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Big River’s Daughter

Like historical fiction? Like adventure? You’re in luck! Here comes

big rivers

Bobbi told MUF: 

 

David McCullough, two-time Pulitzer Prize winner for his historical creative nonfiction, wrote, “We are raising a generation of young Americans who are by and large historically illiterate…We have to know who we were if we’re to know who we are and where we’re headed…If you don’t care about it –if you’ve inherited some great fortune, you don’t even know that it’s a great work of art and you’re not interested in it – you’re going to lose it…”  History is literature, he says. And our history  is full of amazing stories.  The American frontier is the most significant event in our history. While everyone is familiar with the wild west and its hallmark character, the cowboy, the frontier began when the English colonial settled here in the early 17th century and ended when the last of the mainland territories became states in the early 20th century. The frontier is that archetypal symbol that designates the wild area beyond the edge of civilized life.  It’s that ‘other’ place where anything can happen.

In 1811, the frontier was the mighty Mississippi River, the land of the bayou, a mythic watery way where giant snakes and weird lizards hunted the unsuspected. It was the rough and tumble place full of outlaws and pirates,  the hiding place of Jean Laffite and his brother Pierre. The Brothers Laffites were heroes of the Battle of New Orleans, plundering British and Spanish ships for anything they could sell, including slaves. At one point, they were the most powerful buccaneers of the Caribbean. It was the time and place where the young United States finally came into her own.

In December 1811, a series of earthquakes shook the Mississippi  River basin. Three of these earthquakes would have measured at magnitude of 8.0 on the modern-day Richter scale. Six others would have measured between 7.0 and 7.5. The quakes were felt as far away as Canada. It shook so hard, it forced the Mississippi River to run backwards, changing the very landscape. It also sets into motion River’s story.

My first novel, Big River’s Daughter,  is a historical American fantasy released in April 2013 by Holiday House. Raised by her pirate father on a Mississippi keeler, River is a half-feral river rat and proud of it. When her powerful father disappears in the great earthquake of 1811, she is on the run from buccaneers, including Jean Laffite, who hope to claim her father’s territory and his buried treasure. But the ruthless rivals do not count on getting a run for their money from a plucky slip of a girl determined to find her place in the new order. Filled with down-home humor, raucous hijinks, and one-of-a-kind characters, this historical novel captures the Mississippi River at a time when its denizens were as untamed as its waters. In fact, you can read my article on American fantasy, and Big River’s Daughter, at: http://www.childrensliteraturenetwork.org/blog/radar/?p=827

For a wonderful educator’s guide on how to use Big River’s Daughter in the classroom, see: http://www.holidayhouse.com/docs/Big_Rivers_Daughter.pdf

For an interesting conversation by many experts in the writing and illustrating field on historical fiction , see “Why is Historical Fiction Important?” posted on  Children’s Literature Network: http://www.childrensliteraturenetwork.org/blog/radar/

Thanks, Bobbi! As River would say, “Who-op!”

Bobbi is giving away two copies of her book. You must reside in the U.S. or Canada to be eligible. Please leave a comment below!

 

Secrets of Super-Productive Writers

Every year, my husband takes the kids camping for a week in early August.  Since I’m a fan of indoor plumbing and beds, I opt out of the camping. Instead, I take a solitary week at home as a writing retreat. Unfortunately, I’m never as productive as I’d like to be. I see writer friends posting 5,000—or 8,000—or even 11,000 word days on Facebook or Twitter and I wonder how these people manage to crank out so many words.

Since my writing retreat was coming up, I asked them for their secrets, and many were kind enough to share them.

blurry hands

Write so fast your hands get blurry!

Shannon Delany has been known to write 11,000 words in a day. She taught me about word sprints—15 minutes of uninterrupted writing, followed by a five minute break, and then ten more minutes of writing. I found that I could write 700 words in a 30 minute sprint, which is huge for me. In my case, sprints are most effective with an online check-in buddy. You can post a Facebook status update at the start, and folks can check in using the comments.

Shannon says that “word sprints are a great way to push past your pesky internal editor (you know, that nagging voice that questions everything from plot to word choice?) and get some words down. Some people feel intimidated by the blank page, but a ten minute word sprint will give you an odd sense of accomplishment and help you build momentum with the rest of your writing. It’s all about leaping in and going wherever your characters or story will take you….The main idea is that you outrun your internal editor, find some diamonds among the mess of words you’re writing and then revise to make everything shine.”

 

Last month, Shawn McGuire wrote 29,958 words in a week. She wrote up a bulleted list of things that helped her accomplish this impressive feat. She wrote to me, “Honestly, the two things that make the biggest difference for me are turning off the internal editor – just get the words on the page – and noise-cancelling headphones! Blocking out the real world and being able to slip into my character’s is huge. This works for me even if I only have an hour or so.”

Shawn recommends this page  on Molly Cochran’s site and this blog post  by Rachel Aaron, who routinely writes 10,000 (not a typo) words a day.

 

 Janet FoxJanet Fox says she can write up to 5,000 words a day when she’s “on a roll.” Here are some of her tips:

“First of all, although I don’t create outlines, I write down a very short punchlist of key words. I know what they mean; they give me direction without imprisoning me.

Secondly, I don’t judge the writing as I go. I shut down the internal editor and just let fly. This means that I may have to axe a bunch, but I’ve discovered that, most of the time, I’m on the right track and even find new and unexpected paths through scenes.

And finally, while I allow myself breaks to check the internet, make a cup of coffee, do the laundry, and (most important) take a walk, they are short breaks only, and few. I don’t give myself any real time off until those several thousand words at least are done.”

 

Laurie J. Edwards  told me, “The first thing I learned was to turn off the Internet. I didn’t realize how often that distracted me until I no longer clicked on it. I also tried Candace Haven’s Fast Draft online class.” Like Shawn McGuire, Laurie found motivation in Rachel Aaron’s blog. “I’ve found that if I’m motivated, I can write 5000 words in about 3.5 hours. . . Next I downloaded Write or Die. You have to keep typing your novel into this app or face consequences. . . . I haven’t been brave enough to try the kamikaze consequences, though, where your writing completely disappears if you don’t make your writing goals.”

Sarah Prineas

 

Last winter, Sarah Prineas wrote 85,000 words in five weeks. She said “it was a fun, whirlwind time.” When I asked Sarah about her method, she said this:

“I don’t follow any writing rules or pay attention to tips or anything like that.  Often I’ll go for two weeks or more without writing, or just tinkering, and then things will start coming together, a story gets its teeth into me and doesn’t let go.  The trick then is to go with it.  When that happens I work probably 12 hours a day, wake up at night with ideas, neglect my family, send out for pizza, drink a lot of coffee, and post giddy tweets about wordcount . . . I couldn’t tell you how I did it, it just sort-of happened.”

So there you have it. Sometimes there is a method, and sometimes it’s just madness.

Share your own productivity tips in the comments!

 

Jacqueline Houtman’s debut middle-grade novel is called The Reinvention of Edison Thomas.  In case you were wondering how her week went, she’s pleased to say that she finished the first draft of a novel and wrote over 10,000 words in a week.