For Writers

The Best Writing Advice I’ve Ever Gotten

Writing is hard. Fortunately, lots of people have done it before me, and many of them have given advice on how to do it. I keep a list of favorite quotes on writing, on perseverance, and on doubt. The following are the ones I have found the most helpful. The best writing advice I’ve ever gotten, if you will. In the comments, I would love to hear yours.

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Good writing is supposed to evoke sensation in the reader. Not the fact that it is raining, but the feeling of being rained upon.
-E.L. Doctorow

This quote gave me such an epiphany. My goal isn’t merely to explain to the reader what the character is doing, but to bring out in the reader sympathy for what the character is experiencing. Ah ha! I find this so much more helpful than the axiom, “Show, don’t tell.”

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Don’t use words too big for the subject. Don’t say “infinitely” when you mean “very;” otherwise you’ll have no word left when you want to talk about something really infinite.
-C.S. Lewis

I love the beauty and humility of Lewis’s writing, and this quote is so emblematic of that to me. I hear it in the back of my mind as I cut away easy hyperbole and lazy adjectives. Keep your language simple and clear, so that you can reach for the soaring language when you really need it.

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I always try to write on the principle of the iceberg. There is seven-eighths of it underwater for every part that shows.
–Ernest Hemingway

This one helps me remember that not everything has to be on the page. The backstory for your characters is important, but you don’t have to tell it to the reader. It’s enough for you to know it, and the reader will intuit it because it informs the choices you make for the character.

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There is a vitality, a life force, a quickening that is translated through you into action, and because there is only one of you in all time, this expression is unique. And if you block it, it will never exist through any other medium and be lost. The world will not have it. It is not your business to determine how good it is; nor how valuable it is; nor how it compares with other expressions. It is your business to keep it yours, clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep open and aware directly to the urges that motivate you. Keep the channel open. No artist is pleased. There is no satisfaction whatever at any time. There is only a queer, divine dissatisfaction, a blessed unrest that makes us more alive than the others.
-Martha Graham

This isn’t actually writing advice; Martha Graham was a dancer. It helps me so much with my writing, though. I turn to it again and again when the doubt creeps in. I love that Graham says we don’t have to decide if what we produce is good, and in fact we will never believe that our work is good. That isn’t our concern. Our concern is to be true to the voice inside us, because if we don’t, that voice will be lost forever.

Those are my favorites. What are yours?

Katharine Manning is a middle grade writer, looking for inspiration wherever she can get it. She reviews books at Kid Book List, and tweets @SuperKate. 

 

 

 

Growing Up with Biographies ~ Biographies Have Grown Up

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Remember these? I do. I was in 3rd or 4th grade when I discovered the section of the school library that housed all the books labeled with a capital B on the spine. Biographies. Martha Washington. Dolly Madison. Mark Twain. Clara Barton. These are a few I remember reading from the shelves of that wonderful basement library that doubled as the music room.

When my young son, a dyed-in-the-wool farmer even at age ten, seemed to lose interest in reading anything not part of a class assignment, I found a biography of John Deere. Suddenly, my little reader was back!

A few years ago, I submitted a picture book biography to a publisher who contacted me with the best kind of rejection. “This isn’t right for our list, but…”  The “but” was a great one. They were very interested in launching a new series of biographies for middle-grade readers, and since I had previously published books for middle-graders, would I be interested in writing the first book in the series? Now that’s a rejection I could handle!

This middle-grade series was a new venture for the publisher, and the editors and designers were more than willing to lend an ear to my suggestions about what a middle-grade bio should look like. Immediately, I went back to that row of “B” books in my elementary library. Yes, they had grabbed my attention, but not every elementary reader was as enamored as I was. I took a more critical look at the biographies of my youth. They were text-heavy and sparsely-illustrated, usually with some pen and ink line drawings smattered here and there.

And then, I thought about the most recent biography I’d purchased for my youngest daughter. It was Amelia Lost: The Life and Disappearance of Amelia Earhart by Candace Fleming.

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Filled with photographs, text boxes, diary entries, and varied fonts, this is how an engaging middle-grade biography should look, feel, and read. Luckily, others agree. Today’s biographies are a far cry from the those bios of old (beloved though they may have been!)

Below are some recently-released biographies for the middle-grade crowd.  Stick with me to the end. There’s a GIVEAWAY hiding there!

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Bayard Rustin: The Invisible Activist by Jacqueline Houtman, Walter Naegle, and Michael G. Long – Bayard Rustin was a civil rights leader who believed in nonviolent action as means of achieving social reform. The organizer of the 1963 March on Washington, Bayard Rustin’s story will inspire young readers to stand up in the face of injustice.

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Most Dangerous: Daniel Ellsberg and the Secret History of the Vietnam War by Steve Sheinkin was recently named a Publishers Weekly Best Book of 2015.  Sheinkin’s confidence his middle-grade audience is evident as he tackles the political life of government whistleblower Daniel Ellsberg during a tumultuous time in recent history.

MILLIE B COVER

Missing Millie Benson: The Secret Case of the Nancy Drew Ghostwriter and Journalist  by Julie K. Rubini 

Hot off the presses is this biography of Mildred Wirt Benson, the original ghostwriter of the Nancy Drew series. Rubini takes readers on a journey through Millie Benson’s life as a journalist and as the very uncelebrated author of  many books in history’s most celebrated juvenile series. Why did it take years to discover the identity of the writer we’ve always known as “Carolyn Keene?” Follow the clues to solve the mystery of Millie Benson.

Kammie Cover

Kammie on First: Baseball’s Dottie Kamenshek by Michelle Houts

Here is the initial installment in the new Biographies for Young Readers series I mentioned earlier. Dorothy Kamenshek was a teenager from Cincinnati, Ohio when a man named Philip Wrigley sent scouts to find women who could play baseball as well as the men on his Chicago Cubs (men who were rapidly leaving the ball field for the battlefield at the start of World War II.)  Made famous by the movie A League of Their Own, Kammie and her Rockford Peaches inspire girls to “throw like a girl” and be proud of it.

And now, since you stuck with me…

THE GIVEAWAY!

Author Julie Rubini has generously provided The Mixed-Up Files of Middle-Grade Authors a signed paperback copy of Missing Millie Benson: The Secret Case of the Nancy Drew Ghostwriter and Journalist. To enter, please comment below. Maybe you’d like to add the title and author of a noteworthy biography for middle-grade readers. Maybe you’d rather reminisce and tell us about your favorite biography.

Just leave a comment below by midnight Eastern Time on Tuesday, November 10, 2015. 

The lucky winner will be announced on Thursday, November 12, 2015!

Michelle Houts is the author of four books for middle-grade readers. She’s still a fan of biographies and good old-fashioned letter-writing. She created The 52-Letter Challenge for those who are up to writing a letter a week for an entire year.   Find Michelle at www.michellehouts.com. On Twitter and Instagram @mhoutswrites and on Facebook as Michelle Houts.

Writing About Gender and Sexual Orientation for Middle Grade Readers

At BEA this year, all the buzz was about GEORGE, a middle-grade novel by Alex Gino with a transgendered protagonist. But GEORGE isn’t the only recent  middle-grade fiction with a transgender theme. There’s also GRACEFULLY GRAYSON by Ami Polonsky, a sweet and poignant story about a boy who knows he’s a girl. And next spring, Donna Gephart, well-known author of popular middle-grade titles (DEATH BY TOILET PAPER; OLIVIA BEAN, TRIVIA QUEEN) is coming out with LILY AND DUNKIN (Delacorte, May 2016).

Even five years ago, such books would never have been published by traditional publishing houses. But it seems that as our culture rapidly becomes more accepting of LGBT people and issues, there’s been an implicit acknowledgement that kidlit fiction–and not just books shelved in the YA section–should reflect this reality. When a book like Tim Federle’s BETTER NATE THAN EVER can become a mega-bestseller, I think it suggests that we’ve underestimated kids’ interest in, and need for, middle-grade books dealing with questions of sexual orientation and gender identity.

I’m currently writing STAR-CROSSED (S&S/Aladdin, Fall 2017), a middle-grade novel about a girl who develops a crush on another girl as they rehearse a middle school production of Romeo and Juliet.  It’s a departure for me; in my books I’ve always been careful not to push any boundaries. But I think that what GEORGE and NATE and GRAYSON have showed us is that middle-grade (or “tween”) fiction can explore themes of gender and sexuality in a way that feels authentic–and yet still remains age-appropriate.

So it’s been a great treat for me to chat with Donna Gephart, as she looks forward to next spring’s publication of LILY AND DUNKIN.

Why did you write this book now?

LILY AND DUNKIN  is a dual narrative of a big-hearted, nature-loving, word nerd transgender 13-year-old, Lily, and Dunkin, also 13, who has just moved to Lily’s neighborhood.  Dunkin is dealing with the move, an impossible secret and managing his bipolar disorder.  Somehow, this duo finds a way to help each other be their best, most authentic selves despite the obstacles they face.

When I began this book several years ago, it was a very different atmosphere when it came to talking about transgender issues as well as mental health issues.  Both were more taboo than they are today.  I decided to write the book despite that fact.  And because it takes a long time for a traditionally published book to come out, the tides have turned dramatically and thankfully, we’re having a more open national conversation about issues that must be addressed sensitively and compassionately.

Do you think standards for what’s “safe” in MG fiction are changing? 

I think the national conversation is changing.  When I wrote LILY AND DUNKIN, I needed to explain how Dunkin would have heard of the term “transgender.”  By the time I was revising it, I deleted that part.  Kids now have heard of the term “transgender.”  It’s my hope that with movies, TV shows and books featuring fully-realized transgender characters, everyone will understand more and fear less.  This tide of more exposure and more information can lead to much greater understanding and compassion.  And what safer way to share these characters than in the pages of a book?  It can be the starting point of meaningful discussions.  If a child has bonded with a transgender character or a character dealing with a mental illness in a novel, then when s/he meets a person like this in real life, s/he experiences recognition and a deeper understanding, instead of fear born from ignorance.

Do you expect resistance from adults who think of you as a “safe” MG author? 

I write with great respect for my young readers and I always tackle difficult subjects in my books — divorce, death of a parent, loneliness, bullying, etc.   Each of my novels has both the difficult and lighthearted, just like in life.  The topics in my upcoming novel are handled sensitively, accurately and with great love.  I’d be delighted to see it in the hands of many, many young readers because I think this book will make a difference in creating a climate of kindness.

How do we assure the gatekeepers that just because an MG book addresses certain topics, it’s still “wholesome”–and appropriate for all MG kids, even those who aren’t dealing with those particular issues?

Librarians and teachers are incredibly smart.  They want books in the hands of their students that will expand their minds and hearts and promote love and acceptance.  These are important kinds of books for all kids to read because we are all different in some way; it’s great to also notice the ways in which we’re similar:  We all need a feeling of belonging, of mattering and of being valued and loved.  That’s what my book is about.  And I can’t wait for it to make its way into the hands and minds and hearts of young readers.

Barbara Dee’s sixth middle-grade novel, TRUTH OR DARE, will be published by S&S/Aladdin in Fall, 2016. fall. STAR-CROSSED will be published by S&S/Aladdin in Fall, 2017.