“It was a dark and stormy night.”
(A Wrinkle in Time by Madeleine L’Engle)
“Where’s Papa going with that ax?”
Some people call them “hooks”—that all important first line of a book. Imagine a fishing hook with a fat juicy wriggling worm on the end. That worm is much more appetizing to a fish swimming by than the metal hook will ever be dangling all by itself–and so will a juicy first line of a book to potential readers cruising the shelves in a bookstore or library.
A fishing rod and worms is how I describe the creation of story hooks when I do my Creative Diary writing workshop with kids. You want to throw that great, delicious hook out there, capture your reader, and then reel them in and not let them go until they reach THE END. As a writer or a librarian or a teacher trying to grab a child with a book, we want our potential reader to get intrigued, to *Get Hooked* and KEEP READING.
So just how important IS that opening first line or first page for Readers and how important are first lines for Writers?
Let’s go to our panel of experts:
Aubri, 15-years-old: “The cover of a book definitely draws me in first, but the first line makes or breaks it. I have to be intrigued, but I also like funny stories like the Junie B. Jones books that start out really funny and scary books where a character might be in prison and something is going to happen to them.”
Shelby, 12-years-old: “A first line makes me want to keep reading. If it’s boring, I’ll stop. I will probably read the whole first page, but unless I like it, I’ll stop reading the book. When I’m browsing the bookshelves, I read the synopsis on the jacket, too. And the Author stuff on the back.”
Milyssa, 16-years-old: “I like good first lines, but it’s more than that. The whole first paragraph has to be great.”
Writers Next! (Clicking on the author’s name will direct you to their website)
KIMBERLEY GRIFFITHS LITTLE (moi):
“I’m a sucker for great first lines. I also spend a lot of time thinking about my own first lines when I begin a book. Sometimes it takes until the end of drafting before I know what works best. Here’s the first line from my novel, When the Butterflies Came: ‘The first butterfly comes the day after the funeral.’ I hope it raises questions like “the first butterfly?” or “who just died and why are butterflies showing up?
Keep reading for more thoughts about First Lines and great books from some wonderful MG authors!
“The first line needs to set the stage, giving us a glimpse into when and where the story takes place so we can immediately begin to picture things. Optimally, it should give us a meaningful glimpse at the main character–saying, thinking, doing something relevant to the story. (That is, I don’t think highly of stories that try to grab you with a cheap falsehood, as in: Terrified, Melanie screamed, convinced she was going to die. Of course, no one had ever died from seeing a mouse, but it COULD happen…) It should set the tone, giving us the voice of the character if it’s in 1st person.
And, if possible, hint at the conflict which will be at the heart of the story.
“The voice has to grab you and make you want to continue and there should be some follow-through in the rest of the novel about the thing(s) that arose in the first line.
In NINJAS, I used, “I knew I was in trouble when I heard the cello,” which lets us know the protag is (a) in trouble and (b) is in some strange situation wherein that trouble is announced via a cello. And the “trouble” itself forms the basis for the main conflict.”
“First lines set the tone for the story (funny, dramatic, etc). First lines are the front door of the story and should say “come on in”.
“The former journalist in me always thinks of first lines as the “lead” to a story. When I was writing for newspapers and magazines, I always found that once I got the lead right, the rest of the article flowed from there. It’s like building a house on a solid foundation.
My goal for the first line is to reach out and grab the reader by the lapels and pull them into the story.”
“‘Absolutely, positively not!’ roared my father in a voice meant to be heard through the teeth of a Cape Horn gale.”
The first sentence of The Barrel in the Basement is a first sentence that HAS to be followed by the second – which is even better!
“Pudding gazed with horror at the huge yellow cat who lay on his side daintily probing the mouth of the jar with his paw.”
“I often go back and change my opening after I’ve written the end. In Daniel at the Siege of Boston, 1776, my main character thinks in the end that the siege was like one long staring match between the British and the Patriots. I wasn’t happy with my opening, so I went back and decided to open with a staring match:
“I wanted to open with action, and this sets the tone for the rest of the book.”
“Here’s my favorite from a short story called “Witch’s Son”.”
“When Abigail Brewster brought her son, Hugh, back from the dead the first time, he looked all fragile and wispy, like morning mist on the village commons.”
“When the flying boat/returns to earth at last, /I open my eyes/ /and gaze out the round window./What is all the white? I whisper. /Where is all the world? ”
“This is from Katherine Applegate’s masterful novel-in-verse, HOME OF THE BRAVE. Civil war tears young Kek from his family and his cattle-herding village in the Sudan, and he is relocated in Minnesota in the middle of winter. He has never felt such cold, never seen or imagined snow or such a place as America. I love the way Applegate has this character express in such powerfully simple language experiences that he can barely comprehend, making the reader instantly curious and sympathetic.”
“He was the best of toms. He was the worst of toms.” – from THE CHESHIRE CHEESE CAT: A Dickens of a Tale by Carmen Agra Deedy & Ramdall Wright.
“This is a feline twist on A Tale of Two Cities in this great MG animal story told within the world of the inn where Charles Dickens spent quite a bit of time. Need I say more?”
I’ve always liked the opening lines of SCHOOLED by Gordon Korman because it effectively introduces the 1st-person narrator’s voice while hinting at the plot enough to raise some questions that compel the reader (at least me!) to keep reading:
“I was thirteen the first time I saw a police officer up close. He was arresting me for driving without a license. At the time, I didn’t even know what a license was. I wasn’t too clear on what being arrested meant either.”
“I love this first line because I just love Deborah Wiles writing: “I come from a family with a lot of dead people.”
It’s the first line of Each Little Bird That Sings by Deborah Wiles (MG Harcourt, 2005).
The next lines after that: “Great-uncle Edisto keeled over with a stroke on a Saturday morning after breakfast last March. Six months later, Great-great-aunt Florentine died–just like that–in the vegetable garden. And of course there are all the dead people who rest temporarily downstairs, until they go off to the Snapfinger Cemetery.”
And on that funny “morbid” note, I want to give a huge thanks to all of our reader and writer experts on the subject of First Lines and Hooks! Now Go forth! Find a Great Hook Today or Write a Great Hook – and Fall In Love at First Line!
Since I adore first lines, please share your favorite First Lines below in the comments!
Kimberley Griffiths Little has been juggling book launch parties for her FORBIDDEN trilogy (Harpercollins) with her right hand, twirling a handful of new characters with her left while drafting new book proposals with her toes. Throw in too many cookies, a household that never sleeps . . .and you have a typical day in the life of a writer on deadline. See Kimberley’s beautiful new website here: www.KimberleyGriffithsLittle.com. Friend her on Facebook: https://www.facebook.com/kimberleygriffithslittle