For Kids

Paper Love: An Author’s Challenge to Writers of All Ages

By on January 10, 2018   /   Cross-Curricular, Curriculum Tie-in, Diversity, For Kids, For Librarians, For Parents, For Teachers, For Writers, Writing  

Like most authors, I love getting fan mail. I mean, wow! There’s nothing more affirming than THIS:

I’d venture to say that I get more mail than most marginally-known authors. But not because I’m more popular. In fact, sometimes I get letters that ask, “So, what do you do for a living?” You’d think if they’re writing to me, they’d already know. Right?

Not always. Sometimes I do get mail from my young readers. But often, my mailbox is stuffed with letters from those who’ve found the 52 Letters Challenge. Maybe they came across it on my website, in which case they’ve figured out that I’m an author. But sometimes they’ve picked it up from a blog post or by word of mouth. Maybe their teacher has compelled the class to take part. It doesn’t really matter to me how they got the idea to write 52 letters in a year. It matters that they’ve embarked on a writing journey that will make someone’s day. Once a week. For a whole year.

When I started the 52 Letter Challenge, I had no idea how far it would reach. People from Australia, Singapore, and Poland have joined the fun.

Sound do-able? Daunting? Like drudgery?

There was a time when letter-writing was a necessary part of communicating. While writing the biographies of Charley Harper, Dottie Kamenshek, and Emma “Grandma” Gatewood, I depended heavily upon letters written decades ago. Letters to and from and about these individuals provided key information and a unique personal perspective not found in newspaper articles.

A letter from artist Charley Harper to Edith McKee during his years serving in the army during WWII. He called her “Ediepie.”

It makes me wonder how research will be done in the future. With so much communication happening via email and texting, how will those conversations be recovered by researchers? They likely won’t be.  Think of the ideas, feelings, thoughts, reactions, emotions, and responses that will go undocumented. Sure, there will be articles and interviews, but those often contain a person’s most guarded answers to questions.

Next time you decide to send an email of appreciation, consider writing a thank-you note. If you want to text “I love you” to your momma, baby, or sweetheart, by all means, do it! And then put it on paper with a big heart beside it and place it in their hands. I guarantee paper love goes into a box or drawer to be treasured later. E-love will be felt at the time, but it will disappear with the rest of today’s million messages.

A little paper love from my big girl!

Send some paper love to someone today.

 

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The Hard Stuff

By on January 8, 2018   /   Book Lists, For Kids, For Librarians, For Parents, For Teachers, For Writers  

Have you ever read a book that haunts you? Follows you around like an eager puppy, sticks to you like a cobweb? Do you find yourself thinking about the story while you work or drive or do laundry? Do you see the characters in the grocery store, on the street, at the gas station?

I love books like that, the ones that weave themselves into the fabric of my life and force me to turn the words over in my head until I’ve looked at them from every possible angle.

Wendelin Van Draanen’s latest book, Wild Bird, is my current sticky cobweb.

The main character, Wren, has experienced the trauma of moving to a new city and finding her life and family utterly unfamiliar. What happens next is a spiral brought on by bad decisions and desperation, right to rock bottom. Whisked away to eight weeks of desert survivalist camp, Wren must decide who she wants to be and how she wants to live. Her journey is both heart breaking and inspiring and I held my breath for her until the very last page.

Van Draanen takes the difficult topic of drug addiction and presents it without preaching or passing moral judgments. She simply and beautifully givers us a story of struggle.

Which got me thinking.

With empathy and fearlessness, middle grade authors regularly wade into the troubling issues kids face in today’s complex world. These authors reflect the challenges a child might be experiencing or offer a window into the struggles of classmates and friends, all while telling a compelling story. This is no small feat.

I can’t possibly cover them all but here are some of my current favorites:

 

The Seventh Wish, by Kate Messner

While this novel has some fantastical elements (wish granting fish, for example), it deals with the heroin crisis currently all too familiar in many parts of the country

 

 

 

 

Pax, by Sara Pennypacker

This poetic story, told from the perspective of a boy and his pet fox, illustrates the ravages of war to human and animal kind with a subtle and deft hand.

 

 

 

 

OCDaniel, by Wesley King

Edgar Award winning author King offers the story of an ‘eccentric thirteen-year-old social oddity’ who desperately wants to fit in. When Daniel gets caught up in solving a mystery, he illustrates just how he might learn to survive and thrive with behavior seen as outside of ‘normal’.

 

 

 

Kat Greene Comes Clean, by Melissa Roske

Kat Greene struggles to manage her mother’s worsening OCD, a job well above the pay grade of a child. This novel deftly illustrates the importance and courage of asking for help when a situation goes too far.

 

 

 

 

George, by Alex Gino

This transgender narrative, written for and about kids, shows a child’s journey from despair to courage. It is at once funny and inspiring.

 

 

 

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Interview with Author N.H. Senzai

By on January 4, 2018   /   Author Interviews, Diversity, For Kids, For Librarians, For Parents, For Teachers, For Writers, New Releases  

Naheed Hasnat Senzai calls herself a voracious reader, stalwart writer, intrepid traveler, and eater of good things.

Born in Chicago, she grew up in San Francisco, Jubail, Saudi Arabia, and attended boarding school in London, England. She has hiked across the Alps, road-tripped through Mexico, swum with barracudas in the Red Sea, taken a train across the Soviet Union, floated down the Nile, eaten gumbo in New Orleans and sat in contemplation at the Taj Mahal. She attended UC Berkeley and Columbia University, and lives in San Francisco.

She is the award-winning author of Shooting Kabul (Simon & Schuster/Paula Wiseman Books 2010), Saving Kabul Corner (Simon & Schuster/Paula Wiseman Books 2014), and Ticket to India (Simon & Schuster/Paula Wiseman Books 2015).

She joins us today to talk about her newest book, released this week from Simon & Schuster/Paula Wiseman Books , Escape from Aleppo. About the book (From IndieBound):

Silver and gold balloons. A birthday cake covered in pink roses. A new dress. Nadia stands at the center of attention in her parents’ elegant dining room. This is the best day of my life, she thinks. Everyone is about to sing “Happy Birthday,” when her uncle calls from the living room, “Baba, brothers, you need to see this.” Reluctantly, she follows her family into the other room. On TV, a reporter stands near an overturned vegetable cart on a dusty street. Beside it is a mound of smoldering ashes. The reporter explains that a vegetable vendor in the city of Tunis burned himself alive, protesting corrupt government officials who have been harassing his business. Nadia frowns.It is December 17, 2010: Nadia’s twelfth birthday and the beginning of the Arab Spring. Soon anti-government protests erupt across the Middle East and, one by one, countries are thrown into turmoil. As civil war flares in Syria and bombs fall across Nadia’s home city of Aleppo, her family decides to flee to safety. Inspired by current events, this novel sheds light on the complicated situation in Syria that has led to an international refugee crisis, and tells the story of one girl’s journey to safety.

A common theme in your books is the experience of refugees, what they leave behind, and how they struggle to adapt to a new way of life. What drives you to write about such a difficult subject?

As Americans, whether we consciously realize it or not, we have a particular connection with refugees; at one point of time, most of our families sought refuge in this country. They arrived from all around the world, fleeing war, persecution, famine or just hoping to find a better life for themselves and their children. Most of my books deal with such families, and in Escape from Aleppo, my hope is that Nadia’s story allows readers to walk in the shoes of a child whose life has been turned upside down by the trauma of war and the loss of everything they know and love. If we pause to reflect on that connection, that at one point we were all refugees, we can share in a common humanity.

How did you decide to depict the uglier, more violent aspects of Nadia’s journey and still make the book appropriate for middle-grade readers?

I believe that you do a disservice to your reader, especially middle graders, by not to telling them the truth, no matter how ugly. This is especially the case when discussing war, atrocities and the complexities of politics and history. We shouldn’t be afraid of shocking them about how terrible humans can be to one another, whether around the globe, or in own back yards. Without sharing the harsh realities, in a way digestible format for that age group, you cannot hope to dissuade a future generation from committing the same crimes over and over again.

You use flashback both to provide information about how Aleppo became such a dangerous place and to show what Nadia’s life was like before she had to flee. Why was it important for you to show that?

When people see scenes of war and images of refugees fleeing death and destruction, that becomes the viewer’s only frame of reference for that country and its people. When writing Escape from Aleppo, I wanted to show that Nadia had a normal life before the war, like that of any teen around the world. Aleppo was an advanced, cultured city where she had a loving family, friends, supportive teachers, a sweet tooth, a passion for music and a dislike of Algebra! In showing the two sides of the coin, peace and conflict, I wanted to show how anyone’s normal, everyday life can be turn upside down in a matter of moments.

The book depicts a place and a culture that is very different from the experience of most Americans. What kind of research did you do to get the details right?

This, as with most of my books, was very research intensive, and I spend months absorbing and cataloging information! I’m lucky that I’ve lived and travelled in the Middle East for fifteen years, and have many friends in the region. It also helps that my husband teaches Middle East politics at Santa Clara University and he helped in putting the history and politics of the region in perspective. I spoke to many journalists and Syrians who shared first-hand accounts of the terrible conflict.

If there was one single thing that you wanted readers to get from Escape from Aleppo, what would it be?

Kids may have heard about the war in Aleppo or seen images of the conflict on the news or in social media. While reading Escape from Aleppo, I hope that can further delve into the rich history of Syria, the root causes of the war, the culture and people of this amazing country. I’d like to illustrate that Nadia and her family are like families anywhere around the world. Like parents living in San Francisco, Beijing, Sydney or New Delhi, Nadia’s mother and father want to give their children a safe and secure place to grow up, pursue their dreams, get an education and have a family of their own. At the end of the day, all families, no matter their origin, want the same things – peace, security and chance at a hopeful future.

What other books do you recommend to readers who enjoyed Escape from Aleppo?

What’s your favorite thing about middle-grade fiction (as a reader or a writer)?

I love writing for middle graders because at this age they can still suspend belief and journey with you through a story – but they can smell a skunk a mile away. They are sophisticated readers that can handle “heavy” topics via believable plots, authentic characters, dialogue that rings true and reality based facts. At this age, if we present complex material in the right context, we can open their hearts and minds to the world around them so that they build bridges of understanding with others, rather than walls.

What advice do you have for someone who wants to write middle-grade fiction?

I know this is advice often given, but it is at the core of writing middle grade fiction; READ. And not just middle grade novels. The best books are those that bring in unique, interesting, sometimes esoteric knowledge – that knowledge comes from reading about space travel, obscure poisons, baking techniques, Russian history, chemistry, flora and fauna of Madagascar… you get my drift. Read about things that interest you – it will make it into your books which will also be interesting!

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