Posts Tagged Middle-Grade Fantasy

A Chat With Author Kelly Barnhill

By on August 9, 2016   /   Author Interviews  

Book jacket for The Girl Who Drank the Moon. Some books grab you from the first moment you see their gorgeous cover. Such was the case the first time I saw Kelly Barnhill’s beautiful middle-grade fantasy, The Girl Who Drank the Moon.

Anticipation grew even more when Barnhill and her publisher released two prequels to the story last month on Entertainment Weekly (read Part 1 and Part 2 for a taste of Barnhill’s storytelling). So I was delighted to have the opportunity to chat with Kelly and to help her celebrate the release of The Girl Who Drank the Moon.

Hello Kelly, welcome to From the Mixed-Up Files! Which middle-grade books did you love when you were younger?

A: I wasn’t much of a reader before fifth grade. Like at all. I knew that one should read, and I was very good at pretending to read, but the ability to sink into a page just wasn’t there for me. What I did love was listening. My parents read to us all the time, and I can remember listening to Grimm’s fairy tales, and later C.S. Lewis, and later Tolkien, and later Dickens. I also —thanks to a garage sale purchase of a Fisher Price orange plastic record player — loved checking out books on records from the library. Because, once upon a time, that was a thing. I listened to Treasure Island and Kidnapped and Just So Stories and both Jungle Books. Later, when I started seeking books out on my own, I loved weird things. L. Frank Baum, particularly. And Roald Dahl. And Daniel Pinkwater. And Diana Wynne Jones. And Ursula K. LeGuin. And Andre Norton. You don’t have to scratch my skin very deeply to find the undercurrent of those writers, pulsing in my veins.

Q: Which came first, the story itself or the prequel?

A: Oh, the story. For sure. But one thing that I didn’t realize when I started writing the story was how much Xan’s unremembered history would come to play in the way the action unfolded. There is much that I couldn’t include in the story itself, simply because Xan had chosen not to remember it — because memory is dangerous, as is sorrow. Or so Xan thinks. Anyway, the idea of her as a child in the company of a bunch of irascible magicians and scholars — many of whom do not have her best interests at heart — intrigued me. And so some of the cut pages and a bunch of the notes started swirling around until a story emerged.

Q: Last year, you wrote a novella for adults called The Unlicensed Magician. Can you talk a little bit about the differences between writing for adults and for children? Which do you prefer? Should we expect more adult stories from you in the future?

Writing a novella, I feel, is a bit like the Spanish Inquisition — no one expects it. I have written and published quite a few short stories for grown-ups that have appeared in a variety of journals. I like writing short stories; I like the muscle of it and the precision needed. It’s an entirely different skill set from what is required for a novel. And while I’ve written a few short stories for kids, the vast majority of them have been for adults. I’m not entirely sure why this is. Maybe my “adult fiction voice” is just more narrow than my “children’s fiction voice.” Or something.

When I started “The Unlicensed Magician,” I assumed I was writing a short story. And then 30,000 words poured out over the course of a couple days — just like that. This was a muscle that I didn’t know I had, and when I finished, I was tired and sore and had no idea what to do with the thing. I’m glad it’s found an audience, and that people seem to like it. As far as the intended audience goes — man. I don’t know. I will think and think and think about a story — just the story — and have no idea if it is a kid’s story or an adult’s story or just a weird story that only I would like. I don’t really know that until I’m done. Really, all I think about is the story itself — what the experience is, what the language feels like, what the big ideas are underpinning the whole thing. I don’t think about audience until the very end.

Author Kelly Barnhill

Author Kelly Barnhill

Q: Like you, I attended my first nErDcamp this year. Can you talk a little bit about the experience and what it meant to you as a writer and former teacher?

A: nErDcamp is magic, plain and simple. I have been fighting for so long — first as a teacher and then as a parent — for reading instruction in schools that is humane and empathetic and inspiring and challenging and ultimately joyful. Reading instruction and encouragement that helps young minds to be more than they are through the power of radical empathy in books. And I have found myself thwarted and frustrated at every turn. Coming to nErDcamp felt like coming home. So many joyful teachers! So many joyful book pushers! So many joyful writers and readers and kids! It was one of the most wonderful experiences of my life.

Q: You teach writing to adults and children and you mentioned on your web site that a big part of that involves “un-teach(ing) what they have already learned.” Can you elaborate on that?

A: When we learn to write, we learn there are rules, and when we actually write, we throw those rules away. So often, my students come to me already stuck in particular boxes of what they think “good” writing is, and is not, and what kind of writer they think they are, and are not. And primarily, I think a lot of kids and adults have learned over the years that their ideas just aren’t good enough. That they don’t have a story to tell. That an idea for a story is something that happens to other people — special people. This is balderdash. All of us are built out of stories. I have to un-teach them the lie in order to teach them the truth.

Q: What books are on your nightstand right now?
A: A DARKER SHADE OF MAGIC, by V E Schwab. And after that, I have some marvelous Murakami waiting for me. There is something about summer that simply begs for Murakami. After that, I plan to read MR. FOX, by Helen Oyeyemi and a few Diana Wynne Jones books that are due for a re-read.

***

Oh, how I loved A Darker Shade of Magic and so did both of my children (readers, please note that it is technically adult, although I let my 10 & 11 year old read it!). Thanks so much for your time, Kelly, and best of luck with your new book.

THE GIRL WHO DRANK THE MOON releases today from Algonquin Young Readers.

Back to Top

Interview and Giveaway with Jen Swann Downey

By on June 17, 2016   /   Author Interviews, Book Lists, Fiction, For Kids, For Librarians, For Parents, For Teachers, For Writers, Giveaways, News, Writing  

swordinthestacks

It’s our pleasure here at the Mixed Up Files to interview the fabulously funny Jen Swann Downey, author of THE NINJA LIBRARIANS series. The second installment, SWORD IN THE STACKS, has just released from Sourcebooks Jaberwocky. After stumbling upon the secret society of time-traveling ninja librarians, Dorrie has finally joined Petrarch’s Library as an apprentice! One day, she’ll actually go on missions to rescue people whose words have gotten them into trouble. For now she’s taking some interesting classes:
• First and Last Aid: When Nobody Else is Coming
• Spears, Axes, and Cats: Throwing Objects with Precision and Flair
• Codes, Invisible Inks, and Smoke Signals: Keeping Secrets 101

But on a training mission to 1912 England, Dorrie finds herself dangerously close to a member of the Stronghold – the Library’s biggest enemy. This is her opportunity! Dorrie can spy on the enemy, find the missing key…and become a real Lybrarian!

But if she makes a mistake, Dorrie could lead their enemy right to the very place she’s trying to save…and everyone she cares about.

It’s been a couple of years since the Ninja Librarians first began their adventures. What was the genesis of the idea for this series? I think the seed for the series was planted when I saw the phrase “Petrarch’s Library” scrawled on a notebook I found in our never-very-organized, and always-very-clutterful house. Everyone in the family denied being the scrawler, but the phrase ignited my imagination, especially after I looked it up and found it associated with a collection of books that the 14th century humanist and poet, Petrarch, had carried around with him when he traveled on the back of a donkey. That made me laugh, because the phrase had suggested some sort of grand magnificent library. But then I thought, well, even a small collection of books IS a sort of imaginary grand magnificent place because each of the books is a doorway into a different world of ideas, and knowledge, and story.

Suddenly I was imagining “Petrarch’s Library” as a solid, if sprawling building, made out of library chambers from different times and places knitted together by magic into one incredible super-library.

Since I was a kid, I always had the feeling that librarians were masquerading at doing something mundane while actually doing something incredible, mysterious and magical. It seemed reasonable that the work of librarians who staffed the imaginary Petrarch’s Library would defend and protect the flow of information in shall we say, some additional warrior-ish direct action ways!

Dorrie and Marcus have hair-raising adventures in lots of locations throughout history. Tell us a little bit about your research process. You are so kind to dignify my flailing attempts at understanding and conveying history as “a research process”. : )   I love history. I’m quite sure I don’t do any justice to any standards of academic research, but I love rolling around in the past in any way I can. For these first two books, once I settled on a place and time that would figure in the story, I would spend far too much on used books from Amazon to get a general sense of the “wherein” and then do more particular research as I needed to know more. I stare at paintings and statues, read historians’ accounts, and most satisfyingly of all – read uninterpreted original source material. For instance, parts of SWORD IN THE STACKS take place in 1912 London. I loved reading newspapers from the era to get a feel for the time, and how various sectors of society felt about the suffrage question.

The overarching theme of these books seems to be freedom of speech, a very relevant issue-not just for libraries. What do you hope readers will take away from this series? Since I was a young kid, I’ve been awed by those who have spoken “truth to power” often at great cost to themselves.  I am enjoying, through these fantasy adventures, posing questions about what exactly we mean by intellectual freedom, why it might have value, and what it means to uphold such a principle in every day life.

I hope readers who may not have thought about these things in a while, or lately, or ever, will join me in that questioning. About how for instance, a chasm can exist between theoretical support for the principle of intellectual freedom and the actions we take or don’t take when confronted with speech/writing we find dangerous, stupid, hurtful, or otherwise offensive.  It’s tempting to ignore cases of censorship of viewpoints we don’t share, or viewpoints we actively disagree with.

What are some of the challenges to series writing? Are sequels easier than writing the first book? When I wrote the first book, I chose to devote a good deal of my efforts to world-building. I reveled in (and gnashed my teeth at!) the challenges of making the clear rich fantasy vision of the alternate world inside my head and heart come alive for readers. When I began the second, I felt both tantalized and scared by the fact that the world now existed. My new main job would be to create a compelling story for Dorris and the rest of the Library’s inhabitants to live out WITHIN that world, and I wasn’t sure I could come up with enough story! I felt like a kid who, determined to build a club-house, bends all will to the task, and after much effort succeeds in nailing on the last shingle, but then isn’t quite sure what to DO with the clubhouse!

As I began to imagine Dorris’s story for the second book, it was hard not to think about the possibility of a “disappointing” sequel, which generated Fear and Self-Consciousness. I don’t know about you, but those two cats do not fuel creative flow for me!  I had to take back ownership of the book-writing somehow, and make it a creative act that wasn’t about pleasing others, but myself. Which sounds very vague. My specific strategy was to give myself a specific craft challenge.  I was very aware of the flaws I perceived via hindsight in my first book, especially in terms of plotting. The task I set for myself was to do a better job of plotting. One that I could feel was an improvement over the plotting in book one, even a small improvement. That if I could do that, no matter what else I achieved or didn’t with the book, I could feel good about that.  Somehow that really grounded and motivated me all at once.

You have an amazingly imaginative sense of humor. Please tell us about what kind of kid you were and how you grew to be such a wieldy wordsmith. Oh gosh. What kind of kid was I? I’m sure I was a trial to many neighbors and teachers.  I was a big time pretend kid.  I read a lot. A lot! But I was also loud and boisterous and a tree climber and a creek wader. I was an idiot. I had no sense of perspective. I always had a big plan: Bike to NYC, join the circus, run a restaurant out of our moldy basement.  I lectured the older teens on the block about smoking. I reveled in attics, basements, garages, storm drains, and all the rest of the unclaimed territories in which new civilizations could be erected. I took to writing early, mostly for its usefulness in writing ransom notes. I wrote letters, indignant childhood diary entries, purple poetry, and yearning paeans to each person I fell in love with, but didn’t really write stories until I was deep into matron-hood.

What’s your favorite part of being a children’s author? Writing for people who still believe that anything is possible.

If you could travel back in time to when you were first beginning to write toward publication, what advice would you give yourself or aspiring writers? Don’t rush. Don’t rush. Don’t rush. When you’re sure that your manuscript is in stellar shape, and you’re positive that the very first agent, or second at least, will fall in instant love with it…STOP.  Freeze your computer in a block of ice.  Lock it in a safe and swallow the key. Hire a cadre of badgers to bury it in the forest (wrapped nicely in protective plastic, naturally) but DON’T SEND OUT THE MANUSCRIPT.  Give yourself at least a month. Work on something else.  Another story. A macrame project. Anything. But give yourself time to be able to see the manuscript anew. When you were sure that there was nothing left to improve. Then send it out, and good luck!

Do you have any exciting plans for this summer, or do you do most of your traveling in books? My exciting plans include excavating the garden out of the weeds (I should have it ready to go just in time for the first snowstorm), teaching the family’s new dog not to pull all the arms out of all the family sockets whenever during our walks he sees a squirrel, or a cat, or a popsicle stick, or anything really;  and yes, exploring the Mongol Empire from my book-page origami airplane. You know…just in case Dorris and Marcus and Ebba have to maybe perhaps possibly visit there…..

And finally, what exactly are all seventeen uses for a flaming arrow? Or does one have to become a lybrarian to find out? We denizens of Petrarch’s Library believe in the free flow of useful information and would be more than happy to share:

The Seventeen Uses of a Flaming Arrow

1. Lighting surprise party birthday cake candles.
2. Severing a rope down which your enemy has only made it halfway     down.
3. “Safely” igniting explosives.
4. Illuminating dark archive passages in an exhilarating manner.
5. Beginning a useful stampede at a royal ball.
6. Trimming the hedges.
7. Checking depth of fetid well into which one is about to spelunk.
8. Low-tech signal flare.
9. Simultaneously catching and cooking your supper.
10. Instant wound cauterizer.
11. Encouraging tediously bad actors to exit stage left.
12. Quickly disposing of outdated curtains.
13. Entertainment of small children or easily pleased adults.
14. Testing air quality in an underground cavern.
15. Keeping angry book-burners at bay.
16. Impromptu fondu maker.
17. The ultimate literary exclamation point.  : )
We are giving away a hot-off-the-press copy of THE NINJA LIBRARIANS: SWORD IN THE STACKS to one lucky winner! All you have to do is tell us an 18th use for a flaming arrow in the comments below!

JenSwannDowneyJen Swann Downey’s non-fiction pieces have appeared in New York Magazine, the Washington Post, Women’s Day, and other publications. She is the author of the middle-grade novel, THE NINJA LIBRARIANS: THE ACCIDENTAL KEYHAND. Her second novel, THE NINJA LIBRARIANS: SWORD IN THE STACKS is also now available from Sourcebooks. Jen divides her time between libraries and other places, and will never stop looking for lickable wallpaper.

Back to Top

March New Releases

By on March 1, 2016   /   Book Lists, Common Core & NGSS, Fiction, For Kids, For Parents, For Teachers, For Writers, MUF Contributor Books, News, Nonfiction, Publishing & Promotion, Writing  

Happy March! Here are some of the of the fabulous books hitting the shelves this month, including our own Jen Swanson’s EVERYTHING ROBOTICS: ALL THE PHOTOS, FACTS, AND FUN TO MAKE YOU RACE FOR ROBOTICS which comes out March 8th from National Geographic. Congratulations, Jen!

EverythingRobotics

TheLandOfForgottenGirlsTHE LAND OF FORGOTTEN GIRLS by Erin Entrada Kelly releasing March 1st from Greenwillow Books. Soledad has always been able to escape into the stories she creates. Just like her mother always could. And Soledad has needed that escape more than ever in the five years since her mother and sister died and her father moved Sol and her youngest sister from the Philippines to Louisiana. Then he left, and all Sol and Ming have now is their evil stepmother, Vea. Sol has protected Ming all this time, but then Ming begins to believe that Auntie Jove—their mythical, world-traveling aunt—is really going to come rescue them. Have Sol’s stories done more harm than good? Can she protect Ming from this impossible hope? Erin Entrada Kelly writes with grace, imagination, and deepest heart about the meaning of family and about finding hope in the hardest circumstances.

DreambenderDREAMBENDER by Ronald Kidd releasing March 1st from Albert Whitman & Company. Everyone in the City is assigned a job by the choosers–keeper, catcher, computer. Callie Crawford is a computer. She works with numbers: putting them together, taking them apart. Her work is important, but sometimes she wants more. Jeremy Finn is a dreambender. His job is to adjust people’s dreams. He and others like him quietly remove thoughts of music and art to keep the people in the City from becoming too focused on themselves and their own feelings rather than on the world. They need to keep the world safe from another Warming. But Jeremy thinks music is beautiful, and when he pops into a dream of Callie singing, he becomes fascinated with her. He begins to wonder if there is more to life than being safe. Defying his community and the role they have established for him, he sets off to find her in the real world. Together, they will challenge their world’s expectations. But how far will they go to achieve their own dreams?

DorotheasEyesDOROTHEA’S EYES: DOROTHEA LANGE PHOTOGRAPHS THE TRUTH by Barb Rosenstock and illustrated by Gerard Dubois releasing March 1st from Calkins Creek. After a childhood bout of polio left her with a limp, all Dorothea Lange wanted to do was disappear. But this desire not to be seen helped her learn how to blend into the background and observe others acutely. With a passion for the artistic life, and in spite of her family’s disapproval, Dorothea pursued her dream to become a photographer and focused her lens on the previously unseen victims of the Great Depression. This poetic biography tells the emotional story of Lange’s evolution as one of the founders of documentary photography. It includes a gallery of Lange’s photographs, and an author’s note, timeline, and bibliography.

TheMidnightWarOfMateoMartinezTHE MIDNIGHT WAR OF MATEO MARTINEZ by Robin Yardi releasing March 1st from Carolrhoda Books. Life is confusing for Mateo Martinez. He and Johnny Ramirez don’t hang out anymore, even though they used to be best friends. He and his new friend Ashwin try to act like brave, old-time knights, but it only gets them in trouble. His parents keep telling him to hold his sister’s hand when crossing busy streets, even though she’s the one who always runs ahead.
And last night, two skunks stole Mateo’s old trike. Wait—two skunks stole his trike? Mateo is too big for that rusty kid toy. He has a cool, shiny new bike anyway. But Mateo also has a neighborhood to protect. And he’s about to begin a big, stinky quest to catch the thieves. A quest that starts in the middle of the night

IsabelFeeney,StarReporterISABEL FEENEY, STAR REPORTER by Beth Fantaskey releasing March 1st from Houghton Mifflin Harcourt. It’s 1920s Chicago—the guns-and-gangster era of Al Capone—and it’s unusual for a girl to be selling the Tribune on the street corner. But ten-year-old Isabel Feeney is unusual . . . unusually obsessed with being a news reporter. She can’t believe her luck when she stumbles not only into a real-live murder scene, but also into her hero, the famous journalist Maude Collier. The story of how the smart, curious, loyal Isabel fights to defend the honor of her accused friend and latches on to the murder case like a dog on a pant leg makes for a winning, thoroughly entertaining middle grade mystery.

EgyptworldEGYPTWORLD: DISCOVER THE WONDERS OF THE ANCIENT LAND OF TUTANKHAMUN AND CLEOPATRA by Stella Caldwell releasing March 1st from Carlton Kids. Unlock the secrets of an ancient and mysterious civilization. Through breathtakingly vivid images—including awe-inspiring CGI scenes—Egyptworld travels down the Nile River, through the land of the pharaohs. Return to a world where the desert sun sparks the gleaming tips of majestic pyramids, treasure-filled tombs hold mummified rulers, and colossal beasts of stone stand guard. This sumptuously illustrated book makes a perfect gift for all budding archaeologists!

HourOfTheBees

HOUR OF THE BEES by Lindsay Eagar releasing March 8th from Candlewick Press. While her friends are spending their summers having pool parties and sleepovers, twelve-year-old Carolina — Carol — is spending hers in the middle of the New Mexico desert, helping her parents move the grandfather she’s never met into a home for people with dementia. At first, Carol avoids prickly Grandpa Serge. But as the summer wears on and the heat bears down, Carol finds herself drawn to him, fascinated by the crazy stories he tells her about a healing tree, a green-glass lake, and the bees that will bring back the rain and end a hundred years of drought. As the thin line between magic and reality starts to blur, Carol must decide for herself what is possible — and what it means to be true to her roots. Readers who dream that there’s something more out there will be enchanted by this captivating novel of family, renewal, and discovering the wonder of the world.

MuttsPromiseMUTT’S PROMISE by Julie Salamon and illustrated by Jill Weber releasing March 8th from Dial Books. Luna is a farm puppy who loves to dance, and has only known a happy, serene life surrounded by her mother, Mutt, and her siblings, and cared for by Gilberto, the son of farm workers. But now Gilberto and his parents have moved on, and Mr. Thomas the farmer doesn’t feel he can take care of a whole family of dogs. He finds new homes for the puppies, not realizing that the man who took Luna and her brother does not have their best interests at heart. Luna and Chief, hungry and scared, are trapped in the smelly barn of a puppy mill—until they take matters into their own paws and find a way to escape. But can Luna and Chief find their way home?

TheEyeOfMidnightTHE EYE OF MIDNIGHT by Andrew Brumbach releasing March 8th from Delacorte. On a stormy May day in 1929, William and Maxine arrive on the doorstep of Battersea Manor to spend the summer with a grandfather they barely remember. Whatever the cousins expected, Colonel Battersea isn’t it.
Soon after they settle in, Grandpa receives a cryptic telegram and promptly whisks the cousins off to New York City so that he can meet an unknown courier and collect a very important package. Before he can do so, however, Grandpa vanishes without a trace. When the cousins stumble upon Nura, a tenacious girl from Turkey, she promises to help them track down the parcel and rescue Colonel Battersea. But with cold-blooded gangsters and a secret society of assassins all clamoring for the same mysterious object, the children soon find themselves in a desperate struggle just to escape the city’s dark streets alive.

EverydayHeroEVERYDAY HERO by Kathleen Cherry releasing March 15th from Orca Books. Alice doesn’t like noise, smells or strangers. She does like rules. Lots of rules. Nobody at her new school knows she has Asperger’s, so it doesn’t take long for her odd behavior to get her into trouble. When she meets Megan in detention, she doesn’t know what to make of her. Megan doesn’t smell, she’s not terribly noisy, and she’s not exactly a stranger, but is she a friend? Megan seems fearless to Alice—but also angry or maybe sad. Alice isn’t sure which. When Megan decides to run away, Alice resolves to help her friend, no matter how many rules she has to break or how bad it makes her feel.

THE EXTRAORDINARY SUZY WRIGHT: A COLONIAL WOMAN ON THE FRONTIER  by Teri Kanefield releasing March 15th from Abrams. Children are taught much about the men who shaped early America, but history-shaping colonial women remain largely unknown and undiscussed. The Extraordinary Suzy Wright sets about to change that, telling the little-known story of Quaker Susanna (Suzy) Wright (1697–1784), a renowned poet and political activist. Suzy helped settle the Pennsylvania frontier, where she acted as legal counselor to her less literate neighbors, preparing wills, deeds, indentures, and other contracts. Surviving documents and correspondence between Suzy and a host of her contemporaries—including Benjamin Franklin; James Logan, Pennsylvania’s governor and chief justice; and a few signers of the Declaration of Independence—reveal that Suzy, from her home on the frontier, exerted considerable influence in the highest circles of Pennsylvania government. This fascinating and inspiring story includes an author’s note, bibliography, and index.

TheCharmedChildrenTHE CHARMED CHILDREN OF ROOKSKILL CASTLE by Janet Fox releasing March 15th from Viking. Something is not right at Rookskill Castle, a rundown Scottish manor shrouded in mystery. The castle is a temporary boarding school for children escaping the Blitz, but soon it’s clear there is something terribly wrong. There are clues hinting that a spy is in the house, and there are undeniable signs of a sinister magic. When the children in the castle’s temporary boarding school begin disappearing one by one, it’s a race against the clock for twelve-year-old Kat Bateson, her two younger siblings, and their new best friend.

Summerlost_BOM.inddSUMMERLOST by Ally Condie releasing March 29th from Dutton Books for Young Readers. It’s the first real summer since the devastating accident that killed Cedar’s father and younger brother, Ben. But now Cedar and what’s left of her family are returning to the town of Iron Creek for the summer. They’re just settling into their new house when a boy named Leo, dressed in costume, rides by on his bike. Intrigued, Cedar follows him to the renowned Summerlost theatre festival. Soon, she not only has a new friend in Leo and a job working concessions at the festival, she finds herself surrounded by mystery. The mystery of the tragic, too-short life of the Hollywood actress who haunts the halls of Summerlost. And the mystery of the strange gifts that keep appearing for Cedar.

Which books are you looking forward to reading this month? Are there any that you’re excited about we might have missed? Happy Spring Reading!

Louise Galveston is the author of By the Grace of Todd, In Todd We Trust (Razorbill). She lives in southern Kansas with a passel of kids and a loud-mouthed parrot.

Back to Top