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Editor Spotlight: Thalia Leaf from Calkins Creek

Today, we have a treat for readers who are especially interested in history and historical fiction for kids. Recently, I was delighted to interview Thalia Leaf, who is an associate editor at Calkins Creek. Thalia offered several insights into her publishing imprint and what she looks for in submissions. So let’s get started!

 

Dorian: How did you get involved in children’s publishing?

Thalia: I always wanted to work in children’s publishing, but I got here in a roundabout way. Before I worked in publishing, I taught English abroad. It was so fascinating to see the way kids responded (or didn’t respond) to certain books—it’s so important for kids to have books that are interesting and relevant to them. When I came back to the U.S., I interned at a literary agency where I worked on a pretty wide range of children’s books, which I loved. My first job in publishing was in adult books though—I worked on very serious history books for a handful of years. I was really delighted when an opportunity came up to work on U.S. history-focused fiction and nonfiction at Calkins Creek. It combined the work I’d been doing on history books for adults and my dream of working on children’s books.

 

Dorian: Can you tell us a little bit about Calkins Creek?

Thalia: Calkins Creek is an imprint of Astra Books for Young Readers. Our list includes fiction and nonfiction for kids and teens. We focus on publishing books about American history, which might sound sort of narrow, but within it there’s potential for books on a huge range of topics from science and art to racial justice and political activism. We love books that highlight an untold story about a person or an event that kids really ought to know about. Of course, it’s most important that our books are exciting, kid-friendly, and beautifully produced. Some of my favorite Calkins Creek books are Memphis, Martin, and the Mountaintop: The Sanitation Strike of 1968 by Alice Fay Duncan; Dorothea’s Eyes: Dorothea Lange Photographs the Truth by Barb Rosenstock; Without Separation: Prejudice, Segregation, and the Case of Roberto Alvarez by Larry Dane Brimner; Buzzing with Questions: The Inquisitive Mind of Charles Henry Turner by Janice N. Harrington;  Race Against Time: The Untold Story of Scipio Jones and the Battle to Save Twelve Innocent Men by Sandra Neil Wallace and Rich Wallace; and Blood and Germs: The Civil War Battle Against Wounds and Disease by Gail Jarrow.

  

 

 

 

 

 

 

 

 

Dorian: They all sound fascinating. Have you always been interested in books about history and historical fiction, and what books sparked your interest in the genres?

Thalia: Yes, I have! What I love about historical fiction is that it has same escapist appeal of sci-fi and fantasy, but you also get to learn something! As a little kid, I was pretty obsessed with the 19th century thanks to the Little House books and Caddie Woodlawn, which my mother read to me starting in kindergarten. I was very into dressing up in 19th century clothes and was always asking my parents to take me to living history museums like Old Sturbridge Village. When I got a bit older, I read historical fiction on my own; in middle school my friend Ana and I read every book we could find on the Tudors. Some of my favorite middle grade and YA historical fiction books were The Witch of Blackbird Pond, The Sally Lockhart series, All of a Kind Family, and The Devil’s Arithmetic. I wish I’d had books like Show Me a Sign by Ann Clare LeZotte and Prairie Lotus by Linda Sue Park when I was a kid.

  

 

 

 

 

 

 

Dorian: With so much misinformation in various media, it must be challenging to edit books that deal with history. How do you meet that challenge?

Thalia: The prevalence of misinformation is exactly why I think publishing great children’s books on historical subjects is so important. Our understanding of history affects our understanding of the present. Much of American history is difficult and ugly and uncomfortable. But we don’t make things better by avoiding talking about them. Kids don’t need things sugarcoated for them—and they’re pretty good at detecting BS.

 

Dorian: What are some of your favorite middle-grade books you’ve worked on and why?

View from Pagoda Hill by Michaela MacColl is probably my favorite Calkins Creek middle-grade book. It’s based on the author’s family history. I’m relatively new to the imprint, so the books I’ve actually worked on have yet to come out.

 

Dorian: What middle-grade books do you have coming up that you’re excited about?

Thalia: They’re still in the early stages, so I can’t say too much. I’m especially excited about a book we have on a woman who worked as a spy during World War II and another about a young girl who solves the mystery of a Revolutionary War-era diary she finds.

 

Dorian: Very intriguing! What subjects or historical time periods are you particularly interested in seeing in your submissions box from agents?

Thalia: I want to find untold stories that urgently need to be told, and these come from all historical periods and are about all topics. At the moment, though, I’m especially interested in stories of immigrants, as well as books that deal with more recent history (1975-2008). I’d also love to see manuscripts on Jewish topics that break the mold a bit. Manuscripts that deal with LGBTQ+ themes would be especially welcome, as I think there’s a massive amount of untold history there. Graphic novel submissions would be especially welcome. I’m constantly updating my manuscript wishlist, which you can find here.

 

Dorian: What advice do you have for authors who’d like to write about historical events (nonfiction or fiction)?

Thalia: First, do your research! The best books come from discovering a person or an event that no one knows about but everyone ought to know about. Sometimes you’ll read a newspaper article or see something on social media that intrigues you and makes you want to dig deeper and find out if there’s a good story there. Second, make sure your story has a proper narrative arc, even if you’re writing nonfiction. When writing history, it’s hard not to make a book just a recitation of the facts, but it’s so important that you shape the story you’re telling. Even in nonfiction, your characters need to have “wants” or goals, encounter obstacles, and succeed or fail in a way that changes them or their world.

 

Dorian: Great advice! Is there anything else you’d like to add?

Thalia: Calkins Creek only accepts agented submissions and all submissions must include a bibliography.

This has been wonderful. Thanks so much for taking the time out to give our readers such great information about you and Calkins Creek.

Find Thalia’s wishlist and more about Calkins Creek by following her on twitter

 

Danielle Joseph’s SYDNEY A. FRANKEL’S SUMMER MIX-UP + Giveaway!!

Today I’m so delighted to introduce Mixed-Up Files readers to Danielle Joseph, author of everything from picture books to young adult novels. We recently spoke about her middle-grade debut, Sydney A. Frankel’s Summer Mix-Up, which will be published this coming Tuesday, November 1. Danielle has generously offered a signed copy of the book along with some swag to one lucky winner. So don’t forget to click on the Rafflecopter at the bottom and follow the prompts for a chance to win. (USA only.)

About Danielle

Danielle is the author of the picture book, I Want to Ride the Tap Tap (Macmillan, 2020) and the young adult novels Shrinking Violet, Indigo Blues, and Pure Red. Shrinking Violet was adapted into the 2012 Disney Channel movie, Radio Rebel starring Debby Ryan. Danielle is a former middle school creative writing teacher and has been teaching writing workshops for more than ten years. She was born in Cape Town, South Africa and currently lives in Maryland with her husband and three children. Visit www.daniellejoseph.com for more information about her and her books.

 

About the Book

Dorian: Please tell us a little about Sydney A. Frankel’s Summer Mix-Up.

Danielle: Sydney A. Frankel’s Summer Mix-Up is about best friends, summer shenanigans, and overcoming your fears. It’s also about navigating the transition before starting middle school. Most importantly, this book is for anyone that has ever felt a little different from the crowd.

 

Dorian: Sounds great! What was the inspiration behind this book?

Danielle: The original idea for this book actually came from a conversation I had with my eldest son. He was in fifth grade at the time, and he told me he didn’t want to enter the school spelling bee because he didn’t want to win. The winner would have to represent the whole school at the county spelling bee. Just like Sydney Frankel, my son didn’t like being in the limelight. This was the little nugget that I needed to get this story rolling.

 


Dorian: I can definitely relate. Were there any autobiographical elements in the book?

Danielle: Like my son, I was also very shy growing up, so I was definitely able to draw from some of my own experiences while writing this book. I was also a very tall kid who grew early, like Sydney, so some of those details are from my own experiences.

 

Dorian: What would you like readers to take away after reading Sydney A. Frankel’s Summer Mix-Up?

Danielle: I would love readers to connect with the characters in the book. I want them to know that they are not alone and that we all have different anxieties and fears. That things aren’t always what they seem on the surface and that even the most confident seeming person has their own struggles.

 

Dorian: What were some of your favorite middle-grade books when you were a kid?

Danielle: As a kid, I always wanted to be Judy Blume or Beverly Cleary. They were my literary heroes because their characters jumped off the pages and their humor was spot on. I was also a big fan of Bridge to Terabithia, Harriet the Spy, and Ronia, the Robber’s Daughter.

 

Dorian: You’ve written novels for the young adult audience and a picture book as well. What did you find was different about writing for the middle-grade reader?

Danielle: My process of writing is similar for everything I work on, I like to write a skeleton draft and then weave in everything that is missing. But when writing for the middle-grade reader, I really tried to make sure there was someone in the book that everyone could connect to on some level. For some kids this might be the first time they’re reading a novel completely on their own, and it was important to me that they could easily relate to the story.

 

Writing Tips and Rituals

Dorian: I love that idea! Did you run into any stumbling blocks while writing Sydney A. Frankel’s Summer Mix-Up or was it smooth sailing as you wrote?

Danielle: I definitely had stumbling blocks. I always get stuck in the soggy middle. I want to hurry up and get to the finish line. When this happens, I leave notes for myself in the manuscript about things that will happen in later chapters. Then when I actually get to those scenes, I’m happy to have some ideas already laid out.

 

Dorian: Do you have any writing rituals regarding where you write, whether you listen to a certain type of music, what beverages or food you must have next to you, etc.?

Danielle: I love to have a hot beverage while I write, either coffee or tea depending on the time of day. And I will never say no to chocolate.

I play music often when I’m drafting but like silence when I’m revising. And since I work from a laptop, I work from different spots—my patio, family room couch, dining room table and home office. In non-Covid times I love to write from cafes. But these days, it’s usually all about my dog Ringo, a two-year-old mini doodle. We move spots when he gets bored.

 

Dorian: So cute!! What are two of your best tips for our readers who also write?

Danielle: One of the best things you can do is listen to the world around you. By that I mean, sit in an outdoor setting, and listen to people passing by. How do they talk? What are they saying? This is especially important when you are an adult writing for kids. Don’t lose touch with how kids communicate today.

The other thing is to give yourself a break. So often writers want everything that they put on the page to be perfect. Allow yourself to brain dump and free flow write. No one has to see your first or even second draft . . . Often, I’ll sit down and write and think everything I just wrote is trash. However, when I read it over the next day, I usually find plenty to keep me going.

 

Dorian: Great tips! Can you tell us a little about the turtle pin that’s one of your swag items and how it fits into the novel?

Danielle: The turtle is a starring pet in Sydney Frankel. I don’t want to give too much away but readers will meet the turtle! He belongs to a friend of Sydney’s and gets his own pin because he’s cute!

 

Dorian: Do you have anything else in the works that you’d like to tell us about?

Danielle: It hasn’t been announced just yet, but I do have an upcoming picture book biography about a female freedom fighter that I am so excited to share with my readers.

Dorian: That’s wonderful! Thanks so much for talking with us and for donating a signed copy of Sydney A. Frankel’s Summer Mix-Up along with a bookmark and turtle pin. 

Readers: Don’t forget to try your luck below from now until Saturday at midnight.

 

a Rafflecopter giveaway

STEM Tuesday — Animal Superpowers — Interview with Author Bridget Heos

Welcome to STEM Tuesday: Author Interview & Book Giveaway, a repeating feature for the last Tuesday of every month. Go Science-Tech-Engineering-Math!

Today we’re interviewing Bridget Heos, author of Stronger Than Steel It’s a fascinating look at biologist Randy Lewis’s work to create spider silk from genetically modified goats. Heo’s research combined with Andy Comin’s photography makes for compelling reading. Could we one day build stronger bullet proof vests? Are we one step away from duplicating the feats of Spiderman?

* * *

Christine Taylor-Butler: Bridget, I met you before you published your first book. Now you have 100 children’s books under your belt. That’s a huge accomplishment in this industry. But you didn’t start out as a writer. Can you tell me a bit about what you were doing before you dove into children’s literature?

Bridget Heos: I was an English major in college. Before I changed careers, I taught English, reading and religion at a Catholic school. I’d also been a social worker. But I’ve loved reading and writing since I was a child and eventually moved into freelance writing.

Christine: Your background in teaching helped with your transition to children’s publishing but it’s unusual to see people gravitate to science in nonfiction. Where did that come from?

Heos KidsBridget: The science part came from my son’s love of nonfiction. I read to my children all the time, but fiction didn’t engage him. At first I thought he was a non-reader. But at the library he would immediately go the nonfiction section. He loved that world. So I thought, how can I support that? Plus, I’m curious. One day I thought, “We live on a planet that has everything we need.” I would see an insect and think “ugh!” But then I started reading about them and it made me see the world in a different way. So I began writing. It changed my life and I began to relive the magic of stories. I was already writing for newspapers and magazines, but now I was passionate about writing books that would engage children.

Christine: So what was your first book?

Book_Jay ZBridget: My first book was a middle grade biography on rapper Jay-Z (Shawn Carter). That was was back in 2009. I saw an email inviting local authors to write for an editor at Rosen. I applied and was hired. Shawn Carter has such a great story. I remember spending a lot of time on it because it was my first book. I’m a journalist so I knew it had to be right. After that, I wrote more biographies. But when I had a choice, I preferred to write science books. Those were the types of books my son liked to have read to him. Even so, writing about a famous person as a first book is a show-stopper.

Christine: And then your career took off!

Bridget: I think it was partly luck and good fortune. I spent a lot of time trying to understand the business and how to make money at it. I loved writing so much I was willing to write anything. Children’s literature felt like a good fit and I began writing a lot of nonfiction. I emailed 20 publishers trying to be a good sales person. Workman hired me to write workbooks.

Christine: You also wrote: What to Expect When You’re Expecting Larvae. I remember thinking that was such a clever homage to the human series for expectant mothers and packed with so many facts. Of the sequel on marsupials, Kirkus Reviews said, “Never once dropping the pretense that this is written for pouched mammals, this manages to be both entertaining and informative.

Heos Kids What to expect

Bridget: Yes! That was first book I sold that paid royalties. I went to the library at University of Missouri – Kansas City and checked out huge books.  When I write about science I have to learn it first. I do a lot of research. It makes up for me not being the best science student when I was younger. I chose the topic because my son loved insects. But as with all things, by the time the book came out he’d moved on World War II. The book was followed by What to Expect When You’re Expecting Hatchlings (Crocodiles) and What to Expect When You’re Expecting Joeys (Marsupials).

Christine: The series is out of print now, but maybe a saavy editor will bring it back into print for eager readers now that engaging STEM and nonfiction are increasing in popularity. And especially since Kirkus loved them. They’re a hard reviewer to please.

Bridget: Yes. The books came out ten years ago and the timing might have been early for the information trend we see now.

Christine: Before we get to Stronger Than Steel, I’m going to take some artistic liberties and stray over to fiction for a minute. Can you tell us how Mustache Baby came about? It has so many good reviews and it was the winner of the 2017 Colorado’s Childrens Book Award.

Mustache baby

Bridget: Mustache Baby was my first fiction book. I had wanted to be a writer since I was a little kid. I had put the dream aside until, one day, I found a box in the attic. I realized that I’d had that dream but didn’t do anything about it. I couldn’t live with the idea that I didn’t at least try to do something about it.  but my true dream was to write fiction. I had no idea on how to proceed. People have this impression that to be a writer you have to be this beautiful serious writer, but that’s not how I am. When children were younger, I began telling them a story that had been in my head about baby who was born with a mustache that showed if he was a good guy or a villain. It made the kids laugh so I decided to write it down.

“Occasional badness has never been so good.”
Kirkus

You never know what you’ll get in the delivery room, and something isn’t quite right with this new baby. . . . Heos’s offbeat tale muses on the possibilities, playing off parental hope and panicky nightmares.”
—New York Times Book Review

The book’s sole purpose was for kids to have fun. I wrote several drafts and agonized over them. Then I mentioned it who gave me ideas then  sold to Daniel Nayeri who was at Houghton Mifflin at the time. Daniel brought on the illustrator Joy Ang. Her illustrations brought a new dimension to the story. There are now 5 books in the series. By the way, Daniel just won the 2021 Printz for his own book: Everything Sad is Untrue.

Christine: So tell me about Stronger Than Steel. I am fascinated by golden orb spiders and use them as one of the plot points in my series. I had not met anyone else in kidlit that researched them until this book so I was riveted.

Stronger book coverBridget:  I’d seen an article about spider goats and the scientist researching them. My former agent had another client who was doing a scientist in the field book and walked her through the process of proposing a book. It book was acquired by Houghton Mifflin Harcourt. That series is fun because the publisher also commissions a photographer. Andy Cumin and I traveled to Wyoming to meet with the scientist, Randy Lewis . Then Andy and I traveled to Utah State where the project was moving. It was good that we had that time to do the research. It involves learning about molecular biology. The team walked me through the process.

Christine: The goats are genetically altered to carry a gene from golden orb spiders.

Bridget: The science is fascinating. Spider silk is stronger than the Kevlar in a bullet proof vest. But you can’t farm spiders. They’re territorial. So the solution was to use goats. Randy took the gene from the spider and combined it with the DNA that creates milk in goats. I got to see the process first hand, how the team works with the goat’s milk to get to the spider silk protein. The scientists filter the milk and get it down to the protein which is a powder, then they combine the powder with a chemical. I watched the silk emerge from the process.

Spider silk

Christine: So what are the scientists doing with the silk?

Randy LewisBridget: They’re interested in it because of its toughness. In a technical sense, it’s hard to break (compression strength) and it’s stretchy (tensile strength). They’re hoping it would be a fit for fly fishing lines. The appeal is that the silk is stronger than most man made materials. But for some projects, the stretchiness is still a problem – like for bullet proof vests and parachutes. One of the other fascinating things, though, is that the spider silk can be used in the human body to repair ligaments and bones.

The book was so much work and I did so much agonizing over it. As a former journalist I wondered, “Did I get it right?” Randy read it to make sure I had not made any factual errors. I do a lot of school visits so I talk to students about the science I learned. Kids are amazing and absorb the information. They wonder if there could be a Spiderman just like there are spider goats.

Christine: So could there be a real Spiderman one day?

Bridget: You never know. The scientist isn’t raising the goats any more, Now he’s focused on comb jellies and the sticky stuff they use to catch their prey. But writing the book was a great experience. Children’s books have taken me to many states I’d never been before.

Christine: So what’s up next for you? Any books coming out we should be watching for?

Triceraopposite Treemendous Santa JawsGood Knight Mustache

Bridget: I have several books coming out in 2021: Triceratopposites, illustrated by T.L. McBeth. It’s about a dinosaur that does the opposite of what his parents say. It’s a sequel to Stegathesaurus. There’s also Treemendous: The diary of a not yet mighty oak illustrated by Mike Ciccotello. It’s the story of an oak tree from acorn to tree. Santa Jaws comes out next. It’s a rhyming book about a Christmas shark. And, or course, the next installment in the Mustache Baby series: Goodnight Mustache Baby.

 

Win a FREE copy of Stronger Than Steel

Enter the giveaway by leaving a comment below. The randomly-chosen winner will be contacted via email and asked to provide a mailing address (within the U.S. only) to receive the book.

Good luck!

 

Bridget HeosBridget Heos is the prolific author of more than 100 books for children. Most are nonfiction. A former teacher and journalist, she lives in Kansas with her three sons, daughter, a basset hound and a cat.

To learn more about Bridget and her books, please visit www.authorbridgetheos.com  You can follow her on Twitter @bridgetheos

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Christine Taylor-ButlerYour host is Christine Taylor-Butler, MIT nerd and author of Bathroom Science, Sacred Mountain: Everest, Disasters Alert!, and many other nonfiction books for kids. She is also the author of the middle grade sci-fi series The Lost Tribes. Her article: When Failure Is Not An Option: Connecting the Dots with STEM appears in the Nov/Dec 2021 edition of The Horn Book. Follow @ChristineTB on Twitter and/or @ChristineTaylorButler on Instagram