Posts Tagged #mgkidlit

A Serendipitious Interview and Giveaway

Code Name: Serendipity CoverI recently read and thoroughly enjoyed Amber Smith’s middle grade debut Code Name: Serendipity about a misunderstood girl  named Sadie who discovers that she can hear the thoughts of a stray dog that she finds in the forest behind her house. In her quest to rescue the dog, Sadie finds that Dewey, the dog, can hear her thoughts as well, and a friendship forms between them. Soon, through her rescue efforts, Sadie is making more unlikely friends. This is a book to hand to anyone who loves animals and who has ever felt misunderstood. So, when an opportunity to interview the author arrived, I jumped at the chance. Welcome to the Mixed-Up Files, Amber.

MUF: Tell us about Code Name: Serendipity?

A: Code Name: Serendipity tells the story of eleven-year-old Sadie, a lonely misfit whose life seems to be going all wrong lately — she can’t get along with her older brother, her best friend moved away, and it seems no one understands her. That is until she meets a stray dog and realizes that they have a very special connection: They can communicate telepathically. Sadie sets out on a mission to rescue the dog, but in the process, she might just rescue herself too.

MUF: You’ve written several great young adult novels, and Code Name: Serendipity is your first MG? How was the experience different?

A: In terms of process and structure, it wasn’t too different to switch from writing YA to MG. But I found that it took me quite a while to find Sadie’s voice. As I was drafting, I struggled to balance her youth and maturity in a natural way, one that was so different from the older characters I have been writing for years now. Once I found it, though, the pieces of the puzzle just started falling into place!

MUF: Your bio says that Code Name: Serendipity was inspired by your own experiences rescuing animals. Are there any particular animals that inspired Dewey? Are there any stories from your time rescuing animals that particularly inspired this story?

A: Definitely! My wife and I are both huge animal lovers – we currently have seven rescues (two dogs and five cats). There are little pieces of each of these sweet furbabies threaded throughout the story, but the one who really inspired it was a third dog, Darwin. I rescued him from a shelter when he was still a puppy and he was with me his whole life, up until he was a senior, and eventually passed. I always refer to him as my “soul dog” because we had such a close bond that at times, it really did feel as if we knew what each other were thinking. Not quite telepathy, like Sadie and Dewey, but pretty close! So, I started writing this book in memory of him, and how much joy and love he broughtDarwin, the inspiration for Dewey in Code Name: Serendipity into my life.

MUF: Not gonna lie, I really wish that I had Sadie’s power not only with my own cats but also the cat that I TNR’d. (Trapped, Neutered, Released) Have there ever been animal rescue experiences where you wished that you had Sadie’s power?

A: First, I love that you participate in a TNR program!

This is how we have ended up with the majority of our rescue cats. Former members of feral colonies, who, when brought in for spay/neutering, were found to have health issues that prevented them from being re-released back into their feral colonies. These kitties can have such weird and sometimes aggressive behavioral issues that prevent them from being (or staying) adopted — after all, they’ve never been a part of a household or family. So, my wife and I have become known as the “crazy cat ladies” the shelters call to take the cats who have run out of options. I have definitely wished I could telepathically communicate with some of these cats (we have five of them currently) to explain what it means to transition from feral-to-house cat. They get it eventually, but it would be so much easier if we could just talk it out!

MUF: Code Name: Serendipity deals with some weighty issues with Sadie’s grandfather’s illness, her LD, and also what could happen to Dewey if she’s not rescued from the shelter. How do you approach writing about these topics for MG. Is it different from how you’d approach writing them for YA, and how so?

A: My YA novels have all dealt with some pretty heavy, hard-hitting topics that sometimes get into dark places, and while I definitely wanted to touch on serious real-world topics in Code Name, I was very conscious of not wanting any of Sadie’s problems and challenges to ever feel insurmountable. One of the ways I tried to achieve this was to show her finding tools, help, and allies along the way – so there was always a light at the end of every tunnel.

Amber Smith with DarwinMUF: Why does Gramps call Sadie Sassafras?

A: Gramps has a lot of what Sadie refers to as “Grampsisms” – or his own unique made-up expressions – old-timey sayings, but with a twist! When I was brainstorming nicknames he might have for Sadie, I kept thinking he’d probably want to express his admiration for Sadie’s spirited (or, some might say, sassy) nature. I thought at first, he could call her “Sassy,” but I wanted it to be something a bit more endearing and special, so in true Gramps style, Sassy became “Sassafras.”

MUF: Your descriptions of food in this story are awesome. I ended up buying a box of Uncrustables because I was craving PBJ after this. Were there any foods that you wrote, that you were hungry for after describing them?

A: Yes, I ate many a late-night PBJ sandwich while writing this book – and I still don’t know whether it was my snack that inspired the recurring PBJs in the book or the book that made me crave the recurring sandwiches. Also, Sadie has a penchant for French toast and big weekend breakfasts with her family, which is something I always looked forward to as a kid!

MUF: Sadie’s very gifted with art. I loved the scene where she’s drawing out the word problem. Do you draw? Or do origami like Macy? (Fun side note, I tried to learn origami in Japanese class in college because we did this whole Sadako and the Thousand Paper Cranes thing, and I literally made one sad, pathetic paper crane because like Sadie, I cannot figure it out.)

A: I actually do have a background in visual art – I went to college for Painting and grad school for Art History, so I love to incorporate creative and artistic themes in my books. I honestly don’t practice art too much these days, but it will always hold a special place in my heart as my first creative love. (Side note: I probably logged at least 100 hours of YouTube tutorials on origami while writing this book because I wanted to get the descriptions of Macy’s creations just right!)

MUF: Also, in a similar vein, throughout the story, we see Sadie working on her graphic novel. Are you a fan of graphic novels? If so, what are your favorites?

A: When I was a kid, I wanted to be an illustrator, but my wife is the true graphic novel aficionado in the family, so I borrowed that interest of hers for Sadie.

MUF: What are your favorite books?

A: I have too many to name (and the list is always growing), but on the middle-grade side I love anything by Lynda Mullaly Hunt, Holly Goldberg Sloan, and Kate DiCamillo – Because of Winn-Dixie has been a long-time favorite of mine, and definitely inspired Code Name!

MUF: What are you working on now?

A: I am in the beginning stages of a new middle-grade novel that I’m super excited about (all I can say right now is that it involves another special animal – this time, a cat).

How can readers find you online?

A: I love connecting with readers! You can find me online at www.AmberSmithAuthor.com, @ambersmithauthor on Instagram and Facebook, or @ASmithAuthor on Twitter.

Thanks for having me on From the Mixed-Up Files!

Code Name: Serendipity is out now, and here at Mixed-Up Files, we’re giving away a copy to one lucky reader.

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The Sound of Violets

Welcome to the Violets Are Blue Blog Tour!

To celebrate the release of Violets Are Blue by Barbara Dee on October 12th, blogs across the web will be featuring exclusive guest posts from Barbara as well as 5 chances to win a signed copy all week long!


The Sounds of Their Voices 
by Barbara Dee

I’m an auditory writer, not a visual writer. By that I mean I rarely write descriptions of landscapes, or even the way characters look. I’m much more interested in the way characters sound, especially as they interact with each other in conversation. And as I write dialogue, I keep in mind that adults need to sound like adults, kids need to sound like kids—and that they all need to have distinct voices.

So I ask myself certain questions about the characters’ speaking styles. For example: Do they speak in long sentences, or short ones? Do they ask a lot of questions? Do they interrupt? Do they pause or hesitate or trail off? Do they use slang or formal speech? Do they have favorite expressions, especially those they use in moments of anger, frustration, excitement? What’s their tone—sarcastic, sympathetic, tense, calm? Is their voice hoarse, sharp, quiet, shrill, musical?

To get a grip on my characters, I don’t need to see their faces; I need to hear them speak. Sometimes as I’m writing I’ll read a manuscript aloud to hear how my characters are sounding. What I’m listening for most of all is natural, authentic speech—no elevated diction (unless it’s in character). This is essential, because middle grade readers have sharp ears exquisitely attuned to authenticity.

I remember how, when my daughter was about eight or nine, she abruptly abandoned a popular series, so I asked her why. “Because the characters never use contractions,” she told me. “They say ‘I cannot,” and ‘I do not,’ and that’s not how kids talk.”

If you’re writing middle grade fiction, nothing is more important than sounding like a kid. The challenge is not to overuse kidspeak. You need to keep in mind that certain expressions will sound fresh as you’re drafting your manuscript, but may become passé by the time the book is published. As I learned from my daughter,  if you get the voice even slightly wrong—if you sound dated, or, even worse, if you sound like an adult– you’ll turn off your readers.

And here’s the funny part: Although I know my characters are working when I can hear how they sound, I know my plot is working when I can see where they live. For every book I write, I develop an almost architectural blueprint of the main character’s house. In Violets Are Blue, I have a strong sense of the layout of the townhouse: the door leading into the kitchen, the living room next to it, the staircase, and the two bedrooms, each with its own bathroom. All of this detail is significant to the plot, so it’s important to get straight how characters travel from one room to the next.

And of course how you can hear, or overhear, their voices throughout the house.


 

Amazon | Bookshop | Goodreads

“Barbara Dee has done it AGAIN! She tackles tough topics with such great care. She is to middle schoolers today what Judy Blume was to me in the 80’s. I give Violets Are Blue ALL the stars and thumbs up.”
– Amanda Jones, 2021 School Library Journal Co-Librarian of the Year

“[F]requently poignant… With flawed, realistic characters and dynamics, this reconciliatory novel is a believable balm for young people at the mercy of adult choices and scenarios.”
Publishers Weekly

From the author of the acclaimed My Life in the Fish Tank and Maybe He Just Likes You comes a moving and relatable middle grade novel about secrets, family, and the power of forgiveness.

Twelve-year-old Wren loves makeup—special effect makeup, to be exact. When she is experimenting with new looks, Wren can create a different version of herself. A girl who isn’t in a sort-of-best friendship with someone who seems like she hates her. A girl whose parents aren’t divorced and doesn’t have to learn to like her new stepmom.

So, when Wren and her mom move to a new town for a fresh start, she is cautiously optimistic. And things seem to fall into place when Wren meets potential friends and gets selected as the makeup artist for her school’s upcoming production of Wicked.

Only, Wren’s mom isn’t doing so well. She’s taking a lot of naps, starts snapping at Wren for no reason, and always seems to be sick. And what’s worse, Wren keeps getting hints that things aren’t going well at her new job at the hospital, where her mom is a nurse. And after an opening night disaster leads to a heartbreaking discovery, Wren realizes that her mother has a serious problem—a problem that can’t be wiped away or covered up.

After all the progress she’s made, can Wren start over again with her devastating new normal? And will she ever be able to heal the broken trust with her mom?

Learn how to create the mermaid makeup effect from the cover!:

 

 

Follow Barbara: Website | Facebook | Twitter | Instagram

Barbara Dee is the author of twelve middle grade novels published by Simon & Schuster, including Violets Are Blue, My Life in the Fish Tank, Maybe He Just Likes You, Everything I Know About You, Halfway Normal, and Star-Crossed. Her books have earned several starred reviews, have been shortlisted for many state book awards, and have been named to best-of lists including the The Washington Post’s Best Children’s Books, the ALA Notable Children’s Books, the ALA Rise: A Feminist Book Project List, the NCSS-CBC Notable Social Studies Trade Books for Young People, and the ALA Rainbow List Top Ten. Barbara lives with her family, including a naughty cat named Luna and a sweet rescue hound named Ripley, in Westchester County, New York.

GIVEAWAY

a Rafflecopter giveaway
 

  • One (1) winner will receive a hardcover of Violets Are Blue by Barbara Dee with a SIGNED bookplate
  • US/Can only
  • Ends 11:59pm ET on 10/24
  • Enter using the Rafflecopter above
  • Check out the other stops along the tour for more chances to win!

 

Blog Tour Schedule:

October 11th – Pragmatic Mom
October 12thImagination Soup
October 13thFrom the Mixed-Up Files of Middle-Grade Authors
October 14th – YA Books Central
October 15thGood Choice Reading

 

Mixed-Up Files interview with Dan Abdo and Jason Patterson, authors of, Barb the Last Berzerker!

Hello Mixed-Up Filers,

Wow, you have me three times this month! How I envy you! Well, we are in for a treat today! We have the authors of the new graphic novel series from Simon & Schuster, Barb the Last Berzerker, by Dan Abdo and Jason Patterson.

JR: Thanks for joining us over at Mixed-Up Files!

Dan: Thank you so much for having us! It’s an honor!

Jason: Thank you so much!

JR: I was fortunate enough to have a chance to read Barb the Last Berzerker already, and found it to be so much fun! For those who don’t know, can you tell us a little bit about the book and where the idea for Barb came from?

Dan : Sure. Jason and I are writers, cartoonists, and animators. We were bouncing ideas off each other over sandwiches in Manhattan. We are huge fans of orcs, dragons, magic swords, and all things dorky. We knew we wanted to come up with an adventure story and we also knew we wanted to design a hero that our kids could look at and see themselves in. A real hero who did the right thing, even when doing the right thing is hard. Especially when it’s hard.

Jason: I think we were both in a place in our lives where we were creatively a bit frustrated. We hear the word no a lot! And so Barb is kind of this champion who never takes no for an answer. She never gives up! She really inspired us. It’s funny to say but we really do think of her as a real person.  The more we got to know her, the world of Balliwick just kept unfolding in front of us in a really exciting and organic way. It felt more like a place we discovered rather than a place we created. Side note: Are italics kind of annoying? I can’t tell.

JR: They don’t bother me at all! There is a lot of humor in the book, as well as some more touching moments. How difficult is it to strike the right balance?

Jason: I think in all fiction, but especially  fantasy, you have to really ground the reader. Action is a blast, but unless there is a real emotional story underneath, things can start to feel flat. Barb’s backstory was a really important element to get right.

Dan : Barb’s backstory and her relationship with her mom is one of things that makes Barb real. The comedy just flows out of these characters and the crazy predicaments that Barb and her pal Porkchop find themselves in. I grew up in a household with a single mom, and had never really seen an honest and fun relationship between a kid and a single parent portrayed in a fantasy adventure story. Barb’s relationship with her mom is rich and complex and gives us lots of places to go as writers and cartoonists.

JR: When reading the book, I doubt that this was in your minds, but I got a kind of Groo by Sergio Aragones vibe from it. Were you fans? Who were some of your influences?

Dan : We LOVE Groo! Sergio Aragonés is a genius cartoonist and we’re huge fans. I have always loved comics and cartoons that can really mix adventure and comedy. Teenage mutant Ninja Turtles has been a huge influence on me my whole life. The Scrooge McDuck comics and the Ducktales cartoon are also reference points I always go back too. Jason and I are always chatting about film and TV too. I think we’ve learned a lot about story telling by deconstructing some of our favorite films, like

Jason: Totally! Groo meets Conan!  I think that could be the elevator pitch. Going over to Dan’s house after school and reading comics together was always such a blast. We would both just sit on the floor and get lost for hours. I remember one time in particular when Dan was super excited about a TMNT storyline where there was a dinosaur from the future. It was such a wacky idea but still totally worked in the world. It was so rad!

Dan : Triceratons rule!

 JR: I could write a thesis about how much I love Duck Tales! The two of you have been friends since high school. What’s it like to work with your friend?

Dan : It’s a never ending nightmare I can’t wake up from.

Jason: Ha! I think Dan is joking. (God what if he’s not. This would be an amazing place to find that out. ) The best part is that we are in this together. It’s hard to make a comic. (probably not quite as hard as Barb defeating Witch Head, but close) What makes it easier is that as I sweat over my pages I know Dan is sweating over his pages too. When one of us starts taking this too seriously (usually me) the other one (usually Dan) can offer some perspective, we get to make comics everyday!

JR: Funny, I also like to tell my friends what I think that they’re doing wrong. What is your process like, and are there ever any disagreements over your projects?

Dan: We write and draw and do everything together. In all honesty, I feel super lucky to have a creative partner who is so talented and so fun to work with. I feel like I’m always running to keep up with Jason’s drawings and writing  which makes me a better artist. Jason has one of the funniest and most twisted senses of humor I’ve ever encountered and I am constantly in stitches. We never really have huge disagreements.

Jason: That’s not true Dan, we do argue about stuff.

Dan: No we don’t!

Jason: Yes we do! Side note: Dan is an amazing story teller and artist, I have to run to keep up with him! I think his brain never stops.

 

JR: You’ve been responsible for projects in TV, movies, comics, and now graphic novels. What are the differences/pros and cons in each of these formats, and which do you prefer?

Dan: Right now we are all in on comics. It’s so great to be able to make something start to finish, with just a few people. One of the most frustrating parts of television and film development is that you can work for years on a project, and then in the blink of an eye it can go away. You can be left with literally nothing to show for it. Where in graphic novels there will always be a book, a physical thing, that you can hold. And the experience of reading a book is so exciting, so laugh inducing, and often more intimate and personal than watching something. We love film and TV, but dang comics are just so rad I can’t praise the art form enough.

Jason: Totally. It’s such a fun medium. Literally every part about making comics is fun. The writing, the first pass of thumbs, adding color, even answering questions about making comics is fun!

JR: When you do projects for TV/movies, how much autonomy do you have, as opposed to when you work on your graphic novels and can decide everything for yourselves?

Dan : Every project is a little different, but generally you have much less autonomy in TV/film. TV/Film is such a collaborative process, which is part of what’s amazing about it, but also there can be  so many cooks in the kitchen  that often all the edges get rounded off, and things become homogenized. Lots of metaphors there, but you get the idea.

Jason: With comics you can make changes up until the last second, which is so great. It gives the story a much more spontaneous and I think natural feeling. Like Improv Jazz . Animation has its own set of wonderful attributes, but you really can’t make changes once you lock picture. It’s just a much bigger boat and takes so much longer to change direction. Oops, switched metaphors there… I mean animation is more like a thirty piece orchestra.

 

JR: What are you working on next, and also, what’s next for Barb?

Dan : We have a graphic novel series called Blue, Barry, & Pancakes out with First Second books. It’s very different from Barb — these are super fun, surreal, stories of friendship between Blue a worm, Barry a frog, and Pancakes, a big fuzzy rabbit. They are aimed at a younger reader and are chock full of comedy, adventure, and heart!

Jason: Barb is definitely going to three books. We just wrapped the second book this week called “Barb and the legend of the Ghost Blade.”  We will take a few minutes off…then it’s onto MORE COMICS!

JR: Thank you so much for joining us, and best of luck to Barb the Last Berzerker!

Dan and Jason: Thank you so much for hosting us and posing such thoughtful questions. We can’t wait to chat with you again! Cheers!

Well, that’s it for this time, Mixed-Up Filers! Hope you enjoyed, and make sure you go out and get Barb the Last Berzerker!