors of this one of a kind market. Get a freshly squeezed cup of juice (orange, carrot, pomegranate, or a mix!), and if you’re not too full from breakfast have some falafel, or shwarma. Ok, I’ll stop here, I can go on and on, especially about the food, because food in Israel is seriously the best in the world (and Shai would say the same).

Thank you so much, Noa! Best of luck to you with your debut … and I look forward to reading more titles by you one day soon.

About Noa Nimrodi

Noa Nimrodi is an Israeli-American author/illustrator living near the ocean in Southern California. As a designer, oa worked on displays in bookshops and gravitated most to children’s books, sparking her passion to create her own. Two of her Hebrew-language books, one which she also illustrated, have been published in Israel. When not writing, Noa can be found reading a variety of genres, creating all sorts of art, and running on the beach in Carlsbad (with or without her two dogs).

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WNDMG Wednesday – Debut Author Tamika Burgess

By Heather Murphy Capps on January 11, 2023 / Articles, WNDMG

Illustration by: Aixa Perez-Prado

A New Year of We Need Diverse MG

Happy 2023, everyone! Welcome back to a new year of We Need Diverse MG, (WNDMG) where we get the chance to amplify the voices of marginalized creators and center publishing issues in the voice of underrepresented communities.

A New Year of Authors

Our first post of the year features a debut author, Tamika Burgess, who is part of my own debut cohort: MG in 23. Tamika holds the distinction of being the first of our group to publish in 2023 – Congratulations, Tamika!

I got a chance to interview her about her debut experience, and also to read her wonderful debut: SINCERELY, SICILY.

About Sincerely, Sicily

Sicily Jordan’s worst nightmare has come true! She’s been enrolled in a new school, with zero of her friends and stuck wearing a fashion catastrophe of a uniform. But however bad Sicily thought sixth grade was going to be, it only gets worse when she does her class presentation.

While all her classmates breezed through theirs, Sicily is bombarded with questions on how she can be both Black and Panamanian. She wants people to understand, but it doesn’t feel like anyone is ready to listen—first at school and then at home. Because when her abuela starts talking mess about her braids, Sicily’s the only one whose heart is being crumpled for a second time.

Staying quiet may no longer be an option, but that doesn’t mean Sicily has the words to show the world just what it means to be a proud Black Panamanian either. Even though she hasn’t written in her journal since her abuelo passed, it’s time to pick up her pen again—but will it be enough to prove to herself and everyone else exactly who she is?

Interview with Tamika Burgess

HMC: Sincerely Sicily began as a picture book—how did you decide that its real identity was middle grade?

TB: When I started writing what is now my debut novel, Sincerely Sicily, I started out writing a picture book. But while writing, I realized I had a lot more to say, which would not work well for the concise way picture books have to be written. But I knew I wanted to write for an age group who is young and at the age where they are starting to learn about themselves and discover the world around them.

HMC: Before turning to writing fiction, you were an advertiser and newsletter publisher. Clearly, one common theme for you is connecting creators within the Latinx-African community. What else has this career path revealed to you about yourself?

TB: A recent revelation is my ability to prioritize my time. While writing Sincerely Sicily I had all the time in the world, without any deadlines. But now that I am under contract for Book #2, I have learned the importance of planning and prioritizing my writing time. With working full-time, it’s been hard. But I have figured it out and am progressing nicely.

HMC: One strong theme in Sincerely Sicily is the importance of unpacking the difference between race and culture. Can you talk a little about why you wanted to write a book about that particular question?

TB: Sincerely Sicily is loosely based on my experiences growing up and came out of a need for representation and understanding. As a child, I didn’t fully comprehend how to explain my Black Panamanian background when people asked, “What are you?” Being asked that question, coupled with the fact that I was growing up in a predominantly white community as a Black Latina, I often felt out of place. My peers were all the same, and not only was I of a different race, but my culture was entirely out of their understanding.

I always wished for a point of reference, someone I could point to and say, “I’m just like them.” But characters in books, movies, and TV shows didn’t look like me, nor did their experiences resemble mine. So I wrote the book I needed and would have loved to read as a child.

HMC: One of the key moments in Sicily’s story is when her abuela criticizes her braids. It’s heartwrenching, and speaking as a person of color who has definitely struggled to navigate the world of “straight hair is beautiful hair and everything else isn’t,” I can tell you this part RESONATED. What did writing this part of Sicily’s arc mean to you personally?

TB: Although I have never experienced hair discrimination (at least not to my face), I know the issue of hair texture is big in Latinx culture and Panamá. I’ve read plenty of articles about women telling their hair stories and heard about the struggle Black women faced as children and adults. It was important to add this element to Sicily’s story because it brings awareness to discrimination that is still prevalent today. Also, how Sicily handles the situation with her Abuela can be an example to readers of how to handle conflict in general.

HMC: Your dialogue is spot-on for the middle-grade reader. Any craft advice for the authors reading this interview about how you channeled that vibe?

TB: Fortunately, I work at a school, so I’m around my targeted age group all day. I pay attention to the things they’re talking about/what they are interested in and ask them about things when I have specific questions regarding my book.

HMC: This is your debut year, and you’re one of the first in the 2023 cohort. Any lessons learned you want to pay forward for authors whose books come out later?

TB: I have been working on promoting Sincerely Sicily for about six months. Looking back, I wish I had not let myself get overwhelmed. I was saying yes to everything and would end up feeling like I was drowning in book promotion.

With that being said, I have learned that saying “no” is okay. My mental health is most important, and I can’t let myself get lost in this publishing world.

HMC: What’s your creative process like? Do you create a playlist, light a candle, take a walk, anything in particular that helps set you up to write?

TB: The main thing I need is space. I can’t have clutter on my desk, or I’ll feel cramped, and then I won’t focus. I do listen to music, but not all the time. Sometimes I need the room to be completely silent. Other times I’ll let a random playlist play in the background. I might listen to a podcast if I’m doing some revisions or entering something I’ve already written into my manuscript. It all depends on my mood and what I’m working on.

HMC: Almost every author writes “Easter Eggs” into their novel—references that only special people in their lives will recognize. Are there any Easter Eggs from Sincerely Sicily you feel comfortable sharing with the rest of us?

TB: I have many of these, from characters being based on people in my life to using friends and family members’ names and specific qualities and likenesses of people. The book cover image is also an “Easter Egg,” as the clouds at the top are in the shape of the country of Panamá.

HMC: You’re working on your sophomore novel—can you tell us anything about it?

TB: My next middle-grade novel features a Panamanian boy. I am still in the early stages of outlining and figuring out the book’s themes. But just as with Sincerely Sicily, readers can expect Panamanian culture and historical elements.

HMC: BONUS question: Anything you want to tell us about that I didn’t mention?

TB: I want to share my favorite line from Sincerely Sicily. It’s when Sicily asks her mother how she should self-identify. Her mother tells Sicily that decision is hers but also reminds her of the following:

“Afro (short for African) comes before Panamanian to let people know I am of African ancestry… Panamanian or Latina, either way, I am Afro/Black first.”

HMC: Wonderful closing words, Again, Congratulations, Tamika!

((Want to read another interview with a debut author? Check out this archived post with contributor Meira Drazin))

About Tamika Burgess:

Tamika Burgess (Ta-mee-Ka Bur-jess) is a storyteller with over a decade of novel, TV/film, and personal essay writing experience. Born to parents who migrated from Panamá, Tamika has always taken a particular interest in writing themes that explore her Black Latina identity. Because of her passion for spreading the knowledge of Black Panamanian culture, Tamika has been featured on various websites, podcasts, and panels. When she is not writing, Tamika is somewhere cozy online shopping and listening to a podcast. Tamika resides in sunny Southern California, where she is writing her second novel. Learn more about Tamika at TamikaBurgess.com.

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When a project is finally complete: some thoughts on the imminent release of my debut novel

By Meira Drazin on August 22, 2022 / Articles, For Writers, MUF Contributor Books

Started knitting this sweater July 2021, completed July 2022. It fits perfectly 👌(Which never happens when you’re short, so yay! 😀)

My sweater

Sometimes it feels like everything takes me a long time to accomplish. Knitting this sweater-jacket took me a year! A story I often tell myself is that things take me longer than other people. But when I’m being more honest I know that often within this are choices that I’ve made. During the year I was knitting this sweater I also crocheted a kippa, knit a cardigan for my daughter, learned how to darn, continued to work on an ongoing not-yet-completed needlepoint project, started knitting a hat and started crocheting a toy giraffe.

Sure it would have gone faster if I’d just concentrated on this one thing. But it suited me to complete several smaller projects while I was working on this larger one. There are several reasons for this:

1. It’s very satisfying to finish something. It makes me feel in control and that I’ve accomplished something.

2. It’s fun to start something new! Choosing colors and patterns for a small project that I know won’t take me too long offers a break from the longer project.

3. Starting and completing a smaller project deliberately prolongs the longer one; it can be bittersweet to say goodbye to something I’ve been working on for a long time.

My book

I wish I could say this is an exact metaphor for the journey of my debut novel, Honey and Me, which I wrote the first draft of 10 summers ago! It has been a long journey with this novel. And unlike knitting a sweater, it hasn’t always been a matter of how much I worked on it or if I put it aside for a little while to work on something else, or that I worked on it alongside other writing projects. Yes, I have been working on other projects which I hope I get to share with readers at some point, but Honey and Me’s journey was mostly not a question of choices of what to focus on, and many aspects of it were far beyond my control.

Which is comforting in the sense of thinking about a writers journey: no matter how much you will it or want it, it is not under your control how long it might take an agent to read your query letter, and if they decide they want to read your whole manuscript, you don’t have control over how long that takes them. When you do get an agent you can do your best to take their suggestions to get it ready for submission to editors, but you have zero control after that in terms of if/when an editor reads your work, sends it to the editorial committee, makes an offer… And even once you get the magic offer, a whole journey begins anew, again with many aspects beyond one’s control.

What you do have control over

But what you do have is control over the quality of your work. Barring life circumstances that might get in your way—health, other jobs (in which I include running a home, raising children, caring for elderly parents…)—when it’s in your lap you have control over when and how long it takes to write, rewrite, revise, incorporate editorial notes. You have control over what you put into it. You also have control over how you try to get it out into the world. No one can see it if it stays as a file on your computer. Sure, you can’t be rejected if you never give anyone the opportunity to reject it. But then of course you can’t have the opportunity for someone to say, ‘wow I love this so much, let’s go on this journey together!’

Belief in your work

Even when I just couldn’t quite get to where I was trying to go in the journey of Honey and Me, even when there were roadblocks, stumbling blocks, dead ends, and scenic routes, I believed wholeheartedly in my story, my setting, and my characters, Milla and Honey. If I hadn’t, I don’t think I would have had the capacity for perseverance and tenacity that finally getting to see my book about to be published required.

What happens when the sweater is finished?

Now I get to wear it! I can’t wait. What happens when my book is published on October 18th and it goes out into the world—into readers hands? I don’t know!
I can’t wait for readers to read it. I can’t wait to talk about it with people. I can’t wait to go into schools and do author visits and presentations (but oh my god am I nervous about that. Excited! But nervous.)

Will they like it?

My sweater is for me. Someone might see it and compliment it. But basically if I like it and get use out of it, I’ll be happy with it. My book is a different beast altogether. Actually, it’s not a beast, and it’s not a garment either. It’s very much itself: a book.
Making art and specifically writing a book is a complicated enterprise: yes, we write for ourselves, because we have a story to tell, because we have art to make. But we write with an audience in mind. We want an audience. We write to tell readers a story. We write to give readers something.

What if they don’t like it?

What if reviewers say it sucks?* What if no one finds out about it? What if the tree falls in the forest and no one hears?

I don’t have the answers. I don’t know if seasoned published authors have the answers either. For me right now there’s this interplay going on between wanting to be seen, and wanting to hide. Wanting to talk to tons of kids and have public speaking opportunities (both of which I LOVE to do), is fighting with the feeling of wanting to pull a hoodie up over my head.

So all I can say is wish me luck and stay tuned! Honey and Me comes out with Scholastic on October 18th 2022 and is available for preorder wherever fine books can be found.

* but OMG, Kirkus has given it a starred review!!!! ⭐️

Posts Tagged debut author

WNDMG Wednesday – Debut Author Noa Nimrodi