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Dealing with Mental Health Issues in Middle Grade Literature

Mental Health in Middle Grade Literature

Mental Health in Middle Grade Literature

(EDITED TO ADD: Responsibility in these kinds of topics is of the utmost importance. There are many books that do NOT handle issues like these appropriately–and some that increase stigmas rather than assuage them–so please make certain that books are informed whenever they assert any kind of mental illness. Familiarize yourself with the Diagnostic and Statistical Manual of Mental Disorders, build relationships with professionals, and be careful that books you recommend are supportive and empowering rather than detrimental. 

It is important to represent these children in the fiction they read, but it is essential that they be represented well.)

So I’ve been thinking a lot lately about mental health and neurodivergence in children’s literature.

As a bit of background, I’ve worked with teens and tweens in various capacities for most of my adult life, providing mentorship and guidance to kids from all sorts of backgrounds. And I’ve seen all types; enough to know that neurodiversity—that idea that everyone’s brain works differently—is the order of the day. Every child is different.

But in those differences, I’ve also seen a lot of hurt. Social structures come easy for some kids, but not for others. Some excel at math, while others look at numbers and see Greek. Many, many struggle with deep insecurities when they see the difference between themselves and those kids who are celebrated by the culture at large. And sometimes those differences in cognitive function provide enough pain and disruption to a kid’s life that they leave any sense of normalcy behind.

Some Kind of Happiness by Claire Legrand (image by Sean Easley)

Some Kind of Happiness by Claire Legrand (image by Sean Easley)

That’s a painful place to be. Students who find themselves on the margins of what we call “mental health” often experience an overwhelming sense of confusion and sadness as a result. They feel lost, adrift, and often, alone.

It’s part of our nature, I think, to believe that when hard times come, we are the only ones facing them. And when a child’s daily experience consists of a consistent string of hard times and marginalization—of any type—that sense of loneliness and hopelessness can grow even greater. As those feelings grow, so too does the gulf that these kids experience between them and the world at large.

This isn’t just something to only consider once a kid gets older and their “brain has developed,” as some might say. Statistics from the National Alliance on Mental Illness say that half of all mental health conditions begin by the time a child turns fourteen. Half. That means half of all people with these mental health issues are first experiencing these issues when they are readers of middle grade literature.

And yet, when I start seeking out books for this age group that feature these kinds of kids, the pickings are often slim. This is the time in these kids’ lives when they’re discovering what their life is going to be like—what they are going to be like—and they (and the adults in their lives) have to work hard to find examples of other kids coping with these experiences.

Insignificant Events in the Life of a Cactus by Dusti Bowling (image by Sean Easley)

Insignificant Events in the Life of a Cactus by Dusti Bowling (image by Sean Easley)

I’ve overheard parents say that they don’t want their kids reading “books like that,”—referring to those books that address mental health issues—because they don’t want their kids “exposed to that sort of thing.” This is exactly the problem, though. The kids whose parents want to shelter them from neurodiversity and neurodivergence often end up with distorted understanding of kids in their own schools who experience life differently from them. And a child who’s experiencing these feelings of differentness and otherness needs to know that their experience isn’t something to just discount. Their life has infinite value, even if they don’t realize or believe it yet.

That’s where the educators, librarians, and authors of middle grade come in. It’s our responsibility to give these kids access to books they can see themselves and learn that they fit in the world, just like anyone else. They need to know that it’s okay to claim a spot on the map and make it their own.

And I have been grateful to find more books and authors doing this lately. Books like the Alvin Ho series by Lenore Look and Kenneth Oppel’s psychological horror The Nest give us a look at kids exhibiting some OCD tendencies. Dusti Bowling’s Insignificant Events in the Life of a Cactus centers on a girl with physical challenges, but her close friend deals with his Tourette’s throughout the book in a very positive way. Patrick Ness’s A Monster Calls, Anne Ursu’s Breadcrumbs, and Claire Legrand’s Some Kind of Happiness all give heartfelt portrayals of depression. Donna Gephart’s Lily and Dunkin provides a deep rendition of a boy dealing with bipolar disorder. And Anne Ursu’s The Real Boy puts a beautiful fantasy twist on neurodiversity.

The Nest by Kenneth Oppel (image by Sean Easley)

The Nest by Kenneth Oppel (image by Sean Easley)

These are still only the tip of the iceberg. It’s important that kids with cognitive differences be normalized because—in reality—the existence of these kinds of differences IS normal. These kids are all around us. They are us. Librarians and teachers know how common those differences are, and often do a wonderful job of celebrating those books that will reach these kids where they’re at. And putting those books in the hands of kids who don’t have those cognitive “differences” will go a long way to building compassion, understanding, and acceptance of kids who feel unloved, confused, and unaccepted.

What books have you loved or recommended because they gave honest, normalizing portrayals of neurodivergence? Add your suggestions in the comments below!

Sparking the Imagination with Written Imagery

As a classroom teacher of upper MG readers, I’ve been wondering lately on the constant technological pummeling we get from images—gaming, TV, movies, computers, tablets, phones. Screened devices have a powerful attention-grabbing effect on kids, and with so many stimulating colors, photos, Snapchat animations, and videos to look at, the modern-day imagination is contending with a very different ball of yarn than in decades past. It’s great that we can Google-Machine “Roman Empire ruins” and see hundreds of pictures, and it’s fun to test our eye-hand coordination by slashing air-borne fruit, chopping ropes, or helping a chicken across a road. But for many readers, after all that color and movement and music, the imagination may balk a bit when given black words on a white page.

For that reason, it might be pretty difficult for a middle grade teacher, parent, librarian, or writer to hook readers on books with descriptive passages, figurative language, or a generally more literary bent. But instead of avoiding imagery, it may be more important than ever to give readers an opportunity to envision and imagine through the words on the page. We should strive to provide work-out routines and fitness centers for the imagination in our stories through language and description. Inclusion of imagery in MG stories will complement the reader’s experience and ultimately improve and enhance the reader’s imagination. And imagination is important in any setting, as it drives flexible thinking and creative problem solving.

So, in order to spark readers’ imaginations, how do you recognize good imagery in MG works, and how do you write your own? Here are some qualities typically associated with imagery:

  • Imagery is language that employs a mental use of the five senses.
  • It can use certain figurative language devices like similes and metaphors, personification, and hyperbole, but it can exist without any other lit devices being present, too.
  • Good imagery isn’t fluffy or fancy or filled with words you’d find on the SAT. Sometimes, in fact, incredibly simple syntax and short phrases make up excellent imagery.
  • Imagery lets you see, touch, taste, hear, and smell the surroundings  in the character’s world, and it draws the reader in with those experiences.
  • Most importantly, good imagery leads the imagination off-leash—it guides, but never forces. The imagination has to be allowed to run free, if it’s to grow strong.

Here are some scenes in three works of MG fiction with imagery to consider:

Madeleine L’Engle’s A Wrinkle in Time. The description of Camazotz is brilliantly creepy in its simplicity. L’Engle’s choice of short, clipped words and phrases reflect the vision concocted in the reader’s imagination of this austere town where anomalies are forbidden:

Below them the town was laid out in harsh angular patterns. The houses in the outskirts were all exactly alike, small square boxes painted gray. Each had a small, rectangular plot of land in front, with a straight line of dull-looking flowers edging the path to the door.

Things get more eerie with the rhythmical description of the kids outside all those houses, girls jumping rope and boys bouncing balls:

Down came the ropes. Down came the balls. Over and over again. Up. Down. All in rhythm. All identical. Like the houses. Like the paths. Like the flowers.

The imagery prompts our imaginations to not only see Camazotz but to hear and feel its driving beat, too.

Sarah Jean Horwitz’s Carmer and Grit, Book One: The Wingsnatchers. Big, immediate conflicts or surprised exclamations from characters can work beautifully as openers in MG fiction and nonfiction. But atmospheric imagery can be used just as masterfully to hook the reader into the story. In this book, the two-and-a-half-page opener has no dialogue and no loud clatter of forces. But the tone of mystery, the discordant sounds, and the symbolic light/darkness imagery all work together to pull the reader in:

At the South Gate, just outside the winding iron bars, the Autocat waits. Its jeweled eyes gleam in the darkness. It watches as each golden lantern on the pathway blinks out, one by one, and it growls–a rough, scraping sound like metal on metal, a sound never heard in the garden before. The creature slinks off into Skemantis’s black night, its mission accomplished.

Karen Hesse’s Letters from Rivka. Good imagery keeps firmly in the voice of the 1st person character, in this case, a young Russian refugee fleeing to America in 1919 and seeing Poland for the first time:

The same crooked cottages, the same patchy roads, the same bony fences leaning in to the dust. Looking out from the train, we see people dressed like us, in browns and blacks; people wrapped in layers of clothes.

Thanks for reading! Please feel free to share thoughts you have on imagery in MG writing, or name some writers you enjoy who do a great job at sparking readers’ imaginations.

Jolabokaflod: Middle Grade Authors Share Their Giving Lists

Long before I first heard of the Icelandic tradition of Jolabokaflod (which roughly translates to Christmas Book Flood in English – and is the tradition of giving books on Christmas Eve, then sitting together as a family and reading), I created a little winter book tradition of my own.

Every year, right around the beginning of December, I buy myself a book. It’s almost always a hard copy – a rare treat for me – and something that serves only one purpose – to be a total and complete pleasure read. No craft books. No self-help. No keeping up with my genre books. Just pure pleasure coupled with the promise to set aside some time to curl up with a hot chocolate and read just for the pure joy of it.

Because I enjoyed this little treat so much, I decided to extend the giving to family and friends, and created a second tradition – a New Year’s Gift. Every year, I give the people closest to me a book that represents their dreams, goals, or desires for the upcoming year – and may serve as a launching-off spot – or a touchstone – for their plans. I’ve given everything from Axe-Man comics to books of Daily Rituals, to magazine subscriptions – anything that I think might help or inspire the person in the new year.

This year, I’ve added some new people to my giving list,  so I turned to my own personal panel of experts  – my middle grade author friends – for advice. I asked them what middle grade books they were giving as gifts this holiday season. Here are their suggestions:

Sally J. Pla, author of The Someday Birds and Stanley Will Probably Be Fine (coming Feb. 6, 2018!)

I think Xmas/the holidays are a great time to gift picture books, even to adults. The best of them are such beautiful works of art.There are two PBs I’ll gift to young families, because I think they should be in every kid’s library. PEOPLE, a classic PB by Peter Speier visually depicts the beautiful physical diversity of people around the world — spreads it out in a cornucopia of hundreds of images of noses, ears, hands, outfits, etc. The result is this beautiful mozaic of how wide and diverse and amazing the world is. Then: (2) COME WITH ME by my friend Holly McGhee is a sweet sensitive story about how even the tiniest, smallest acts of kindness can help address the bad stuff in the world. As for MG novels to gift: there are far too many wonderful ones to name, and I usually like to customize the book to the particular kid. But one particular Christmas-themed warm-and-fuzzy book that I think will have great general appeal is Karina Glaser’s wonderful THE VANDERBEEKERS OF 141st STREET.

 

 

Melissa Roske, author of Kat Greene Comes Clean

For the holidays this year, I will be bestowing copies of Jonathan Rosen’s hilarious MG adventure, NIGHT OF THE LIVING CUDDLE BUNNIES, on young readers here and abroad. Not only is it laugh-out-loud funny, CUDDLE BUNNIES has a likable and hugely relatable main character (Devin Dexter), plus slew of colorful supporting characters – including a sock-puppet-wielding warlock named Herb. I can’t recommend this title enough. It’s BUN-tastic! Hoppy holidays!

 

Supriya Kelkar, author of Ahimsa

I’m giving REFUGEE by Alan Gratz to an older MG reader. It is a powerful, gripping, eye-opening story that I am sure she will not be able to put down.

 

 

Jarrett Lerner, author of Enginerds

Just a FEW of the MG books I’m gifting — 1. Jodi Kendall’s THE UNLIKELY STORY OF A PIG IN THE CITY. Not only is it a wonderful (and wonderfully written) book, it is simply perfect for this time of year. It is full of warm, utterly lovely family scenes, and reading them serves as an always-welcome reminder of what matters most during this holiday season. 2. Caroline Carlson’s THE WORLD’S GREATEST DETECTIVE. Caroline’s prose sparkles, and her storytelling prowess is second-to-none. I absolutely loved her previous series, and was thrilled to hear she was penning a mystery. It is, as expected, impeccable. And who doesn’t love to curl up with a finely written, cleverly crafted mystery during their days off? 3. Jan Gangei’s THE WILD BUNCH. I didn’t keep count, but I’m fairly certain that this is the book that made me laugh out loud the most this year. Its zany characters leap off of the page, and get themselves into one hilariously outrageous situation after the next. Amidst all the silliness, however, there is a subtle thread of seriousness, there for the interested reader to unpack and consider.

           

 

Janet Sumner Johnson, author of The Last Great Adventure of the PB & J Society.

My sons have been dying to read the 3rd book in the Bounders series, THE FORGOTTEN SHRINE, by Monica Tesler. It releases on Dec. 12th, so perfect timing for Christmas!

 

 

Kristin Gray, author of Vilonia Beebe Takes Charge

My daughter (10) adores graphic novels, so she is getting ALL’s FAIRE IN MIDDLE SCHOOL by Victoria Jamieson and PASHMINA by Nidhi Chanani.

 

    

What books are you planning on giving this season  – to yourself, loved ones, or even a perfect stranger? Let us know in the comments section below!