Posts Tagged writing

STEM Tuesday — Reptiles — Interview with Author Sneed B. Collard III

By on September 28, 2021   /   Reptiles, STEM Tuesday  

Welcome to STEM Tuesday: Author Interview & Book Giveaway, a repeating feature for the fourth Tuesday of every month. Go Science-Tech-Engineering-Math!

Today we’re interviewing award-winning author Sneed B. Collard III, author of One Iguana, Two Iguanas: A Story of Accident, Natural Selection, and Evolution. In its starred review, Kirkus declares the book a “fresh and accessible approach to an important scientific concept.”

Mary Kay Carson: Tell us a bit about One Iguana, Two Iguanas. How did the book come about?

Sneed B. Collard III: Being a reptile nut, I had been thinking about marine iguanas for a long time, and even devoted a section to them in my book Sneed B. Collard III’s Most Fun Book Ever About Lizards, which has garnered a surprisingly large following over the years. When my family and I got to visit the Galápagos in 2016, seeing these unique animals instantly became one of the highlights of my life. Besides their incredible adaptations, the animals’ fascinating history intrigued me as a beautiful example of how new species arise from accidents and evolution, and I wanted to share that story with both children and adults. Coincidentally, a fairly recent scientific paper had used genetic markers to establish the timeline for when marine iguanas and Galápagos land iguanas split into different species, and I thought it would make a great story for young readers. I sat down to write the story and my editor at Tilbury snapped it up.

MKC: Care to share a favorite research experience?

Sneed: After reading about marine iguanas for so many years—and watching nature shows about them—just seeing these lizards dive into the ocean sent chills up my spine. Another thing that made a deep impression on me is that the Galápagos had recently come out of an El Niño year, in which warmer waters surround the islands and the lizards’ favorite marine algae dies back. This often leads to widespread starvation, and as we walked one island we found dozens of marine iguana skeletons littering the coastline. Since climate change is predicted to increase the frequency and severity of El Niño events, the skeletons were a sobering example of how urgent it is for we humans to cut our global CO2 emissions immediately.

The highlight of my visit down there, however, happened on our last day of snorkeling. My daughter, son, and I had just climbed back into a zodiac boat after swimming with sea turtles when another snorkeler shouted that a marine iguana was feeding underwater right next to him. I quickly pulled on my mask and snorkel and leaped back into the water. I swam over there just in time to see a large iguana grasping a rock about three feet below the surface, using its teeth to scrape algae off of the rock. It is a sight I will never forget!

marine (l.) and land (r.) iguanas

MKC: How would you describe the book’s approach?

Sneed: To me, evolution is one of the most remarkable stories on earth, and so for One Iguana, Two Iguanas, I just wanted to tell the story of how the marine iguana came to be. The recent genetic research made that fairly easy. I just imagined that first pregnant female lizard (scientists think it was a kind of ctenosaur lizard) somehow floating on a raft hundreds of miles when dozens—perhaps hundreds—before her had perished at sea. Somehow, though, she made it to the Galápagos, and turned a brand new species loose. After introducing the lizards, I just launched into the story of how the islands were created, how new life reached them, and then used our best understanding of evolution to recount how that new species established itself on the islands and eventually split into the two species of iguanas we have today. This approach allowed me both to use my best story-telling skills and slip in the science of it all at key moments. Sidebars and other excursions allowed me fill in the rest. It ended up being one of the favorite books I’ve ever written!

MKC: To whom did you imagine yourself writing to while drafting the book?

Sneed B. Collard III is an award-winning author of more than 85 children’s books, including his newest titles, Waiting for a Warbler and Beaver and Otter Get Along . . . Sort of. He is a popular speaker and has spoken at schools and conferences in 46 states and four foreign countries. To learn more about him and his books, visit his website www.sneedbcollardiii.com. Also follow the birding adventures of him and his son at fathersonbirding.com.

Sneed: Actually, both of my parents were on my mind while I was writing. Both were biologists who had unfortunately passed away before their time in the years before my visit to the islands. I knew how much they would have loved to visit the Galápagos, but they never did. I could almost feel them smiling over my shoulder as I worked on the story, though. Another huge inspiration was Dr. Jack Grove, a scientist, Galápagos guide, and former graduate student of my dad’s. Jack and I have developed a special friendship over the years and he has shared many Galápagos stories with me. I dedicated the book to him, and he actually provided a number of its outstanding photographs.

MKC: Do you choose to write about STEM books?

Sneed: When I write, I don’t think, “I am writing a STEM book.” STEAM and STEM, after all, are just artificial constructs that, I think, sometimes mask the fact that this is a really great book or this is an amazing story. I simply set out to write about things that interest me and that I think will help get other people excited about this incredible planet we live on. I don’t want only a science teacher to pick up my book. If I’ve done my job well, I want everyone to read it without partitioning their interests according to the academic categories we’ve been taught. I’ve worked with and mentored a lot of young people, and whenever I can I tell them, “Take an interest in everything. We only get one life. The more you learn, the more you will appreciate what a remarkable journey we are on.”

Win a FREE copy of One Iguana, Two Iguanas!

Enter the giveaway by leaving a comment below. The randomly-chosen winner will be contacted via email and asked to provide a mailing address (within the U.S. only) to receive the book.

Good luck!

Your host is Mary Kay Carson, author of Wildlife Ranger Action Guide, The Tornado Scientist, Alexander Graham Bell for Kids, Mission to Pluto, and other nonfiction books for kids. @marykaycarson

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STEM Tuesday — Reptiles — Writing Tips & Resources

By on September 21, 2021   /   Reptiles, STEM Tuesday  

GREAT REPTILES IN HISTORY

Opening movie scene.

Fade in.

Cue the David Attenborough or Morgan Freeman narrator voice:

GREAT REPTILES IN HISTORY… 

For some reason, the title was the first thing that popped into my head when I sat down to draft this post. I have no reason why. But, what the heck? I felt obligated to the STEM creative muse to run with it.

Great reptiles in history!

This image has an empty alt attribute; its file name is Green_turtle_in_Kona_2008-1024x823.jpg

Brocken Inaglory, CC BY-SA 3.0 <https://creativecommons.org/licenses/by-sa/3.0>, via Wikimedia Commons

Man alive, there sure are a lot of reptiles. How do you even start to make a list of the greatest ones when they’re all pretty dang awesome?

You start by making a fully-loaded, everything-you-can-think-of list. Just as in writing the first draft of a manuscript, the thing you wish to make won’t be a real thing, a thing full of possibility, until you put it to paper first. 

Nothing can be finished until it is started.

So make your list. Write that first word. And follow it with another. And another. And another. Make it real by making it a real thing.

Make that !@#$% first draft. (That has to be in Morgan Freeman’s narrator voice because David Attenborough’s narrator voice doesn’t seem appropriate saying, “!@#$%”)

Writing and Great Reptile Lists. Great Reptile Lists and writing.

Gadow, Hans, Public domain, via Wikimedia Commons

The important bit in creating something is to first make it happen. Once you make something happen, it exists. If it exists, you can make it better. You can eliminate all the really, really good reptiles from the list to make a better, more meaningful list for someone interested in discovering Great Reptiles in History. With writing, you can cut everything from the !@#$% first draft that doesn’t belong in the story thread to make a more meaningful narrative for the reader.

Once the work exists, it can also be shared with others to mine the expertise and skill of a trusted network. With my now pared-down list of great reptiles, I can share it with other herpetology fans/experts to get their revision ideas, criticism, and advice on which reptiles belong on the list and which don’t. The writer can benefit from critique partners, writing groups, and beta readers to identify what works and what doesn’t. By sharing your work, your work can improve your writing. 

Creating better work. Isn’t that our ultimate goal?

Whether it’s the ultimate list of great reptiles in history, your first manuscript, or your 20th manuscript, get the words down.

Make them real.

Make them better.

Make them available.

Make them shine.

Cue the David Attenborough or Morgan Freeman narrator voice:

GREAT REPTILES IN HISTORY!

APPRECIATE THEM.

TAKE CARE OF THEM.

GIVE THEM THEIR SPACE ON THIS PLANET.

Fade to black.

THE END

Mike Hays has worked hard from a young age to be a well-rounded individual. A well-rounded, equal opportunity sports enthusiast, that is. If they keep a score, he’ll either watch it, play it, or coach it. A molecular microbiologist by day, middle-grade author, sports coach, and general good citizen by night, he blogs about sports/training-related topics at  www.coachhays.com and writer stuff at  www.mikehaysbooks.com. Two of his science essays, The Science of Jurassic Park and Zombie Microbiology 101,  are included in the Putting the Science in Fiction collection from Writer’s Digest Books. He can be found roaming around the Twitter-sphere under the guise of @coachhays64.

The O.O.L.F Files

This month’s Out Of Left Field (O.O.L.F.) Files slither into the glorious world of reptiles. By land, by sea, and by air, here are some links to make the herpetologist in all of us a tad bit happier.

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“What I Didn’t Do This Summer” and Other MG Narrative Writing Ideas

By on September 3, 2021   /   For Teachers  

A hearty thank you to all the teachers and librarians who are off and running in a new school year! We certainly wish you the best. Educational settings of all types have seen wild change and plenty of challenges in the last year and a half, but educators continue to rally, adapt, instruct, and inspire.

For those of you on the lookout for ways to offer your middle grade writers new and creative ideas, here are some suggestions to try!

These ideas:

  • Capitalize upon and promote students’ start-of-the-year enthusiasm and excitement.
  • Can be used as icebreakers and in peer-response circles (in which each student provides one “This is awesome!” and one “This is just a suggestion!” remark for a fellow writer).
  • Will fulfill one of the most fun Common Core State Standards—Narrative Writing (CCSS.ELA-LITERACY.CCRA.W3)!
  • Will connect to (relatively) pain-free grammar and composition mini-lessons as students revise and edit, which account for additional Writing Standards.
  • Will connect to Reading: Literature CCSS if you tie the writing lesson to the study of a novel and Speaking and Listening CCSS if students share their original work aloud (with a bit of coaching on presentation skills).
  • Can serve as a foundation for powerhouse lessons and quality use of instructional time–not to mention a chance for kids to use imagination along with skills in a memorable and fun writing experience.

The “What I Didn’t Do This Summer” Composition

Students might need a little explanation if they are not aware of the traditional “What I Did This Summer” essay that kicked off each year of English class for so many generations of students. Then, turn the notion on its head: Kids write an imaginative piece that includes events their summer certainly did not showcase: didn’t talk to penguins at the South Pole, didn’t go back in time and meet pirates or ninjas, didn’t even try to dig a hole to the other side of the world, didn’t get the cell phone to work as a portal to another planet. Offer more structure to those who don’t jump in on their own, for example, “Three Adventures I Wanted to Try This Summer But Didn’t,” or “Three Things I Wouldn’t Have Done This Summer Even for Ten Thousand Dollars.”

The First-Line Fest

The best part about a First-Line Fest is the time involved; you can spend a few class periods on this activity, use it for a five-minute filler, or utilize any length of time in between. You might want to start by offering a read-aloud of first lines from some great test-of-time middle grade novels (and letting kids guess the titles is a nice intro). Some possibilities:

“It was one of those super-duper cold Saturdays.”

“Mr. and Mrs. Dursley of number Four, Privet Drive, were proud to say that they were perfectly normal, thank you very much.”

“There is no lake at Camp Green Lake.”

“I am born on a Tuesday at University Hospital / Columbus, Ohio, / USA— / a country caught / between Black and White.”

“My name is India Opal Buloni, and last summer my daddy, the preacher, sent me to the store for a box of macaroni and cheese, some white rice, and two tomatoes and I came back with a dog.”

Then, coach students to compose an attention-getting first line to a story or novel that they do not have to write. Use whatever guidelines or fun twists suit your purposes: must be a full sentence with an action verb; must contain at least two characters; must jump in with a conflict; must be a setting description with an animal; must be more than 20 words but fewer than 25; etc.  Or, throw rules out the window (except, of course, for your classroom-appropriate guidelines 😊 ) and see what first-line creations students come up with.

The Favorite Genre Never-Been-Done Premise

Explain the concept of a premise to your would-be writers and allow them to guess a book based on its premise. Knowing what books they covered as a class the previous year ensures success here, so for example, if they read Other Words for Home: “A seventh grade girl leaves Syria for Cincinnati, bravely auditions for a musical, and remains hopeful for the safety of the missing brother she left behind.”

Next, review genre as a literary characteristic, and have kids narrow their favorite genres. Finally, assign a fun one-to-three sentence premise for a story or novel in their favorite genre they’d love to someday read or write. Some facet of the imagined storyline must make the premise never-been-done before (a challenge, as we writers are well aware!). Look to recent releases in some favorite genres for inspiration and recommended reads for your students to dovetail with this writing assignment:

Fantasy: The Ship of Stolen Words by Fran Wilde, The Hidden Knife by Melissa Marr, Arrow by Samantha M. Clark

Sports/Outdoors/Activities: Samira Surfs by Rukhsanna Guidroz, Soccer Trophy Mystery by Fred Bowen, Much Ado about Baseball by Rajani LaRocca

Scare Stories: Ghost Girl by Ally Malinenko, The Forgotten Girl by India Hill Brown

MG contemporary: Thanks A Lot, Universe by Chad Lucas, To Tell You the Truth by Beth Vrabel, The Magical Imperfect by Chris Baron

Also, consider genre mash-ups to make the never-been-done objective a little easier—and a lot more creative.

Have a great year filled with creative opportunities for your middle grade writers, and thank you again for your devotion to educating kids.

 

First lines: The Watsons Go to Birmingham—1963 by Christopher Paul Curtis;  Harry Potter and the Sorcerer’s Stone by JK Rowling; Holes by Louis Sachar; Brown Girl Dreaming by Jacqueline Woodson; Because of Winn-Dixie by Kate DiCamillo

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