Posts Tagged children’s books

STEM Tuesday — Digging Up History/Archeology — Interview with Author Kerrie Logan Hollihan

By on September 24, 2019   /   Archeology/Paleontology, Common Core & NGSS, STEM Tuesday  

Welcome to STEM Tuesday: Author Interview & Book Giveaway, a repeating feature for the fourth Tuesday of every month. Go Science-Tech-Engineering-Math!

Today we’re interviewing Kerrie Logan Hollihan, author of MUMMIES EXPOSED! The highly-praised first installment in a new Creepy and True series published by Abrams. The book received starred reviews from Kirkus, School Library Journal, and Booklist. Wow!

Mary Kay Carson: Tell us a bit about your new book.

Kerrie Logan Hollihan: Mummies Exposed! takes an in-depth look at human bodies that were preserved either with intent or by Mother Nature. (Some call the latter “serendipitous” mummies but “natural” is a friendlier term for my middle grade readers.)  I tell their stories of discovery—and, thanks in part to STEM research—at least part of the stories of the dead themselves: ten children, women, and men across space and time, explaining why these people (like us) were mummified or how their bodies survived the process of decay.

MKC: Did your exhaustive research led to some interesting finds?

Kerrie: The best surprise I share with my readers is this: There is always something new to discover about something old! For instance, here I am writing about King Tutankhamun when along comes a New York Times story reporting that the blade in one of Tut’s daggers is composed of metal from a meteorite. That fresh fact would merit a quick revision before the book went to press. Stuff like that happened frequently during the more than three years I spent researching for various proposals and eventually writing the book. I like to say it nearly made a mummy out of me!

MKC: Do you choose to specifically write STEM books?

Kerrie: STEM writing found me in the course of thinking about something or someone I wanted to learn about. When I was in a master’s program in journalism at Northwestern University, I took a science writing class that led me to lots of interesting spots to learn—and ask questions about—astronomy, portland cement, nuclear physics, medications, and how to claw your way out of quicksand. I discovered then that I like to learn about the history of science. The key component to science writing, I learned, is to ask questions…lots of them…find answers, and then interpret these for the reader at a number of levels: general readership, science magazines, and best for me, young readers.

Kerrie Hollihan channels her inner sixth grader (who read Compton’s Encyclopedia for fun) to write award-winning nonfiction for young people. Kerrie belongs to the well-regarded nonfiction author group iNK Think Tank and its interactive partner, Authors on Call, and blogs at Hands on Books: Nonfiction for Kids with Fun Activities. Find Kerrie online at www.kerriehollihan.com.

MKC: What approach or angle did you take to writing this book?

Kerrie: In my heart, I’m still a sixth-grade girl who read the encyclopedia for fun. That’s who I target when I write for young people. As it turns out, older people can learn a few things from my books as well if they sit down and read my work. For Mummies Exposed!, I identified which mummies to include, according to availability of information, reliability of sources, and appropriateness for middle grade kids.

Some chapters were far tougher to write, because I had to explain (or gloss) key terms such as anthropology and archaeology, not to mention how they differ! There was quite a bit of science research to explain, as well—DNA and CT scans, aerobic and anaerobic bacteria, tuberculosis, and so on. It took well over a year to research and write the book. I worked chapter by chapter, researching each as I went along. I think you’d say Mummies Exposed! is mostly narrative nonfiction, but I also included bits that are expository, too.

MKC: What are you working on now?

Kerrie: I’m wrapping up final edits in my next book for Abrams Books for Young Readers, Ghosts Aghast! It’s more STEAM than STEM. After we started work on Mummies Exposed!, Abrams suggested a series to me: “Creepy and True.”  Abrams suggested the ghost title, to be followed by a third book (which I’d proposed initially) which we are calling Bones! Think King Richard III buried in a parking lot in England, and a young woman who was cannibalized—posthumously—in the Jamestown Colony. Lots of intriguing STEM info to locate, read, and explain to my readers.

Win a FREE copy of Mummies Exposed!

Enter the giveaway by leaving a comment below. The randomly-chosen winner will be contacted via email and asked to provide a mailing address (within the U.S. only) to receive the book.

Good luck!

Your host is Mary Kay Carson, author of The Tornado Scientist, Alexander Graham Bell for Kids, Mission to Pluto, Weird Animals, and other nonfiction books for kids. @marykaycarson

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Nostalgia and Those Childhood Favorites: Which books are we just sentimental about, and which books stand the test of time?

By on September 23, 2019   /   Articles  

Fresh or Frozen?

For many of us of a certain age, there comes a time where we want to impart to our children, or children we know, the culture that we got at their age that essentially made us “us.” What I mean is, when our child is nine, we really want them to love the books that we loved when we were nine. That we read over and over again. That we can instantly recall incidents and episodes from; as well as the smell of the couch we would lie on when we read it; the ache of our hearts and taste of our tears from the sorrow of a character dying, experiencing cruelty or even just going through heartbreak. The same goes for movies. Cue me excitedly putting on Grease for my then-nine-year-old daughter in the hospital room TV as she waited to be wheeled down to surgery for her tonsils to be taken out. Wow, bad idea on so many levels. She didn’t enjoy it, not just because she was a nervous wreck about the impending surgery, but also because she didn’t get it. The movie went right over her head—thankfully. (I was mortified to be watching it with her. And felt like the worst parent!) And let’s just say the film has not aged well in terms of values, in terms of feminism, in terms of #metoo, in terms of America as a white world, in terms of anything frankly. But happily, for the most part, many of the books I loved as a child I have been able to read to my children with more confidence in my parenting skills—and with the added bonus that my kids loved these books too.

What is the Common Denominator?

Jonathan Rosen spoke here on the MUF blog about his nostalgia for the books he read as a child which have inspired the spooky books he writes today. And Marjorie Ingall, who reviews children’s books for the New York Times and is a culture columnist at Tablet Magazine, while on the faculty of the TENT writing residency mentioned The Carp in the Bathtub “as a book that holds up for today’s kids and isn’t purely a nostalgia exercise for adults.” I started thinking about this idea of nostalgia when I was planning a tribute to Judith Kerr and the relevancy of When Hitler Stole Pink Rabbit.

A nostalgic-feeling cover of the All-of-a-Kind Family series from 2014

What other middle grade books from my own childhood stand the test of time—both for me and for my own kids? Is there a common denominator? When I first started writing my middle grade novel HONEY AND ME, my eldest daughter was at an age where I had begun to read to her some of my favorites as a child— Ballet Shoes, Anne of Green Gables, tons of Judy Blume, all the Ramona books, and All-of-a-Kind Family. My daughter is now fourteen, but I have been reading these to my sons too—currently ages eight-and-a-half and nearly eleven—and they’ve also loved them. One of the things I think connects these books is writers who deeply understand the magnitude of the smaller dramas of every day life, and are interested in the details of them. (What I particularly loved about the All-of-a-Kind Family books was that they did this about being Jewish, in a way that was both integral and incidental.) I very much try to bring this sensibility to my own writing.

If Not Now When?

Beverly Clearly’s Ramona books (the first one is from 1955), all the Judy Blume books, but especially the Fudge series (first one is from the 1970s) and All-of-a-Kind Family (first one is from 1951) all particularly still feel fresh and relevant. But I do wonder: could these books be published today?

I clearly like the old-fashioned—or lets say the character-driven and safe-feeling. But in my own writing I constantly feel like I come up against (probably rightly) what works for today’s audience. It would seem that with all the above books all still in print, the market generally does keep the books worth keeping. However at the same time, the fashions have changed so when it comes to what is being published today even when something has an old-fashioned feel to it, it’s still done in a modern way. I’m thinking for example of The Vanderbeekers of 141st Street by Karina Yan Glaser—it’s reminiscent of Elizabeth Enright’s beloved The Saturdays, but when I tried the episodic The Saturdays with my then-eight and ten-year-old sons they were bored—whereas The Vanderbeekers has a modern-feeling plot structure and they were immediately sucked in. (Just to say also, I think of my sons’ reading tastes as a litmus test—if they don’t like something it’s not necessarily conclusive, but when they do like something, especially novels that you wouldn’t automatically think to hand to tween boys, it is telling about the strength of that particular book.)

A range of eras in these covers from my personal evergreen library

 

…. Then again, just because something has gone out of print doesn’t mean that is deserved. I recently tracked down two 1980s favorites to read to my kids: This Can’t be Happening at MacDonald Hall by Gordon Korman, about the antics of a duo called Bruno and Boots at their boarding school—which was still hands-down hilarious to both my sons and me; and Here She is Ms. Teeny Wonderful by Martyn Godfrey about a girl who likes to jump BMX bikes and to her utter dismay becomes a finalist in a national beauty pageant. I haven’t read this last one to my sons yet, it’s next on the list (we’re currently on Rita Garcia Williams’ One Crazy Summer: historical fiction and over their heads that they’re still enjoying)—but when I read it again myself I was delighted to see that notwithstanding the cover, it was still funny, fast-paced and feminist. I should also mention that the Bruno and Boots books (there were several sequels) I was able to find were a 35th anniversary edition, reissued by Scholastic in 2013, and the Kindle editions are still available for purchase.

Some things never change

So perhaps this is all to say: a well-constructed book with sympathetic characters, emotions you can relate to and dramas you feel invested in no matter how similar or foreign they might be to your own life, will always have the power to suck a young reader in so the pages keep turning. And long after they have turned the last page and closed the book, or perhaps even started the whole thing again from the beginning, —the story, the experience of reading it, and the memories of that experience—will become baked into their very being. And one day, many years later, they will wish to impart this multi-faceted cultural experience on to the important young people in their own lives. Just as we did to them.

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STEM Tuesday — Digging Up History/Archeology– Writing Tips & Resources

By on September 17, 2019   /   Archeology/Paleontology, Common Core & NGSS, STEM Tuesday  

Introduction (aka The Mike Hays “work-a-Jurassic Park-reference-in-any-chance-I-get” opening paragraph.)

There’s some really cool experimental technology in the first part of Jurassic Park (I know, I know! There’s cool theoretical technology all over Jurassic Park but bear with me.). Take the Thumper, computer-assisted sonic tomography (CAST), technology, for example. The Thumper fires a lead slug into the ground creating waves which are analyzed by a computer to give an image. Dr. Alan Grant distrusts the technology but when the computer transforms the wave echo to yellow contour lines in the shape of a perfect juvenile velociraptor skeleton on the screen, he realizes technology might not be all bad. 

By National Park Service – Public Domain

All the Lovely Facts (aren’t always so lovely)

I’m a fact nerd. One of the reasons I enjoy writing is the process of research and the collection of interesting facts on a particular subject. In some ways, my facts nerdom is a blessing. In other ways, it’s a curse. 

Why?

Crafting a STEM story, project or homework assignment is usually based on facts. The creative and/or informative work begins with a collection of relevant facts—an often unruly and random collection with a lack of cohesion. In short, the massive collection of somewhat related facts becomes a chaotic mess. These are tossed in a pile, studied, and then lined up in some sort of order that resembles the story inside your head you wish to tell. Then comes the work.

  • Dig deep
  • Chip away
  • Clear away the dust
  • Extract
  • Clean

Finding your story is like finding the fossilized femur bone in the side of a mountain. Discover, dig, chip away, clear what doesn’t belong, and shine it until it sparkles and is ready to put on display. Writing becomes a whole lot like archaeology. Your story is out there. It’s buried deep under layers of sediment or fossilized in stone. Keep chipping away until you find it and then do the work to make it shine.

Melissa Stewart had an excellent Celebrate Science blog post in May of 2018 about the importance of focused nonfiction expository writing. Being a story archaeologist is key to producing this type of focused work. Sure one can use a drone camera to identify areas where a find likely exists, but until one gets focused on a site, does the digging, and finds the specific artifact, the drone picture is just a nice picture. A good story is the same. Focused. It grabs the reader from their drone-height view and embeds them into the story. 

Hits & Misses

All the data suggests below the spot you now stand is a goldmine of artifacts. Artifacts you’ve spent your entire adult life searching for. Your heart pounds in anticipation as you can almost feel the remnants of an ancient society held gently in your gloved hands. You dream of headlines, prestigious publications, research grants, and museum exhibitions. 

The grid is set over the location and the excavation begins. Day after day, week after week, month after month pass without a single discovery. Finally, you give up and admit this site is a dud. 

Disappointing? Sure. 

Devastating? Maybe.

Time to give up? No way! 

You keep going because you know there’s something out there. You learn to accept the failures because you understand failure and success are made from the same cloth. The cloth of taking a chance on an idea. No one ever hit a baseball without swinging the bat. The same is true for science and writing. Moving forward often takes the courage to leap out of one’s comfort zone and into the unknown.

In writing nonfiction and fiction, ideas are cheap. They’re a dime a dozen plentiful. The fully fleshed and polished stories, however, are gold. There are more misses than hits in writing, especially when just starting out. With experience, though, the ratio begins to even out. A writer learns what works and what doesn’t work for them. They learn to focus. They learn to chip away at the rock until the perfect baby velociraptor skeleton of a story emerges. 

The key is to keep digging.

Keep swinging.

Your story is out there.

Make it happen. 

But please don’t start an amusement park of cloned, extinct alpha-predators without first considering the principles of chaos theory.

Have a STEM-filled 2019-2020 school year!

Mike Hays has worked hard from a young age to be a well-rounded individual. A well-rounded, equal opportunity sports enthusiasts, that is. If they keep a score, he’ll either watch it, play it, or coach it. A molecular microbiologist by day, middle-grade author, sports coach, and general good citizen by night, he blogs about sports/training related topics at www.coachhays.com and writer stuff at www.mikehaysbooks.com. Two of his science essays, The Science of Jurassic Park and Zombie Microbiology 101,  are included in the Putting the Science in Fiction collection from Writer’s Digest Books. He can be found roaming around the Twitter-sphere under the guise of @coachhays64.

 

The O.O.L.F Files

This month’s Out Of Left Field (O.O.L.F.) Files uncover some interesting links and information exploring archaeology and history while digging up some STEM funnies. 

  • How do you discover a dinosaur? via The Guardian
  • Hunting for dinosaur bones in the digital age
    • “Nowicki flew drones with thermal and spectral cameras over hundreds of square miles to create high-resolution, three-dimensional maps accurate down to the inch. The process identified 250 likely new locations to find fossils.”
  • 4 New Technologies That Are Driving Archaeology Into the Future
    • “Human history can easily be covered by nature, but archaeologists like Cusicanqui can use drones and LIDAR and Muon Tomography to uncover our past.”
  • Archaeology unearthing the past using modern technology
    • “Archaeology has always been very interdisciplinary,” says Heather Richards-Rissetto, an archaeologist at the University of Nebraska-Lincoln told NBC’s MACH. “But I think now there’s a lot more collaboration between science and engineering than before, and archaeologists are a part of that, helping to develop the technologies to study the past.”
  • Tech in the Sediment: 12 Ways Archaeologists Use Technology
  • Not quite as exciting as Dr. Grant imaging an infant velociraptor skeleton embedded in the rock, here is a tutorial video on how to use Argus Electronic’s PiCUS Sonic Tomograph to measure cavities or decay in a tree non-invasively.

And now for something completely different…

Archaeological Funnies (via Funny-Jokes.com)

Archaeologists are fickle. They’re always dating other people.

Most mothers tell their daughters to marry doctors…
I told mine to marry an archaeologist because the older she gets, the more interested he will be in her.

Two archaeologists were excavating a tomb in Egypt.
1st Archaeologist: I just found another tomb of a mummified pharaoh!
2nd Archaeologist: Are you serious?
1st Archaeologist: No bones about it!

Q: Why did the archaeologist go bankrupt?
A: Because his career was in ruins.

Q: What do you get in a 5-star pyramid?
A: A tomb with a view.

 

 

 

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