Writing

The Four P’s Pep Talk

My name is Mike and I love stories. Okay, my secret is out. I confess. The truth is told. I LOVE STORIES!. Always have, always will. Reading them, thinking about them, making them up, telling them, and now writing them down to try and sell. Stories and the ability to tell stories help define us as human beings.

In my sports coaching life, we used the philosophical tenets of the Four P’s—purpose, pride, passion, and persistence—to become a better program. We called the Four P’s the bricks of our sports program’s foundation. I think these four things can be applied to about any endeavor, including writing, at any age, place, or time.

So, as we head into the heart of winter, fight our way through NaNoWriMo, and/or work keep the writing demons at bay, how about a little pep talk to light the creative fire?

Purpose
“Commitment to Excellence” – Organizational theme of the NFL’s Oakland Raiders

The story needs a purpose. The story needs to know what it is and where it is going. Those ideas rattling about in one’s head are just random flashes of complete brilliance until purpose and direction are applied to them. Use the four-part story structure (Inciting Incident, First Act Turn, Second Act Turn, and Ending) to help establish a structure to story ideas.

Move your story forward with a purpose and logically by using cause and effect. Simply put, move the story along by setting up problems and solving them. Logical, meaning to stay within the story logic you have created. Example: Your cannibalistic pink fluffy bunny attacking and eating a colony of chocolate bunnies may not be logical in the real world, but since you have created a dystopian world of warring inanimate bunny factions, it works.

Pride
“I wanna have pride like my momma has, and not like the kind in the Bible that turns you bad.” -The Perfect Space, The Avett Brothers

Everybody wants to do well, everybody wants to be a winner, everyone wants to write a winning book. I doubt anyone who writes wakes up every morning and says, “Today, I am going to write the crappiest stuff I can possibly write.” Pride in one’s work and pride in one’s reputation is essential. Quality comes from drive and drive is fueled by pride. Taking pride in the product, either on the field or on the page, takes commitment, drive, and dedication. There is no way around doing the work.

Hard work is the magic.

Passion
“The path to such success is punctuated by failure, consolidation, and renewed effort. It is wet with the tears of emotional breakdown. Personal reconstruction is art. Discovering one’s self, one’s talent and ambition and learning how to express it is a creative process so may not be rushed.” -Mark Twight, Gym Jones

A writer’s passion molds creative ideas into stories. Emotional involvement, enthusiasm, and intensity are all part of creative passion. Love what you do, love what you attempt and love those ideas bouncing about in your head. Make them the best they can be.

Passion sustains the writer through and over the walls of doubt. Face it, writing is tough. Every locked door you open leads to three more locked doors that you must find a way to enter. Doubt lurks over every writer’s shoulder, laughing at your sentences, mocking your manuscripts and snickering each time a rejection arrives. The emotional involvement and the passion of the writer help keep doubt at bay, sitting on its stool in the corner.

Persistence
“The skills and confidence spawned by failure allowed me to progress instead of repeating myself, and personal evolution is the ultimate goal of my participation in sport.” -Mark Twight, Gym Jones

“Put one word after another. Find the right word, put it down. Finish what you’re writing. Whatever you have to do to finish it.” -Neil Gaiman

Persistence. Be prepared to fail. Be prepared to take risks and challenges. Be prepared to take a face plant in front of the huge, boisterous crowd. If you expose yourself and your writing to the scrutiny of the publishing business, you will get kicked in the teeth. When this happens, get up off the floor ASAP. Don’t give up. Never forget there is somebody out there is waiting to read your book. Show up every day, plant the buttocks squarely in front of the page and tell your story one word at a time. Hard work truly is the magic. Simple in theory, but it’s so hard in practice.

Like the Fifth Beatle, there is a Fifth “P”…Performance.

Performance is the culmination of everything. It is the Friday night football game. It is the pitch session, the query process, the submission, and, hopefully, the publication of your book. All the work, all the preparation, and now it is game time. Take a deep breath, remember your lines and walk into the spotlight. Time to perform.

I will leave you with one of the great life quotations from the sports world. It is the one quote I put on everything from my laboratory office wall to my writing desk, to the locker room, to playbooks and condition manuals. Everywhere. It is from legendary NFL football coach Vince Lombardi. This quote probably sums up everything I presented above. (I guess I could have just posted this quote and saved you a lot of reading, but what fun is that?)

Winning is not a sometime thing, it’s an all the time thing. You don’t win once in awhile; you don’t do the right thing once in awhile; you do things right all the time. Winning is a habit.” – Vince Lombardi

Keep writing stories. We can never have too many good stories.

And above all else, write YOUR story. The world needs it.

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Boy book, girl book… or just a book?

So, the little one and I were perusing Halloween costumes last night. (I’d like to say that I’m one of those super crafty, Pinterest-moms who can fashion a fairy outfit from a roll of tulle, some glitter, and two-sided tape. But, no… I’d probably end up taping the kid to the dog, covering myself in glitter, and hot-glue gunning my fingers together. I much prefer to get my costumes the old-fashioned way — direct from Amazon Prime.)

Anyway, the little one excitedly tells me she wants to dress up in a Minecraft costume this year, and I think — yay! That should be easy, right? I mean, every kid under the age of ten is pretty much obsessed with the ubiquitous computer block game. I figure there have to be a ton of costume choices available.

And there were! Tons of choices! For boys…

Yes, no matter how hard we searched, little one and I couldn’t find a girl’s Minecraft costume. Anywhere. Lots of “Steves” and “Creepers.” But no girl characters. At all. Surprising — and kind of sad — considering half of the Minecraft players out there are most certainly girls. I can only guess that someone determined Minecraft=video/computer game=”boy” thing, so why bother with a girl costume?

This got me thinking about books (as things often do), and the gender assumptions we make about the kids who read them. I’ve often heard it said that boys are reluctant readers who need shorter, more action-packed stories to stay engaged. Girls, on the other hand, will allegedly read across genres and can make it through longer, more complex stories. (Ironically, this theory hasn’t held true in my own highly un-scientific sample of two — ie, the children who live in my house. My son has always been an avid reader who can become engrossed in a book for hours, while my daughter prefers drawing and watching videos to reading).

Which makes me wonder — are we doing our kids a disservice when we make such broad assumptions about what boys and girls will read/play with/dress up as for Halloween? If so, what can we do better? Is it a matter of just removing labels, like at Disney and Target? Is it ensuring that books are marketed to all children — not just by gender — as this nationwide campaign in the UK advocates? Or is it something deeper/different?

Tell me, what do you think? Should there be boy books? Girl books? Or just books? Share your thoughts in the comments below… right now, I’ve got a Minecraft costume to make. (And sorry, if you don’t hear back from me right away, it’s because my fingers are glued shut…)

Settings that Come Alive!

After many years of taking writing classes and reading books about writing while I’ve struggled to learn the craft (a life-long pursuit!), I’ve come to realize that I have a knack for creating “beautifully realized settings”( said School Library Journal).

I adore developing the setting in each of my books and that’s probably because I’m in love with exploring the world, other cultures & people and history. Research means I get to Travel and a Trip means my antennae are on alert the entire time picking up cool tidbits.

My fourth book with Scholastic, The Time of the Fireflies, is also the fourth magical realism story I’ve set in the bayou/swamp country of Louisiana with Cajun culture, baby gators, and Spanish moss dripping from the oak trees. Time of the Fireflies_Cover

From the very first time I went out on a boat with a Cajun fisherman into the swamp and fed bits of chicken to eight-foot alligators sidling up to the boat, I was spinning a story in my mind within fifteen minutes. I knew I HAD to write about a girl who lived in this magical world with its hidden beauties and dangers.

After I spent three years reading everything I could get my hands on and taking another, longer research trip, I came home so inspired I drafted The Healing Spell in three weeks.

I’m in love with the beauty and mystery of that part of Louisiana (from Lafayette down along Highway 90 East to New Orleans) and I’ve visited often for more than 15 years now. I’ve been to practically every small town, eaten  crawfish etouffee and gumbo ( I make a mean gumbo now!), adventured on boat trips with native fisherman on several bayous and read dozens of books about the Louisiana history, language, and customs. A journey filled with love and so many special memories.The Healing Spell paperback cover

I’m not saying that you have to delve that deeply into a locale to bring it alive in a story or novel, but whether I’m writing about the deserts of the Southwest or the ancient Middle East (ie. my recent novel, FORBIDDEN, Harpercollins) or a family living on the edge of the swamp, I do pay attention to setting in lots of little ways.

 

Tips for Creating a Setting that Feels like You’re Really There:

1. While out “on location” in the real world (even if it’s just a trip to the mall to listen to kids/teens interacting), pay attention to not only what your eyes are taking in, but the sounds of the place, as well as the smells, the atmosphere, the mood, the culture, speech/language, the food, and touch/textures (as in petting baby gators!), and then weave those details into your story.

2. Caution: Don’t ever stop your story, the action, or dialogue of your characters to spend a lot of time describing these details. Be sure to incorporate unique tidbits of setting naturally into the prose or the flow of the P1000548“conversation”.

Like this brief scene (On a a hot summer night Livie is out frogging with her daddy): A cloud of mosquitoes flew into my face. One even raced straight into my mouth. I spit into the water and then tightly shut my lips. Daddy chuckled while he watched me flapping my arms. “Those mosquitoes so thick you gotta tie yourself to the boat so they don’t carry you off.”

Someone in California or Wyoming or Paris or Victorian England is going to describe an evening of annoying mosquitoes entirely differently.

3. Your character lives in his/her setting. Be sure to use the language that character would use, the language of “home” to them.

4. Metaphors/Similes: Whether your story takes place in Boston, the Southwest deserts, ancient Egypt, San Francisco, a tropical island, the Florida Keys, or the plains of Kansas, use language and words a character would use in those locales. For a character that lives in small-town Alabama, they’re not going to use the same adjectives/descriptions to describe their l

ife and their world and their point of view as the child of a fisherman living on the seashore in Maine is going to.

baby alligators compressed size

5. Relate how your character interacts with their setting. What do they think of where they live? What do they notice? What’s importan

t to someone of that setting? What do they love/hate about where they live and how are those emotions manifested?

Next time you read a novel or write your next chapter pay attention to how the setting is being used to bring a character or their world more fully to life. Can you feel the sweaty, blistering humid summer day, or the biting cold Vermont winter while tramping through the woods on snowshoes?

Setting makes any novel richer in a myriad of ways, and will bring a unique freshness to your own stories, too!

Kimberley Griffiths Little’s novels with Knopf and Scholastic have won several awards. The Time of the Fireflies was named a Bank Street College Best Books of 2015, a Whitney Award Finalist, a Letters of Mormon Arts Award Finalist, and was recently chosen for the William Allan White Kansas State Children’s Choice List for 2016-2017. 

Find Kimberley on Facebook. and Twitter @KimberleyGLittl. Teacher’s Guides, Mother/Daughter Book Club Guides, and fabulous book trailers filmed on location adorn Kimberley’s website.