It’s been a big year for Lori Steel. As an established literary agent with a track record of solid experience and successful clients, she decided to open her own agency, SteelWorks Literary. We’re grateful that Lori found the time to be a part of our agent spotlight, and we know you’ll enjoy learning more about her.
Hi Lori! I think it would be great to start our conversation by learning a little about your path to becoming an agent.
My path to agenting started working with books first as an educator and school librarian, where I had the privilege of matching young readers to books. I am also a writer, and my experience as an MFA student at Vermont College’s Writing for Children and Young Adults program was transformative. Shortly after graduating in 2012, I was given the unexpected opportunity to be an assistant at Greenhouse Literary, which was then housed near DC. Later, I interned at other agencies, before joining Jacqui Lipton and team at Raven Quill Literary. When RQLA merged with Tobias Literary, I joined the wonderful team at Red Fox Literary before founding my own agency, SteelWorks Literary.
Starting your own agency is a big deal! Can you walk us through the experience?
It’s been an exciting and busy launch, with an incredibly warm reception (and support!) from editors, fellow agents, and other industry colleagues. It’s gratifying to see SWL client projects already thriving, with plenty of new deals, books releasing to strong reviews, and recent Society of Illustrator recognitions for two SteelWorks titles.
How would you describe the mission and vision of SteelWorks Literary?
I’ve always had a vision for creating an agency home focused on craft and career development, and a sense of community. A place where deals are made, of course, but also relationships are forged, alongside a professional development mindset. SteelWorks Literary is a space where creatives are supported and encouraged to explore, stretch, and grow beyond expectations and conventions.
It sounds like you’ve created a great environment. I’m sure a lot of authors are watching for your submissions window to open. What are some things you’d like to see in their queries?
A strong pitch that showcases the narrative voice and plot effectively, compelling pacing, fully realized setting, and a professionally crafted query letter will get the best attention.
Which genres/themes/subjects are you drawn to/not drawn to?
I’m drawn to middle grade stories that reflect a deep understanding of their audience and trust readers to create inferential leaps where warranted. I’m particularly drawn to setting-rich environments – even in contemporary novels – where the author’s sense of place feels authentic and realized.
Didactic narratives that place message above story-telling, space-bound sci-fi, and overly heavy informational text aren’t strong fits for my list.
What advice do you have for authors who would like to send you a query?
Give yourself time and space to ensure your project is ready for submission. A few weeks or months later is not going to impact interest, but quality of story will! And when it’s ready to share, keep an eye open on SteelWorks Literary’s social media pages and the agency’s website for open windows. I also open for special events such as conferences and workshops.
Here at the Mixed-Up Files, we are all about middle grade, and I understand you also have a great fondness for this wonderful category of literature. What do you love most about middle-grade novels?
Middle Grade is that special audience of independent readers, who are still open to trying all varieties of formats. With the age range of 8-12 (generally), this audience tends to have wide appetites. They’ll read an entire mystery series, before diving into a WW2 historical novel, or a humorous contemporary, illustrated novel. They crave connection and insights into the world, as they seek to find their place within it. What I love most is that this audience is still open to read-alouds – and a strong MG novel will always have this quality! Hook a reader at this age, and you have a reader for life.
What are some of your favorite current middle-grade novels?
Right now I’m reading Katherine Rundell’s Impossible Creatures and am swept away by the rich language and worldbuilding, dynamic pacing, and a sincere trust she shows her readers. Her books never disappoint and I have a deep appreciation for the depth of scholarly work she puts into each of her books.
We’ve all heard the distressing news about the “middle grade slump” and some downward trends in this market. Where do you think the middle grade market is headed?
This is a tricky question as it’s impossible to know how the market will respond to readers’ fluctuating needs, interests, and other outside forces. Currently, we’re seeing strong interest in graphic and illustrated novels, and a return to the shorter, more accessible middle grade novel format. While more robust page counts have been challenging to sell this past couple of years, the pendulum will swing back again. It always does! Readers need books, and new stories, with as much page count, genre, and format varieties as their intended audiences.
It seems like you’ve been very busy at SteelWorks Literary. Tell us about some current SWL projects that you’re excited about.
I’m excited about all SWL forthcoming projects! But since we’re talking middle grade, I’ll share Tate Godwin’s debut graphic novel series – starting with Operation: Cover Up! – which releases January 2025 from Andrews McMeel. Operation: Cover Up! introduces three unlikely friends as they navigate the complicated and comical terrain of fifth grade, learn how to be good friends, and remain true to themselves.
I’m also excited about Jilanne Hoffmann’s HeartLand debut middle grade novel. It’s a coming-of-age story told in parallel timelines and alternating POVs – in both prose and verse – about a girl on a sixth-generation Iowa farm, the legacy of the 1980s farm crisis, and a rooted-in-reality environmental cover-up that threatens the groundwater of the entire state (Little Brown Young Readers, fall 2025).
We’ve learned a lot about your work. I’m sure everyone would like to know more about you. What are some of your favorite things that have nothing to do with being an agent?
Time with family and friends. Being outside – whether that’s walking the dog, working in the garden, being near the water, or going for a hike…and baking for after-walk treats.
Where can authors learn more about you?
You can find out more about SteelWorks Literary on Instagram and Facebook @Steelworksliterary, and on Bluesky @steelworksliterary.bsky.social. Of course, you can also check out my MSWL.
In the summer of 1961, eleven-year-old Arno Creelman wants nothing more than to be an astronomer. His claustrophobia rules out flying in a cramped space capsule. Instead, Arno dreams of exploring the galaxies with powerful telescopes on Earth.
Drimmer (2022)
Buying and moving into the run-down Jewel Motor Inn in upstate New York wasn’t eleven-year-old Miriam Brockman’s dream, but at least it’s an adventure. Miriam befriends Kate, whose grandmother owns the diner next door, and finds comfort in the company of Maria, the motel’s housekeeper, and her Uncle Mordy, who helps out for the summer. She spends her free time helping Kate’s grandmother make her famous grape pies and begins to face her fears by taking swimming lessons in the motel’s pool.
All the great leaders had to start somewhere. And Teresa (“Resa” for short) is starting with the lemonade stand competition her teacher assigned to the class―but making it a success is going to be a lot harder than Resa thinks.
It all started when Jojo saw a fairy but said she didn’t. After all, fairies aren’t real–and if they were, they wouldn’t look like that! No, Jojo did not see a small, green, muddy person. Her sisters have no problem believing, though. They beg Jojo to finish the story she started telling long ago, but since the death of their beloved grandmother, Jojo hasn’t felt like talking about magic, even if her sisters still believe.
Butternut lives in the burrows of Milkweed Meadow with her nine rabbit brothers and sisters. Together they practice survival skills and tell stories. With dangerous scenarios blooming in her mind, Butternut always follows the lesson of her family’s stories: stick to your own kind … rabbits. But after befriending an unruly robin and a wounded deer, Butternut begins to question the lesson she’s been taught.
(2015)
For nine-year-old Flora, the Indiana village of Rosetown is full of surprises, many of which happen at the Wing and a Chair Used Book Shop. She loves reading vintage children’s books after school in the faded purple chair by the shop window.
Eleven-year-old Luke and his dog, Haru, are best friends. Totally inseparable. But when their nasty landlord falsely accuses Haru of biting her, Haru is kidnapped!
