Posts Tagged latine

WNDMG Wednesday: Author Interview with Aida Salazar

Ultraviolet cover with a young Latina boy in technicolor

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WNDMG Wednesday: Author Interview with Aida Salazar

Welcome to WNDGM Wednesday. I’m so excited to be able to introduce you and interview accomplished award-winning author Aida Salazar today. Aida’s newest book is Ultraviolet (Scholastic) and it launches on April 2, 2024.

I absolutely love anything Aida writes. I am specifically a huge fan of her verse novels- A SEED IN THE SUN and LAND OF THE CRANES made me feel so much emotion while reading, and I hung onto every word of gorgeous poetry.

I cannot wait to dive into this new book!

I encourage everyone to buy a copy for themselves and their classrooms and libraries.

ultraviolet cover with a young Latina boy

About ULTRAVIOLET

Description taken from online:

Sometimes life explodes in technicolor.

In the spirit of Judy Blume, award-winning author Aida Salazar tells it like it is about puberty, hormones, and first love in this hilarious, heartwarming, and highly relatable coming-of-age story. Perfect for fans of Jason Reynolds, Kwame Alexander, and Adib Khorram.

* “Stunning…A story that sings to the soul.” ―Kirkus Reviews, starred review

* “A compassionate verse novel about first love, heartbreak, and vulnerability. ” ―Publishers Weekly, starred review

“This important and intensely relatable tale perfectly captures the angst of growing up. A true gift to maturing tweens everywhere.” ―Ernesto Cisneros, Pura Belpré award-winning author of Efrén Divided

For Elio Solis, eighth grade fizzes with change―His body teeming with hormones. His feelings that flow like lava. His relationship with Pops, who’s always telling him to man up, the Solis way. And especially Camelia, his first girlfriend.

But then, betrayal and heartbreak send Elio spiraling toward revenge, a fight to prove his manhood, and defend Camelia’s honor. He doesn’t anticipate the dire consequences―or that Camelia’s not looking for a savior.

Hilarious, heartwarming, and highly relatable, Ultraviolet digs deep into themes of consent, puberty, masculinity, and the emotional lives of boys, as it challenges stereotypes and offers another way to be in the world.

Interview with Aida:

I loved getting to talk to Aida about her new book and I think you will enjoy meeting her and Elio as well.

SSS: What a heartfelt description! I was intrigued right away- and I cannot wait to see how Elio’s story unfolds.

 What is the inspiration behind ULTRAVIOLET?

 

AS: The initial idea for the book came from my son, João, and his friend, Mario, who after I’d written about a Latina girl’s coming of age in The Moon Within, insisted that I write one from a boy’s perspective. Mario said, “Ms. Aida, you have to write The Sun Within.” “Yeah, mom, when are you going to write a book for me?” my son added. They wanted to see a book that showed their inner lives and brought up conversations about puberty, first crushes, gender, and rites of passages—conversations that echoed who they were as cis Latino boys.

SSS: As a mom of an almost-teenage boy, I am so protective over him. He is such a sweet emotional boy, and I love that the description honors the emotions of young boys. What emotions do you think young men feel as they grow into maturity?

AS: Our patriarchal societies have made boys victims as much as girls and women and gender expansive people. We don’t allow boys space to explore the tender parts of themselves – love, anger, rejection, grief, and hormonal confusion. They are raised to bury feelings—to be “macho” and “man up.” We rarely provide safe spaces and ways for them to move through tough feelings or offer guidance on how to rise above them. It is a huge tragedy, really. When boys deny this very human part of themselves, it deeply impacts their relationships as they grow into men. And in that loss, in that wound, they sometimes treat others with the same hurt they feel or worse. Girls and women often bear the brunt of that wound, as we have seen by the violence and wars in our society today. Through Ultraviolet, I want to offer boys examples of undoing toxic masculinity and how they can find strength through nurturing their sensitivity and vulnerability.

 

SSS: I love your answer! As a mom of a young tween who is Syrian American, I worry about how the world will view my little boy, especially with stereotypes about Muslims and Arabs. As a Latine author, does your role as a mother play a part in the stories you write? How does Elio’s book play out differently than it would for someone who was not Latine?

AS: Absolutely. I have a teen son and daughter and their lives as bi-cultural, multi-racial youth inspire me. What they have to deal with as young people is unprecedented in the history of humanity because of technology and as our racism and intolerance grows. Brown and Black children and other kids of color in particular are ever more vulnerable. But I do believe in the power of education, collective organizing, and efforts to make the world a better place. Young people have a strong moral compass and I only hope that is going to be the guide that will help them not only navigate but rise above and help solve some of the most troubling issues in the world. And some things, like love, heartbreak, and puberty are evergreen. I am hopeful that the universal experiences like those found in Ultraviolet will help boys (no matter the background) understand their hearts and where they might contribute to their own and others healing through justice.

SSS: The subject of puberty is such an important topic! I am excited to see more books centering these important coming of age stories for our young ones who may feel confused as their body’s changes.

AS: Indeed! There are only a handful of books like Ultraviolet. I had a conversation with Varian Johnson and John Schu at a conference about the need for a book like this. There was so much to explore in middle grade fiction and so much of it was hilarious! I challenged them to write one because I felt like it needed to come from a boy/man’s perspective. I think John might have a memoir coming which sounds beautiful. But when my son and his friend specifically asked me for it, I knew I couldn’t say no. This one, is my interpretation of a boy’s life as a mother and feminist.

 

SSS: Will there be more Elio (or other middle grade verse novels) in the future?

AS: Yes! I have a secret project that might involve Elio and might involve another character from another of my books. Writing these characters are pure joy. I know them so well and can’t wait to write them a new narrative with new adventures in growing up. Of course, in verse!

 

SSS: Ahhh! Amazing- I cannot wait!!

 

Link to preorder here.

Writing Process

 

SSS: When did you start writing Ultraviolet and was the process a long one?

AS: Ultraviolet was actually a graphic novel before it was a verse novel. I made the move on the suggestion of my editor at Scholastic, Tracy Mack. I struggled to transition from one to the other but then I gave it a shot. Once I wrote the opening poem, I was hooked on Elio’s voice and couldn’t stop. I wrote the first draft in about three months but the editing process took another six months. We worked hard to get the story as clear, as fun, as poetic as can be.

 

SSS: Wow so interesting!

As a fellow middle grade verse novelist, I LOVE reading verse. How do you write your verse books- do they start out as verse in your mind while you write, or do they end up that way along the revision process (as happened with me!)

AS: Yes, the characters come in verse and stay that way. I am a student of Linda Sue Park’s philosophy of writing voice in fiction. She says that “voice is word choice, rhythm, and punctuation.” I explore this wisdom from a poet’s perspective. Writing poetry gives us all the tools we need to articulate these elements of voice with an extra layer of artfulness and intention. For instance, rhythm or the song or musicality of a line is crucial to poetry. Many fiction writers don’t think about this as deeply as poets. Also, poetry needs for us to use precise and economic language. To make a line artful. How you do that is what will set the voice apart. I try to make it so that each character can be their own person, with their own artful word choice, with their own song, certainly not mine or an adult’s, so they emerge as their own poet.

SSS: One hundred percent- poetry is so special and the voice in your books always stands out beautifully!

Any advice for fellow middle-grade authors? For Debuts?

 

AS: Lean on community, be tenacious, be okay to fail or be rejected, and give yourself grace. These things have made me continue in this business when times have been tough. Onward!

For more verse novels- check out this previous Mixed-Up-Files Post!

Bonus!

SSS: Bonus question! Is there anything I haven’t asked that you’d like to share with us?

AS: Ultraviolet though it might seem a light-hearted and somewhat superficial experience, really is about undoing so many hurtful practices. It takes a look at the reasons why we hurt others. There is a line in the book by Fernando, one of the leaders of the sons and fathers’ group that urges Elio to reflect when he wants to lash out against his ex-girlfriend, “Just because someone hurts you doesn’t mean you have to hurt them back.” I think about the relevance of this line and the current genocide of Palestinian people by Zionists. It is my hope that young people will understand that our wounds, as deep as they are, will never be resolved with violence. My intention was to write a feminist book for boys, to dismantle and free ourselves from these oppressive patriarchal ideas.

Thank you so much Aida for answering my questions and with such thoughtfulness and honesty! I hope everyone picks up a copy of your beautiful book.

picture of author Aida Salazar

About Aida Salazar:

Aida Salazar is an award-winning author and arts activist whose writings for adults and children explore issues of identity and social justice. She is the author of the middle-grade verse novels The Moon Within (International Latino Book Award Winner), Land of the Cranes (Américas Award Winner), A Seed in the Sun (Tomás Rivera Book Award), the picture book anthology, In the Spirit of a Dream, and the picture book biography Jovita Wore Pants: The Story of a Mexican Freedom Fighter (Caldecott Honor). She lives with her family of artists in Oakland, California.

Website: www.AidaSalazar.com    

Twitter: @aida_writes

Instagram: @aida_writes

TikTok: @aida_writes

 

WNDMG Wednesday -Interview with Kaela Rivera

We Need Diverse MG Logo hands holding reading globe with stars and spirals floating around

We Need Diverse MG Logo hands holding reading globe with stars and spirals floating around

Interview with Kaela Rivera

I absolutely fangirled when Kaela Rivera agreed to let me interview her for the MUFMGA.

Cece Rios and the Desert of Souls and Cece Rios and the King of Fears

When you read this introduction to Cece Rios and the Desert of Souls and Cece Rios and the King of Fears, I bet you’ll see why I am such a huge fan.

Cece Rios and the Desert of Souls
When a powerful desert spirit kidnaps her sister, Cece Rios must learn
forbidden magic to get her back, in this own voices middle grade fantasy perfect for fans of The Storm Runner and Aru Shah and the End of Time.

Cece Rios and the King of Fears

In its thrilling sequel, Cece and her sister Juana must journey into the stronghold of Devil’s alley to challenge the criatura king El Cucuy if they, and their criatura friends, have any hopes of staying alive. 

Can’t you just feel the excitement and tension? Plus, I love a good story that touches on a type of mythology we don’t read about often—or should I say often enough?

 

Tzitzimitl

Your story places a lot of emphasis on Tzitzimitl. What is it about this Aztec God that captured your attention?

Tzitzimitl

One of my favorite things about Mesoamerican mythology is this emphasis on exploring and understanding duality. It reminds me that our ancestors were wrestling with our own duality as people, just as we do now. How we can be both beautiful and dangerous, healing and painful, loving and wrathful. That theme is perfectly captured in the legend of Tzitzimitl, a creature who’s almost demon, almost goddess.

In myth, Tzitzimitl is both the protector of children and pregnant women and also a wrathful warrior who attacks the earth whenever there’s an eclipse. She devours and destroys when her loyalties call upon it, but she also protects and uses her power to have mercy on humans. Her character is of great importance throughout the series because I wanted Cece, my main character, to learn that both good and evil wars inside people. It’s our job as we wrestle with them to choose which one wins.

That is such interesting insight. It’s not always a black and white world, and your readers can learn to appreciate that right along with Cece.

381_01_2.jpg (608×600)

Los Cinco Soles (The Five Suns)

Aztec Mythology

Did you spend much time studying Aztec mythology and/or culture before you wrote your books?

I’d studied all kinds of folklore and mythology before writing Cece Rios and the Desert of Souls, but very little of it had been from Latin America, despite my heritage. That changed when I went to visit my abuelo when I was in college, and he told me stories about curanderas and brujas and La Llorona. I came home with a desire to learn more, and after researching all kinds of folktales and myths, inspiration struck, and I started writing Cece.

prepara-la-escoba-llega-el-primer-desfile-de-brujas-a-la-cdmx

Las Brujas (The witches)

In fact, one of the reasons I love to write is because it’s one of the best ways to learn. Want to know more about folklore? Write an article or story about it, and you’ll find yourself encountering all kinds of questions that send you hunting excitedly for answers. That process also connected me more and more with my culture, something I’ll forever be grateful to my abuelo for inspiring.

Abuelitos and abuelitas are truly wonderful!

 

Monsters/Monstruos

Chupacabra

What do you think are the scariest Aztec monsters?

Honestly, so many Aztec monsters are terrifying! Most Latin American monsters are; in fact, most monsters from mythology across the world is—a testament to the kinds of fears our ancestors wrestled with in even harsher times. But like the horror genre itself, there’s a distinct morality about the terror in Latin American mythology and folklore. There’s usually a reason why something became terrifying, or why terror was inflicted.

In Cece Rios and the King of Fears, I got to include a few of my favorites, including Alux. In the story, he’s a dark criatura, but in actual tradition aluxes were small, magical beings similar to how those of European descent might think of dwarves or fairies or elves. But they had a ferocious side, and they could curse or harm people if they trespassed on their homes, good will, or even nature itself. I took that inspiration into my series because I think the exploration of nature itself being both benign and dangerous is fascinating.

 

Huichol

Another one of my other favorite legendary beings comes from Huichol tradition (the Huichol are direct descendant of the Aztecs): Tukákame

Tukákame

He’s something between a demon and a zombie—an animated corpse that burns at the touch of water and has skeleton birds for minions. He eats human flesh, and he seemed like an appropriate way of exploring destruction in the second book, though I did that more symbolically than outright.

Buñelos

I see that you know how to make buñelos which are amazing. What other Mexican foods do you like to make (or eat!)?

Yes, I adore buñelos! I’m quite happy to say I’ve gotten pretty great at timing exactly how long they need to fry for, too.

I also like making enchilada sauce from scratch. Well, “like” might be a strong word—it takes a few hours, so I’m sometimes reluctant to start, but chile sauce really does taste better when it’s fresh, not from a can.

Spanish rice and refried beans are also a classic, so I can’t not mention them (or I won’t, at least, hah!). Spanish rice with garlic smashed with the side of a knife? Mmm. The smell fills up your whole kitchen, and I love that. Refried beans that taste fresh, not canned? All half-smashed by hand in a pan? An absolute must.

 

This is one I don’t make myself, but I also really like gansitos. My friend introduced them to me a bit later in life, and now I can’t quite get over the perfect blend of cinnamon, vanilla cake, chocolate, and raspberry filling. It might be junk food, but it’s my junk food. I even had them at Cece Rios and the King of Fears’ launch party!

I see from your website that you’re part British, part Mexican-American. Any plans of focusing on your British roots for upcoming stories?

I do, actually! Well, I suppose I should say I have plans to combine my heritages together in my stories, to embrace the mix I was born with. I have a YA fantasy that will combine the Victorian language of flowers, and certain aspects of British culture, with an Aztec kingdom steeped in old magic. Plus, a playful middle-grade written with a narrator that nods toward old British fairytales, but focused on latine main characters and setting.

This has been so fascinating. I hope you’ll come back when Cece Rios and the Queen of Brujas comes out, and if any readers are interested in learning more about Kaela Rivera, you can find her and her recipe for buñelos at:

https://www.instagram.com/kaelacub/

https://twitter.com/Kaela_Rivera_

https://www.kaelarivera.com/

Interested in learning more about mythology. Check out

Check out this interview with author Karla Arenas Valenti and learn about her book which is named after the fun game Lotería