Posts Tagged Sydney Taylor Book Award

Sydney Taylor Book Award Blog Tour — Interview with Honor Book Award-winner Author Sofiya Pasternack

 

 

The Mixed Up Files Blog is proud to be a host for the Sydney Taylor Book Award.

The Sydney Taylor Book Award is presented annually to outstanding books for children and teens that authentically portray the Jewish experience. Presented by the Association of Jewish Libraries since 1968, the award encourages the publication and widespread use of quality Judaic literature. Gold medals are presented in three categories: Picture Books, Middle Grade, and Young Adult. Honor Books are awarded silver medals, and Notable Books are named in each category.  To learn more about this prestigious award and to see a list of all of the winners, please visit this website: https://jewishlibraries.org

 

 

Today we are thrilled to introduce Sofiya Pasternack, author of the Black Bird, Blue Road (published by Versify,
an imprint of HarperCollins Publishers

a  Sydney Taylor Honor Book in theMiddle Grade Category. CONGRATULATIONS Sofiya!

 

 

 

 

BlackBird Blue Road

 

In this historical fantasy novel, praised as a “rich, omen-filled journey that powerfully shows love and its limits*” and “propulsive, wise, and heartbreaking,”** Ziva will do anything to save her twin brother Pesah from his illness—even facing the Angel of Death himself. From Sydney Taylor Honor winner and National Jewish Book Award finalist Sofiya Pasternack.

Pesah has lived with leprosy for years, and the twins have spent most of that time working on a cure. Then Pesah has a vision: The Angel of Death will come for him on Rosh Hashanah, just one month away.

So Ziva takes her brother and runs away to find doctors who can cure him. But when they meet and accidentally free a half-demon boy, he suggests paying his debt by leading them to the fabled city of Luz, where no one ever dies—the one place Pesah will be safe.

They just need to run faster than The Angel of Death can fly…

 

Review

Pasternack shows how Ziva’s love of justice drives her, while depicting a world in which spirits are manifest, healers come in many forms, and a bold girl can literally bargain with the Angel of Death. Tenderly rendering Ziva’s feelings of responsibility—including around Pesah’s physical care and amputating his infected fingers and toes—Pasternack imagines a rich, omen-filled journey that powerfully shows love and its limits. — Publishers Weekly (starred review)

Pasternack’s story is rich in the rhythms, values, and deep magic of Jewish culture and life in the Turkic Jewish empire of Khazaria. It revels in an often overlooked mythology, deploying exciting fantasy elements with ease. More than simply an adventure, this is a story about grief and illness and arguing with the rules of the world, enduring and enjoying the living that happens between now and the end, threaded through with the profound, unshakeable love of two brave siblings. Propulsive, wise, and heartbreaking. — Kirkus Reviews (starred review)

Pasternak’s historical fantasy weaves Jewish mythology and traditions into this heroine’s journey that asks readers to contemplate issues of life and death. Readers will be intrigued by the ravens that follow Pesah everywhere, the details of the city of Luz (where no one dies), and Pesah’s vision that the Angel of Death will visit him on Rosh Hashanah. This works as an adventure, but it should also prompt discussions about the ethics of preserving life at all costs.  — Kay Weisman — Booklist (starred review)

Set in Khazaria, a medieval empire of the Eurasian steppes, this moving tale steeped in Jewish lore is a welcome addition to middle grade fantasy shelves. Ziva is a fierce, appealing heroine, driven by her deep love for her brother, a profound sense of justice, and an unwillingness to accept the status quo—qualities that serve her well but sometimes keep her from seeing those around her clearly. An omniscient narrator addresses the reader in interludes that lend the text a mythic feel, while the main narrative is a rousing adventure and coming of age story inflected by Ziva’s internal struggles. — Bulletin of the Center for Children’s Books (starred review)

Pasternack (Anya and the Dragon) writes with a storyteller’s cadence without sacrificing liveliness, keeping emotions front and center (“She’d jab the Angel of Death in every single one of its eyeballs if that meant keeping Pesah safe”).  – SHOSHANA FLAX www.hbook.com — Horn Book Magazine

 

Thanks so much for joining us today at the Mixed-Up Files, Sofiya!

Booklist said of your book, “Pasternack’s historical fantasy weaves Jewish mythology and traditions into this heroine’s journey that asks readers to contemplate issues of life and death.” You weave these topics so skillfully together. Can you tell us more about why you chose to write about these topics? 

 

Well, I write historical fantasy because it’s fun! History is full of amazing stories all over the place, and as a lifelong fantasy enthusiast, including some magic makes really fascinating history just a little more amazing. I write Jewish mythology because it’s not terribly common and I want to see more of it; sometimes, I’ll see a Jewish story that’s had all the Jewishness taken out of it (Corpse Bride is one that comes to mind!), and I aim to put the Jewishness back in. As for why I wanted to write about life and death, it was a way of processing not only the cycle of life and death that I saw at the hospital every day (as an ICU nurse), but also my own dad’s death. Death is a difficult topic, and I think the more stories we have about the topic, the better able we’ll be to face it when it shows up in our lives.

 

You often set your books in these wonderful, vivid and mythical settings. Why? 

 

I like settings that are mostly like the regular world, but if you pay attention, they’re not. I’ve been to incredible places that are totally real (I’m pretty sure, anyway), but are also so magical that if an elf or a sheyd or a wizard showed up, you wouldn’t really be that surprised. Recreating these in fiction is a great challenge: can I approximate the feeling of the fog racing me down the street on the Pacific Coast? Or watching the sun rise over the High Atlas Mountains? Or squeezing through the Roman aquifers under Naples? I sure hope so.

 

This book depicts a strong and supportive relationship between siblings. It seems as if family plays a big part in all of your books. Is there a significance to that? 

 

Generally, I write a family I wish I’d had. Ziva’s family is a little bit different, because a large part of her growth was that she needed to challenge her preconceived snap judgements about people—including her own family. She made some assumptions about her family members, and then was forced to reconsider them. She also needed to consider that people are rarely all bad or all good. I hope to explore all kinds of families in my stories, from Anya’s supportive and close-knit family, to Ziva’s family fractured by terminal illness, to someone’s future family that looks like something entirely different.

 

Your books all have a wonderful world-building aspect to them. What drew you to this world in particular? 

 

The Byzantine Empire was something I didn’t pay much attention to when I learned about it in middle school, but as I grew up and started to appreciate history a little bit more, that time period and place got more and more interesting. The Byzantines are well covered though, so I kind of directed my attention elsewhere for inspiration. The Empire of Khazaria is fascinating because it was and remains mysterious, and is fabled to have been an empire of (some? mostly? all?) Jewish converts. An ancient empire of once-nomads on the wide steppe around the Caspian Sea? The world erupts to life all around me!

 

Do you have any tips for aspiring writers (of all ages)? 

 

It seems cliché, and I’m sure you’ve all heard it before: keep writing. Keep creating. Keep imagining. Sometimes it feels like you’re screaming (writing?) into the void, but every line written makes the next one better, and if you want to read a certain story, it’s basically guaranteed that a whole ton of other people want to read it too. Don’t give up!

 

What are you working on next? 

 

I have a whole bunch of projects lined up! One is about Maria Hebraea, the first alchemist. Another is set during the year 536 CE, which was called “the worst year” by historians because a huge volcanic eruption blocked out the sun for a year and a half! There are a couple more, but for sure there will be more history, more fantasy, and more Jewish magic from me!

 

 

Sydney Taylor Book Award Blog Tour — Interview with Honor Book Award-winner Tziporah Cohen and a GIVEAWAY

The Mixed-Up Files is thrilled to be a part of the 2021 Sydney Taylor Book Award Blog Tour! (For the full schedule click here.)

The Sydney Taylor Book Award is presented annually to outstanding books for children and teens that authentically portray the Jewish experience. As someone who has followed the award closely for many years (and was honored to be a past winner of their manuscript award which recognizes unpublished manuscripts) as well as a member of the review team for the Sydney Taylor Shmooze, a ‘mock’ version of the awards, I am especially thrilled and delighted to welcome author Tziporah Cohen, whose debut novel No Vacancy —about an 11-year-old Jewish girl who, with her Catholic friend, creates a Virgin Mary apparition at a drive-in movie theater to save her family’s failing motel—is a 2021 Sydney Taylor Award Honor Book in the middle grade category.

SEE BELOW for a chance to WIN A COPY of NO VACANCY by Tziporah Cohen!

 

About the book:

SYDNEY TAYLOR BOOK AWARD HONOREE!
Shortlisted for THE NATIONAL JEWISH BOOK AWARD FOR CHILDREN’S LITERATURE! 

 

“With effortless mastery, Cohen weaves the opposing forces of innocence and corruption, right and wrong, love and hate.”—Inderjit Deogun, Quill & Quire starred review

Buying and moving into the run-down Jewel Motor Inn in upstate New York wasn’t eleven-year-old Miriam Brockman’s dream, but at least it’s an adventure. Miriam befriends Kate, whose grandmother owns the diner next door, and finds comfort in the company of Maria, the motel’s housekeeper, and her Uncle Mordy, who comes to help out for the summer. She spends her free time helping Kate’s grandmother make her famous grape pies and begins to face her fears by taking swimming lessons in the motel’s pool.

But when it becomes clear that only a miracle is going to save the Jewel from bankruptcy, Jewish Miriam and Catholic Kate decide to create their own. Otherwise, the No Vacancy sign will come down for good, and Miriam will lose the life she’s worked so hard to build.

 

 

Author Interview:

And now, here’s No Vacancy author Tziporah Cohen joining us here on the Mixed-Up Files!

MD: Hi Tzippy, what inspired you to write this story?

TC: The whole idea began while on a mini-vacation in Hershey, PA, where we stayed a couple of nights in a tired motel one summer while I was working on my MFA degree. There was a boy hanging around—maybe 7 or 8 years old—and it turned out he had moved there with his family and they were running the place. I thought it made a great, unique premise for a middle grade novel—a kid living in a motel that her parents were managing. (Kelly Yang’s fantastic novel, Front Desk, hadn’t come out yet.) The boy we met was South Asian, and Hershey is a pretty white town, and I wondered what that was like for him and his family. I had been thinking of writing something from my own Jewish experience, so the boy became an eleven-year-old Jewish girl named Miriam. I wrote the first chapters in that hotel room after my kids went to sleep!

MD: As a debut author, can you tell us about your journey to publication?

TC: It was a long one, as they usually are! I had an idea for a picture book back in 2006 and took an adult education course on writing picture books, which led to some online writing courses, which eventually led to an MFA at Vermont College of Fine Arts. I never saw myself writing a novel, but since you can’t do a two-year MFA just writing picture books, I wrote the first draft of No Vacancy over three semesters there. It took several more years of work after graduation before it was ready to submit. I had started looking for an agent but had also submitted the manuscript to Groundwood Books in Toronto, where I now live. When Groundwood sent me an offer of publication, after screaming with excitement, I approached the agents I was interested in with the offer in hand. So my road was a bit backwards at the end.

(The irony is that I never did write that picture book idea that started this whole journey!)

MD: I loved your interview on the Book of Life podcast where you talk about mentor texts—can you briefly explain what a mentor text is, and how you used them when writing NO VACANCY?

TC: Mentor texts are books (in this case) that a writer studies to learn how another author tackles a topic or how they use their craft to form a story. In my case, I wanted to see how other writers tackled the topic of religion and faith in their middle grade novels. There weren’t many out there, but I went back to a childhood favorite, Judy Blume’s Are You There, God? It’s Me, Margaret. and the more recent Confessions of a Closet Catholic by Sarah Darer Littman, both of which feature girls struggling to sort out their religious identity and what role they want Judaism to play in their lives.

MD: How did you choose the setting of upstate New York?

TC: I love upstate New York. I spent four years at Cornell University, in Ithaca, and while that’s not a small town, it was certainly very different from where I grew up on Long Island, about an hour’s drive from Manhattan. I’ve done many drives through upstate New York since then, going back and forth from Toronto to Long Island, and so it all felt very familiar and easy to picture in my mind.

MD: Are any of these events true to your own life?

TC: Unfortunately, the only event in the book that’s true to my life (outside of the religious observance) is the anti-Semitic experience that Miriam’s mother had. While I was never assaulted like she was, I had the experience of having pennies thrown at me in the halls of my junior high school. Like Miriam’s mom, I remember feeling ashamed. I wish I could redo that moment by confronting the person and—best case scenario—educating them about the hateful origins of that stereotype. And I would have liked to have felt proud rather than ashamed.

MD: I really love how you show both interfaith and interdenominational cooperation between Jews and Christians, as well as how even within Judaism that there are differences of observance such as between Miriam’s immediate family and her Uncle Mordy. Can you talk a little about that?

TC: It was important to me to show some of the diversity of Judaism—how differently people who identify as Jewish see their relationship to Judaism and how many different ways people practice it. I wanted Jewish children from a variety of religious backgrounds to see themselves and their families in the book, and I wanted non-Jewish children reading it to understand that there isn’t just one Jewish experience. So it was very intentional that the different members of Miriam’s family observed Judaism in different ways. My extended family’s Judaism is just as diverse as Miriam’s!

In the book, Miriam’s Christian neighbors support them after an act of anti-Semitism. My favorite stories, in real life and in fiction, are when different communities come together to fight hatred, because we are so much stronger when we are there for each other.

MD: What does it mean to you to win the Sydney Taylor Honor Award?

TC: I grew up reading Sydney Taylor’s All-of-A-Kind-Family books, which were probably the first books I read that were about a Jewish family, if you don’t count The Carp in the Bathtub! I grew up reading books with the Sydney Taylor Book Award stickers on them, and I’ve read innumerable winners to my children. I never even imagined I would write a book for kids, let alone one that would have its own Sydney Taylor Award sticker. It’s mind-blowing and humbling to me that I’m part of this club. I’m still pinching myself!

MD: Wow—congratulations and Mazal Tov, Tzippy! Thanks so much for these thoughtful responses and for sharing your journey with us here on The Mixed-Up Files! Readers can find Tzippy on Twitter at @tzippymfa and on her website http://www.tziporahcohen.com.

Giveaway! Enter! Win!

To enter for a chance to be the lucky winner of a copy of Sydney Taylor Honor Book NO VACANCY by Tziporah Cohen, click the link below and you can: comment on this blog post, tweet it out and tag us at @MixedUpFiles, or like our post on Instagram at @mixedupfilesmg. (US and Canada winners receive a hard copy, international winners receive an e-book and signed bookmark.)

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