Posts Tagged resources

STEM Tuesday– Light and Color– Writing Tips & Resources

A speckled green leaf next to a painting with a watercolor version of the leaf.

Warm, cool, bright, energetic, somber, dull, faded, vivid, pastel, glowing.

We use a lot of words to talk about colors!

Research finds that colors can change our moods, and we use color to communicate our thoughts and emotions.

I’m an illustrator (as well as a children’s author), so I use color a lot. It can set the mood for a story or add energy to an exciting moment. It’s also a fickle thing. A color may look bright on a blank page, but turn dull when it’s surrounded by a different color.

We invent fun names for colors and create color wheels to sort them into patterns. Some people can see colors that no one else is able to see. So, why not play with color a little this week?

Here are two projects to get you started!

A glass bowl of mashed beets sitting on a brown table. A wooden spoon sits on top of the bowl with a spoonful of purple-red beet pulp.

Image by congerdesign from Pixabay

Project #1: Create Your Own Colors

This project requires a little hands-on work. You may also need to spend some time outside foraging, or you can find supplies at the grocery store to make your colors.

Start by thinking about nature materials that have bright colors.

You may have some ideas already if you’ve read about the history of colors or foraging. (Two great books from this month’s list: Before Colors: Where Pigments and Dyes Come From by Annette Bay Pimentel and Madison Safer and How to Be a Color Wizard: Forage and Experiment with Natural Art Making by Jason Logan.)

If not, get creative and make a list!

Think about plants that leave a stain—beets, purple cabbage, walnut shells. You can boil and smash them to extract the juice. Once the liquid has cooled, strain out the pulp.

What about rocks or dirt? Try grinding up soft rocks like chalk. Or, you can collect dark or reddish soils to see what colors you can make. You may need to add water to soften the pigment and make grainy paint.

Collect your colors on a tray or in small jars. Now it’s time to try them out!

Paint small swatches of your color. As you do, make sure you write down your materials! What did you use? Where did you find them? What worked—or didn’t work?

Can you name the colors you created?

A speckled green leaf next to a painting with a watercolor version of the leaf.

Photo and painting by Audrey Sauble

Project #2: Journal with Your Colors

Journaling is a fun way to combine art (color) and writing. If you’ve done project #1, you’ll have a set of colors ready to go. Prefer to use ready-made colors? Watercolor paints, finger paints, or any other art tool will work fine.

First, plan your journal page—do you want to plan it first, then paint? Or can you be spontaneous?

You could:

  • Make a self-portrait
  • Paint something you noticed outside
  • Make color swatches and mix your paints to create new colors
  • Scrub your new paints across the page in an abstract pattern
  • Add backgrounds or fancy borders to your page.

As you paint, add some notes. What questions do you have about color after this project? What did you notice while working on it? Would you try something different next time? What happened when you combined two colors?

You may also want to add ‘metadata’ or information about your project: date, time, location, goals, results.

Final thoughts:

When it comes to color, there’s a whole rainbow to explore! You could try either of these projects several times and still have more to explore. So, keep playing with color! (And write down what you discover to spark new ideas for your next color adventure!)

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Photo of Audrey Sauble holding one of her picture books.

Audrey Sauble is a children’s author and science illustrator with a passion for exploring nature through picture books. She started writing picture books several years ago after her oldest asked a question that turned into a conversation. Her new release, Can a Rock Grow?, is the third book in her Early Science Questions series.

You can find her books and various kid activities on her website, aesauble.com.

 

STEM Tuesday– Light and Color– In the Classroom

Light and color are everywhere! We see them in rainbows after a storm, bright flowers outside, and the colorful images glowing on our screens. But have you ever wondered how light creates all those colors? Exploring light and color is a great way to get middle-grade students excited about science. In these books, readers can discover how light travels, bends, bounces, and separates into different colors. They can learn about how colors form and think about why objects look the way they do. They make a great starting point for classroom discussion and activities!

 

A pale background covered with colorful hand drawn plants, flowers, berries, and natural materials, with the large green title in the center and a small child illustration at the bottom.Before Colors: Where Pigments and Dyes Come From by Annette Bay Pimentel and Madison Safer
This browsable book explores the science and history of color in a BIG way…literally! Its large format makes it stand out on any bookshelf, and for good reason. Safer’s captivating illustrations and Pimentel’s straightforward explanations help demystify the amazing pigments that make up our world and spotlight a diverse group of makers and inventors who have used color in unique ways.

 

A black background scattered with colorful natural objects, plants, flowers, berries, pigments, tools, and containers, surrounding the large white title.How to Be a Color Wizard: Forage and Experiment with Natural Art Making by Jason Logan
With this guide in hand, readers can explore the world around them and discover the magic of color. At the intersection of art, ecology, and chemistry, this book instructs young wizards how to create their own confetti, sidewalk chalk, ink, spray paint, and more. Please note that adult supervision/assistance is required for some of the featured projects.

 

Classroom Activity  – Make Your Own Natural Paints

Have you ever wondered where paint colors came from before you could buy them at a store? Let students experiment with safe natural materials such as berries, turmeric, spinach, soil, or charcoal. Crush or mix the materials with water, then test the homemade colors on paper. Which materials make the brightest colors? Which ones fade the fastest?

 

A comic book style cover featuring Max Axiom standing with his arms raised as bright white beams of light radiate dramatically behind him.The Illuminating World of Light with Max Axiom, Super Scientist (Graphic Science) by Emily Sohn
This engaging graphic science resource brings complex concepts about light and energy to life through an exciting superhero format. Clear explanations, vibrant illustrations, and accessible vocabulary help students build science knowledge while supporting visual learning. A valuable classroom tool for sparking curiosity and encouraging STEM exploration among upper elementary readers.

 

Classroom Activity – Set Up a Light Lab

Turn your classroom into a mini science lab! Set out flashlights, mirrors, prisms, colored filters, and other materials and let students explore. What happens when light hits a mirror? Can they bend light or separate white light into different colors? Have students sketch and write about what they discover.

 

A black cover featuring a child surrounded by swirling trails of blue and red light, with the word LIGHT in large photographic lettering across the top.Exploring the Science of Light: 30+ Illuminating Experiments and Colorful Science Activities by The Exploratorium
Through hands-on projects and crafts, this book encourages exploration of sunlight, shadows, and color. Readers can follow step-by-step instructions to make a pinhole camera, cyanotype painting, or even a solar-powered scribbler. Each activity includes a short explanation of the science behind it.

 

Classroom Activity –  Make a Rainbow

You don’t have to wait for a rainy day to see a rainbow. Challenge students to create rainbows using prisms, water, mirrors, or sunlight. Then talk about why white light separates into different colors. For an added twist, students can explore what rainbows mean in different cultures around the world.

 

A bold optical illusion design of wavy yellow, white, blue, and black shapes that appear to move or distort around the large title.Fantastic Optical Illusions by DK
This visually captivating resource invites young readers to explore the science behind optical illusions and how our brains interpret the world. Interactive examples and eye-catching designs encourage observation, critical thinking, and curiosity. A great classroom choice for sparking discussions about perception, light, and the science of seeing.

 

Classroom Activity – Fool Your Eyes with an Optical Illusion

Can you always believe what your eyes tell you? Challenge students to create their own optical illusions using colors, lines, shapes, and patterns. Have classmates look at each creation and describe what they see. Then students can investigate why the illusion works and learn how our eyes and brains work together to make sense of what we see.

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Carla Mooney loves to explore the world around us and discover the details about how it works. An award-winning author of numerous nonfiction science books for kids and teens, she hopes to spark a healthy curiosity and love of science in today’s young people. She lives in Pennsylvania with her husband, three kids, and dog. Find her at http://www.carlamooney.com, on Facebook @carlamooneyauthor, or on Instagram @moonwriter25

STEM Tuesday– Computers– Author Interview

Welcome to STEM Tuesday: Author Interview, a repeating feature for the last Tuesday of every month. Go Science-Tech-Engineering-Math!

Today, we’re interviewing Martha Brockenbrough author of Future Tense: How We Made Artificial Intelligence and How It Will Change Everything (Feiwel & Friends, March 2024). This 23-chapter deep dive into the history, prevalence, and future of artificial intelligence is sprinkled with black-and-white photos and sidebars.

About the book:

Unlike the wheel, combustion engines, or electricity, AI does the thing that humans do best: think. While AI hasn’t reproduced the marvelously complex human brain, it has been able to accomplish astonishing things. AI has defeated our players at games like chess, Go, and Jeopardy!. It’s learned to recognize objects and speech. It can create art and music. It’s even allowed grieving people to feel as though they were talking with their dead loved ones.

On the flip side, it’s put innocent people in jail, manipulated the emotions of social media users, and tricked people into believing untrue things.

In this nonfiction book for teens, acclaimed author and teacher Martha Brockenbrough guides readers through the development of this world-changing technology, exploring how AI has touched every corner of our world, including education, healthcare, work, politics, war, international relations, and even romance. This is essential reading for anyone who wants to understand how artificial intelligence got here, how to make the best use of it, and how we can expect it to transform our lives.

Future Tense: How We Made Artificial Intelligence and How It Will Change Everything

Linda: This is a timely subject that affects writers, publishers, and other creatives. What inspired you to take on this project?

Martha: I started research on this book after my biography of Donald Trump, UNPRESIDENTED, came out. During his first run for the presidency, bots attempted to influence opinions and divide Americans. This got me interested in the many ways artificial intelligence will affect our lives. So I started researching everything I could. 

Linda: You covered a lot of ground in this book: the history of AI, the pros and cons, relationships with AI, the future, and more. What was your research process like, and how did you keep track of so much information?

Martha: I’m not gonna lie, Linda! It was an enormous challenge. I wanted there to be a lot of ways into the book for readers. Some people are really into tech. Some are more into the history of science. Some people like reading stories about people. I read books about the history of science. I read some books that got into the implications (I agreed with some and disagreed with others). I listened to tons of podcasts. Watched videos. 

When I am first researching a subject, I’m trying to get a sense of the big picture. I didn’t know anything about A.I., really. To understand it fully, I wanted to understand the history. Also, the practical bits of how it works. And that’s what helped me write the later chapters, where I engaged in some predicting. Those chapters were very much guided by my questions. Honestly, the whole book was. That’s how I write, most of the time. Questions and my best shot at answers.  

As I learn, I write about what I’m learning and where I learned it, and the deeper I get into things, the more I start to see the shape of the story. When you’re writing nonfiction, it is so important that you keep track of what you’re learning and where it came from, because you will need to demonstrate that for fact-checkers and to make footnotes, if you’re using them (I always use them in longer works). There are tools like Zotero that you can use to keep track of your research, but I am a big fan of spreadsheets and tabs. Also? I put the footnotes in as I write. It does slow the writing down, but the saddest writers in the world I’ve met are the ones who are “finished” with their books and suddenly realize they haven’t done their footnotes.

Linda: Do you have any fun facts that you learned about AI that you’d like to share?

Martha: I don’t know that this is fun, but it’s useful. Human beings have a propensity to form emotional bonds with bots. When I was working on my book, this was not something people were talking about. Now, it is. But I really wanted readers to understand this tendency and how vulnerable it makes us. So, put up some guardrails. Don’t personify any AI tools you use. Don’t disclose information to them that you wouldn’t tell a stranger. Understand that bots are primarily designed not to serve you, but to make a profit or influence you in some way. Now, we can get some utility out of certain kinds of AI, even generative AI. But there is always a cost to it. 

OK, now this is more fun. AI is being used for all sorts of cool purposes, including understanding what animals are saying. Maybe someday, my dream will come true, and I’ll be able to talk with animals. 

Linda: Now, that would certainly be entertaining. Martha, what do you hope readers take away from this book?

Martha: I hope they’ll have a deep understanding of why humans make tools, why AI represents a change in the type of tool we make, and that the “is it good/is it bad” question is an oversimplification. Like any tool, it can make life better. It can also cause harm—both intended and unintended. We are at a turning point in technological history, as well as a turning point in political history, where the very wealthy—many of whom are profiting from this technology—have a great deal of political power. I want readers to understand this technology and become engaged citizens so we can ensure AI serves humanity and the planet. Unless we ensure AI is optimized to serve humanity instead of simply being profitable, it represents an existential threat. We cannot prepare for things we don’t understand, and I wanted to prepare the next generation as well as I could. 

Linda: The book has a wealth of information about AI that could benefit students, and the chapter about AI in the world today was enlightening. Technology teachers might find it useful in their classrooms. How do you envision the book being used by students, teachers, and librarians?

Martha: I hope people get from it what interests them. There’s history, there’s some computer science, there’s futurism and a splash of biography—follow your interests. That’s what we should ideally be doing as readers. I hope that the information is such that readers recognize AI where they’re seeing it in the world, and that they have gained enough understanding of how it works to ensure their safety and prosperity. 

Linda: Ironically, technology is changing technology jobs. I programmed computers for fifteen years. I’ve always embraced technological advancements; however, if my job had become obsolete because of AI, I don’t think I would have welcomed it. How do you feel about AI?

Martha: Generative AI that is based on intellectual property theft is an outrage. The people who designed these tools protect their IP vigorously and absolutely knew better. That said, these same tools, trained responsibly, could save a lot of labor. Let’s say you’re a coder and AI does a first draft for you, and then you fine-tune. I can see where that would be useful. But I think we need to be measured in our glee about this. Lots of tech has saved certain kinds of labor, and we aren’t working shorter days or work weeks. In the end, the only people who benefit from the saved labor are the people at the top, who are highly paid and have company ownership and other benefits. 

With AI, a lot of people are going to lose their jobs. The solution to this is to have a universal basic income and adequate housing, health care, and the rest. Otherwise, we are going to see a lot of suffering. 

Certain jobs, I don’t think, should be replaced by AI. For example, writing stories or making art. No problem is being solved when you have generative AI gush this stuff out. These are human pleasures and human challenges, and AI-produced art is grotesque. The purpose of art is to make us feel something, and if it’s a machine that cannot feel doing that, well, it’s being emotionally manipulated by a machine. Does anyone actually want that? Is that what we want to subject our children to? 

On the flip side, there is great potential with AI to solve complex problems based on pattern recognition and production. Say, for example, taking novel viruses and rapidly developing vaccines to prevent infection. That’s cool. I love it when technology is a solution to a problem and not just an engine of profit. That’s when humanity and our tools are at our best. 

Linda: I totally agree. When AI helps us find cures and solutions, it’s a hero. When it’s being fed pirated work, it’s a thief. Martha, you certainly opened my eyes to the many places where we encounter artificial intelligence and how it is transforming our world. Thank you so much for joining us!


Martha Brockenbrough (rhymes with “broken toe”) is the author of 29 books, including YA fiction and nonfiction, picture books, middle-grade novels, and a chapter book series.

She is the Program Director for the MFA in Writing for Young Readers at the University of San Francisco. She founded National Grammar Day, wrote game questions for Cranium and Trivial Pursuit, was the editor of MSN.com, and has interviewed lots of celebrities, including the Jonas Brothers, Jason Bateman, Mike Myers, and Slash. She also wrote an educational humor column for Encarta for nine years. 

She lives in Seattle with her family. Besides reading and writing, she likes dogs, cats, cooking, working out, and laughing. 

Linda Zajac is the author of Robo-Motion: Robots That Move Like Animals and eight Minecraft books for kids. She is an award-winning science writer and a former computer programmer and systems analyst. Find her at www.lindarosezajac.com