Posts Tagged middle-grade fiction

The Most Perfect Interview with Author Tricia Springstubb

Author Tricia Springstubb

I’m very excited today to welcome author Tricia Springstubb to The Mixed-Up Files of Middle-Grade Authors! We’re here to talk about her newest middle-grade novel The Most Perfect Thing in the Universe.

Before we get started, let’s take a look at the book.

Eleven-year-old Loah Londonderry is definitely a homebody. While her mother, a noted ornithologist, works to save the endangered birds of the shrinking Arctic tundra, Loah anxiously counts the days till her return home. But then, to Loah’s surprise and dismay, Dr. Londonderry decides to set off on a perilous solo quest to find the Loah bird, long believed extinct. Does her mother care more deeply about Loah the bird than Loah her daughter?

Things get worse yet when Loah’s elderly caretakers fall ill and she finds herself all alone except for her friend Ellis. Ellis has big problems of her own, but she believes in Loah. She’s certain Loah has strengths that are hidden yet wonderful, like the golden feather tucked away on her namesake bird’s wing. When Dr. Londonderry’s expedition goes terribly wrong, Loah needs to discover for herself whether she has the courage and heart to find help for her mother, lost at the top of the world. 

 

The Most Perfect Thing in the Universe is available for preorder now and releases June 1, 2021.

MH:  When and where did you get the idea for The Most Perfect Thing in the Universe?

TS:  A writer’s mind is a wild, unpredictable place. Ideas lurk about. You glimpse one from the corner of your eye but before you can catch it, it has slipped back into the shadows. Maybe you get another chance–this time it lingers long enough to walk beside you for a while before it disappears again, leaving you to puzzle out what to make of it…

…which is my devious way of saying, I don’t exactly know where I got the idea for Loah!  If I look at my files, I can see I first tried to write about her back in 2017. The files have names like Loah After Retreat and Loah After Mary Jane’s House(two of many places I worked on the book) and Loah Yet Again. I set out to write a historical novel, something I’d never done. I did research, which I loved, and began a story about a timid, turn of the century girl who lived in an ambiguous European country in a spooky house with her ancient caretakers. Her beloved older sister vanishes; an orphan seeks refuge. But my world-building was shaky–I kept making things up rather than sticking to established historical facts. After many tries and lots of frustration, I had to admit I lacked the discipline to stay within set bounds of time and place.

But by then I was too in love with Loah to let her go. She became a timid contemporary girl who lives in a spooky house with ancient caretakers. It’s her beloved mother who vanishes, her new friend Ellis who hides out with her. The birds came winging in on their own. Birds have flitted through so many of my books–a sparrow even gets its own little arc in Every Single Second–and here they settled in and became central to the story.

MH: Was there a time you thought you might give up on this book? What did you do to get through that?

TS: More than one time! I especially remember one gray January afternoon. I’d been working all morning, and had just introduced a brand new character, a snarky woman wearing a hat made of faux-giraffe-skin. What in the world was she doing there? I went for a long, desolate walk. Getting away from the desk helped me realize that I was writing loony scenes in an effort to distract readers (and myself!)  from the fact that I’d lost my story’s thread. I needed to think more deeply about who Loah was, what she needed and wanted. What was my story about, and what was it reallyabout? The woman in the giraffe hat got the axe (though who knows–she may yet turn up in a different story, where she actually belongs).

I do endless revisions for all my books, but usually one thing remains constant the–the setting, the situation, the conflict. For The Most Perfect Thing in the Universe, it was Loah. She may be my favorite of all the young heroes I’ve written.

MH: What do you like about writing for MG readers?

TS: Pretty much everything! Kids this age brim with curiosity. They love to laugh. They are vulnerable and brave and they will commit to a story like nobody’s business. Middle grade readers demand strong plots, but they’re also sophisticated enough to appreciate nuance. Their sense of justice and their hopes for the world make me want to be a better person as well as a better writer. Their eyes are so wide and their hearts so big!

MH: Was this your original title?

TS: Yes, except for all those working titles I mentioned when Loah’s story was a different book. The title was a gift that came to me during my research. It’s drawn from a quote from the nineteenth-century naturalist Thomas Wentworth Higginson, who wrote, “I think that, if required on pain of death to instantly name the most perfect thing in the universe, I should risk my fate on….”

Well, I am not going to give the rest away!

Wouldn’t filling in that blank be a fun classroom writing prompt?

MH: Tell us something fascinating you discovered while researching this book.

TS: Each year Arctic terns make a round trip migration of up to 25,000 miles, the longest recorded migration of any animal on the planet. Much of their route is over water–how do they do it without the GPS lady? Sadly, due to climate change, Arctic terns, like far too many species of animals and plants, face increasing challenges to their habitat and survival. Research made me even more aware than I’d been of Earth’s precious, fragile inter-connections. We can all help protect and preserve. The Audubon Society has wonderful suggestions for how we can become nature’s advocates, starting in our own neighborhoods.

MH: Now time for a Quick-Answer Finish-This-Sentence Round. Ready?

          TS: Sure!

MH: Recently, I’ve been very interested in learning about…

          TS:   … dogs, for my new novel.

MH: The best thing that happened to me yesterday was …

           TS:  … helping my neighbor get a vaccine appointment.

MH: I can’t help but laugh out loud when …. 

            TS: … my tiny granddaughter imitates Elsa.

MH: I’m looking forward to ….

           TS: … visiting schools and young readers for real.

MH: I really like the smell of …. 

           TS: … licorice.

MH: If I weren’t a writer, I might like to be a …

           TS: … person who delivers flowers.

Well, if Tricia Springstubb showed up on my doorstep with flowers, I would welcome her smiling face! But I am very, very happy she’s writing thoughtful, engaging, entertaining middle-grade fiction for all of us.  Thank you, Tricia!

Tell us about your favorite Tricia Springstubb book! Leave a comment below.

 

 

 

 

Storystorm: It’s Not (Just) for Picture Book Writers

Tired of sitting on the sidelines while her novelist friends participated in NaNoWriMo each November, kidlit author Tara Lazar created PiBoIdMo (Picture Book Idea Month), a monthlong brainstorming event for picture book writers: 30 ideas in 30 days.

That was back in 2009. The event has since been renamed Storystorm, in order to be reflect a “broader range” of writers, moved to January, and now boasts nearly 2,000 participants from across the country and around the world—professionals, amateurs, teachers, and students alike.

Ready, Set… GO!

 

 

 

With this in mind, and eager to get my fun on during the dark days of Covid, I decided to give Storystorm a try. How hard could it be?

Harder than I thought. The first week went by relatively smoothly, with ideas spewing from my brain like Vesuvius lava. But by Day #11, I found myself scraping the bottom of the idea barrel. Such gems from my notebook include: “Tween kidnapping ring”; “Reality show for middle-school tuba players”; and, simply, “oranges.”

In frustration, I decided to kick Storystorm to the curb. The event was for picture book writers, I rationalized—not for middle-grade authors who wrote entire novels. The challenge was that much harder for us.

That was just an excuse, of course. The real reason I didn’t want to continue the challenge is that it was far outside comfort zone. Like, Timbuktu far. I also felt pressure to come up with the “perfect” idea for my next novel. The idea that would catapult me to MG superstardom and make readers go, “Jeff Kinney, who…?”

Under Pressure

Unfortunately, and as any writer knows, pressure can stop creativity dead in its tracks. It can also make you feel “less than” as a writer. So, instead of seeking perfection (which doesn’t exist, anyway), I decided to have fun with the challenge. I added “What if…?” and “maybe” sentences to my brainstorming sessions:

What if the main character is forced to live with her crotchety grandmother for the summer?”

What if she’s left-handed, with fiery red hair, and a dime-size gap between her two front teeth?” “Maybe she’s a gifted tap dancer who loves Cheetos.”

Maybe she’s five feet tall…”

This helped ease the pressure that declarative statements can often bring. Once I started to enjoy the Storystorm journey, rather than the destination, I felt myself relax. And even better? I crossed the finish line, with a slew of sparkling new ideas.

And now, without further ado…

Five questions for the creator of Storystorm, Tara Lazar

MR: Hi, Tara! I know this isn’t your first Mixed-Up Files rodeo. You appeared on the blog in 2019, with this interview by Mindy Alyse Weiss. Welcome back!

TL: Merci beaucoup!

MR: As above, you created StoryStorm in 2009, as a response to NaNoWriMo. Which aspects of the event have changed most since then? What remains the same?

TL: The name and the month changed—because if I had thought about it for two seconds, I would’ve realized that PiBoIdMo is a terrible name and November is an awful month to get anything done. Plus, the first year, I wrote HALF of all the blog posts. Fifteen! Talk about scraping the bottom of the barrel for ideas! The following year I invited more authors and illustrators to guest blog and I took on a more administrative role.

Advice for MG writers (including yours truly)?

MR: As I mentioned in the intro, as an MG author I had a hard time generating 30 ideas in 31 days. It felt like a lot! In your opinion, is brainstorming different for writers of MG fiction and nonfiction? What advice do you have for MG writers specifically, in terms of idea generation?

TL: I think picture books sell based more upon concept than MG novels. MG novels have much more “meat” to them—yes, they can have a brilliant premise, but voice, plot, subplot and language play a bigger role than in picture books. Picture books are generally a tougher sell, so the more manuscripts you have, the better a position you’re in. As an MG author you probably don’t need as many ideas as PB authors do, but I believe the more ideas from which to choose, the better.

Storystorm in the classroom

MR: Educators, such as teachers and librarians, are encouraged to participate in Storystorm. From what you’ve seen and heard, what are the most effective ways educators have used Storystorm in the classroom?

TL: Teachers put the daily blog posts on their smartboards in the classroom and encourage their students to brainstorm at the start of the school day. It’s an easy way to get students into a creative mode, plus they will have a portfolio of ideas ready to go for their next writing assignment. It eliminates that “blank page” fear! Writing is less daunting if students already know what to write about!

MR: You can say that again. Now, I’m curious, Tara… Do you participate in Storystorm yourself? If so, have any of your published or soon-to-be-published books been Storystorm ideas? Enquiring minds want to know!

TL: I do, and I don’t. I generate ideas all year long so I don’t necessarily need to do Storystorm, plus I’m busy behind the scenes. If I get ideas during the event, I write them down, like always. The whole point of Storystorm is to create a habit for writers, and I’ve already cultivated it!

Free to Be You and Me

MR: You sure have. What advice do you have for MG writers who are reluctant to participate in Storystorm because they feel intimidated? Let’s hear your best sales pitch. 🙂 

TL:  It’s free. There’s a great community of writers to keep you on track, and there’s no punishment if you don’t get 30 ideas. And your ideas are for your eyes only—no one has to see them if you don’t want to share. You’re going to end the month with more story ideas than you had before it began, so what have you got to lose? Nuthin’. Did I mention it’s free?

MR: Thank you so much for joining us again on Mixed-Up Files, Tara. And thanks for everything you do for the kidlit community!

About Tara

TARA LAZAR is the author of several picture books, including the award-winning 7 ATE 9: THE UNTOLD STORY from Little, Brown. Her next book BLOOP is illustrated by Mike Boldt and releases from HarperCollins in July ’21.

Tara is the co-chair of the Rutgers University Council on Children’s Literature One-on-One Plus Conference and an SCBWI member. She writes flash fiction for adults and serves as an inspirational speaker, based on her battle with Primary Progressive Multiple Sclerosis.

Tara lives in New Jersey with her husband, two teenage daughters, and a recently rescued stray cat, Phoebe. Learn more about Tara on her website, Twitter and Instagram.

The Skinny on Storystorm: What other MG writers are saying…

Wendy McLeod MacKnight, MG author of It’s Not a Mystery, Pig Face; The Frame-Up; and The CopyCat: “As an author who both struggles to come up with ideas AND flesh them out, Storystorm has been a creative godsend! I’ve got new tools for my idea-generation toolkit and a bunch of shiny new ideas to work on in 2021! I can’t wait for the next iteration!”

Christiana Doucette, MG writer: “Brainstorming alongside so many other writers—the energy and encouragement—has helped me to create an idea-seeds spreadsheet. I’m excited to sift through my list and start drafting my next story.”

Andrea Mack, writer of PBs and MG fiction: “I love how generating ideas through Storystorm inspires me by opening the door to my creativity. Sometimes I get ideas for developing my characters, plot events, or interesting details. If none of the ideas works for my story, starting my day by adding an idea or two to my list sets me up for a good writing day. And I love how I have that whole list of ideas to fall back on when my writing isn’t going anywhere.”

Mindy Alyse Weiss, Mixed-Up Files contributor and PB/MG writer: “Not only is Storystorm great for coming up with potential series ideas, I’ve found that a few ideas can mesh together into one amazing one. Also, I’ve discovered a few tricks to spark ideas, thanks to some of Tara’s archived posts. The ones I use most are: 500+ Things That Kids Like and 100+ Things Kids Don’t Like. I also scroll back to posts from previous years, for both Storystorm and the original PiBoIdMo. Tammi Sauer’s posts are always a huge help!”

Sydney Taylor Book Award Blog Tour — Interview with Honor Book Award-winner Tziporah Cohen and a GIVEAWAY

The Mixed-Up Files is thrilled to be a part of the 2021 Sydney Taylor Book Award Blog Tour! (For the full schedule click here.)

The Sydney Taylor Book Award is presented annually to outstanding books for children and teens that authentically portray the Jewish experience. As someone who has followed the award closely for many years (and was honored to be a past winner of their manuscript award which recognizes unpublished manuscripts) as well as a member of the review team for the Sydney Taylor Shmooze, a ‘mock’ version of the awards, I am especially thrilled and delighted to welcome author Tziporah Cohen, whose debut novel No Vacancy —about an 11-year-old Jewish girl who, with her Catholic friend, creates a Virgin Mary apparition at a drive-in movie theater to save her family’s failing motel—is a 2021 Sydney Taylor Award Honor Book in the middle grade category.

SEE BELOW for a chance to WIN A COPY of NO VACANCY by Tziporah Cohen!

 

About the book:

SYDNEY TAYLOR BOOK AWARD HONOREE!
Shortlisted for THE NATIONAL JEWISH BOOK AWARD FOR CHILDREN’S LITERATURE! 

 

“With effortless mastery, Cohen weaves the opposing forces of innocence and corruption, right and wrong, love and hate.”—Inderjit Deogun, Quill & Quire starred review

Buying and moving into the run-down Jewel Motor Inn in upstate New York wasn’t eleven-year-old Miriam Brockman’s dream, but at least it’s an adventure. Miriam befriends Kate, whose grandmother owns the diner next door, and finds comfort in the company of Maria, the motel’s housekeeper, and her Uncle Mordy, who comes to help out for the summer. She spends her free time helping Kate’s grandmother make her famous grape pies and begins to face her fears by taking swimming lessons in the motel’s pool.

But when it becomes clear that only a miracle is going to save the Jewel from bankruptcy, Jewish Miriam and Catholic Kate decide to create their own. Otherwise, the No Vacancy sign will come down for good, and Miriam will lose the life she’s worked so hard to build.

 

 

Author Interview:

And now, here’s No Vacancy author Tziporah Cohen joining us here on the Mixed-Up Files!

MD: Hi Tzippy, what inspired you to write this story?

TC: The whole idea began while on a mini-vacation in Hershey, PA, where we stayed a couple of nights in a tired motel one summer while I was working on my MFA degree. There was a boy hanging around—maybe 7 or 8 years old—and it turned out he had moved there with his family and they were running the place. I thought it made a great, unique premise for a middle grade novel—a kid living in a motel that her parents were managing. (Kelly Yang’s fantastic novel, Front Desk, hadn’t come out yet.) The boy we met was South Asian, and Hershey is a pretty white town, and I wondered what that was like for him and his family. I had been thinking of writing something from my own Jewish experience, so the boy became an eleven-year-old Jewish girl named Miriam. I wrote the first chapters in that hotel room after my kids went to sleep!

MD: As a debut author, can you tell us about your journey to publication?

TC: It was a long one, as they usually are! I had an idea for a picture book back in 2006 and took an adult education course on writing picture books, which led to some online writing courses, which eventually led to an MFA at Vermont College of Fine Arts. I never saw myself writing a novel, but since you can’t do a two-year MFA just writing picture books, I wrote the first draft of No Vacancy over three semesters there. It took several more years of work after graduation before it was ready to submit. I had started looking for an agent but had also submitted the manuscript to Groundwood Books in Toronto, where I now live. When Groundwood sent me an offer of publication, after screaming with excitement, I approached the agents I was interested in with the offer in hand. So my road was a bit backwards at the end.

(The irony is that I never did write that picture book idea that started this whole journey!)

MD: I loved your interview on the Book of Life podcast where you talk about mentor texts—can you briefly explain what a mentor text is, and how you used them when writing NO VACANCY?

TC: Mentor texts are books (in this case) that a writer studies to learn how another author tackles a topic or how they use their craft to form a story. In my case, I wanted to see how other writers tackled the topic of religion and faith in their middle grade novels. There weren’t many out there, but I went back to a childhood favorite, Judy Blume’s Are You There, God? It’s Me, Margaret. and the more recent Confessions of a Closet Catholic by Sarah Darer Littman, both of which feature girls struggling to sort out their religious identity and what role they want Judaism to play in their lives.

MD: How did you choose the setting of upstate New York?

TC: I love upstate New York. I spent four years at Cornell University, in Ithaca, and while that’s not a small town, it was certainly very different from where I grew up on Long Island, about an hour’s drive from Manhattan. I’ve done many drives through upstate New York since then, going back and forth from Toronto to Long Island, and so it all felt very familiar and easy to picture in my mind.

MD: Are any of these events true to your own life?

TC: Unfortunately, the only event in the book that’s true to my life (outside of the religious observance) is the anti-Semitic experience that Miriam’s mother had. While I was never assaulted like she was, I had the experience of having pennies thrown at me in the halls of my junior high school. Like Miriam’s mom, I remember feeling ashamed. I wish I could redo that moment by confronting the person and—best case scenario—educating them about the hateful origins of that stereotype. And I would have liked to have felt proud rather than ashamed.

MD: I really love how you show both interfaith and interdenominational cooperation between Jews and Christians, as well as how even within Judaism that there are differences of observance such as between Miriam’s immediate family and her Uncle Mordy. Can you talk a little about that?

TC: It was important to me to show some of the diversity of Judaism—how differently people who identify as Jewish see their relationship to Judaism and how many different ways people practice it. I wanted Jewish children from a variety of religious backgrounds to see themselves and their families in the book, and I wanted non-Jewish children reading it to understand that there isn’t just one Jewish experience. So it was very intentional that the different members of Miriam’s family observed Judaism in different ways. My extended family’s Judaism is just as diverse as Miriam’s!

In the book, Miriam’s Christian neighbors support them after an act of anti-Semitism. My favorite stories, in real life and in fiction, are when different communities come together to fight hatred, because we are so much stronger when we are there for each other.

MD: What does it mean to you to win the Sydney Taylor Honor Award?

TC: I grew up reading Sydney Taylor’s All-of-A-Kind-Family books, which were probably the first books I read that were about a Jewish family, if you don’t count The Carp in the Bathtub! I grew up reading books with the Sydney Taylor Book Award stickers on them, and I’ve read innumerable winners to my children. I never even imagined I would write a book for kids, let alone one that would have its own Sydney Taylor Award sticker. It’s mind-blowing and humbling to me that I’m part of this club. I’m still pinching myself!

MD: Wow—congratulations and Mazal Tov, Tzippy! Thanks so much for these thoughtful responses and for sharing your journey with us here on The Mixed-Up Files! Readers can find Tzippy on Twitter at @tzippymfa and on her website http://www.tziporahcohen.com.

Giveaway! Enter! Win!

To enter for a chance to be the lucky winner of a copy of Sydney Taylor Honor Book NO VACANCY by Tziporah Cohen, click the link below and you can: comment on this blog post, tweet it out and tag us at @MixedUpFiles, or like our post on Instagram at @mixedupfilesmg. (US and Canada winners receive a hard copy, international winners receive an e-book and signed bookmark.)

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