For Parents

A Sense of Atmosphere

As an artistic quality, atmosphere is easy to spot—sometimes. A moment of high suspense in a scary movie, for example, is highlighted with an accompanying soundtrack; a musical comedy in a theatre might showcase brightly painted backdrops and set pieces. In literature, though, atmosphere must be conveyed through descriptive phrases and other text details. It might be a little more challenging to cultivate atmosphere in books, but it’s just as important for the audience. A convincing sensory environment in a story makes for a tale in which one can get lost, a quality sought by all readers—and certainly by middle grade. Memorable and fulfilling books allow the reader to step inside, breathe the air, sense the mood—these are books with atmosphere.

Since setting and atmosphere are so intertwined, let’s break down setting first: How does a writer create a setting that pulls the reader along for a trip outside their ordinary? It’s a skill worth practicing if you write middle grade, and one worth recognizing if you are a parent, teacher, or librarian. Setting is a lot more involved than its old standby definition you probably learned in elementary school (the time and place of the action). Setting is indeed time and place, but also consider:

  • Weather
  • Hour of day
  • Season and month of year
  • Landscape
  • Geography (natural and manmade)
  • Color, lighting, and shading (of outdoor or indoor light source)
  • Regionalism (the dialect, customs, traditions, and local setting characteristics in a story)
  • Communication systems, language, and vernacular
  • Environment
  • Character observations
  • Socioeconomic factors
  • Back and forth flow of time: impact of past (events, family) and expectations of future

Whew! And when used effectively, the setting details can help this necessary story element become an extraordinary component—one that allows a reader to sink in for a more fulfilling read. All of these setting characteristics work collectively to create the offshoot of a well-composed, well-built world: atmosphere.

Atmosphere is tricky to define, but most literary terminology sources suggest it has to do with the mood or overall “feel” of the scene, based on the setting description, tone, and other literary devices. The mood of the character can match this mood in the air of the scene, but it doesn’t have to. In fact, sometimes the actions and attitudes of the characters can serve as a literary foil to the atmosphere, heightening suspense or making a bittersweet mood even more poignant.

How does a writer cultivate atmosphere? Imagery, word choice, and connotation all contribute, as do character reactions and pace. Some figurative language devices like symbolism and metaphor can add to the developed atmosphere, as well. When seeking inspiration for establishing atmosphere, writers might use photographs, illustrations, history, music, colors, travel experiences, dreams, patterns, and nature.

From my to-be-read pile, I chose a few middle grade openings to think about in terms of atmosphere: one realistic, one sci-fi, and one fantasy.

The Ethan I Was Before by Ali Standish – In the opening chapters of this first-person novel, the atmosphere is heavy and uncomfortable, much like the oppressive heat in Ethan’s new town of Palm Knot, Georgia. As a twelve-year-old boy terribly conflicted over the loss of his best friend, his narration has few lengthy descriptive passages. But Standish provides all the right details through environment, weather, temperature, and observations about this sleepy locale (a rusty parked truck, an untended baseball field, a cracked highway, a murky bay) that readers need in order to feel like they’ve stepped into its atmosphere.

Last Day on Mars by Kevin Emerson – This middle grade science fiction offers up opening chapters with a crisp, tense, nervy atmosphere in which the conflict increases at an alarm-inducing pace. Set in Earth Year 2213, humans living in a Martian colony must evacuate the planet and its rapidly deteriorating conditions. A prelude serves up danger and emotion before delivering a fearful and mysterious clue; here, descriptions are futuristically foreign, yet technologically familiar enough to pull readers in. The main characters resist an acknowledgement of the danger throughout the first chapter, which only serves to increase the suspense. As a solar radiation storm begins to flare, protagonists Phoebe and Liam start a quest of discovery in an atmosphere of uncertainty and confusion.

A Single Stone by Meg McKinlay — This middle grade dystopian abounds with atmosphere from the first paragraph. Young protagonist Jena has a crucial job to perform for her isolated society—she is the leader of a small team of girls who must find harvests of mica inside the mountain. In the opening pages, Jena is crawling through a narrow, natural crevice with only a thin rope connecting her to the six other girls who follow her lead. In the dark, with the chilly rock of the mountain hugging her close on all sides, every movement and every touch seems amplified and intense; the reader immediately feels as if she too is crawling, squirming, wishing for a harvest spot, counting on having enough air to keep going. The dark, the mountain, even the bones Jena happens to grasp accidentally all work to establish a tangible, claustrophobic opening atmosphere—though, paradoxically, Jena seems to feel no such confinement.

The atmosphere of each title considered here had me invested as a reader from the opening chapters. Feel free to comment on the post if you know of a great, atmospheric MG to recommend, or with how-to ideas for writing settings and situations with strong atmosphere! Thanks for reading!

A triple Book Birthday for Mixed Up Files Author Michelle Houts

It’s always a treat to feature the book birthdays of Mixed Up Files members and especially today when we are celebrating a new series from our long time contributor Michelle Houts, the author of the novels The Beef Princess of Practical County, Practical County Drama Queen, and Winterfrost; the biography Kammie on First; and the picture book When Grandma Gatewood Took a Hike. Michelle has headed off into new territory again with a young middle grade series for 1-3rd grade readers. It’s called Lucy’s Lab and here are her first three covers. Nuts About Science and Solids, Liquids, Guess Who’s Got Gas, came out last fall and the newest title is The Colossal Fossil Fiasco. 

1) Were you a science loving kid? What inspired you to make science the focus of your series?

 

 

 

 

I wanted very much to be a science-minded girl in the 70s. In fact, I begged for a Chemistry Kit, and got one the likes of which would never be legally sold these days! It had all kinds of chemicals and glass beakers and tubes in it! The sad part is that I don’t remember doing a lot with it. It wasn’t that I lack interest. I lacked confidence. In recent years, I have seen how important it is to build girls’ confidence in Science, Technology, Engineering, and Math. So, initially, as a writer of middle-grade novels, I set out to write a middle-grade science girls series. I thought of it as: The Babysitter’s Club meets Bill Nye the Science Guy.

Okay, interrupting this interview to say–how is that not a thing? Please write this series! I know, you’re busy. I’ll write it with you! Or ask our fellow science writer extraordinaire Jennifer Swanson. We could do this!

Michelle here, jumping back in to say, NO WORRIES! My hope is that Lucy will grow into that series for which she was originally intended. I mean, she can’t stay in second grade forever, right? So, ideally, someday that amazing middle-grade series will exist – with Lucy at the center! Back to you, Rosanne!

And also I can’t resist sharing a picture of my science girls and their project on on fermentation that involved home-brewed rootbeer using champagne yeast.
And now back to our scheduled interview.

2) You’ve written stand alone titles before and for older readers. What prompted you to switch to series writing for a younger audience?

My idea for that middle-grade series was quickly derailed by my other job. In my non-writing life, I was a Speech-Language Pathologist.  As a school-based SLP, I worked with second graders. I heard their stories, listened to their interests, and quickly realized that girls identify as science-minded (or not!) long before the middle grades. By seven years old, many girls I met had already decided that math and science were “hard” or “for boys” or “gross.” I knew then that my science series needed to target grades 1 – 3. 

 (Did I mention that the art for this series is done by the truly fabulous Elizabeth Zetchel!)
3) Do you have a favorite research story?
So far, my favorite topic in the series to research has been fossils. Lucy’s Lab Book #1 is about Habitats and Book #2 is about States of Matter, both of which I felt I had a decent knowledge of.  But Book #3 is about Fossils, and I found myself fascinated by all the research, digging deeper (no pun intended!) than I needed to simply because it was so interesting. When I discovered that one of the most famous nearly-intact fossils every found was named “Lucy,” I couldn’t believe the coincidence! 
You know I had wondered when I first saw the series if she would be a paleontologist because of the Lucy fossil. I’ve also heard that a surprising number of great fossils finds have been made by children.
4) Do you have a fact checker at your publishing house?
There isn’t anyone whose sole job it is to check facts, but my amazing editor, Alison Weiss, is a master at asking questions and she’ll look up anything that seems not quite right. I feel a lot of responsibility to make sure I have my facts straight before I turn in a manuscript. 
Shout out to the wonderful Sky Pony Press who publishes your books, and from this bookseller’s perspective, is doing a great job of promoting it to indie bookstores.
5)How far ahead do you plan the series and do you have science topics picked out for future books? Do you have a larger character arc for Lucy across several books or do you take them one book at a time?
As of this moment, there are three books in the Lucy’s Lab series, but more are proposed, and, yes, each has a science topic I’ve hand-picked for the first – third grade reader.  I do have thoughts about how Lucy, her sidekick and cousin Cora, and her classmates grow over the course an entire series.  Stay tuned for more news on this subject! 🙂
The cousin relationship was the other thing I loved about this book. Most kids have cousins they love and very few books have a cousin relationship.
Congratulations on your beautiful series from all of us at The Mixed Up Files. I hope we see lots more of Lucy and her lab in the future.

Reading Roundup: Three Middle Grade Standouts

It’s hard to keep up with all the exciting new releases in middle grade fiction that have crossed my desk in the last few months. But there are three from Simon & Schuster Books for Young Readers, I need to crow about. They couldn’t be more different from one another. But each has a plot that will leave young readers breathless and each has characters that will win hearts and minds.

I’ll start with CHECKED by Cynthia Kadota, because although I’m not usually interested in sports books or hockey, I loved it! To the story’s protagonist, eleven-year-old Conor, nothing is more important than playing hockey – and his policeman dad, who was a hockey player himself, supports his son’s dream of playing professionally. But when Conor’s beloved Doberman, Sinbad is diagnosed with cancer, everything begins to change. The dog’s treatment is barely affordable and Conor begins doing odd jobs around the neighborhood to help out with the costs. Soon he begins noticing other people’s problems, like those of his elderly neighbors. Conor is the kind of kid you’d want your kid to be. And his dad is the kind of dad you wish every kid had. The relationship between them is real and totally heart-warming. You can’t help believing in these two. What great role models for young readers!

  The electrifying ESCAPE FROM ALEPPO by N.H. Senzai, takes place at the beginning of the Arab Spring in 2010. It’s the story of twelve-year-old Nadia, who becomes separated from her family as they flee the bombing of Aleppo. Her harrowing journey to reunite with them at the Turkish border brings readers deep inside the danger and uncertainty of the escape. Together with Ammo Mazen, a mysterious old man who takes her under his wing, Nadia makes her way through the city where soldiers and rebel gangs threaten their existence. But as Ammo Mazen weakens, Nadia must develop the courage and resourcefulness to help herself and her friend. It’s a hopeful ending, but young readers won’t soon forget this emotionally wrenching exploration of the war in Syria and its awful cost.

  At the beginning of Avi’s book, THE PLAYER KING, a 15th century scullion named Lambert Simnel is working in a rough tavern in Oxford. Lambert has no family he knows of. He isn’t even sure of his age, which he guesses at “nine, ten or even thirteen.” But because of his resemblance to young Prince Edward, the missing heir to England’s throne, Lambert is purchased by two villains, Brother Simonds and the Earl of Lincoln, who forcibly educate him in the ways of royalty. The villains’ purpose is to have Lambert claim Prince Edward’s identity as the true king, opposing King Henry VII, who sits on the throne in Edward’s stead. It’s an Avi tale for sure—the kind in which the Newbery Award-winning author brings the twisted history of Medieval England to life with all the intrigue and color of the times. Fast paced and action-packed, this new release is sure to please the author’s many fans!