For Teachers

Social Media, Being a Middle Grade Author and Self-Control

IMG_0005As an author, it’s really important to have a so-called platform. What does that mean? Sometimes I’m not really sure but it sounds slightly politically with a mix of marketing thrown in. It means that when your name is out there in the public that it should be recognizable. So people can say, “Oh, I know that author. She’s the one who writes about gardening and does lots of public awareness about the value of earthworms.” Or that other author, “she’s that train person.” Or, “she’s the princess one” etc. Another words, we’re supposed to be a branded imprint like Dr. Pepper or Juicy Jeans. My immediate reaction is—Ugh! That sounds so strategic and pigeonhole-y. Like once I’m known as that middle grade author who writes about trains, that’s where I should stay, lest there is market confusion. But on the other hand, it’s not a bad thing to be known, is it? In fact, it helps our work find readers.

But what I really want to talk about how this relates to social media. Why? Because social media is a part of an author platform and it’s a good thing because it allows you to respond to important people such as your readers, librarians, teachers, booksellers, and other authors. You can create networking opportunities and provides another medium in which to express yourself.

But it can also take away from the time that you, you know, write, which is how I’m told you create books.

I’m a fan of social media. But it can be easily get a little obsessive. You can start to worry when nobody retweets your tweet or you get no likes. And then, maybe, you can start to compose a post based on what others will like. Yes, sometimes this happens to me. As a middle grade author, I want to be liked. But also as a person, I want to be liked. I actually have a new book coming out in the spring about a tween (who is obsessed with the number of likes she gets) whose parents shut down her social media and she’s got to figure out what she actually likes.

So here I am writing a story for tween girls about learning to like yourself and not to write or do stuff so you get a lot of kudos and yet what do I? I check and re-check a Facebook post to see how many likes trickle on in. A couple of times a day, I check Twitter to see how many new followers that I’ve gotten.

In other words, I am just as bad as Karma Cooper, the 12 year-old protagonist in Queen of Likes. And I should know better, much better. So recently, I’ve taken a new pledge to not obsessively check in on responses to what I post. Look, there is nothing wrong with checking, but not every fifteen minutes throughout your day! I value my writing time, but when it’s continually interrupted, it takes me far too long to re-engage with my work. So that’s why my New Year’s pledge is to use my new App, Self-Control, which allows me to determine how long I want to turn off my internet and email so I can completely focus on writing. That means, if I set if for two hours, let’s say, I can then go check my Facebook or Twitter and then use my Self-Control to get back to writing. Self-Control https://selfcontrolapp.comis a free app for Mac OS X that blocks access to distracts. There are other apps out there, as well. And PC users might want to try Freedom (I used to have it but my new Mac doesn’t work well with it).

So ultimately, this post is about time management, isn’t it? Social media is another way to communicate, a wonderful to connect to a larger community. But it also can become a distraction, no matter your profession.

I’m looking forward to continue to be active in social media but to do it more wisely, and to not let my popularity (or lack thereof) consume me, instead I want to concentrate on authentically communicating and creating community.

Hillary Homzie is the author of the forthcoming Queen of Likes (Simon & Schuster MIX 2016), The Hot List (Simon & Schuster MIX 2011) and Things Are Gonna Be Ugly (Simon & Schuster, 2009). She can be found at hillaryhomzie.com and on her Facebook page.

A Non-fiction book birthday for our own Laurie Edwards

laurie photo Laurie Edwards is a Mixed Up Files member with a very busy month. Three of her non-fiction titles come out this month. They are all from the educational publisher Cengage and they are: Ancient Egypt, Imperial China, and West African Kingdoms. She graciously stole a few moments away from her time with a brand new grandbaby to answer my questions. Thank you and quadruple congratulations!

1) All three of your books are about the ancient world. Do you have a long standing interest in history?

Egypt coverI’ve always been fascinated by life long ago. I especially like finding out how people lived, so I enjoyed doing the research for these books. Sometimes we think that ancient people weren’t very advanced, but that isn’t true. All three of these civilizations invented items that are still used in our times, and scientists and historians are still trying to figure out how they created certain things. For example, no one knows for sure how the Egyptians built the pyramids.

 

My love of history also extends to fiction. I’m writing a young adult novel set in ancient China and two middle grade novels, one set in Russia during the pogroms and one set in Eastern Europe in 1050 CE. Capstone is publishing my young adult series set in the Wild West that I’m writing as Erin Johnson. The first two books, Grace and the Guiltless and Her Cold Revenge are out now, with two more to follow. I spent a lot of time doing research for all of these books.

I took a quick look at these titles and I think they’re going to be terrific for teens with a thirst for western writing which is not all that common in YA.

2)Your publisher works within the education market. How did you come to work with them? Do they assign a topic with an overall road map to the structure of the finished project or do you come up with the topic and structure yourself?

I’ve worked for Cengage, the publisher of these books, many times doing writing and editing. I started by writing short articles for them, and then later they asked me to write books. The first books I wrote for them were a biography of Rihanna, the Encyclopedia of Native American Tribes, and Pirates through the Ages (yes, another history title!).

West African coverBecause these 3 new books are part of a 10-volume set, the publisher wanted them to be consistent, so they gave me topics for the chapters (e.g., Geography, Art, Transportation and Communication) and a general layout for each chapter. The chapters needed to include a brief introduction, 2-3 sidebars, a glossary, 2-3 activities, and a set of questions. I chose what material to include in each chapter.

 

3) What was your favorite juicy tidbit from researching these books? Did you have a particularly useful source or an unexpected one?

I like finding primary sources, which are actual documents or pictures from people who lived during that time. The Chinese and Egyptians both kept good records of events, so I read translations of many ancient documents. We also included some as sidebars in the books. The West Africans didn’t have a written language for much of the period the book covered, which meant that their primary sources were the griots, or storytellers, who memorized all their history.

China coverOne of my favorite documents was a list of rules from an ancient Chinese boarding school. Instead of bells, they used clappers. The first time the clappers sounded, students woke and washed. By the second round of clappers, they needed to be dressed in their robes. After that, they bowed to their teachers. They then followed a whole list of rules, many of which sound like classroom rules today, such as sitting properly, writing neatly, keeping desks tidy, and not eavesdropping. Students took turns washing the floor at the end of each day. Some different rules included never taking off their caps, socks, or shoes even in their rooms, and never going to bed before their elders.

Other fun sources were a list of rules from a Chinese pirate ship run by a woman and descriptions of Egyptian mummification. I also discovered ancient recipes, poems, stories, plays, jokes, and paintings showing daily life. Many of these can be found in the sidebars.

I love this! The combination of familiar rules–like write neatly–with completely wacky rules–like don’t go to bed until all the grownups are asleep and never take off your shoes! You’re a natural at making history engaging.

4) Do you do something special with the MG audience in mind?

Because MG readers are curious, I try to find unusual and interesting facts that will surprise them. But I also like to show that children from long ago have are like modern children in many ways. Knowing that ancient children disobeyed their parents, disliked school, or skipped their chores makes them more real and relatable.

5) I’ve only done a little bit of writing for educational publishers and it has been a while. If a person was interested in writing for the educational market what advice would you give them?

Educational writing is strongly tied to the core curriculum, so having some experience as a teacher or some knowledge of the expectations for the various grade levels is important. Rather than coming up with your own topics, you need to be willing to write books on the subjects that the publishers need or want. To get work in this field, check what publishers are looking for freelance writers and follow their guidelines. Many request a resume and a sample chapter. If they think your writing is suitable for their imprints, they may assign you a book or even a series.

6) Do you have a favorite MG non-fiction title or two you’d like to share?

Two nonfiction authors whose books I love are Candace Fleming and Susan Bartoletti. All of their books are well worth reading.

Here are the two most recent titles by these two authors.18691014

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Thanks again for sharing Laurie. Happy book birthday and happy  birthday to your new grandchild!

 

 

 

A Reason to Read

Obie

My daughter and her horse, Obie.

It’s often said if you want to befriend a horse, you earn its trust by standing still, then turning and walking away. The hope is that the horse will follow.  When my oldest daughter had no desire to read, I was at a loss-what books would entice her to follow me down the literary path? She loved hearing me read aloud, but bucked when it came to reading for school or on her own.

Then my family’s horse genes kicked in, with all four hooves. My grandpa on my dad’s side had worked on a ranch, and my maternal grandpa had raised ponies. I’d grown up in the saddle and obsessed over all things equine as a girl. So of course I was delighted when my daughter’s tween years became “the barn years.”

HorseClassics

Hoping this new-found passion would lasso her into reading, I offered her my favorite horse books. And even though it was hard as a homeschooling mom, for an entire year I left my daughter alone-no book reports, no quizzes, no pressure. Just a girl and her horse books. She began to devour them and beg for more. I signed her up for monthly book clubs, and she galloped through the pages. Recently, she was helping her younger sister pack before her wedding, and my daughter grabbed up her horse books and hugged them. “I’m taking these home,” she declared, and I couldn’t help but smile remembering the little girl who had once hated to read. (Two of my favorite books that aren’t pictured above are National Velvet by Enid Bagnold and Misty of Chicoteague by Marguerite Henry.)

HorseSeries

Now my daughter’s dream  job (besides being a professional barrel racer) is to become a librarian. On average, she says she reads five novels a week.

I’m convinced that the way to get a child to befriend books is simply by finding the right hook, whether that be sports, humor, or horses.

For more great horses and reading posts, check out this MUF post by Jen K. Blom and this MUF post by Jaye Robin Brown.

What are your favorite horse books? What books were the “hook” for you or your reluctant reader?

stacks_image_46Louise Galveston is the author of BY THE GRACE OF TODD and IN TODD WE TRUST (Penguin/Razorbill). She grew up on horseback in Oklahoma. This is not one of her more sensible moments.