Writing

Aliens Have Feelings Too

What’s that you say? You came here expecting writing tips and instead found me watching a classic Star Trek marathon on BBC America? Yeah. That’s by design. Honest.

Now have a seat. Tonight we’ll be watching May 1967’s “This Side of Paradise,” Episode 24 of Season 1, showcasing the many emotions of Mr. Spock.

Written by F. Scott Fitzgerald.

Written by F. Scott Fitzgerald?

Spock is that guy there. The one with the ears. And no, he’s not the one who used to be on Heroes. This is Spock as portrayed by the late, great Leonard Nimoy. You know, Nimoy, the guy who sang the Bilbo Baggins theme song at the very end of the last Hobbit movie.

https://www.youtube.com/watch?v=AGF5ROpjRAU

Or so I’ve heard. I only made it through the first two movies.

Anyway, in this episode we see Spock laugh and smile under the influence of mind-warping flower spores.

Happy Spock

Happy Spock

We see him rekindle and then painfully extinguish a romantic flame that’s incompatible with his Federation duties.

Affectionate Spock

Affectionate Spock

We see him react with anger and rage at the calculated taunts of his captain.

Rarrr! Spock will smash!!!

Rarrr! Spock will smash!!!

And finally, we see Spock back in his usual demeanor as the stoic half-Vulcan whose feelings are just barely leaking through in tiny displays of posture, intonation, and famously raised eyebrows.

It’s an hour-long rollercoaster of emotion…from Mr. Spock! That’s amazing. But the really amazing part is that none of it is out of character, and all of it occurs under the influence of an organism that’s evolved to dampen and suppress the emotions of its hosts.

Just not as well as Spock normally does all on his own.

Nimoy’s Spock seethes with emotion and inner conflict in every scene of every episode of Trek, but we usually only see the internal turmoil through tiny cracks in Spock’s hardened exterior of logic and intellectualism.

Likewise, in our own writing, we don’t always need our characters to be shouting, stomping around, or contorting their faces into unnatural expressions in order to show emotion. Sometimes a single eyebrow can convey all of that and more.

Spock has a secret heart, hidden feelings of self-doubt, and a capped well of deep pain. The hints of emotion that we come to understand over the course of the series are those that emerge despite Spock’s heroic efforts at suppression.

You might compare Spock with Brent Spiner’s Data from Star Trek: The Next Generation, and say that hints of emotion from Data are indications of his potential for personal growth and evolution. These are stable, controlled, apparently emotionless characters whose hidden depths are revealed in layers over time.

These characters aren’t just expressing emotion, but struggling with them and their implications, and that makes them instantly more compelling, complex, interesting, and relatable.

For writers, there is much to learn from Nimoy’s portrayal of Mr. Spock, and especially for me I attempt to write about my own set of alien characters in the Galaxy Games series.

Spock’s emotional journey is an example of what science fiction does best: hold a mirror up to ourselves. In this case, we get to explore the extremes of human emotion from a perspective that would be impossible in more realistic fiction.

Some scientists believe that real-life space aliens would be so emotionally different from us that we could never hope to communicate with them. Even if we shared the same verbal language, our different emotional languages would make understanding impossible. But in fiction, the struggles of Mr. Spock and other non-human characters allow readers to better understand what it means to be human.

Now pass me the chips. There’s another episode starting up!


Greg R. Fishbone is the author of the Galaxy Games series of sporty science fiction for young readers. His latest book, The Amorphous Assassin, drops this month in paperback and ebook formats and is available from all your favorite booksellers. His website is located at gfishbone.com

Revision Workbooks and Helpful Tools

Revisions are exciting…and a little scary, too. Years ago, I used to think I was revising, but it was more like tickling my manuscripts instead of ripping them to shreds and rebuilding them with the strongest possible foundation. I’ve been working hard on my revision tools and have come a long way—but the more I learn, the more I realize I still can grow.

breakout-novelMy local SCBWI (Society of Book Writer’s and Illustrators) recently invited me to take an online workshop using WRITING THE BREAKOUT NOVEL WORKBOOK by Donald Maass. Wow! I fell in love with that workbook immediately. Every exercise I completed strengthened my middle grade novel in amazing ways. This is such a fantastic tool for writers—and for teachers to use with their students. You can figure out how to flesh out your characters more and highlight their heroic traits so readers can relate to even the nastiest characters. I also learned how to strengthen all my characters, plot, sub plots, theme, etc.

For years, I’ve cherished advice the incredibly talented author, Bruce Coville, shared at a conference—think of the worst thing that could happen to your character. It’s always been a huge help in raising the stakes. I’ve placed my characters in awful situations and thought I had mastered this task. Turns out, I did a good job (maybe even a really good job).  But I didn’t realize there was an invisible line I couldn’t cross. Exercises in Donald Maass’s workbook made that line visible and opened my eyes to even more ways to torture my poor characters. I love having a new tool that helps me dig deeper than ever and add amazing depth to my novels.

Here’s more info about WRITING THE BREAKOUT NOVEL WORKBOOK by Donald Maass:

This powerful book presents the patented techniques and writing exercises from Maass’s popular writing workshops to offer novelists first-class instruction and practical guidance. You’ll learn to develop and strengthen aspects of your prose with sections on:

  • Building plot layers
  • Creating inner conflict
  • Strengthening voice and point of view
  • Discovering and heightening larger-than-life character qualities
  • Strengthening theme
  • And much more!

Maass also carefully dissects examples from real-life breakout novels so you’ll learn how to read and analyze fiction like a writer.

 

Another great revision workbook is NOVEL METAMORPHOSIS by Darcy Pattison:

  • novel-metamorphasisSystematically inventory and diagnose your manuscript
  • Visually manipulate your manuscript to identify problems
  • Transform dull characters into fascinating, memorable people
  • Strengthen the narrative and emotional arcs
  • Sharpen dialogue
  • Morph dull settings into backdrops that set the mood
  • Enliven narrated events by selecting the right details
  • Use language with confidence
  • Add depth with narrative patterning In-depth professional development
  • Plan your novel’s metamorphosis

The Results: A stronger, richer, deeper story, a story that makes readers weep and cry and turn the next page. NOVEL METAMORPHOSIS turns theory into radical new tools which are practical, tangible, concrete.

 

If you’re looking for intensive plotting help, check out the PLOT WHISPERER WORKBOOK by Martha Alderson:

plot-whisperer-workbookIn this writing workbook, celebrated writing teacher and author Martha Alderson covers everything from constructing spirited action and compelling characters to establishing an unforgettable ending. Packed with Scene Tracker and Plot Planner templates for you to fill in for your own unique story, she also walks you through the development of a successful narrative with exercises that:

  • Help build suspense, tension and excitement
  • Create multi-dimensional characters
  • Integrate theme and meaning
  • Incorporate effective subplots
  • Tie up all the loose ends
  • Keep the reader turning pages

 

Newest Plot Clock 2016The last incredible resource I’m including isn’t a book or workbook—it’s a free hour and a half recorded Plot Clock webinar by super-mentor Joyce Sweeney.

If you sign up for her mailing list, you’ll receive access to the webinar about her amazing four-act plot tool called the PLOT CLOCK that I use before (and often after) writing anything new. She also has lots of other incredible webinars and classes to help with revision and other aspects of writing.

 

Here’s a link to a past post of mine that is chock full of revision tips. I’d love to know what your favorite revision workbooks, tricks, or tools are.

Happy revising!

Mindy Alyse Weiss writes humorous middle grade novels with heart and quirky picture books. She’s constantly inspired by her two daughters, an adventurous Bullmasador adopted from The Humane Society, and an adorable Beagle/Pointer mix who was rescued from the Everglades. Visit Mindy’s TwitterFacebook, oblog to read more about her writing life, conference experiences, and writing tips.

Weird and Wacky Facts

worstSometimes while authors are researching books, they run across strange and interesting facts. Some of these discoveries make it into the book, but others don’t. Editors may decide certain facts shouldn’t be included. Other times there isn’t enough room to include them all.

I recently finished writing a book called Exploring Ancient Rome that will be coming out next year. The editors wanted to include information about government and road building; I want to include odd and unusual details about daily life.

If you were reading the book would you rather know that Rome was once an empire, or that the emperor Caligula built his horse a marble stable and gave his horse a top government position? Or that gazing on the emperor’s balding head was a capital offense?

Would you rather know that Romans used the arch to create the Pantheon, or that they ate flamingo tongue, stuffed dormice, and pickled sow udder?

Would you rather know that the Romans adopted ideas from other cultures, or that they washed their clothes with urine? The ammonia in urine gave a washing solution good whitening power, so Romans also used urine to brush their teeth. Other cosmetic tips from ancient Rome:horrible

  • To dye hair black, let leeches rot for 40 days in wine
  • Instead of soap, rub your body with oil and scrape off the dirt.
  • Hippopotamus skin helps prevent balding.
  • To cover gray hair, boil walnut shells, earthworms, and ashes.

egypt For me, quirky information like that is what makes a subject come alive. A few books that provide unusual facts about Rome are Horrible Jobs in Ancient Greece and Rome by Robyn Handyman, The Totally Gross History of Ancient Rome by Jeremy Klar, and Top 10 Worst Things about Ancient Rome You Wouldn’t Want to Know! by Victoria England and David Antram. Other books in these series cover different countries.

For a little extra fun, author Bobbi Miller volunteered some interesting tidbits she unearthed while researching her book, Girls of Gettysburg. 51nj-iaqbkl-_ac_us160_

  • The youngest soldier serving in the Civil War was a nine-year old boy from Mississippi.
  • In a single day, the one million horses serving in the Civil War would have peed enough urine to fill more than 12 swimming pools.
  • Robert E. Lee had a pet chicken named Hen. Every morning, Hen laid an egg under Lee’s cot, which Lee then cooked for breakfast.
  • The artillery barrage during Picket’s Charge could be heard 100 miles away in Pittsburgh.
  • After President Lincoln was diagnosed with a mild form of smallpox, he said, “For once in my life as President, I find myself in a position to give everybody something.”

Perhaps people who find history boring are reading the wrong things. What fascinating facts have you discovered?

ABOUT THE AUTHOR

A former teacher and librarian, Laurie J. Edwards is now an author. In addition to Exploring Ancient Rome, she has written more than 2300 articles and 30 books under several pen names. Some of her other books on history include Pirates through the Ages, Imperial China, West African Kingdoms, Exploring Ancievt Rome.  Visit Laurie at www.lauriejedwards.com.