Posts Tagged middle grade writing

A Summer of Creativity: Writing Exercises to Bring Back the Fun, Break Out of a Rut, and Inspire Young Writers

Summer is here, and school is out. Why not use some of your extra free time to work on a writing project? By writing a little each day, you could end the summer with an entire collection of poems, short stories, essays, journal entries, or even the first draft of a novel. Writing regularly is one of the best ways to improve as a writer. Doing the same thing over and over, however, can be a sure path to boredom.

Whether you are drafting a middle-grade novel, helping a young writer find their voice, or simply trying to make writing feel joyful again, flexibility and exploration are key. With that in mind, below are five creative writing exercises to bring some play into your own writing and into the work of the young writers in your life.

 

1. Switch up the genre or form

We all tend to have genres and forms that feel most comfortable. That does not mean, however, that we always need to write in that vein.

Do you typically write prose? Try a poem, a verse novel scene, a list poem, or a haiku. I regularly participate in #HaikuSaturday on X and Bluesky and love the supportive community. You may want to give it a try. Do you typically write fiction? Spend 20 minutes writing creative non-fiction, a personal essay, or a journal entry. If you usually write serious scenes, try humor. If you usually write realistic fiction, try a fantasy premise.

Writing outside your comfort zone can freshen up your practice. It can also help you acquire and strengthen skills that you can use in your main work. For example, even though I write primarily in prose, I spent years studying and practicing poetry. As a result, I use poetic techniques in everything I write.

Try this with young writers: Ask them to retell a favorite summer memory three ways—as a poem, a journal entry, and a one-page story.

 

2. Try out a new craft element

Take a look at your current read, or a book that inspires your writing project, and pick one or two writing techniques used by authors you admire. Study how the author uses the technique in the work. Then try it out in your draft or current project—perhaps in just one scene or on just one page.

You might study how an author begins a chapter, builds suspense, reveals character through dialogue, uses setting, or ends a scene on a question. Emulation is a great way to break through a writing rut and grow in your craft.

Try this with young writers: Read the opening paragraph of a favorite middle-grade novel. Then invite them to write a new opening using the same kind of feeling, whether mysterious, funny, fast-paced, quiet, or surprising.

 

3. Re-read your favorites

Whether they are your favorites in the genre in which you are writing or just your overall favorite books, revisiting books that have shaped you as a writer and reader is important. This time, read with two sets of eyes: reader eyes and writer eyes.

What techniques do you find especially effective in connecting with you as a reader? How does the author make you care about the main character? Where do you laugh, worry, wonder, or turn the page faster? How can you borrow from those techniques in your own work?

This is an especially useful practice if you are feeling lost or stuck. Favorite books can remind us why we wanted to write in the first place.

Try this with young writers: Ask them to choose one favorite scene and explain why it works. Then challenge them to write a scene that creates a similar feeling without copying the plot.

 

4. Go on some observation adventures

Pulling from lived experiences, overheard conversations, and other observations is a classic writing tip, but it is easy to forget how much material is waiting just outside our doors.

Go outside to a park, a mall, a restaurant, a library, a farmer’s market, a ball field, or wherever your curiosity leads you, and take a notebook with you. Write down as many observations as possible, no matter how obvious or random. Notice sounds, smells, gestures, snippets of conversation, clothing, weather, signs, and small conflicts. Even ten minutes in your neighborhood is enough to fuel an abundance of ideas.

This is a great way to jumpstart your creativity on days when you are feeling restless or uninspired.

Try this with young writers: Challenge them to write down ten things they notice, then choose three and turn them into the beginning of a story.

 

5. Change point of view

No matter what genre you are writing, perspective is key. Try rewriting your current project, or a part of it, from a different perspective—or even more than one.

If you feel as though you need to get to know a character more, rewriting a scene from that character’s point of view can reveal new things about them. If you feel as though a scene isn’t working, this exercise can send it in a new direction. If you feel as though the tone of your piece is flat or ineffective, a new perspective can drastically change that.

For middle-grade writers, this can be especially helpful. How is the scene viewed from the point of view of the protagonist? What about the point of view of the best friend? What about the point of view of the younger sibling? What about the point of view of the adult who misunderstands everything? Don’t be afraid to play with this core element.

Try this with young writers: Challenge them to rewrite a familiar fairy tale or family story from the point of view of a side character, pet, villain, or object.

 

Wherever your writing is taking you right now, I hope these ideas can bring some exploration and fun into your process. By the end of the summer, you and the young writers in your life may have a notebook full of poems, stories, scenes, characters, questions, story sparks, and maybe even the start of a novel. Even better, you may have rediscovered the joy of writing for the fun of it.

When the Hammer Builds the House: Grappling with AI in Kidlit

Two years ago I wrote an article about how to utilize AI as a tool in children’s writing. At the time, ChatGPT was still in its first iterations, and many creatives had only the faintest ideas about generative AI. In the middle grade world, authors were mostly just trying to figure out what AI would mean for them, if anything at all. 

I think it’s safe to say things have changed since then, and I wanted to come back to this topic with fresh eyes to see if the undertones of techno-optimism that permeated my first piece on the subject still resonate the way they did back in 2023. There are, after all, some new realities that authors must face head-on.

For one, it’s simply no longer accurate to say that AI writing is cheesy, formulaic, and easy to spot. Large language models like ChatGPT, Claude, and Gemini have become astonishingly good at mimicking human authors in tone, humor, and even complex themes woven through longer pieces. YouTuber and developmental editor Alyssa Matesic recently did a side-by-side of AI writing and short stories written by professional authors, and the two were startlingly difficult to tell apart.

That also begs the question of how AI models have gotten so good. Since 2023, big tech companies have scraped vast libraries of unlicensed and copyrighted material to train their models. It’s a controversial topic, and too intricate to dive into here, but it has forced many authors to divert attention away from the creative process and think carefully about how to protect their work.

Still, the biggest issue probably isn’t about detectability or fair use, but the mere fact that AI writing exists at all. The very possibility of humanlike AI writing has cast a shadow over the legitimate efforts of human writers everywhere. Even the once-loved em dash has become a symbol of AI skepticism, with many authors consciously adjusting their tone and techniques to look less like the AI that used their writing to develop its own voice in the first place. It’s a strangely ironic dance that creators across all fields have been doing since generative AI exploded onto the scene in the last few years. 

So is it really fair to say that AI is “just a tool” the way I described it back in 2023? It would be a bit like a master craftsman returning to his worksite after a lunch break to find that his hammer had come to life and built the rest of the house without him. It sounds nice, but what if the craftsman actually enjoyed building houses? What if he’d spent his whole life learning to do it well? What if everyone then assumed that all his houses – countless hours of work – had been built by the magic hammer? 

So what is a middle grade author to do in this strange new world? Since this post is just around the corner from Thanksgiving, I’m choosing to slant toward gratitude. Even in this weird and sometimes scary landscape of publishing in 2025, there are quite a few things to be thankful for.

 

Authors are fighting back and winning.

A U.S. federal judge gave preliminary approval to a $1.5 billion settlement between Anthropic PBC and authors who alleged nearly half a million books were pirated to train AI chatbots. It’s a major win for writers wanting more accountability from AI developers.

Readers want human-made books.

As AI writing continues to permeate the book market, consumers are becoming more vocal about their preference for human work. In a recent poll by YouGov, well over half of respondents reported that they’d feel less fulfilled after learning a book they’d read was authored with AI. There are also new projects popping up like the “Human Authored” initiative from the Authors Guild. It’s a promising sign that readers are rediscovering the incredible value of human connection and contribution.

 

As a tool, AI is only getting better.

In its rightful place, AI continues to be a transformative technology that can untether creators and allow them to make and explore more than ever before. As a research tool, for example, AI cites its sources with more accuracy than it did back in 2023, and it can also summarize and synthesize material extraordinarily well. Even for this piece, which is admittedly a bit skeptical of AI’s prevalence overall, I used AI tools to find sources and make connections. I just had to keep that hammer locked up in the toolbox when it came time to write, design the art, etc. Many have equated this dynamic with letting AI “do the dishes”. Artificial Intelligence can handle the chores so creatives can do the fun stuff (although not all the time, as we learned from NEO — skip to 2:55 for a good laugh).

 

So have I changed my mind about AI over the last two years? Should you? These are questions worth exploring, but let’s not spend too much time perseverating on a dynamic that changes almost daily. 

After all, we’ve got writing to do.