Posts Tagged unicorns

Editor/Agent Spotlight: Editor Rachel Stark of Disney-Hyperion

I’m so excited to welcome Rachel Stark, editor at Disney-Hyperion, to the Mixed-Up Files!

Rachel (they/them) is an editor, marketer, and activist with almost a decade of experience in children’s and young adult publishing at houses including Disney-Hyperion, Macmillan, Scholastic, Simon & Schuster, Bloomsbury, and Sky Pony Press. The award-winning and bestselling authors they’ve edited include Alexandra Bracken, Erin Bow, Jason June, Pablo Cartaya, Jen Wang, Rainbow Rowell, Faith Erin Hicks, Ben Hatke, John Patrick Green, Zach Weinersmith, and more. Books they have edited have been #1 New York Times, Washington Post, and Publishers Weekly bestsellers; been longlisted for the National Book Award for Young People’s Literature; won the Goodreads Choice Award, Asian/Pacific American Award for Children’s Literature, and Christopher Medal; been shortlisted for the Schneider Family Book Award; received multiple starred reviews; appeared on the Kids’ Indie Next List and myriad state award lists, and been listed as best books of the year by NPRKirkus ReviewsSchool Library Journal, and more. Not only that, but (unbeknownst to me when I first reached out to them) they were the editor for our very own MUF member Natalie Rompella’s novel Cookie Cutters & Sled Runners!
MMD: Hi Rachel, thanks so much for coming onto the Mixed-Up Files. 

RS: Thanks so much for having me! I’ve been reading this blog for so long, it’s kind of wild to actually be featured. 

MMD: What was your path to becoming an editor? Did you always represent children’s books? 

RS: I was a big reader as a kid, and I always knew I wanted to work with books—I just didn’t realize that there were ways to work with books other than writing them. As a freshman in high school I picked up Betsy Lerner’s The Forest for the Trees, which is an editor’s advice to writers. Reading about what Betsy herself did as an editor was a lightbulb moment, and in the way of a fourteen-year-old gifted kid who’s pretty sure they know everything and can do anything, I set my sights on editing then and there.

My actual path to the role I’m in now was, of course, far more complicated than my fourteen-year-old self imagined. After several internships I worked in textbook editorial and then children’s book marketing, and by the time I started editing full time I’d been in the industry five years already. 

And no, my path wasn’t always aimed at kids’ publishing! At fourteen I wanted to edit adult literary fiction, but one of my first internships was at Scholastic’s former Arthur A. Levine Books imprint, and after I moved on to the next thing I found I couldn’t stop thinking about the books I’d read and the community of optimistic, brilliant creators I’d discovered there. I dove into kidlit and never looked back.

MMD: What were some of your favourite middle grade books to read when you were growing up? Would you say that has influenced what you look for in terms of representing MG books?

RS: This is always a fun and slightly embarrassing question to answer, because though I was a huge reader as a kid, what I liked to read then is only a fraction of what I love to edit now. As a kid I read almost exclusively books with unicorns, horses, or wolves on the cover. I loved Jean Craighead George—I still want to train a falcon like Frightful in My Side of the Mountain, and if I could trade everything to go back and be raised by wolves, I would. Joanna Campbell’s Thoroughbred series made me dream of being a jockey until I grew way too tall for it. And I treasured Bruce Coville’s Into the Land of the Unicorns and Jeremy Thatcher, Dragon Hatcher; if I branched out from horses and wolves, it was usually to fantasy.

I had to go back as an adult and read a lot of the classics that came out when I was younger, but I’ve since fallen in love with a much wider array of genres, and my list reflects that. I do think my childhood reading influences me; my taste leans literary and layered, and quote-unquote animal books sometimes get excluded from that category—but I still have a soft spot for the stories I know I would have loved. Cookie Cutters & Sled Runners is a great example of a book I’d have picked up for the dog on its cover, and then fallen in love with for its wonderful characters and impeccable representation of neurodivergence. And if you keep your eye on PW you’ll someday hear about a series I just acquired that perfectly marries the kind of story I loved as a kid with the kind of empowering narrative I want the kids of today to have.

MMD: What are some favorite middle grade books you’ve worked on in the past? And what are some you’ve worked on recently that our readers should look out for?

RS: Cookie Cutters & Sled Runners is the first book I ever acquired and will always hold a special place in my heart. I recommend Jen Wang’s Stargazing constantly—it’s such an empathetic, sweet, and funny story with wonderful characters. Ben Hatke’s Mighty Jack & Zita the Spacegirl and John Patrick Green’s InvestiGators were both so much fun to work on, and I love cheering for those creators and series as they keep finding more fans. The middle grade I’m most proud of by far is Simon Sort of Says by Erin Bow, which came out in January and has gathered a host of award nominations and fabulous reviews. It’s a wildly ambitious, laugh-out-loud funny and heart-wrenchingly timely novel about a kid finding himself, his friends, and his voice again after surviving gun violence at school. It sounds like a downer but it’s full of heart and levity thanks to Erin’s genius for finding light in darkness and using it to keep on going. I could talk about it forever.

MMD: What is your top advice for writers?

RS: I’m struggling to come up with one single piece of advice because that’s so dependent on each writer’s strengths and needs. But I’ll share something small that goes a long way toward building goodwill at your publisher: When writing your acknowledgments, ask your editor to send you a list of the people in house who worked hard on your book but who you may not have known were involved. It takes a village to make a book, and you likely don’t realize how many people have poured their energy into yours. Editors and publicists are often the people whose work is most visible to authors and so they’re used to being thanked, but for the sales assistant who really rallied behind you, the marketer who handsold your book at every con, or the managing editor who saved everyone’s butt when it came to making printer deadlines, it means so much to have their work seen and valued.

MMD: What advice would you give to a debut author? Both in terms of working with their editor and in general?

RS: Broadly, I think my biggest advice is to focus on the things you can control. There’s so much that’s out of your hands, that’s out of even your publisher’s hands. You can write an award-worthy book that happens to publish in the same year as many award-worthy books, or in a year where the award committees are interested in something other than what you’re doing. Market conditions and buying practices can change in a heartbeat, budgets can be slashed or imprints consolidated, key cheerleaders could move to other jobs, delays or paper shortages or pandemics or any number of unpredicted obstacles can suddenly topple the best-laid plans. . . . 

You’ve likely been dreaming for years about what your debut experience will be like, and now that it’s here you’ll want all the stars to align just right. But remember that you can’t control the stars. 

What you can control is writing the best book you can write, and then writing the next one, and the next one. That first book is just the start of what for most writers is a long and winding career, where the models for success are as many and varied as the books on your shelf. If it doesn’t go the way you hoped? Get to work on the next one.

MMD: After the high of having sold a book to a publisher, many authors I know, myself included, have a big cry when they receive their editorial letter. I think that as much as authors know that however many drafts they’ve done on their book it kind of gets set back to zero once they begin the editorial process, seeing that letter can be demoralising no matter how gently it’s written. Whether it’s a debut author or an author working with you for the first time, do you find that the relationship requires managing expectations and building trust?

RS: The editor-author relationship requires a huge amount of trust! It’s intensely vulnerable to receive critique, and I find that the process of digging deep into a story to make it the best it can be often demands that the author and I dig deep into ourselves. It takes both trust and care to create a space where we can do that. 

With regards to that initial shock you feel on receiving feedback—it’s incredibly hard to write a novel and incredibly hard to revise one, and of course cresting one mountain to realize there’s another ahead is going to be daunting! Whatever you feel in that moment, it’s understandable. But remember that your editor chose to work with you on this project, and feedback is a show of our investment in your work reaching readers and being well received. We wouldn’t be putting so much time and emotional energy into your work if we weren’t wildly in love with your writing and excited about the story you’re working to tell.

MMD: That is really helpful advice, thank you.

I loved this interview with you at Kirkus. https://www.kirkusreviews.com/news-and-features/articles/rachel-stark-freelance-editor/. What are some pros and cons for being a freelance editor vs being in-house?

RS: An interesting question, and my pros and cons are pretty specific to me. For context, I didn’t initially choose to go freelance; I mysteriously found myself lacking a job after supporting a union drive 😊. But it was exactly what I needed after that experience. Being able to choose my projects and clients, working with people who enthusiastically wanted to work with me, and having enough flexibility to reinvest in other hobbies and give myself breaks from thinking about work were all wonderful. I was lucky to have a lot of opportunities to use my freelance work to get firsthand experience in genres and formats I’d always been interested in but not yet exposed to—the expertise I gained in graphic novels has proven invaluable in my job at Disney-Hyperion—and to work with editors and authors I’d always admired. The down side, beyond the obvious stuff like lack of benefits and the potential for the work to dry up, was that I wasn’t getting the opportunity to build a list and a reputation of my own. By the time Disney-Hyperion offered me a role, I was ready to take what I’d learned and start building a reputation for the books I acquired and ushered successfully to market. 

MMD: What kind of projects did you/do you work on as a freelance editor—for example are they projects where an author is trying to get their book to the level needed to get an agent, or are they at other stages? What are some reasons someone might be interested in a freelance editor?

RS: Because of the connections I had, I actually found myself in the position of working mostly on books that had already been signed up for publication, but that needed an extra perspective, someone to keep them moving while an editor was out, or just someone who could give that individual book more time and attention than the full-time staff who were torn between millions of priorities. So mostly I was being hired by publishers rather than by writers. I did take on a couple of projects from authors looking for an agent or a book deal, and I found that often they’d taken their manuscript as far as they could take it and still weren’t getting the responses they wanted, so they were looking for an outsider’s perspective on how they could keep developing their craft. Some writers reached out to me before even going on submission, just to have the benefit of feedback from a fresh set of eyes. The writing process is so solitary, it can be immensely helpful to have someone to bounce ideas around with and to help you see your strengths and areas to improve in.s

MMD: I know that in your long time in publishing you have also worked on the marketing side, including high profile campaigns for New York Times–bestselling books and series, as well as winners of the Caldecott Medal, Newbery Honor Medals, the Coretta Scott King Award, the Stonewall Book Award, the Walters Award, and more. Do you find that your experience in marketing influences your editorial work and style?

RS: For a lot of the time I spent in marketing I was dying to become an editor, and it was frustrating to not be there already—but in retrospect that experience was so valuable. It changed how I think about what I acquire and what I hope success to look like for each book. And having worked outside of editorial I have an even greater sense of empathy and appreciation for how hard everyone is working in all departments to make books shine. Something folks don’t realize about editors’ role is that a lot rests on the relationships we have with colleagues, and how and when we’re able to get them excited about what we’re working on, our ability to brainstorm and build alongside each other, and what we can learn from them—so the added camaraderie I get from knowing what it’s like to be in their position is invaluable. I think the effects of my marketing experience are more visible on the publisher’s side than in my relationships with authors and agents, but it has brought me great books! Simon Sort of Says actually came to me because I had marketed one of Erin Bow’s books and we had a mutual admiration from that time.

MMD: What genres, themes etc are you looking for at Disney and where can people find out more details about this?

RS: I acquire original novels and graphic novels for middle grade and adult readers, and I have a wishlist I update regularly here: https://rachelstark7.wixsite.com/home/general-1. Unfortunately Disney’s policy is that I can’t accept unagented queries, unless I’ve specifically requested them at a conference or convention. But I do find that sometimes after writers find an agent they remember that I seemed like a fit and point their new agent in my direction—I hope Mixed-Up Files readers who liked what I’ve had to say and write in these categories will do that!

MMD: What are your socials and/or the best way for people to keep up to date with you?

RS: The best places to connect with me are Bluesky (syntactics.bsky.social) and Facebook (@EditorStark, https://www.facebook.com/EditorStark/)/. I’m also (regrettably and half-heartedly) on the Website Formerly Known as Twitter as @syntactics. 

MMD: Rachel, it’s been such an honor and education speaking with you, and I know our readers will get so much out of your responses. Thank you so much for joining us!

Interview & giveaway: Donna Galanti’s Unicorn Island 2: Secret Beneath the Sand

I’m thrilled to have author Donna Galanti here with me today. We’re both unicorn lovers, and she has another delightful book in her Unicorn Island series to share with us. We’re both so glad this book has finally arrived after its long journey.

Book summary

Unicorn Island: Secret Beneath the Sand (Volume 2)
By Donna Galanti
Illustrated by Bethany Stancliffe
Andrews McMeel Publishing (Simon & Schuster)

Unicorn Island is a middle-grade illustrated novel series about a young girl who discovers a mysterious island full of mythical beasts. School Library Journal says that “Fans of unicorns and magic in the real world will enjoy this adventure,” and Foreword Reviews claims it’s “An all-too-human, enchanting middle grade fantasy novel.”

In Volume 2 of the Unicorn Island series, Secret Beneath the Sand, Sam and Tuck are on their way to becoming unicorn protectors when they discover new secrets about the island that threaten unicorns’ existence!

Sam can’t believe how much her life and luck have changed since she came to Foggy Harbor: First, she discovered that unicorns are real, and now she’s on her way to becoming an actual unicorn protector! With her new friend, Tuck, by her side during Uncle Mitch’s lessons, Sam finally feels like she’s home.

But as the long-buried dangers of Unicorn Island begin to surface and a mysterious scourge spreads throughout the herd, Sam learns the truth behind Aunt Sylvie’s disappearance and her own connection to the island. With determination, courage, and fierce loyalty to one another—and to their code as unicorn protectors—the kids set out to protect the island’s secrecy and the unicorns’ very existence.

Donna is giving away one hardcover copy of Secret Beneath the Sand that Kirkus Reviews says is “A sweet but not overly sugary treat for unicorn devotees.” Open to U.S residents only please. Enter below!

Interview with Donna and Laurie:

Laurie: What was the inspiration behind this second Unicorn Island story idea for Secret Beneath the Sand?

Donna: I wanted to continue Sam’s story of becoming a full-fledged unicorn protector while also adding a new layer of mystery to the unicorn magic and solving the mystery presented in book one. I also wanted the characters to explore more of the island itself on their adventures so its mysteries—and challenges—are revealed. With these elements in mind, the story grew. I also knew I wanted to add in new fantastical creatures, and they were fun to create!

L: In the story, a mysterious disease threatens the unicorns. Even though unicorns are mythical, was there any research involved in writing this story?

D: Absolutely! My research was based on real-life science. I looked to the plight of elephants with their tusks being poached as a source of inspiration in relation to unicorn horns and their dire situation in the story. The atrocities that still plague elephants deeply affect me. Recent studies even suggest that as a result of widespread poaching, elephants are rapidly evolving to have no tusks.

L: Throughout the series, you introduce both science and magic. What was your purpose in combining these?

D: I love combining both science and magic in this story as I like to think we can have our feet in both worlds—and together, they can do wonders. It also adds to the conflict of the story as some characters view science as the answer and some view magic as the answer. Together, they discover that maybe both are necessary.

L: The story centers around not just unicorns but family and a sense of home. How does this change for Sam, the main character, in this second book?

Unicorn book coversD: Sam discovered new family in book one, but she is still drawn to solving another family mystery. This drives her to take high-risk actions in Secret Beneath the Sand to uncover the truth in the hope of benefiting those she loves. Through her choices, she comes to strengthen the foundation of her sense of home as she navigates this mystery.

L: You have other fantastical creatures in Unicorn Island besides unicorns. What influenced you to create them and add them into the story?

D: One of my favorite little wild animals are chipmunks. I grew up with them and loved to discover them in the woods. For years, I was sad to not live in chipmunk territory, but since moving last year, I was ecstatic to discover I am now back in chipmunk land! Hence, why they had an influence on me creating a similar creature in Secret Beneath the Sand. As a young reader in school, I was also fascinated with the mythical character of Grendel from the Anglo-Saxon epic poem, “Beowulf.” I’m drawn to tragic characters, and his was quite tragic—and why I’ve included a nod to him in this story. I’ve also been super lucky to have had the amazing illustrator, Bethany Stancliffe, bring these creatures to life!

L: I love chipmunks too! What a fun animal to include with your unicorns! And now that we’ve heard a bit about books one and two, I hope you’ll give us a sneak peek into what we can expect when the third volume of Unicorn Island releases in winter of 2023. Can you share some of what’s next for Sam and her best friend, Tuck, and the unicorns in this final installment of the series?

D: In the working title, Beyond the Portal, Sam is inspired to solve the final mystery of her family and save the unicorns. Once again, she puts herself in dire danger to do so, accompanied by her friend, Tuck. I won’t give too much away, except to say that much of this story takes place in a new and perilous setting. Tuck and Sam face the unknown again in a much more impactful way that has far-reaching consequences for all. 😊

Purchase the Unicorn Island series at your favorite bookseller here:

https://www.simonandschuster.com/books/Unicorn-Island-Secret-Beneath-the-Sand/Donna-Galanti/Unicorn-Island/9781524871970

 Watch the book trailer for Unicorn Island: Secret Beneath the Sand here:

Download fun Secret Beneath the Sand activities and check out an excerpt from Secret Beneath the Sand below:

Sam frowned. A month ago, it had seemed that Mel, Foggy Harbor’s veterinarian and Tuck’s mom, had cured Barloc of a strange illness. But now that Sam thought about it, the young unicorn had seemed more tired this past week. He was running more slowly and sleeping a lot more.

She knelt in front of Barloc, looking into his violet eyes. I won’t let anything bad happen to you. I promise. She gripped the necklace that Verny had given to her. Made from a unicorn tail, it was a symbol of his trust.

Barloc closed his eyes. I’m just tired. I have been since I got back to the island.

Sam bent her head to his and laid a hand on his horn. It felt warm against her fingers. She frowned and held the back of her hand against his horn to make sure she wasn’t imagining things. It was definitely radiating heat.

“Uncle Mitch,” Sam said, her voice quavering, “I think something’s wrong with Barloc.”

Uncle Mitch quickly knelt down next to her. He checked the young unicorn’s eyes and breathing, then stroked his horn.

“His horn is warm,” Sam whispered. “What does it mean?”

Uncle Mitch shook his head and bit his lip as he continued his inspection. Barloc whinnied softly, looking into Sam’s eyes.

“I know you don’t want to think about this, but . . . it could be the sign of another disease,” Tuck said.

“No!” Sam shook her head and jumped up. As she did, the ground beneath her suddenly rocked. She fell to her knees as the earth buckled. Uncle Mitch grabbed both her and Tuck, pulling them in close as Verny screeched and took to the skies, circling overhead with frenzied dips.

The herd bolted across the meadow in confusion and fear as Barloc bowed his head, digging his hooves into the quaking earth.

 

Donna Galanti is the author of the middle grade adventure Joshua and the Lightning Road, which the Midwest Book Review called, “A heart-pounding thrill ride full of unexpected twists and turns from start to finish.” She’s also the author of the follow up, Joshua and the Arrow Realm, the popular Unicorn Island series, and the Element Trilogy thrillers for adults. Donna is a member of From the Mixed-Up Files of Middle-Grade Authors blog, regularly presents as a guest author at schools, and teaches writers through her online Udemy courses. She’s lived in fun locations including England, her family-owned campground in New Hampshire, and in Hawaii where she served as a U.S. Navy photographer for Fleet Intelligence Pacific. Donna is represented by Liza Fleissig of the LRA Agency. Visit her at donnagalanti.com.

 

Enter to win a copy of Secret Beneath the Sand below! Runs 3/11/22 – 3/18/22

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Interview with Author Laurie J. Edwards, Author of UNICORNS OF THE SECRET STABLE Series, Plus BOOK GIVEAWAY!

It’s wonderful to have Laurie J. Edwards on today talking about her newest book series, UNICORNS OF THE SECRET STABLE! Laurie and I met at my very first writer’s conference many years ago and our paths continue to cross—especially when it comes to writing unicorn stories. But Laurie doesn’t have just one new book out but FOUR. Yes, four books releasing at once for unicorn fans young and old to gobble up!

Here are the books in order:
Book 1: Unicorns to the Rescue

Book 2: Lucky and the Dragon

Book 3: Magical Unicorn Horns

Book 4: Mermaid Magic

Laurie is also giving away a copy of book one, UNICORNS TO THE RESCUE. Just enter the contest at the end of this post. U.S. residents only please.

What’s UNICORNS OF THE SECRET STABLE about?

There are unicorns behind Magic Moon Stable, but no one except Iris and Ruby knows they exist. As Unicorn Guardians, it is the sisters’ job to protect the unicorns and use their magic to keep them safe from the outside world.

Like their mother before them, Iris and her younger sister Ruby have been charged with hiding and protecting the unicorn world hidden on their ranch. The rest of the world sees only a stable with an old, tired horse, but when the girls turn the magic key to the paddock, they enter a lush land filled with forests, magical landscapes and creatures, & their beloved unicorns.

Interview with Laurie:

Donna: The idea of a hidden realm within our own is magical and mysterious. What inspired the idea for this realm and the series?

Laurie: For me, the line between reality and fantasy is easily crossed. As a child, I lived more in my imagination than in the everyday world. I caught raindrops in my upside-down umbrella while I watched fairies play in the rainbow-colored oil slicks on a rainy road. When I wandered home, drenched and dripping, my mother despaired of my dreaminess. But I was so caught up in spending time with otherworldly friends, I never noticed—or cared–that I was soaked.

When I was asked to take over this existing series, I jumped at the chance to expand the Enchanted Realm. Some of the world-building had already been done, but I had to come up with new places for the sisters to go, and I enjoyed imagining the possibilities for new adventures, new unicorns, new magical creatures, and new landscapes for each book. I got to dream up the world as I went along, which let me play out my childhood fantasies in the pages of a book.

 

Donna: Throughout the series, we get the stories told from multiple points of view from the sisters, Ruby and Iris. Why did you decide to give them both a chance to tell their story in separate books?

Laurie: I seem to be drawn to sisters who have opposite personalities. One is usually quieter, more serious, and plans ahead; the other is impulsive and spirited. Bet you can’t guess which one is me. 😊 Actually, most people see my quieter, shyer side, but the truth is: the wilder sister is closer to the inner me. I guess I feel the need to show life from different viewpoints. I did the same thing with the Second Chance Ranch series, which featured two twins with different personalities. It makes for some great conflicts as one sister rushes into things, and the other tries to keep her sibling out of danger. I also think it’s fun to see situations from different viewpoints. I try to choose adventures that will fit each sister and always ask myself which sister would be the most challenged by the situation. That’s the one who tells the story. I like each of my characters to face situations that will help them grow and change.

 

Donna: Your series not only has unicorns in it but other enchanting creatures like mermaids and dragons. What other magical creatures are you drawn to writing about and can we expect to see them in future stories?

Laurie: I love all magical creatures. In fact, a sneak peek into another middle-grade series I’m working on, The Birch Tree Chronicles, centers around a spell-challenged fairy and features gargoyles, so I’m sure some of those elements will find their way into the unicorn series. But overall, I like the softer, gentler magical creatures, and I have some ideas for combining several creatures to create some unique ones all my own.

 

Donna: You’ve written many books about ranches, what led to you to make the leap from writing about horses to unicorns?

Laurie: For me it wasn’t much of a leap, because unicorns are horses with one horn. 😊 I’ve always been a horse lover from the time I was young, and I’ve already mentioned how drawn I am to the fantasy world, so unicorns seemed like the perfect combination.

 

Donna: The final book in the series, MERMAID MAGIC, has Ruby exploring more of the Enchanted Realm leaving readers to wonder if future adventures await Ruby—and Iris—after this. Can we expect more stories in the series to come?

Laurie: I’m in the planning stages for more unicorn stories. Because the girls visit an underwater kingdom in the fourth book, I’d like some of the next books to center around mythical creatures who dwell in the sea. I also have ideas for quite a few more adventures. As the girls explore their secret realm, they’ll travel to many unusual settings and add new unicorns with different magical powers in each book.

Donna: Your legacy of stories includes a range of contemporary, magical, westerns, and non-fiction for all ages. What is it that you love about writing for the middle grade audience?

Laurie: I love spending time with middle graders. I taught in the early elementary grades and worked as a children’s librarian, so middle-graders are my favorite people. I love their imaginations and creativity, their eagerness to learn, and their enthusiasm for life. I sometimes think I’m still a middle-grader at heart. There’s a part deep inside of me that, like Peter Pan, never wants to grow up. And that part of me still believes in magic. Magic I hope spills onto the pages of my books.

 

Donna: Can you share what kind of story you’re working on now?

Laurie: I’m always writing several books at once. In addition to several adult novels and three picture books, I’m working on The Birch Tree Chronicles with a friend. In this four-book, middle-grade series, Birch Lockhart has no idea she has fairy powers. But after her parents disappear, she and her two younger siblings must learn to survive on their own while they fight the evil seeping their town with the help of an inept, absent-minded fairy.

I’m also doing final edits on a middle-grade fantasy, The Crystal Amulet, about a girl abandoned in the woods because of an ancient prophecy. She becomes the leader of a ragtag band of misfits who uncover a plot to destroy their village, and she must choose whether or not to risk her life to warn the people who cast her out of her village that they are in danger.

And I have one more middle-grade in the works, Silent Lies, historical fiction set during the Jewish pogroms in the Ukraine in the early 1900s.

 

About Laurie:

USA Today bestselling author Laurie J. Edwards has always loved books. In school, she got in trouble for reading during class. When she grew up, she chose jobs that let her spend time with books. First, she became a librarian and then an author. Now she not only reads, but she also creates stories for others to read. Laurie is also a freelance editor and illustrator. In addition to having more than 2300 magazine and educational articles published, she is the author of 60+ books for children and adults in print or forthcoming under several pen names. Visit Laurie at her website for more information.

 

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