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Number Crunch: Non-fiction for Math Lovers (and others)

Mixed-Up Files Reader, Michael M. comments:

I’m sure you’ve noted a heightened emphasis in the new Common Core Standards on NF and longer texts beyond articles. It’s particularly challenging, as much of the available NF is not expository pieces with the charts and tables that the CCS requires.  If you have any “go-to” people, that would be huge. Thanks for a great blog and a wonderful resource!

Michael, thanks for the comment and the compliment of our little piece of the blogdom. While I wouldn’t consider myself a “go-to” person, I’m interested in the same topic as a writer, school-based occupational therapist and general research geek. It’s a good thing since I can see from my calendar, it’s a topic I’ll be hearing a lot more about in upcoming professional development meetings. There will be lots of other people trying to figure out the practical implications of the standards and the best resources to implement them. Publisher’s Weekly had a great article about that very subject.

For this post, I searched for non-fiction books about math that included the graphs and charts you referenced in your question. For my needs, I also looked for high interest subject matter that had practical real life applications. I wanted books that did not look like textbooks in any way and were easy to access. I was able to find all of these books at my public library.

For our Mixed-Up fiction lovers (and as a nod to my previous post about book twins), I also included a few examples of fiction that reference math concepts. Hopefully MUF readers will add to the list in the comments below. Don’t worry, Michael, we’ve heard your plea and will include more non-fiction book lists and references in the future.

Tiger Math by Ann Whitehead Nagada; Cindy Bickel
Children learn to graph as they follow the growth of an orphaned Siberian tiger cub.

A Siberian tiger cub born at the Denver Zoo is orphaned when he is just a few weeks old. At first T. J. refuses to eat his new food, and it requires the full attention of the zoo staff to ensure that he grows into a huge, beautiful, and very healthy tiger.

Through photographs, narrative, and graphs, young readers follow T.J. as he grows from a tiny newborn into a five-hundred-pound adult. A heartwarming story about one tiger’s fight for survival that also introduces a basic math skill. (descriptions and cover photos from Indiebound unless otherwise noted.)

Joanne’s comments:  This is part of a series that includes books by the same authors including Panda Math, Chimp Math and Polar Bear Math. The right side pages follow the story of the animals. The left side pages include the math concepts such as charting growth patterns, figuring out how much food the animal needs, the feeding schedule etc.  The math concepts in the series include time, division,  graphing and fractions.

Growing Money by Gail Karlitz
Never before has there been a time when the economy has been so much a part of our daily lives. Today’s young investors want to know the basics of finance, especially how to make money grow. This complete guide explains in kid-friendly terms all about savings accounts, bonds, stocks, and even mutual funds!

Joanne’s comments: Money is motivating for most kids and this book is a great resource with lots of interesting information and facts.  Charts and tables are sprinkled throughout including comparing the cost of everyday items in the past to current prices and demonstrating the effect of interest on savings.


The Big Push: How Popular Culture is Always Selling by Erika Wittekind

Buyer beware! Why do you really buy what you buy? Did you see a commercial for a cool mountain bike? Did your favorite celebrity wear a fantastic pair of shoes on the red carpet? Learn how products are advertised using all types of media. And be aware of popular cultures influence on consumers including you! (description from Amazon.com)

Joanne’s comments: I am  veering a bit off topic here, but I found this book when I was looking at books about money. I thought it was fresh, relevant and was something that many kids could relate to. The charts and graphs were not plentiful but were interesting. The book was targeted toward the tween age group. Being a smart consumer is another aspect of managing one’s money and is definitely a needed life skill, so I believe it meets my criteria for this list.

Basketball: The Math of the Game by Thomas Kristian Adamson

How far is it from the three point line to the basket? What is the difference in diameter between a basketball and the rim? How do you calculate a basketball players field goal percentage? With every bounce of the ball and swish of the net, math makes its way to the court! (description from Amazon.com)

Joanne’s comments: This book is part of a Sports Illustrated for Kids series including other books featuring baseball, hockey and football.  I read Football: The Math of the Game by Shane Frederick and was pleasantly surprised at the level of difficulty of the math–definitely upper middle grade math including pre-algebra, mean, median, mode and range and calculating momentum. It has the familiar glossy magazine format with lots of photos, but there is a solid amount of text, tons of graphs and math problems based on real football situations.  Another example is the  Sports Math Series by Ian Mahaney including  Read more

A Moving Experience

I’m happy to be settling virtually into the Mixed Up Files clubhouse, and settling physically into my family’s new home in rural New England. While boxing and unboxing all my worldly possessions, I’ve given a lot of thought to “moving experiences” in literature. Authors most often use relocation as a plot device, but it can also highlight a book’s theme, demonstrate character traits, or show an aspect of the setting.

Plot Moves:

This is the most straightforward example. Typically there’s a character who encounters a new kid in class, or is a new kid in class, or has to deal with a friend or family member moving away. The move might be permanent, like Pip moving to London with great expectations, or it might be temporary, like Alice’s visit to Wonderland. The important thing is that if Alice decides not to follow the White Rabbit, the entire rest of the story fails to take place. The character’s move is what moves the plot.

Thematic Moves:

Into the woodsC.S. Lewis’s The Lion, The Witch, and the Wardrobe features a group of siblings who are relocated to the countryside during the WWII bombing of London. They then discover a magical gateway and move again, this time into the land of Narnia. That second move is necessary to the plot, but what about the first? Wouldn’t this story have worked just as well if it had been otherwise unchanged but instead had the siblings discover a portal in their own long-familiar London home?

Lewis used the initial move to introduce a theme and ratchet up the tension. These kids, moved from bomb-battered London to a seemingly safe environment, suddenly find themselves in more danger than ever. Out of the frying pan, into the fire. The move has created ironic tension, because the pastoral countryside is not the sanctuary it was made out to be. The themes of danger and safety are integral to the book and make the story more impactful.

Character-Revealing Moves:

The Westing Game by Ellen Raskin presents a group of unlikely characters who compete to solve a mystery and earn the inheritance of a wealthy eccentric. At the start of the book, every one of these future contestants moves into the same apartment complex, which makes it possible to tell the story in a compact space. It’s a practical move, necessary to the plot, but it also spotlights the manipulative nature and social engineering skills of Sam Westing as he entices all of these people to uproot their previous lives even before the contest and its stakes have been introduced. If any of those families had decided to stay put instead, the entire intricate plot would have begun to unravel. By the end of the book, we see exactly how manipulative Westing has been, but it all starts with that big collective move.

A World-Building Move:

Harry Potter's luggage tagConsider the Harry Potter series, in which Harry moves from his uncle and aunt’s house to Hogwarts for each school year and back again for the summer. In his first year, Harry moves twice. First, he moves to a part of the wizarding world that’s a single semi-permeable wall away from the world we live in. From there, Harry and the other first-year students move by train to the pure magic of Hogwarts, which is as far removed from the muggle world as one can get. Most of the characters who make a similar double-move are muggle-born, like Hermione. Others who are native to the wizarding world only have to move once, like Ron and Draco. Every student is in for a magical year of new experiences, but readers have been introduced to a caste system that plays out more and more in later books.

How else have you seen a move used in your favorite books? Let me know in the comments, and thanks to everyone who helped me move my words onto this blog.

The Three Biggest Mistakes Authors Make on School Tours

As a teacher, I spend 180 days a year with tweens and teens. I’ve observed students in many teaching scenarios, including while other adults (guest authors or newbie teachers) tried instructing or entertaining them. The sessions that tend to bore the kids and stress out the presenter fall prey to three mistakes—all of which come from not understanding the audience.

Teaching or presenting to tweens and teens can be an intimidating task. After all, kids can be honest—i.e., brutal—about whether they like your book, subject matter, or you, and/or are often noticeably uninterested in what adults try to share with them. As a veteran teacher, I mentor new teachers and student teachers who have some of the same fears authors bring along when entering the classroom or auditorium. The advice in the post is the same advice new teachers get. Even when an author may have some background experience working with large groups of kids, it’s important to note that no author’s presentation—just like no curriculum lesson—will ever go off perfectly or exactly the same each time; this is because each group of students is different. So in order to ensure that luck is on your side more often than not, you can prepare each presentation based on the needs of the audience rather than the topic.

There are three things to keep in mind any time you’re teaching or presenting to kids or teens—three big mistakes not to make:

Mistake 1: Thinking It’s About You/Your Book

But wait, didn’t the librarian or that teacher invite you to come to the school because their students love your book or they’re going to love your book? And don’t you have this great activity that will help    students learn the craft of writing or what makes compelling characters? This all may be true, but you need to remember that with tweens and teens, the entire world revolves around them—not you. (Unless you’re J.K. Rowling; but even then only some kids are persistently orbiting the Potter Universe.) There are likely to be students in attendance who are reluctant readers, who haven’t heard of you, or aren’t thrilled about your genre. So you have to do the heavy lifting: you need to figure out a way to make what you’re presenting seem connected to them and their world, to make it relevant for them. For example, when I teach junior high students about the elements of fiction each fall, I start with movies, not novels or short stories. Why? Because I know all of my students watched one if not one hundred movies over the summer. Movies are what the majority of them know and are passionate about when it comes to their experiences with “story.” When discussing fiction genres, we talk about music genres. When discussing conflict, we talk about sports and teams. Help the kids see that what they care about is actually connected to what you’re trying to explore with them, thus making it relevant. Figuring out how the content of your presentation relates to something teens already    care about will get them involved—which does wonders for author anxiety and your success in school tours.

Mistake 2:    Failure to Ask Questions

One of the best ways to get kids and teens involved and to help them make connections with your content is to ask them questions. There might be some trial-and-error on your part as you experiment with the right questions to ask, but teaching and presenting are just like writing: it takes practice to do them well, and that includes learning from previous attempts. Use both closed and opened-ended questions (yes/no answers and opinion-based answers, respectively). For example, recently I went to hear two of my author friends present at a library. In part of the program, they talked about books they were forced to read in school. One of them asked the simple question, “Anyone here ever been force to read a book they didn’t like?” Then he paused as many hands from the audience flew up, tightening the kids’ connection with the presenters. Later, as the duo started discussing heroes, they asked the group of tweens and teens “what makes a hero” and then took three to five minutes and let the audience do the teaching. From my seat in the back, I could see how engaged and attentive the kids were. Most of them had never read either of these authors’ books, but because the authors brought the kids into the presentation, their audience was hooked.

Mistake 3: Forgetting to Mix It Up

Remember that kids have limited attention spans. Each of us can focus on a task or subject for only a limited amount of time before our minds wander and we become distracted. I’ve even heard that companies like 3M and Google dedicate something like 15% of the employee workday to free time—knowing that employee concentration suffers otherwise. For tweens and teens, the magic number is also fifteen—ten to fifteen minutes, that is. Every ten to fifteen minutes you want to switch topics, move to a new activity, or change your instructional approach from lecture to discussion or from discussion to something hands-on, etc. Whatever you’re doing, figure out a way to break up your gig into ten-to-fifteen-minute segments.

Now it’s time to practice what I preach. You’re blog reading attention span is almost up. I hope these ideas help. Let me know what’s worked for you in reaching your audience. As a teacher and writer, I love to teach and I love to learn—everyone can improve their craft.

Bruce Eschler teaches junior high school students most of the year, writes speculative fiction for kids as much he can, and is hoping he’ll soon be done with his pesky doctoral program. He has occasionally been spotted at www.bruceeschler.com.