Posts Tagged writing

STEM Tuesday–Dinosaurs/Paleontology– Writing Tips & Resources

 

Backmatter Matters

Imagine you wake up in a strange place. Although the place does not feel threatening, just being there is jarring because you don’t know why you are there, or how you got there. You don’t know what to do or how to interact. That’s what reading a nonfiction book might be like, if it weren’t for the mighty powers of peritext.

Peritext? What’s that? All of the elements in a book that are not in the main body of text. In STEM nonfiction books, peritext can be paramount.

Pick up a nonfiction book from this month’s list and search out those elements. There’s the cover (front and back) and maybe some flap or cover copy; these introduce you to the book and give you a preview of the author’s “take” on the topic. There’s a copyright page and, most likely, other standard elements such as a table of contents, glossary, and index; these give you context, a map to guide your journey, and help when needed. But there may be more—much, much more.

Consider how different the book would be without all of that. What would the reader miss? What do each of those elements actually do for the book? 

Before I began writing professionally, I essentially ignored peritext. I rarely read any portion of the backmatter (everything after the main body of text). One day, a writer friend told me she reads every word of the endnotes—I was astounded. Who would do that?

Then I tried it with a book I loved and realized just how much I had been missing. These elements are designed for the inquiring mind! As a reader and writer, it is worth studying the peritext and pondering its value. Peritext invites us into the reading experience and launches us into the next one.

Try this:

1. Ask a friend to select a nonfiction book that you have never seen. Have them binder clip together the pages that contain the main text. (Note: peritext includes illustrations and chapter titles, etc, but let’s focus on the frontmatter and backmatter for now.)

2. Study the peritext (no peeking at the main text). Jot down a list of what’s there.

      • Is there a table contents? An index? What about a timeline? Anything interesting about the endpapers?
      • Ask yourself: Who uses each of these elements? Who creates them? Do any serve multiple purposes?
      • Now, read the material. From the peritext, what impression do you get about the book?
      • What questions are sparked in your mind?
      • If these elements are illustrated, jot down notes about them as well.

3. Skim the glossary or index.

      • Do some entries surprise you?
      • What questions do you now have? Are you now more, or less, eager to read the book? To read other material on the topic?
      • Search for clues to the core of the book. Not the topics covered, but the theme, the big ideas, the conclusions. (Don’t forget the covers.)

4. Finally, read the entire book.

      • Consider how well the elements in the peritext support the main text.
      • If you were the author, illustrator, editor, etc. would you have done things differently?
      • What factors might impact what’s included in the backmatter? (FYI, typically the author creates most of the backmatter and other publishing professionals create most of the frontmatter and covers.)

As an author, this is how I look at books. I want to know what is there, why it is there, and how it is used. To help me inquire, I started a running list of the elements in various books. Just off the top of your head, you might remember books with recipes, timelines, acknowledgments, bibliographies, or an author’s note, but you would be amazed at the variety. And think how much each of those elements can vary, not only in content, but also in presentation. In some books, the backmatter was even more interesting to me than the main text. 

Backmatter isn’t limited to nonfiction; however, it seems to be more common and extensive in nonfiction. Why? What types of fiction include extensive backmatter? What if more fiction included backmatter?

Try this:

1. Read a book that has limited backmatter.

2. List at least 3 elements which could have been included.

3. Create 1 of those elements for the book. (You might have to make something up for the sake of the exercise.)

4. Share it with a friend and ask if the added element is valuable.

If you’re not careful, you will now find yourself picking up books and flipping to the backmatter before you read the frontmatter. You’ll be noticing how cool it is that the glossary of Dining With Dinosaurs only includes words not already defined in the main text. (So smart—those are the only ones a reader should need in the glossary!) You might start wishing every historical text included a visual timeline like Dinosaurs: Fossils and Feathers (Science Comic Series). And when you begin to write your next piece, you might start thinking about the backmatter before the front matter. This is what reading like a writer will do to you!

 

Heather L. Montgomery can’t resist writing backmatter–the ulimate playground for a nonfiction writer. She almost let it take over her upcoming book, Who Gives a Poop? The Surprising Science Behind Scat (Bloomsbury, September 2020). Aren’t you eager to dive into that? For now, you’ll have to be satisfied with the perimatter in her 15 other STEM titles. www.HeatherLMontgomery.com 


The O.O.L.F Files

Just a few more dino books because you can never have too many…

The First Dinosaur: How Science Solved the Greatest Mystery on Earth, written by Ian Lendler, illustrated by C. M. Butzer. In this 220-pager, Lendler carefully lays out how the idea of dinosaurs came to be. Beginning with a bone discovered before the concept of dinosaurs—or even fossils—existed, Lendler walks readers through a wealth of scientific studies to share a story you want to know. This book is likely to blow young minds (and yours).

Dinosaurs By the Numbers (A Book of Infographics), written and illustrated by Steve Jenkins. In classic Jenkins style, this fact-packed book is sure to please dino lovers. Maps, graphs, size-comparisons, all formatted on clean white space do an excellent job of accentuating dinosaur facts and extremes. And, there’s an illustrated table of contents–such tantalizing peritext!

When Sue Found Sue: Sue Hendrickson Discovers Her T. Rex, written by Toni Buzzeo, illustrated by Diana Sudyka. This picture book tells how a curious girl grew to be an inquisitive scientist who discovered the most complete (and likely the most famous) Tyrannasoarus rex fossil ever found (so far). Perfect for kids who are collectors and those who yearn to make their own discoveries.

Goal Statements (a.k.a. Resolutions) for Writers

Welcome to the New Year! What an excellent opportunity for us as writers and creative professionals to recharge, reboot, reflect, and resolve. Indeed, even as you wrap up the holiday season, it’s a great time to think about your writing resolutions and what’s ahead in your writing life.

Well-worded goal statements might be the key to achieving the objectives you seek in 2020. Once you have identified the areas of your writing in which you want improvement, it’s time to figure out strategically how to get there. With a little work, you can tailor your list of goal statements into a kind of personalized self-help guidebook that is user-friendly, adjustable, and most important, filled with achievable objectives. Here are some suggestions for how to construct great goal statements for your writing resolutions.

Strong goal statements, as most teachers and others in education will tell you, share several common traits:

  • They are specific: Resolving “to write more” is a good start; now get specific: how much more? In terms of time, page count, or both? New genres, new point of view, new style?
  • They are realistic: You might want “to make writing the #1 priority,” but realistically, the requirements of your day job, family, and other responsibilities probably preclude the notion of putting everything else on hold for your writing. Use more realistic language: “To spend twice as much time on revisions in the week as on social media.” “To balance an hour of chores/errands with an hour of writing time.”
  • They are measurable: Think numbers, values, dates, percentages. However…
  • They are flexible in range: Consider how uncomfortable it is to work out in jeans; stretchy waistbands are a thing for a reason. Instead of one set number for your weekly word count, include a range that allows for the unexpected machinations of daily life (“to reach between 500 and 800 new words every two days”). You’re still working on the goal, with a little “give” when necessary.
  • They are modifiable: Also, remember that what you are resolving to do is make an improvement; the ways in which you accomplish improvement can change mid-game if something isn’t working. So compose goal statements knowing that they can be both flexible and changeable.

Additionally, writers can take a cue from folks in acting and directing who formulate moment-to-moment, scene-to-scene objectives for theatrical character development. Character objectives should be

  1. Written with the use of an action verb. Avoid “To feel satisfied with….” and “To be better at…” Think instead of actions you can visualize yourself carrying out physically: to add, to read, to list, to plot, to brainstorm, to attend, to interview, to speak, to revise.
  2. Written in terms of a concrete “something,” not an abstract idea: an event, a person, yourself, your books, a place.

Taking into account these suggestions, a resolution like “to become more skilled at writing endings” transforms into a completable action with a concrete product : “To draft 2-3 possible endings for my WIP’s first chapter by the end of January.

The more carefully and thoughtfully you construct your writer’s resolutions, the more effectively they will work for you as motivators.

Speaking of motivators, the new year is the perfect time to try a new mini-reward for yourself when you meet a goal. Take a walk, try a new herbal tea, clean a drawer, listen to music or a podcast.

Another fresh-slate motivator: change up your surroundings, even just a little. Some writers swear by “settling in” to their writing zone (hot tea, check; fingerless gloves, check; clean desk, semi-check)—but how might you modify your surroundings for a fun difference, increased comfort, and more efficiency? Rearrange your desk bins; add a new pillow or throw to your writing chair; remove distracting clutter from your line of sight and replace with a photo or message.

Finally, if all this talk about resolutions and motivation seems overwhelming, you are not alone—it’s often that way for many writers. Consider treating yourself to a new craft book on writing, in that case, and set a goal to read just one chapter a week (or whatever works for you). Sometimes another writer’s instruction can both calm and inspire our writer-brains, and help us to define our own goals over time. Here are a few titles I hope to try myself this year:

The Business of Being a Writer by Jane Friedman

Behind the Book: Eleven Authors on Their Path to Publication by Chris Mackenzie Jones

The Elements of Style Workbook, a writing workbook based on the original The Elements of Style by Strunk and White

Making Readers Care with Psychology and Structure: The Step-by-Step Guide to Writing Totally Gripping Novels, Film and TV Scripts by David Thorpe

Good luck in 2020, no matter what path your writing resolutions take. Happy New Year!

My Favorite Writing Tools

Favorite Writing ToolsIt’s the end of the year. For most people, the changing of the calendar is a time to take stock of where you’ve been and to figure out where you want to go. Successes are counted; vision boards are created; goals are written; and a shiny new year of possibility is just waiting for the clock to strike midnight.

It’s a hopeful time.

This year, I decided not to wait for the new year to revamp my writing life. I dove in early – not with the stock-taking or the goal-setting components though. I’m already pretty clear about where I’ve been and where I’d like to get. Instead, I focused on the regular sit-down-and-write parts of the job. What’s working? What’s not? And are there some writing tools I can use to make all of it easier?

For the last few weeks, I’ve been trying things out. I’ve created some rituals to help make the transition to writing quicker and easier and I’ve gotten rid of some tools/habits that just aren’t working. I’ve also played with some new tools to see what might make me more efficient and more organized. I thought I’d share my current writing tool box with you all as a little New Year’s gift, with the hope that you might find something on my list that will make writing a little easier for you too.

This Year’s Top Writing Tools

Evernote:

People have suggested this program to me forever, and I’ve resisted, whole-heartedly, until this month when my computer crashed, and I lost a ton of writing-research bookmarks and links.

So I gave in and tried the free version of Evernote. Now, I’m a little bit hooked.

Evernote is a cloud-based note-taking application that lets you clip web articles, save picture, take notes and generally organize your life and your projects across all of your devices. For someone like me who failed at Scrivener and never remembers to use One Note, Evernote’s a bit of a miracle. Now my web links, random thoughts, beat sheet, and character sketches are all in one, easy-to-search place.

At least everything except the things I hand write. Yep, I still like to write things down. Journals, sticky notes, legal pads – story ideas, character sketches, sudden bursts of inspiration are scattered throughout my house. So this month, I cleaned it up. Sticky notes get typed into Evernote. So does legal pad planning. Everything else goes into the journal dedicated to my work in progress – and it’s all dated and tabbed so I can easily see what was actually a useful idea and what was just me rambling along. One thing hasn’t changed, though. I’m picky about my hand writing tools. They have to feel good and be exactly the right size, large enough to write fast and loose in and small enough to fit in my purse. My favorite place for project notebooks and a solid pen is:

Peter Pauper Press:

Their notebooks are solid and durable and the paper is thick, so colored ink and highlighters don’t bleed through. Their pens are pretty, just heavy enough, and easy (and cheap) to refill. I’ve been using their notebooks and pens for years now, and it’s one part of my writing system that I’m not going to change.

The next tool, however, is a huge change from my usual writing work. You see, I’m one of those writers who likes it quiet. I don’t have novel playlists or soundtracks, and I don’t write while the TV is keeping me company in the background. I don’t need complete silence though, coffee house chatter is fine – and every so often I’ll even break out one of those ambient noise apps and write to a rainstorm or some ocean waves. But all that changed the other day when I was reminded of the power of binaural beats. I’ve used Frequency Following Response in my hypnosis practice many times, but I’ve never used it to help with my own writing focus.

Brainwave Entrainment

Brainwave entrainment is basically listening to two specific sound frequencies at the same time. These frequencies trick your brain into creating a third frequency, a binaural beat, that helps lead your brain into a desired state – relaxed, meditative, focused, alert, etc. Admittedly, the whole thing is a little woo and the science on it is pretty much a big maybe right now. But lots of people swear by it, and I’ve noticed that if I listen to the right frequencies for a few minutes (paired with some ambient sounds like a waterfall or ocean waves) when I start a writing session, I slip into a work state more quickly than if I just sit down and try to write. There’s a lot of interesting articles about it on the internet and some free apps/YouTube videos to check out if you’re interested. Just know, it’s not for everyone.

The last thing on my list is my go-to inspirational book. I know a lot of people turn to Anne Lamott and Bird by Bird with things get tough – and I love it, too, but my go-to break-out-of-a-slump book is one by novelist Steven Pressfield.

The War of Art

It’s a small book and a quick read.  And it’s usually the tough love reminder I need to walk through my fear and get back to work.

So, that’s my current list of favorite writing tools. I’m still testing out a couple more – like the list-making application Trello and a bullet journal style calendar/day planner. Maybe I’ll update this post when I’ve sorted those out. In the meantime, I’d love to hear about your favorite writing tools. What can’t you live without? And what are you going to change or try this year to make the day-to-day work go smoother? Please share in the comments below!