Author Interviews

Interview with Annie Donwerth-Chikamatsu + Giveaway

Today we have on the blog an interview with Annie Donwerth-Chikamatsu, author of SOMEWHERE AMONG, a beautiful and haunting debut novel in verse about an American-Japanese girl struggling with the loneliness of being caught between two worlds when the tragedy of 9/11 strikes an ocean away. Read on for the interview and a chance to win this lovely book!

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What inspired SOMEWHERE AMONG?

Our life in Japan! I have lived and raised my children in a binational, bicultural, bilingual, multi-generational home in Tokyo for the past 24 years. Clashes, comedic scenarios and common ground have provided much introspection. Although I don’t see myself as a writer of Asian topics, there were a few things I wanted to share in children’s non-fiction magazine articles and picture books. I found it difficult to fill in the spaces of what American children know.

I started a children’s photo blog in 2006 when my youngest child was in fifth grade. That satisfied the desire to show modern Japan. I later started a novel set in Texas (my home state). After the earthquake and tsunami of 2011, I had to ground myself in Japan. Emotions and images and memories of our life and our nations’ shared history rushed into poems that turned into this story.

At the story’s center is a paper doll that a woman had handed me on the train in my early days here. The doll came with the message “May Peace Prevail on the Earth.” I had tried to write a picture book about that, but the story was too big for 32 pages.

The 2011 disaster spurred me to write about Japan and the paper doll was the inspiration and motivation to try to tell its story again.

What kind of research did you do to tell this story?

I had started out with what I remembered. Then after the first draft, I used news reports, newspaper articles, weather data, and websites like NASA’s. The storyline didn’t change much from the first drafts. Through revisions it was a matter of making sure the timeline was correct and layering details.

The school and family life details were inspired by but altered from our experience. My children went through the Japanese public system and we lived in a multi-generational home. I couldn’t have written this story without that experience. It would have been very shallow.

Hearing the story of 9/11 from the perspective of an American living overseas is fascinating. Is that something you planned from the beginning, or did it come out in the writing process?

I didn’t set out to write about 9-11. This story came about through grounding myself by reminiscing. Sitting down to write about our life and memories here, I couldn’t get very far before 9-11 came up.

However, the sinking of the Japanese fishing boat, the Ehime Maru actually came up first. That incident exemplified the struggle (I especially felt) to reconcile the history and tragedies that my children’s two nations share. I distinctly remember that sadness and the months of TV coverage. The fishing ship tragedy happened in February 2001.

So, through writing this story, I was dragged into dealing with 9-11 again. I was dealing with aftershocks at our Tokyo home and the grief of the tsunami damage from a distance. It was not easy to deal with this. I could have easily avoided writing this story.

What are some books of poetry or novels in verse you would recommend for kids?

Oh! I have to say that I have limited access to English books because of price and place. I cannot afford all the books I would love to buy and our local library only has two or three short shelves of Newbery winners. No verse novels.

The only verse novel I had read before I started Somewhere Among was Out of the Dust by Karen Hesse. Holly Thompson’s young adult novel, Orchards, had arrived just before the earthquakes of 2011. I knew it was about suicide so I didn’t get to read it until after the aftershocks and I had written my first draft. I discovered and read Susan Taylor Brown’s Hugging the Rock. I also learned of and read Thanhha Lai’s middle grade Inside Out and Back Again after it had won the Newbery. I read Jacqueline Woodson’s Brown Girl Dreaming last summer. All of those are wonderful.

Since attending Highlights Foundations Verse Novel workshop in 2012, I have read and enjoyed the work of instructors Virginia Euwer Wolf, Sonya Sones, and Linda Oatman High and attendees K.A. Holt, Sarah Tregay, and Madeleine Kuderick. There are future verse novelists from that group to watch out for.

Helen Frost, Margarita Engle, Mariko Nagai, Leza Lowitz and Holly Thompson’s books are on my wish list. There are many other verse novels I would love to read. Most of them are for young adults. I read and write mostly for middle grade readers 9-12 so middle grade novels are my first choice of purchase now.

Children’s poetry anthologies aren’t particularly age-specific. All anthologies and books by Lee Bennett Hopkins are great. My children loved You be Good I’ll be Night by Eve Merriam. Talking Like the Rain by X.J. Kennedy and Dorothy Kennedy. My favorite children’s poets are Joyce Sidman, Janet Wong, Helen Frost, Charles Ghigna, Gwendolyn Brooks, Elizabeth Coatsworth.

I enjoy the video interviews that Lee Bennett Hopkins and Renee La Tulippe produce about children’s poets. There are so many wonderful things done for poetry for children. Sylvia Vardell’s blog www.poetryforchildren.com . Poetry Minute for younger readers www.poetryminute.org and Poetry 180 for older readers www.loc.gov/poetry/180

 

Annie Donwerth-Chikamatsu lives in Tokyo, Japan. Her work has been published in Hunger Mountain, Highlights, Highlights High Five, Y.A.R.N., and other magazines. She received a grant from the Highlights Foundation to attend Chautauqua in 2009. Somewhere Among won the 2013 Writers’ League of Texas award in the middle grade category and is her debut novel.

For a chance to win a copy of SOMEWHERE AMONG, please leave a comment below by noon Eastern time on Monday, May 30th. If you tweet about the contest, we can give you an extra entry. Continental U.S. only, please (sorry! It’s the postage!).

Katharine Manning sighed her way through the lovely SOMEWHERE AMONG. She is a middle grade writer of dreamy fantasies and fast-paced soccer books. To see more of her raving about middle grade books, visit Kid Book List. You can also find her at www.katharinemanning.com and on Twitter.

When Traditionally Published Authors Make the Leap to Indie Publishing

CarolI’d like you all to meet my friend and mentor, Carol Gorman. She’s the author of more than 40 books for young readers. Dork in Disguise, originally published by HarperCollins, was nominated for 10 state children’s choice awards and was the winner in 5 of those states. Her books have sold to various book fairs and audiobook companies in the U.S. and to publishers in England, France, Germany, Sweden and Finland.

I first met Carol when I moved from Minnesota to Iowa in 1994. She was what I wanted to be: a published author! I’d published a few magazine stories at that point, but nothing else. I could hardly believe that such an accomplished author would be interested in me. But that’s Carol!

She taught me about Three Act Structure, how to audition for and work with book packagers (which started me on my own career), what to look for in an agent, what to look for in a contract, how to put together a good school visit presentation. Much of what I know about writing and publishing, I can trace back to some conversation I had with Carol.

And now she’s set up shop as an indie publisher. I’m so impressed by all she’s learned and accomplished. So here’s a peak at what it’s like for a successful, traditionally published author to make the leap to indie publishing.

You’ve published many books with traditional publishers. What got you interested in indie publishing?

The experience with my 40 traditionally published books was very stressful for me. I’d hope and pray that an editor would like my manuscript, that I’d get a great cover, that the book would come out when it could get noticed, and that it would stay in print for a long time. So the idea of actually getting some control over these things was very appealing. I could choose and hire my editor, approve the cover art, design or approve the interior, publish the book when it would work in my life, manage my own book launch, and maybe best of all, make sure the book is available as long as I’m alive and interested!

Was it hard to learn how to do this?

Yes. I’m still a novice; I have so much more to learn! Business and sales are not in my natural skill sets. But I hooked up with online and onsite courses in Lincoln City, Oregon taught by Dean Wesley Smith, Kristine Kathryn Rusch, and Allyson Longueira. They taught me the basics and are still teaching me, as I am ready to learn more.

What was the hardest part?

It would have been designing my cover. But I’m realistic and know that I don’t have the talent for that. I’ve seen so many covers that, frankly, look self-published: the 6 x 9-inch cover using a generic photo, no author or book blurbs on the front, amateurish copy, etc. So I’m using a smaller trim size, which is more expensive—printing costs are determined by number of pages—but looks more professional, I think. And I’m hiring artists for the cover illustration and book designs. Claudia McGehee designed the logo for my publishing company, Skylark Lane Press, and I love it. I’m also absolutely thrilled with the illustrations and designs from artist Candace Camling for my Dork novels. She’s interested in doing a lot more of my books, and I’m so happy about that!

Carol's logo

dork cover

I took an online course on interior book design with Dean Wesley Smith and Allyson Longueira which was the best course of any kind I’ve ever taken. I learned enough about InDesign that I can do my book interiors. I know that Joel Friedlander has very reasonably priced print and ebook design templates that many writers use and like. But I didn’t want to be limited to his designs.

What was the easiest?

I don’t think any part of this is easy. But I love it so far! It’s hard work and frustrating, but it’s so gratifying when the book is ready and It looks very good, and I feel confident about the story.

Were there any surprises along the way?

I can’t think of any. I knew I’d have a steep learning curve—or mountain—to climb. I think many people learn these things more easily than I do. People with business acumen, people who have design talent, people who are good at detail work, these people will grasp the minutiae more easily than I have.

Do you think you’ll return to traditional publishing?

No. I don’t want to go back to feeling so helpless. I’ve decided that I’d rather earn less money but have control over the publishing process. I do think, though, that if I learn how to do this right, I should be able to earn a very good living. I’ve started very slowly because of the strain of my husband’s 14-year battle with bone cancer and the grief of losing my sister to breast cancer last summer. It’s hard to focus and learn new things when these crucial life events take over. But over time, I’ll get more books out, I’ll know the steps to take, and I expect the process to become smoother.

Do you have any tips or suggestions for other traditionally published authors who might be considering indie publishing?

Yes. I recommend that you start your own publishing company so that the company name is listed on the copyright page. You want to be an indie publisher, not a “self-published writer.” If you have your own publishing company, it demonstrates that you’re take your writing and your business seriously. You’re going to write and put out a lot of books, not just one or two. (That said, I have to admit that Skylark Lane Press doesn’t yet have a website. That’s the next thing to tackle.) The publisher website can be a part of your website or a separate entity.

Also, take classes from Dean, Kris, and Allyson, and learn everything you can. They hold an on-site 8-day workshop once a year for experienced writers who want to become publishers of their own work. The workshops are tremendously helpful and inspiring. Dean and Kris have written best-selling novels. They’ve had a wealth of experience writing, publishing, and in distribution and promotion, and they like sharing what they’ve learned.

Thanks, Carol, for answering my questions. Please visit Carol’s website to learn more about her and her books.

Dori Hillestad Butler is the author of the Haunted Library series, the Buddy Files series and many other books for middle grade readers. For more information visit her website or look for her on Facebook or Twitter.

 

 

The Drake Equation: Bart King Interview and a Giveaway!

Welcome to From the Mixed Up Files, Bart! We’re happy to have you. Congratulations on the release of The Drake Equation!

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I have to admit that I am such a birdbrain myself that I jumped at the chance to read a book about a bird-watching kid, and to interview you, and to give away a copy of your book to one of our lucky readers. Are you ready? Here we go!

MUF: Did you get the idea for this character because of an interest in birdwatching yourself, or did it come from another place?

Bart: “I love all animals (seriously!), birds included. But while I’m not a birdwatcher myself, I have the greatest respect for birders. They tend to be the most wonderful, civic-minded, polite people among us.

I also love reading. About two years ago, I finished a book about black swifts, and was amazed to learn about this mysterious, rare little bird that nests behind waterfalls. So I imagined a boy-birder (who’s based on my nephew) who thinks he *might* have seen a black swift… and the story took off from there!”

MUF: Love this inspiration, thanks for sharing. And okay, birdwatching… with – um… some strange twists. I’m all about protecting endangered species, so this story spoke to me. I’ve read many books on this topic, but I must say, this is the first one I’ve ever encountered with – erm… yes, well, no spoilers here! But seriously, where did you get this sci-fi birdwatcher mash-up idea, anyway?

Bart: “Well, since we humans are quietly watching birds, why wouldn’t there be other beings that are quietly watching us humans? Maybe they even have field guides on how to best observe us.

And if extraterrestrials really ARE watching us, it’s a little scary thinking about what conclusions they’d draw about our species!”

MUF: Now I’m feeling a little nervous…

Say, I’m always curious about how authors find their writing paths. What made you choose to write for a middle grade audience?

Bart: “The short answer is “teaching.” See, I taught middle school language arts for many years, and reluctant readers were my primary focus. Since I was constantly searching for just the right book for those kids, at some point I thought: “Hey, why don’t I just WRITE one?”

Those reluctant readers have been a terrific motivation for me. I ended up writing a dozen nonfiction titles with them in mind, and now I have a novel that I hope they like, too. :-)”

MUF: How wonderful! I think readers at many places in their reading journey will love it, for sure.

Do you have any other titles in progress right now?

Bart: “Yes! The Drake Equation was conceived with a large story arc with a natural halfway point. That point is where the novel ends. If the story attracts enough readers, then I’ll get a chance to finish the tale I envisioned. (Oh please oh please)

I’ve also just finished a funny novel called Three Weeks to Live (Give or Take). Among other things, it’s a “SickLit” satire about a teen girl named Jackie who nearly gets hit by a meteorite in her PE class. (Her tennis partner is not so lucky.) Jackie finds herself becoming a reluctant celebrity—but she may not be around long enough to enjoy her new status.

Lastly, I’m writing a book of poems about some well-known teenaged franchise characters who must—for the moment—go unnamed. :-)”

MUF: We’ll be watching for those for sure!

And now for one last question. I always have to ask authors about their own reading lives, and books that might interest our readers, so here we go: can you please share a few of your favorite middle grade titles with us?

Bart: “I have a soft spot for funny MG and YA books, but I don’t like to read too many of them. This isn’t because they’re not great (they are). But it’s really intimidating to read other authors in the field, because it’s like, “They’re SO good, who do I think I am? Oh, just forget the whole thing!” 😛

That said, one recent MG book I really liked was Dave Barry’s Worst Class Trip. In a more YA vein, I was very impressed by Patrick Ness’s The Rest of Us Just Live Here.”

Thanks so much for stopping by and sharing with us.

You can find Bart in a variety of places: Website/Facebook/Twitter/Tumblr/Instagram  

Now we’d love to give away a copy of your book, so it’s time for a little fun! I see you’re ready, Bart!

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Often we use Rafflecopter around here to draw a winner. Instead,  I’m going to use an “Alien Landing” to choose the lucky winner of a copy of Bart King’s The Drake Equation.  

To enter: 

Comment on this post by 5 p.m. Pacific Time Thursday, May 12 to enter. I’ll announce the winner on Saturday, by sharing our “Alien Landing” in a bonus post. 

In fourth grade, Valerie Stein touched an ancient artifact from an archaeological dig. Though she never got to travel the world in search of buried treasure, she ended up journeying to new and exciting places between the pages of books. Now she spends her time researching history, in museums and libraries, which is like archaeology but without the dirt. Valerie’s book, The Best of It: A Journal of Life, Love and Dying, was published in 2009.  Both her current work and an upcoming middle grade series are historical fiction set in Washington State. Valerie is Publisher at Homeostasis Press  http://www.homeostasispress.com/index.php, and blogs at Gatherings, the blog of Gather Here: History for Young People https://gather-here-history.squarespace.com/