Book Lists

Picture Books and the Middle-Grade Reader

By on July 25, 2016   /   Book Lists, Diversity, For Kids, For Librarians, For Parents, For Teachers, Nonfiction  

Think of picture books and often we envision a toddler on a parent’s lap, listening and pointing. Or a pack of preschoolers sitting criss-cross applesauce on a colorful rug, heads tipped up to see the pictures while their teacher reads aloud. Or maybe a first grader, sitting alone with a book, intently studying the words in a picture book, their eyes darting from picture to text and back again, making connections and feeling their confidence swell.

Oh, there’s usually no debate surrounding the place of picture books in the lives of the youngest readers and prereaders. But something often happens around second grade, somewhere around the time chapter books are mastered, and the role of the picture book is diminished, if not eliminated.

By the time readers reach the middle grades, picture books are often nonexistent or scoffed at. “You’re too old for that book,” I heard a parent tell a fifth or sixth grader at a bookstore. “You can read harder books than that.”

And, yes, I’m sure that young reader was perfectly capable of tackling longer texts, but picture books have so much to offer readers of all ages. Let’s take a look at some new picture books that middle-grade readers could not only enjoy, but that could spark a deeper level of learning and understanding.

pb older reader

Picture Book Biographies Picture book biographies are everywhere and can serve as an excellent visual and literary introduction to someone middle-graders may never encounter anywhere else..

pb william hoy story

The William Hoy Story: How a Deaf Baseball Player Changed the Game by Nancy Churnin, illustrated by Jez Tuya, Albert Whitman, 2016.

pb to the stars

To the Stars!: The First American Woman to Walk in Space by Carmella Van Vleet and Kathryn D. Sullivan, Illustrated by Nicole Wong, Charlesbridge, 2016.

Picture Books to Address Social Issues  Civil and human rights issues such as homelessness, poverty, equal opportunities, or segregation can be difficult for the middle-grader to grasp, and yet these problems exist in their communities, families, and in the ever-present media. Often a picture book can open the door to discuss more complex topics at an appropriate level.

pb separate never equal

Separate is Never Equal: Sylvia Mendez & Her Family’s Fight for Desegregation by Duncan Tonatiuh, Abrams, 2014.

pb marvelous cornelius

Marvelous Cornelius: Hurricane Katrina and the Spirit of New Orleans by Phil Bildner, Illustrated by John Parra, Chronicle, 2015.

Picture Book Origin Stories Older readers love to ask deep questions: Like where did doughnuts come from? and Who invented the super-soaker, and Why? Origin stories can inspire young inventors to dig deeper into science and become problem-solvers themselves.

pb Hole Story of Donut

The Hole Story of the Doughnut by Pat Miller, Illustrated by Vincent X. Kirsch, HMH Books for Young Readers, 2016.

pb whoosh

Whoosh! Lonnie Johnson’s Super-Soaking Stream of Inventions by Chris Barton, Illustrated by Don Tate, Charlesbridge, 2016.

Picture Books for Content Areas  Math class is probably the least likely place you’ll find middle-graders reading picture books, but there are some great reasons to put picture books into the hands of young mathematicians. And scientists. And paleontologists. And astrophysicists.

pb boy-who-loved-math

The Boy Who Loved Math: The Improbable Life of Paul Erdos by Deborah Heiligman, Illustrated by LeUyen Pham,  Roaring Brook, 2013.

pb blockhead

Blockhead: The Life of Fibonacci by Joseph D’Agnese, Illustrated by John O’Brien, Henry Holt, 2010.

Picture Books to Address Environmental Issues Upper elementary and middle schoolers hear phrases such as “global warming” and “our carbon footprint,” but explaining just exactly what these mean can be challenging. It’s likely they are already a part of a “reduce, reuse, and recycle” initiative, at school or at home. Picture books can help them understand how they might do more.

pb One_Plastic_Bag_Cover_Miranda_Paul1

One Plastic Bag: Isatou Ceesay and the Recycling Women of the Gambia by Miranda Paul, Illustrated by Elizabeth Zunon, Millbrook, 2015.

Picture Books as Art Study The youngest readers look at the pictures in a picture book. Older readers can study them. They can understand how illustration contributes to the story-telling, how a picture book is a visual experience as well as a literary one. Older students can discuss how the artist’s choice of style, media, and color palette create mood and pace. This can be done with every picture book, any picture, all picture books, fiction or non. But, I’ll leave you with one that makes me smile, and I think any middle-grader would smile after reading it, too.

pb maybe something beautiful

Maybe Something Beautiful: How Art Transformed a Neighborhood by by F. Isabel Campoy and Theresa Howell, Illustrated by Rafael López, HMH Books for Young Readers, 2016.

Michelle Houts is the author of four books for middle-grade readers. Her first picture book, When Grandma Gatewood Took a Hike (Ohio University Press, September 2016) is the biography of Emma Gatewood, the first women to walk the Appalachian Trail alone in one continuous hike.

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Do You Think the World is Ready?

By on July 20, 2016   /   Book Lists, Diversity, For Librarians, For Parents, For Teachers, For Writers  

I don’t shock easily, but two recent incidents had me reeling.

The first happened during a creative writing workshop I ran for kids in Grades 4-6. At the start of the workshop, several kids mentioned which of my books they’d read. Then one girl raised her hand and shyly announced that she wanted to read my books, but her mom wouldn’t allow her. “She says they have bad words,” the girl reported.

I tried to seem blase. “Has your mom read any of my books?” I asked her.

“No,” the girl admitted.  “But she’s seen the covers.”

I assured her that I was always careful not to use “bad words”–and that it wasn’t fair to judge a book by its cover. But how a parent viewed any of my covers and decided the text contained inappropriate language  was a mystery to me. And the sad thing was, this girl was an enthusiastic writer who clearly craved access to all sorts of books.

The other incident occurred at the start of an elementary school’s Read Aloud Day. Because my books fall into the  upper elementary/ middle school category, I was assigned a fourth grade class, as was the local middle school principal.  As the two of us chatted before the program, he asked what books I had on the horizon.

I told him about my upcoming middle grade novels:  TRUTH OR DARE (Aladdin, S&S/Sept. 20, 2016), which is about a mom-less girl’s experience of puberty, and STAR-CROSSED (Aladdin/S&S, March 2017), which is about a girl who has a crush on the girl playing Juliet in the middle school production of Shakespeare’s play.

The principal’s face turned pink. He laughed nervously. “Oh,” he said. “Do you think the world is ready?”

I explained that all my books were wholesome, completely appropriate for tweens. I hoped he’d express enthusiasm, maybe even extend an invitation to the middle school, or say he’d mention the books to the school librarian.  But he didn’t do either. Instead, he changed the subject.

I’ve been thinking about  both of these incidents  a lot lately, in light of Kate Messner’s recent dis-invitation from a school uncomfortable with her newest MG, THE SEVENTH WISH. That book, which I deeply admire, is about a girl whose older sister has a heroin addiction– a topic the school decided was inappropriate for its students .

What scares me is not so much outright book-banning, because that happens in the bright light of day, and often leads to heightened interest in the banned book, anyway.  What I find even more troubling is “quiet censorship,” the sort of thing that happens when an adult decides the world, or a school, or a classroom, or a particular kid “isn’t ready” to read about certain topics. And so he doesn’t extend the invitation, or order the book–not because the book isn’t good, or isn’t written at the right level, but because the subject makes him nervous. It’s a type of book-banning–but because it happens under the radar, it’s difficult to detect.

When Kate Messner was disinvited from a school, she had an overt act, the revoked invitation, to react to, and she did so eloquently and effectively, both on her blog and behind a podium at ALA 2016. But many authors who tackle challenging subjects just won’t get the initial invitation, or their book simply won’t get ordered by the library.  So how do they even know they’ve been “quietly censored”? And how can they–or their readers–protest? After all, schools and libraries are free to make their own choices, as they should be.  If they choose not to order a certain book, who’s to say the choice was motivated by the book’s challenging or controversial subject, and not by the author’s writing style?

I keep coming back to the realization that kids are older than we think they are, older than we were when we were their age.  Girls are menstruating at younger ages, getting eating disorders at younger ages (this is the subject of my upcoming eighth novel STUFF I KNOW ABOUT YOU (Aladdin/S&S Sept. 2017).  The internet has exposed all of our kids to a cruel, violent, judgmental world. If we don’t allow kids to read MG novels that reflect the world they live in, one of two things will happen. Either kids will turn off reading realistic fiction altogether (and with the internet constantly beckoning, that’s a real concern)– or they will crash the gate, choosing, and perhaps sneaking, YAs that are too explicit and dark for their years.  As any parent of a teen knows, once a kid starts reading YA fiction, he/she seldom wants to discuss the edgier content with an adult. Isn’t it better to allow access to books specifically geared toward a MG sensibility–the way  THE SEVENTH WISH is?  And shouldn’t we as adults want to stay in the conversation–even when (or especially when) the conversation makes us nervous?

We can’t be in favor of diversity in kidlit without welcoming books that include all sorts of previously ignored characters: kids of color, LGBT kids, kids in nontraditional families, kids coping with a family member’s addiction, kids coping with mental illness (like Dunkin in Donna Gephart’s  beautiful LILY AND DUNKIN).  There’s nothing inherently “wrong” or “inappropriate” about these characters–they’re just kids on the basketball team, kids on the school bus, kids in the play. And they deserve to be represented, read about, identified with, empathized with.

The world is ready.

Barbara Dee’s next book, TRUTH OR DARE, will be published on September 20, 2016.

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