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Indie Spotlight: When Pigs Fly

By on January 31, 2014   /   Book Lists, Indie Spotlight  

FP Store front OPEN

Children’s book fans are in for a treat this month as we chat with Elizabeth Bluemle, co-founder of the fabled Flying Pig Bookstore (www.flyingpigbooks.com) in Shelburne VT.

Sue Cowing for Mixed-up Files: Your book shop is rated tops by children’s book lovers and authors all over the country. What, do you think, makes the Flying Pig fly so high?
Elizabeth: Thanks so much for the compliment! We love books, of course, and the people who make them, and I think that shows. We also respect and get a kick out of kid readers of all ages, and I hope that shows, too. We are also incredibly lucky to have a great staff of friendly, knowledgeable, helpful booksellers.Flying Pig painting

MUF: How did the Flying Pig come to be?
Elizabeth: Josie Leavitt and I  met in New York, where we worked  for Literacy Volunteers of NYC. Josie had a high school English teaching degree from Columbia Teachers College, and I had my master’s in elementary education from Bank Street. We moved to Vermont planning to teach and write, but then a little storefront became available in our tiny town. The nearest bookstore was 45 minutes away, and we got a bug to open one. The next two and half months were spent in a fever of preparation; we divided and conquered, and in November of 1996, we opened our doors with 6,500 books and big, exhausted smiles. Ten years later, we moved to a larger space in the next town, and now have about 28,000 books on hand in this location (Shelburne, VT), where we’ve been for seven years. (Readers can learn more about our beginnings in this Horn Book article.)Elizabeth and Josie

MUF: Describe the atmosphere of your shop.
Elizabeth:What we strive for is a charming, chock-full but restfully organized, cheerful space with friendly booksellers who are helpful when help is desired but don’t hover about the patrons. There’s a lot of laughter in the store, as well as enthusiastic book recommending, and we often hear from people that they like to come in when they’ve had a hard day. That’s such a lovely thing to hear. What I hope is that we create an environment where all people feel welcome, and where all kids — even and especially those who think of themselves as reluctant readers — know they can find a relaxed place to discover books they really will love.FP aisles with hearts

MUF:  “Restfully organized”—what a great phrase.  How do you choose what books to carry in your shop?
Elizabeth:We read and we talk. We read reviews, we read advance copies of books that publishers generously send out ahead of publication, we talk to publishers’ sales reps (a well-read sales rep who also understands the store’s ‘slant’ is a treasure!) and we share recommendations with fellow booksellers. One resource I have loved for years is the NECBA Review Project, a biannual collection of book reviews written by New England Children’s Booksellers Association members. It is enormously helpful for flagging titles that might have flown under our radar. And, we also learn about great books from customers.  As for choosing what actually ends up on our shelves, well, that’s art and science combined. We choose what we personally love, and we pay attention to what our customers request and order. We use bestseller lists, especially the New England Bestseller list, which is more in line with our readership, as well as NPR and New York Times Book Review recommendations. We also look at what our bookstore compatriots are selling in order to pick up promising titles we may have missed.Every indie bookstore has its personality and flavor. screenshot_1233It’s one of the joys of owning a store. I can stock some quirky title I love that no one’s ever heard of and keep it on the shelf forever if I want to. Now, if I don’t sell it, that’s not good business, so of course I have to remember to recommend those little gems to customers. The bookstore selection is also heavily influenced by its staff; our adult poetry sales skyrocketed 600% when one staffer started working here. And the demographics and regional tastes of the customers who live near the bookstore have a huge effect, too. One town might have a lot more readers asking for classic literature than another. But I do believe that most readers are flexible and will try just about anything recommended thoughtfully and enthusiastically by a trusted source.

MUF: If an 11-year old comes into the Flying Pig and asks for “a good book,” what happens?
Elizabeth: Oooh, while I love YA books, middle grade is my sweet spot. The books that formed me as a human being were mostly the ones I read between 6 and 12. Is that true? Let’s just say that those books were indeed formative, and beloved. So when an eleven-year-old comes in asking for a good book, I ask them for a few titles they’ve loved recently, I ask what kind of reading mood they think they’re in, trying to gauge whether they want adventure, a mystery, something spooky, sad, a cozy book, a book to make them laugh, a book that shows them a whole new world, a book that sweeps them away to another time or place in history, etc. Where the Mountain Meets the MoonOnce I have a sense of the reader’s range of tastes and current mood, I’ll booktalk five or six titles (sometimes more, sometimes less, depending on the situation) so that they have a nice little stack to choose from. I shoot for plenty of options without being overwhelming — so sometimes that means I only show two or three books to kids who have a hard time with too many choices.
The whole experience is a conversation, so my ideas about what to recommend often change as I go, based on the reactions my booktalks receive in the moment. While kids are generally open to many kinds of books, they often also have some intolerances, usually temporary but very definite. For instance, a few kids just will NOT read books that don’t seem contemporary. Others are allergic to any hint of romance. Some hate talking animals. Part of the great joy of matching books to readers is trying to find the right book at the right time, while perhaps also broadening a child’s notion of what he or she likes.Fortunately the milk

MUF: What nonfiction and fiction titles, new and old, do you find yourselves recommending to middle-grade readers these Lost Children of the Far Islandsdays?
Elizabeth: We recommend everything from old, old favorites like Understood Betsy, The Saturdays, and Swallows and Amazons, to more recent favorites like Grace Lin’s Where the Mountain Meets the Moon, Gordon Korman’s Swindle, and Rebecca Stead’s Where You Reach Me, to books that were published yesterday. So many books, to so many readers! For recent books, we’ve been on fire with Neil Gaiman’s Fortunately, the Milk, Cynthia Kadohata’s The Thing About Luck, and Kate DiCamillo’s Flora & Ulysses. Nonfiction hits have included The Dolphins of Shark Bay by Pamela S. Turner and Locomotive by Brian Floca. Dolphins of Shark BayPig-talesFor a great sense of what we have been featuring in the store, here’s a link to our most recent newsletter, Pig-Tales, which rounds up many of our favorite books from 2013. There are scads of recent favorites in it, and we are feeling very pleased for having included so many books that ended up winning awards!

MUF:Who are some middle grade authors you have hosted at Flying Pig?
Elizabeth: We’ve been so lucky with our guests! We’ve hosted so many fantastic writers, including Norton Juster, Kate DiCamillo, Christopher Paul Curtis, Katherine Paterson, Laurie Halse Anderson, Shannon Hale, Annie Barrows, Lois Lowry, Cynthia Lord, Grace Lin, Linda Sue Park, Kate Messner, Linda Urban, Rebecca Rupp, Jarrett J. Krosoczka, Phoebe Stone, Brandon Mull, Catherine Jinx, Matt Myklusch, “Erin Hunter,” Tom Angleberger, and so many, many more. It’s a wonderful field we’re in, isn’t it?FP thank you note

MUF: Any special events coming up at your shop that will be of interest to kids in this age group?
Elizabeth:  We are nailing down dates as we speak. One of the most exciting events we have coming up is the launch party for a debut novel by our very first employee, Emily Raabe, whose Lost Children of the Far Islands is coming out from Knopf in April. We also can’t wait for warmer weather to host some “Survivor”-esque games with Chris Tebbetts, co-author (with Jeff Probst) of the Stranded series. Cecil Castellucci may be paying us a visit, as well as Sarah Albee, Erica Perl, and lots of others. Stay tuned to our website and Facebook page for events as they unfold. I have to say, writing these answers has made me want to plan a whole bunch of middle grade events!

Sheburne Farms

Sleigh ride at Shelburne Farms

MUF: If a family visited your shop from out of town, would there be family-friendly places nearby to get a bite to eat after browsing? And if they could spend all day or more in Shelburne, are there other unique attractions they should be sure not miss?
Elizabeth: Shelburne is one of Vermont’s most-visited towns, because of the extraordinary indoor-outdoor Shelburne Museum (now open year-round), Shelburne Farms, and the Vermont Teddy Bear Factory, all within a couple of miles of the store. Families can get a tasty bite to eat right next door to the bookstore at the Next Door Bakery and Cafe or at Rustic Roots or Harrington’s up the road, as well as delicious hot drinks, wine, and baked goods across the street at Village Wine and Coffee. We’re also just a few doors down from the wonderful Shelburne Country Store. That’s just the tip of the iceberg, really. There’s a LOT to see, do, and eat in Shelburne!

Thanks, Elizabeth, for sharing  some of the thoughts behind the children’s book gem you and Josie have created at Flying Pig.  Readers, if you have visited this shop or think you would like to, please leave a comment.  And if you live close by, why not drop in —especially if you’ve had a hard day!

Sue Cowing is the author of the puppet-and-boy novel You Will Call Me Drog (Carolrhoda 2011, Usborne UK 2012).

 

 

 

 

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When not to recommend a book

By on January 29, 2014   /   For Librarians, For Parents  

A dad I know searched used book stores and sites until he came across the book he thought would be perfect for his nine-year-old son. No matter that it had been out of print since 1985; the dad himself could vouch for its power since it had been his favorite book – in 1979.

That particular book will remain unnamed here. It’s a perfectly fine book. But the scenario of a parent (or other well-intentioned adult) giving a book to a young reader that has nothing to do with that reader’s preferences AND that has all that extra weight of being so important – this rarely ends well.

What do you do when an adult gets between a reader and the right book? Robin Rousu, a children’s librarian and one of my friends/colleagues at Seattle Public Library, says it’s all about giving the child more options. “You don’t want to question the parents’ or teachers’ authority, but you want to be ready with some other options,” she says. Those options might be a better fit, and at the very least they’ll get more of a conversation going. “That gives the reader an out without hurting the teacher’s feelings, or the child worrying about hurting someone’s feelings.”

I tend to gush when I really love a book, and I’m constantly reminding myself in my day job as a librarian to avoid saying things like “This is the BEST book” or “You’re going to love that book.” I still find plenty of w

books

Books I may have pushed a little too hard, and I admit to maybe being a *little* sad that other family members did not love them the same way.

ays to swoon over books and to talk about what it is I loved about them. And I encourage each and every person in the world to keep gushing and swooning and loving and sharing excitement about books. But maybe we can all cut back a bit on pushing our own tastes and favorites on kids.

“It’s usually coming from a very good place, though,” Robin the librarian reminds me, especially in the case of a relative bestowing a child with one of his or her own favorite books. “It’s coming out of love.”

Let’s just try to add a couple of books to that love pile so that there are options — and a better chance for a young reader to connect with a book that will become his own favorite.

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Flawed Characters

By on January 27, 2014   /   Book Lists  

Recently I read a news article about the growing trend of plastic surgery. I know, in this day and age, it seems like everyone’s been Botoxed, air-brushed and made over until unrecognizable (hello, “Real” Housewives!). But what really caught my eye was this had nothing to do with Hollywood.

It was about kids. As in, the rise of younger and younger children going under to knife to fix their “flaws.” And right there on the page was a before and after picture of the cutest little girl, maybe eight years old. And, quite frankly, I had to actually read the article to find out what was “wrong” with her in the before shot. Because I just couldn’t see it. Seriously. (As it turned out, it was her ears, which stuck out and caused her to be teased when she put her hair in a bun for dance class.)

(Now, before this turns into a debate about parenting and such — let me just say I’m a mother and I know how hard it is. I’m not looking to pass judgement on this girl’s parents, who were trying to spare their child the pain of being picked on. I get it. I really do. After all, I STILL remember the middle school classmate who told me I could “be a model”… if I just “had a different nose.” Yeah, if my parents had let me get a nose job, I probably would’ve knocked myself out and hopped on the operating table right then and there.)

That said, the whole article just made me a little sad.

Because here’s the thing I learned as I grew up (and into my nose) — people are more interesting not in spite of their “flaws,” but because of them. And this goes for fictional characters, too (see, I was getting to a point about writing, really!). And by characters with flaws, I don’t mean the ones who are utterly perfect… (except for being clutzy/ditzy/too tall, etc.). I’m talking about perfectly imperfect characters. The ones with complex motivations, the perhaps not-so-perfect looking ones. The ones that make bad decisions and fall on their faces.

Severus Snape via wikipedia

A perfect example:  Severus Snape.

Snape has to be one of my favorite flawed — make that just plain favorite — characters in all of children’s literature. He’s surly and seemingly self-serving, not the most attractive guy in the room or even very pleasant to be around. But that made it all the more moving when his true motivations were revealed at the end of Deathly Hallows. I’ll admit, I choked up (especially at the movie — man, that Alan Rickman!). But the whole final scene would have had so much less impact if Snape had been less, well — Snape-ish. I can’t imagine a conventionally handsome Snape (George Clooney — ummm, no). Or one that was kind of tough with his students but really awesome in every other way. It just wouldn’t work.

In fact, flawless doesn’t work with any character — whether the hero or anti-hero. We all have flaws. Quirks. Things that make us who we are. And as I write this, I think maybe “flawed” isn’t quite the right word. Complicated, maybe. Human. Real. I mean, who wants to live in a world — or read a book — where everyone is exactly the same. Where everyone has been scrubbed down, airbrushed and made over until unrecognizable. There’s plenty of that on magazine covers. And as our kids find themselves surrounded more and more by unreal images of “perfection,” what better place to escape TO reality than in a good book?

So I say, let’s hear it for the not-so-perfect noses, the complex histories, the layers of good and bad that make us unique — the stories that remind us it’s cool to be different.

And let’s hear from you! Who are some of your favorite complex characters and why? And how do you go about writing characters that are more than just one-dimensional? Tell me in the comments below!

Jan Gangsei is glad no one ever let her “fix” her Jennifer Grey nose because she really likes it now. She also credits it with helping her develop a sense of humor (and the ability to detect gas leaks before anyone else in the house). 

 

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