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STEM Tuesday Field Work — In the Classroom

Exploring “In the Field”

When you think of scientists working in the field, what do you imagine? I imagine them venturing to remote, possibly dangerous sites. Then again, some field work is closer to home, less rugged. And, as this month’s books reveal, modern field work can sometime mean anxiously awaiting data and video feeds while a specially equipped drone or other remote sensing device ventures far from home. No matter what the exact circumstances may be, this month’s titles transport readers to many places and offer exciting tales of passionate scientists eager to answer their questions. Let’s begin diving into this theme with a look at underwater archaeology.

Support Independent Bookstores - Visit IndieBound.orgSubmerge Yourself in a Science Mystery

Secrets of a Civil War Submarine is packed with possible science learning connections. Especially relevant to this month’s theme is the archaeological practice of studying objects in situ, carefully documenting and noting the physical relationships among the artifacts at a site. Readers witness  this practice as author Sally M. Walker takes them to the murky, underwater field where the 150-year-lost historic H.L. Hunley was discovered. Here scientists meticulously record the locations and orientations of the objects on the site before removing anything from the site. Later, scientists carefully record the sub’s interior objects’ spatial relationships before extracting them for study. The importance of preserving these details becomes clear when the data later prove important in answering scientists’ questions.

You can enhance students’ appreciation of the value of this information with a simple lesson involving different arrangements of a set of objects undergoing different events.

For example, imagine a site that includes a computer mouse, piece of paper, computer, glass, chair, desk. Ask students to sketch or create 3D scenes of these artifacts’ positions and orientations based on each of the following scenarios:

Scenario A: A left-handed person seated in front of a computer spilled a glass of water on a computer keyboard. Then the person jumped away from the desk, knocking over the chair.

Scenario B: A right-handed person seated in front of a computer fainted and fell out of the chair, knocking over a glass of water.

Scenario C: A left-handed person carrying a glass of water walked toward the desk, approaching it from the right, when a dog ran through the room from left to right, first toppling the chair, then bumping the person, which made the glass of water fall out of his/her hands.

Discuss how (and why) the layout of the artifacts varies in each of the representations, providing unique clues to each event. If you are feeling more adventurous, you might try either of these variations:

  • Before the activity, prepare secret assignment cards. On each card, print only one scenario but make sure A, B, and C are all represented in the class pile of cards. Randomly distribute the cards to student pairs, who must then sketch or use model artifacts to show the event. Next, each team can examine another team’s scene, making careful observations and beginning to make inferences about what happened to result in the objects’ arrangements.  After revealing the three scenarios, challenge students to infer which of the scenarios each student representation seems to match (and why). Discuss the observations and inferences that are related to the spatial relationships among the artifacts, and how they provide clues to a prior event.

 

  • For a more open-ended challenge, ask student pairs interpret other sketches as much as possible, without telling them what the three scenarios are. Support student thinking with questions such as:
    • What’s similar/different between the scene you are looking at and the one you just created? Do you think the scenario implied here is the same or different from the scenario that informed the scene you created? Why?
    • If different, what details about the event can you infer from the scene? What evidence supports your ideas? What is unexplained?

Looking at the entire set of scenes in the classroom, students might infer how many different scenarios are represented, using evidence to make arguments that support their claims. You might decline to tell students the answer, as archaeologists can never go back to the original witnesses and check their ideas.

 

Support Independent Bookstores - Visit IndieBound.orgStudy Primates in the Field

As a biography of a groundbreaking field scientist, Anita Silvey’s Untamed, the Wild Life of Jane Goodall covers a lot of territory, including an exciting glimpse into this pioneer’s experiences as a field scientist.

Help students envision a primate scientist’s field work by comparing their own daily routines to their understandings (based on the text) of Jane’s early work in the field. Students might log where they eat, what they have to do to get their food and water, and where and when they sleep. They can break the day down into an hour-by-hour log of activities. For comparison, they can read about Jane’s early field activities on pages 28-33. Pages 71 and 73-77 address some ways that chimpanzee scientists’ field work has changed. They won’t be able to make exact correlations between their days and details about the scientists’ experiences, but they’ll get a flavor of the differences. Ask students to reflect on what aspects of being a field-based primatologist might be most exciting and challenging.

An engaging way to convey the lure of primatologists’ field work is watching videos of primates in their habitats. Show students one or more of these clips (with or without the narration) and discuss their observations (what they see and hear) and inferences (what sense they or the narrator/scientists make of what is observed). You might use some of the ideas in December’s STEM Tuesday In the Classroom installment, which focused on zoology.

Individual animals’ “personalities” and their relationships with other group members are important.  Field scientists often learn to identify individuals by sight. Your students might enjoy trying to learn the names and details about the chimps pictured on pages 84-87, perhaps by creating flash cards with copies of their pictures on the front.

 

Support Independent Bookstores - Visit IndieBound.orgJourney into Meteorology and the Eye of the Storm

Of course, field studies extend beyond the bounds of biology, as you will see in Eye of the Storm: NASA, Drones, and the Race to Crack the Hurricane Code, by Amy Cherrix. While you might appreciate the extensive teacher’s guide  that offers many ideas for discussions and classroom activities, you might want to focus specifically on field work. If so, you might show NASA videos featuring drone missions to hurricanes, such as NASA Hurricane and Severe Storm Sentinel (HSE) – Studying Storms with the Global Hawk UAV. You can also sign up to connect your classroom to NASA’s airborne missions. If you do, you will gain access to the same video that NASA scientists see when they run the drone flights, and receive additional support.

As you might imagine, classic field-based weather observations make a great connection to this book. For example:

  • Your class might commit to participating in a citizen scientist group of weather watchers, (which may require modest investments in standard equipment), such as the CoCoRaHS Network.
  • For independent observing, students might build and use their own weather stations. Build Your Own Weather Station, published by the National Oceanic and Atmospheric Administration, offers instructions.
  • If you prefer, challenge students to engineer their own instruments (based on designs that they research), as described in a free Integrated STEM Lesson Plan by R. Bruno.

 

The books on this month’s list offer many opportunities to jump into field work. How might you involve your students in actual or simulated field studies? What suggestions do you have to expand upon the ideas in this post? Please share your comments and questions!


portrait of author Carolyn Cinami DeCristofanoSTEM author Carolyn Cinami DeCristofano is also a STEM education consultant who supports teachers, librarians, schools, and organizations by providing curriculum development and professional development services. Find out about her books at http://carolyndecristofano.com and her consulting at http://bhstemed.us.

STEM Tuesday Wild and Wacky Science — In the Classroom

This month’s STEM Tuesday Theme: Wild and Wacky Science has the potential to lead readers in all directions! What a fun Book List the STEM Tuesday Team found for us this month.

Here are a few ways to use this month’s books in the classroom, extending learning beyond simply reading. Enjoy these suggestions, and as always, we welcome your additional suggestions in the comments below!

Follow a Friend on Facebook! 

After reading Unstoppable: True Stories of Amazing Bionic Animals by Nancy Furstinger, you’ll want to adopt one of these furry heroes! Since convincing parents to get new pets of any kind can be a monumental task, it might be easier for your class to befriend a furrrball on Facebook. Here are links to the Facebook pages of several of Furstinger’s friends.

Chris P Bacon, Pig on Wheels @CPBaconWheels

Brutus the Rottweiler @betterpawsforbrutus

Molly the Three-Legged Pony @mollythe3leggedpony

Vincent the Cat @walkingvincentcat

Albie, Felix, and Fawn, Woodstock Farm Sanctuary @woodstockfarm

 Chart Your Allergies! 

First, read Itch! Everything You Didn’t Want to Know About What Makes You Scratch by Anita Sanchez.

Then, practice data-collecting, chart-making, graphing, and data analysis skills by doing a classroom allergy assessment.  Start by asking students to create their own survey. What questions will you need to ask to find out who is allergic to what? Create the survey together, complete the surveys, and gather the data. Next, chart or graph (or both!) the results for a visual and numeric display of what gets under your skin. Who’s is inclined to itch when the cat comes in? Do menacing mosquitoes munch on many or just a few of the members of your class?

Dig Deeper!  Get the DNA 411!

In Forgotten Bones, Uncovering of a Slave Cemetery, Lois Miner Huey takes readers on a fascinating journey that begins with the discovery of and leads to an amazing amount of information about the thirteen slaves buried on what was once the Schuyler Family Farm near Albany, New York.

Much of what the scientists on the scene and in the lab near Albany were able to determine about the slaves was came the DNA samples from seven of the adult skeletons.  But what do you really know about DNA? Plan ahead for National DNA Day, April 25th, by checking out this website for several great DNA-related activities to do with kids. 

Make a Book Trailer.  Some of this month’s book picks have cool book trailers available on You Tube.  Watch these one-minute advertisements for wild and wacky nonfiction and make your own book trailer. There’s a lot to be said about getting the most out of just sixty seconds of screen time! Can you make a trailer that is certain to send readers running to the library to check out the book you’ve read? Here’s a link to a helpful tutorial to show How to Make a Book Trailer in iMovie.

   

https://www.youtube.com/watch?v=CG09wjYU_Mw

This week’s STEM Tuesday post was prepared by

Michelle Houts delights in the wild and wacky side of finding fun facts for young readers. She writes both fiction and nonfiction and often finds the nonfiction harder to believe than the fiction. Find her on Instagram and Twitter @mhoutswrites and on the web at www.michellehouts.com.

Adam Shaughnessy and THE UNBELIEVABLE FIB: BK II Over The Underworld

I couldn’t be more excited to share this  middle grade book with you because, as most of you already know, I love mythology! And today we get to chat with an author who knows quite a lot about that subject. But . . . let me share his book with you first.

The Norse gods have returned to Middleton—and they’ve brought bad news. Loki’s misdeeds have grown from mischief to murder. He has killed Baldur, favorite of the gods. By doing so, he has set in motion events that will lead to Ragnarok, a war between the gods and giants that will destroy their world and ours. Now Odin wants ABE and Pru to help find Loki and imprison him before the giants can rally to his side. But the gods aren’t the only ones back in town. An old friend has also returned and he’s brought new questions about Baldur’s death.

To answer those questions, ABE and Pru will travel to Niflheim, the Norse underworld and confront the Queen of the Dead herself. Unfortunately, they quickly find that getting into the world of the dead is easy. It’s getting out again—alive—that proves difficult. And, in the end, can anyone really escape Death?

Hi Adam! It’s great having you here. Let’s start with when you realized you wanted to be a writer.

The impulse has struck me at various points in my life. I wrote my first manuscript, The Knight’s Quest, in third grade.

Third grade? Very cool…

I remember thinking at that point that I’d like to be a writer. I also thought I’d like to be an illustrator, too. And, to be fair, the glowing sword I drew for the cover was pretty sweet. But I went away from the idea of being a writer for a while—a long while, in fact. I think being an English major in college helped to push me away. Writing began to seem like something that other (far more clever) people did. But even as my desire to be a writer ebbed and flowed, my love for stories remained true, as did my desire to share stories with people—and young people, in particular. I did some storytelling in and after college, and over my two decades in education I developed a brand of enrichment programming that shared stories with children through interactive tales that blended storytelling and cooperative games. It wasn’t really until my mother passed away that I began to revisit what I really cared about and what I really wanted to accomplish in life. That’s when I circled back to the idea of being a writer, around 2009, and started on the path that led to my first book.

I love how you mentioned that, at one point, you felt that writing was what other, more clever people did, not you. I’m sure many of our writing readers can relate.

This series uses lots of mythological elements, so obviously you enjoy mythology. What is it about mythology that intrigues you the most?

I think I’d have to say it’s the familiarity of mythology that draws me to it. That might sound strange to some people. But anyone who loves to read and who loves to read fantasy, in particular, will understand the sentiment. I grew up reading myths. So the landscapes and characters, fictional and fantastic though they are, are also familiar and welcoming. I feel like I’ve been a tag-along on many a hero’s journey. When it came time to write my own book it was impossible to resist the draw to revisit the mythological realms I loved as a child.

How did you approach writing this second book in the series? Did you find you used craft and technique differently from developing the first book?

The biggest different between my approach to the first book and the second book was in the degree to which I listened to my inner editor. I wrote about eleven drafts of the first book. Many of those drafts were complete rewrites, start to finish. That’s because in the early drafts, in particular, I shut off my inner editor completely. I went down any and every narrative path that struck my fancy. Naturally, I made a lot of wrong turns and ran up against plenty of dead ends. But I learned something from each digression and I had a ton of fun along the way. I think there’s a tremendous value to just letting your imagination go and not worrying about how the content you’re producing will be received.

That definitely takes the pressure off a little.

Writing is all about revision and trusting that you can make the bad stuff good, in time. When it came time to write the second book, though, I had to approach things a little differently. I had a contract and deadlines. Fortunately, I also had the experience I’d gained from writing my first book. I’d learned to trust my instincts a little. I’d learned to recognize which narrative paths were most likely to get me where I needed to go. I didn’t have to wander so much (which was great, because time was much more of a factor!)

Ooh… ‘Writing is all about revision and trusting that you can make the bad stuff good…’ Very wise. 

What is a question you’ve never been asked during an interview that you’ve always wanted to answer?

I’ve always wondered that nobody has asked me about ABE’s name and why it’s capitalized. To be fair, I do explain in the book that the nickname ABE comes from the character’s initials. But nobody’s asked why I chose to use initials and capitals in the first place. For the record it’s because I read once that our eyes and brains have to work a little harder on capital letters. We have a greater visual fluency with lower case letters. When we come across a capital letter we slow down a bit. We have to look more closely. That’s ABE’s thing. He looks closely. He sees things that other people miss. So I liked the idea of his name reflecting that. It’s a small detail, and ultimately an unimportant one, but it’s one of those details that floats just beneath the surface that writers like to fit into their works.

In today’s ever-changing publishing landscape, what have you found is the hardest part of being a published author?

I have to preface this answer by saying I’ve been very fortunate. Very. Every single person I’ve encountered through the process of bringing my two books to life has been a pleasure to work with. My agent, my editors, my copyeditors, my publicists—I’ve learned from and been treated well and kindly by all of them. Now, having said that, I have to confess that the hardest part of being a published author is having had to face the reality that this is a business. As I said, I’ve had excellent individuals around me who have served as a buffer against what lurks beyond—the publishing industry. And it is that, an industry. There are times I miss my days as a educator. I had the good luck to enter education at a time and in a place where the work was driven wholly by a passion to improve the circumstances of the children and families with whom we worked. There was no other metric. We weren’t selling anything. And I worked at a community school where with ramparts still held against the onslaught of standardization and testing. As an author, things are a little different. I still have the great pleasure of working with people who care about creating good works for young people. But as an author I have to sell myself. I have to sell my books. That element of self promotion was absent in my first career.

I really love this answer. Thank you for sharing it with us and for dropping by! It’s been a pleasure having you here, again. One last question: Please tell our readers what’s up next for you.

There are many projects I’m eager to advance. I’d love to write a third Unbelievable FIB book someday.

Yes, please!

I’m also currently working on a new middle grade science fiction book involving cryptids and secret organizations with monstrous origins. And I have an idea for a graphic novel that really excites the adolescent comic book lover that’s still kicking around inside me. I have to confess, though, that the past year has been dominated by the birth and growth of my daughter. Now that I’m settling into fatherhood I’m hoping to have more time to get back to writing!

Adam Shaugnessy likes to tell people that he is a superhero, a space explorer, and a pirate. None of those things are true, but Adam likes to say them anyway.
In fact, Adam is the author of The Entirely True Story of the Unbelievable FIB and is currently at work on the second book in the Unbelievable FIB series. He began his career in education first as an elementary-school teacher and then as a director of school-aged programs, but gradually realized that his passion was for sharing stories. Adam also owns and runs Red Dragon Adventures, which brings story-based education enrichment programs to young people throughout New England.
Adam is currently working on his master’s degree in children’s literature at Hollins University. He lives in Connecticut with his wife, Jane, their cat, Sydney, and an unnamed mouse that Sydney has yet to catch, but Adam is sure she will.

For more on Adam: Website | Facebook | Twitter | Publisher

Do you enjoy mythology? What about it intrigues you?