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Flawed Characters

Recently I read a news article about the growing trend of plastic surgery. I know, in this day and age, it seems like everyone’s been Botoxed, air-brushed and made over until unrecognizable (hello, “Real” Housewives!). But what really caught my eye was this had nothing to do with Hollywood.

It was about kids. As in, the rise of younger and younger children going under to knife to fix their “flaws.” And right there on the page was a before and after picture of the cutest little girl, maybe eight years old. And, quite frankly, I had to actually read the article to find out what was “wrong” with her in the before shot. Because I just couldn’t see it. Seriously. (As it turned out, it was her ears, which stuck out and caused her to be teased when she put her hair in a bun for dance class.)

(Now, before this turns into a debate about parenting and such — let me just say I’m a mother and I know how hard it is. I’m not looking to pass judgement on this girl’s parents, who were trying to spare their child the pain of being picked on. I get it. I really do. After all, I STILL remember the middle school classmate who told me I could “be a model”… if I just “had a different nose.” Yeah, if my parents had let me get a nose job, I probably would’ve knocked myself out and hopped on the operating table right then and there.)

That said, the whole article just made me a little sad.

Because here’s the thing I learned as I grew up (and into my nose) — people are more interesting not in spite of their “flaws,” but because of them. And this goes for fictional characters, too (see, I was getting to a point about writing, really!). And by characters with flaws, I don’t mean the ones who are utterly perfect… (except for being clutzy/ditzy/too tall, etc.). I’m talking about perfectly imperfect characters. The ones with complex motivations, the perhaps not-so-perfect looking ones. The ones that make bad decisions and fall on their faces.

Severus Snape via wikipedia

A perfect example:  Severus Snape.

Snape has to be one of my favorite flawed — make that just plain favorite — characters in all of children’s literature. He’s surly and seemingly self-serving, not the most attractive guy in the room or even very pleasant to be around. But that made it all the more moving when his true motivations were revealed at the end of Deathly Hallows. I’ll admit, I choked up (especially at the movie — man, that Alan Rickman!). But the whole final scene would have had so much less impact if Snape had been less, well — Snape-ish. I can’t imagine a conventionally handsome Snape (George Clooney — ummm, no). Or one that was kind of tough with his students but really awesome in every other way. It just wouldn’t work.

In fact, flawless doesn’t work with any character — whether the hero or anti-hero. We all have flaws. Quirks. Things that make us who we are. And as I write this, I think maybe “flawed” isn’t quite the right word. Complicated, maybe. Human. Real. I mean, who wants to live in a world — or read a book — where everyone is exactly the same. Where everyone has been scrubbed down, airbrushed and made over until unrecognizable. There’s plenty of that on magazine covers. And as our kids find themselves surrounded more and more by unreal images of “perfection,” what better place to escape TO reality than in a good book?

So I say, let’s hear it for the not-so-perfect noses, the complex histories, the layers of good and bad that make us unique — the stories that remind us it’s cool to be different.

And let’s hear from you! Who are some of your favorite complex characters and why? And how do you go about writing characters that are more than just one-dimensional? Tell me in the comments below!

Jan Gangsei is glad no one ever let her “fix” her Jennifer Grey nose because she really likes it now. She also credits it with helping her develop a sense of humor (and the ability to detect gas leaks before anyone else in the house). 

 

ICE DOGS: An Interview with Terry Lynn Johnson

Terry Lynn Johnson

Today I have the privilege of introducing author Terry Lynn Johnson and her new MG novel, ICE DOGS. Terry is a conservation officer in Whitefish Falls, Ontario, Canada, and her love of the great outdoors shines through her novels as well. She is also an experienced musher, so for anyone interested in dog sledding, this book is a must read.

A description of the book:

Pre-order a copy today by clicking on the image above

Lost. That’s how fourteen-year-old dogsledder Victoria Secord has felt ever since her father died. A champion musher, Victoria is independent, self-reliant, and thanks to her father, an expert in surviving the unforgiving Alaskan bush. When an injured “city boy” and a snowstorm catch Victoria and her dog team by surprise, a routine trip becomes a life-or-death trek through the frozen wilderness. As temperatures drop and food stores run out, Victoria must find a way to save them all in this high-stakes, high-adventure middle grade novel of endurance, hope, and finding your way back home.

If you are the visual type, watch the amazing trailer (which is just as awesome as the book):

Welcome to From the Mixed-Up Files, Terry! I am so excited to talk with you today about both your book and your own experiences with dog sledding!

First of all, I have to ask, what kinds of things do you do as a conservation officer in Canada? That sounds like a fascinating job!

A Conservation Officer is sometimes called a Game Warden in the States. I work outdoors enforcing Ontario’s natural resources legislation. I go on patrols in boats, canoes, snow machines, airplanes, ATV’s, and by truck. It’s a very diverse job, one day I could be tranquilizing bears, the next collecting DNA from a moose kill site.

Wow. I can see why you write about the wilderness, since you get to experience it up close every day.  Is there anything in your book, ICE DOGS, that was based on your job or your own mushing experiences?  Did you have to do a lot of book research as well?

Most of the events in the story I have had personal experience with. I don’t want to give spoilers here – but honestly, some of those experiences I’d rather not have had! One thing I did specifically for the story was drink twig tea and chew on the inner bark of trees. I also forced my husband to do it with me so I can watch his reaction. He’s a good sport.

That twig tea and bark chew sounds disgusting. I’m glad I only have to experience it through your writing. I also loved experiencing Victoria’s special relationship with her dogs, particularly her lead dog, Bean. Can you share with us some of your experiences with your team?

Most of the moments that stick in my mind involve just being with the dogs. My dogs were such characters and fun to watch as they learned. Seeing them think and respond to problems we came across on the trails, that was the best part for me. And I’ll never forget those quiet morning runs – the sled skimming hard trails, being surrounded by hoar frost-covered branches that sparkled like diamonds as the sun rose. Those mornings fill up my soul.

I love your vivid description of the winter wilderness. Your book is full of them, too. I especially loved the way you described the snow and its effect on the surroundings (and the people and animals, too). Any advice for the writers out there on ways to capture the setting in your writing?

An early version of Ice Dogs went out to agents and the feedback I got from one agent suggested that setting is a character and this story would benefit from a little more description and layers. That turned out to be great advice because after I revised, I found my agent Caryn Wiseman from ABLA. How to do it? What works for me every time is to go snowshoeing. Whenever I have trouble with a manuscript, that always seems to bring me back to centre. Though, that might not work for everyone. I’ve heard some writers think of their best scenes in the shower.

It’s clear you spend a lot of time outdoors! Have you ever been lost while mushing?

I did get lost one day for a few hours in heavy snow. This is the experience that my premise came from for the book. For me, my lead dog knew the way at a fork in the trail, and I trusted him. For Victoria, unfortunately she must go through the situation of what could have happened…

And I know your readers will love going on the adventure with Victoria. (I did.)  To be honest, reading your book made me me want to take up dog sledding.  Do you have any advice for those who are interested in learning more about mushing and wilderness survival training?

Outward Bound is a good place to start. I used to run dogs with them, so I know the quality of their instructors. They teach winter survival, take you out on trips, and have fun doing it. Another fantastic place to research dogsledding opportunities in your area is www.sleddogcentral.com.

Thank you so much for coming on the blog and sharing your experiences and your book, Terry!

And don’t forget, ICE DOGS will be releasing February 4th, so add it to your wish list now. Readers, as a special bonus, Terry is offering an autographed hardcover copy of her book, ICE DOGS, as well as some matching doggy bag swag! Enter below for a chance to be the lucky winner. The winner will be announced on January 30, 2014.

a Rafflecopter giveaway

Elissa Cruz is currently experiencing the snow in her own home state of Utah. She is not a fan of the cold. You can learn more about her than you ever wanted to by visiting her website at www.elissacruz.com.

 

Why It’s Okay to Judge

                   

With the ALA Youth Media award announcements just a little under a week away, I can’t help reflect over my own experiences this past year as a part of the Asian-Pacific American Library Association (APALA) Children’s Literary Awards committee, as well as an adjudicator for the Scholastic Art & Writing Awards. Now while I can’t share the exact details, I’d like to talk about what these activities meant for me as a writer. I’m also hoping that for those of you who might find yourself in the position of being on such a committee, to take the plunge! Not only will you learn so much, but you will be a better writer for it. Here are some of the simple but significant reasons I discovered for myself this year.

BUILDING YOUR READING MUSCLE

I’m one of those writers that finds it hard to make time for reading. But I finally decided to do something about it. When I joined APALA, I saw an opportunity to join the 2014 Children’s Literature Awards committee, and I pounced on it. This meant I had read anywhere from 15-20 middle-grade novels with Asian/Pacific-American themes, published in 2013. Not just read, but discuss them with the rest of the committee, to select the award-winning title that held the highest literary merit in depicting the Asian/Pacific-American experience.

Reading that many books in a short time really forced me to get to the end of a book, no matter what. The more often I did it, the easier it became. It was in short, a mental exercise for my brain.

As an adjudicator for the Scholastic Awards, I had to read through much shorter pieces (1000-3000 words) – but several over one weekend. That helped to build my reading muscle in a different way – and teach me to recognize patterns of writing from work to work. In fact, reading several works that share an element in common (i.e. the Asian-Pacific-American experience, or works all written by teenagers) taught me to spot similar motifs as well as unique ones. Which brings me to the next section.

SEEN-THAT-DONE-THAT VERSUS THE TRULY UNIQUE

There is nothing like reading a high volume of material to train you to recognize story ideas that are repeated – the best friend sidekick, the insatiable zombie, the nagging parent. And when you see these ideas repeated in different ways, you learn to recognize them in your own work – and avoid them.

On the flip side, you will come across some a startlingly beautiful piece of writing – a premise you might have never quite seen before, and as you keep reading, the best discovery of all – you are surprised. Not only that, you are happy you are surprised, and suddenly you keep reading with your breath held because it’s the same feeling you have if think you’ve discovered something no one else does, that you’ve been let in on some delicious secret. I think we have all experienced this feeling when we read that special book that moves us outside our own experiences, and stays with us even after we close the covers. As an evaluator, this discovery feels especially sweet.

FALLING IN LOVE WITH SOMEONE ELSE’S WORK

When you come across that rare piece of beautiful writing, when you find yourself not just surprised and happy, but moved, it’s the greatest feeling in the world –like falling in love. It’s a kind of love that’s loyal and fierce, and that prepares you to champion this piece to the end so it receives the recognition it deserves.

This type of love – I don’t know if it serves any writerly purpose from a craft perspective. But it’s a love that fills us in other ways, when we love something beautiful and true and authentic, and suddenly the whole purpose of writing becomes brighter for us. At least it did for me. Reading something that sweeps you off your feet is the greatest affirmation that you are doing exactly the kind of vocation you should be doing.

 DISCOVERING THE WRITER YOU WANT TO BE

At the end of the day, the best part of reading such a wide and varied range of writing – funny or dark, historical or contemporary, high stakes or quiet tension, plot or character – is that you discover or confirm the kind of writing you want to write. You might see yourself aligned with a new group of writers, or you might be nodding quietly to yourself: yes, I really am a fantasy writer after all.

Most of all, reading many titles at a time is a fantastic way to take yourself out of your own writing, and your own comfort zone. The best part is that you don’t even have to be an evaluator to do this, you just have to be a reader. What gives me satisfaction at the end of my experiences is knowing that not only have I grown as a reader and writer, but that my contribution has been a part of a writer’s recognition, and that I am person along the way to light the journey for them.

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Sheela Chari is the author of VANISHED, which was awarded the 2012 Children’s Literature Honor Award by APALA. She served on the APALA’s Children’s Literary Awards committee for 2013. Stay tuned for the announcements of this year’s winners at the end of this month, following the ALA awards announcements. Medal winners for the Scholastic Art and Writing Awards will be notified in March, followed by an awards ceremony in June.